HOW FAR IS FAR? - NO LUGAR EXHIBITS "A CIRCLE CALLED ZERO"

No Lugar and Proyecto N.A.S.A. (L) present Noetic, by the Ecuadorian artist. Curated by Pily Estrada Lecaro, the proposal brings together works in sculpture, photography, objects, videoperfomance and interactive installations to reflect on the relationship between art, nature and technology. Open until Saturday June 19.

In this exhibition, the Colombian artist presents ten works in different media: drawing, video, sculpture, and installation. These explore the idea of play, movement and activation of the exhibition space.

The Colombian artist presents a selection of sculptures that flesh out her vision in accordance with what is currently happening: What happens when a space of clarity becomes a vitiated, expressionless space? Absurdity is negative. Is negativity always the end? Or is it rather a path to make way to the new? This is a personal thought process that has become matter; rather than purely conceptual, “Tierra Vieja / Tierra Nueva” is a risk, a medication, a vulnerability opened to the rebirth of pleasure and freedom.

“It is inevitable to mention the history of painting when we refer to the work of Fernando Uhía, since it seems in the first instance to allude to the theories of color, the purism of the medium and the ruptures of the mimetic representation that occurred during the emergence of the artistic avant-gardes in the first decades of the 20th century. However, Special Defects departs from such assumptions and invites the viewer to an aesthetic experience of color through a unique treatment of paint. The above, from a global language that is expressed through the construction of shapes and colors, which today are not only present in fine arts but also in design and advertising. " Luciana Rizo introduces in the curatorial text.

Artists who have that ability to approach and distance themselves from reality have always caught my attention. Ronald Morán, (Salvadoran) is one of them; in this case, he offers us a double distancing: the distancing of a mimetic tradition that recycles reality with repeated images to the point of vertigo and, on the other hand, the distancing forced by the Covid 19 pandemic.

In collaboration with Jimena Pérez Salerno, the Argentine artist carried out a performance in the river which she later translated to la_cápsula’s gallery space in Zurich, Switzerland.

No Lugar and Proyecto N.A.S.A. (L) present Noetic, by the Ecuadorian artist. Curated by Pily Estrada Lecaro, the proposal brings together works in sculpture, photography, objects, videoperfomance and interactive installations to reflect on the relationship between art, nature and technology. Open until Saturday June 19.

In this exhibition, the Colombian artist presents ten works in different media: drawing, video, sculpture, and installation. These explore the idea of play, movement and activation of the exhibition space.

The Colombian artist presents a selection of sculptures that flesh out her vision in accordance with what is currently happening: What happens when a space of clarity becomes a vitiated, expressionless space? Absurdity is negative. Is negativity always the end? Or is it rather a path to make way to the new? This is a personal thought process that has become matter; rather than purely conceptual, “Tierra Vieja / Tierra Nueva” is a risk, a medication, a vulnerability opened to the rebirth of pleasure and freedom.

“It is inevitable to mention the history of painting when we refer to the work of Fernando Uhía, since it seems in the first instance to allude to the theories of color, the purism of the medium and the ruptures of the mimetic representation that occurred during the emergence of the artistic avant-gardes in the first decades of the 20th century. However, Special Defects departs from such assumptions and invites the viewer to an aesthetic experience of color through a unique treatment of paint. The above, from a global language that is expressed through the construction of shapes and colors, which today are not only present in fine arts but also in design and advertising. " Luciana Rizo introduces in the curatorial text.

Artists who have that ability to approach and distance themselves from reality have always caught my attention. Ronald Morán, (Salvadoran) is one of them; in this case, he offers us a double distancing: the distancing of a mimetic tradition that recycles reality with repeated images to the point of vertigo and, on the other hand, the distancing forced by the Covid 19 pandemic.

In collaboration with Jimena Pérez Salerno, the Argentine artist carried out a performance in the river which she later translated to la_cápsula’s gallery space in Zurich, Switzerland.

In this exhibition, the Colombian artist presents ten works in different media: drawing, video, sculpture, and installation. These explore the idea of play, movement and activation of the exhibition space.

The Colombian artist presents a selection of sculptures that flesh out her vision in accordance with what is currently happening: What happens when a space of clarity becomes a vitiated, expressionless space? Absurdity is negative. Is negativity always the end? Or is it rather a path to make way to the new? This is a personal thought process that has become matter; rather than purely conceptual, “Tierra Vieja / Tierra Nueva” is a risk, a medication, a vulnerability opened to the rebirth of pleasure and freedom.

“It is inevitable to mention the history of painting when we refer to the work of Fernando Uhía, since it seems in the first instance to allude to the theories of color, the purism of the medium and the ruptures of the mimetic representation that occurred during the emergence of the artistic avant-gardes in the first decades of the 20th century. However, Special Defects departs from such assumptions and invites the viewer to an aesthetic experience of color through a unique treatment of paint. The above, from a global language that is expressed through the construction of shapes and colors, which today are not only present in fine arts but also in design and advertising. " Luciana Rizo introduces in the curatorial text.

Artists who have that ability to approach and distance themselves from reality have always caught my attention. Ronald Morán, (Salvadoran) is one of them; in this case, he offers us a double distancing: the distancing of a mimetic tradition that recycles reality with repeated images to the point of vertigo and, on the other hand, the distancing forced by the Covid 19 pandemic.

In collaboration with Jimena Pérez Salerno, the Argentine artist carried out a performance in the river which she later translated to la_cápsula’s gallery space in Zurich, Switzerland.

No Lugar and Proyecto N.A.S.A. (L) present Noetic, by the Ecuadorian artist. Curated by Pily Estrada Lecaro, the proposal brings together works in sculpture, photography, objects, videoperfomance and interactive installations to reflect on the relationship between art, nature and technology. Open until Saturday June 19.

In this exhibition, the Colombian artist presents ten works in different media: drawing, video, sculpture, and installation. These explore the idea of play, movement and activation of the exhibition space.

The Colombian artist presents a selection of sculptures that flesh out her vision in accordance with what is currently happening: What happens when a space of clarity becomes a vitiated, expressionless space? Absurdity is negative. Is negativity always the end? Or is it rather a path to make way to the new? This is a personal thought process that has become matter; rather than purely conceptual, “Tierra Vieja / Tierra Nueva” is a risk, a medication, a vulnerability opened to the rebirth of pleasure and freedom.

“It is inevitable to mention the history of painting when we refer to the work of Fernando Uhía, since it seems in the first instance to allude to the theories of color, the purism of the medium and the ruptures of the mimetic representation that occurred during the emergence of the artistic avant-gardes in the first decades of the 20th century. However, Special Defects departs from such assumptions and invites the viewer to an aesthetic experience of color through a unique treatment of paint. The above, from a global language that is expressed through the construction of shapes and colors, which today are not only present in fine arts but also in design and advertising. " Luciana Rizo introduces in the curatorial text.

Artists who have that ability to approach and distance themselves from reality have always caught my attention. Ronald Morán, (Salvadoran) is one of them; in this case, he offers us a double distancing: the distancing of a mimetic tradition that recycles reality with repeated images to the point of vertigo and, on the other hand, the distancing forced by the Covid 19 pandemic.

In collaboration with Jimena Pérez Salerno, the Argentine artist carried out a performance in the river which she later translated to la_cápsula’s gallery space in Zurich, Switzerland.

No Lugar and Proyecto N.A.S.A. (L) present Noetic, by the Ecuadorian artist. Curated by Pily Estrada Lecaro, the proposal brings together works in sculpture, photography, objects, videoperfomance and interactive installations to reflect on the relationship between art, nature and technology. Open until Saturday June 19.

In this exhibition, the Colombian artist presents ten works in different media: drawing, video, sculpture, and installation. These explore the idea of play, movement and activation of the exhibition space.

The Colombian artist presents a selection of sculptures that flesh out her vision in accordance with what is currently happening: What happens when a space of clarity becomes a vitiated, expressionless space? Absurdity is negative. Is negativity always the end? Or is it rather a path to make way to the new? This is a personal thought process that has become matter; rather than purely conceptual, “Tierra Vieja / Tierra Nueva” is a risk, a medication, a vulnerability opened to the rebirth of pleasure and freedom.

“It is inevitable to mention the history of painting when we refer to the work of Fernando Uhía, since it seems in the first instance to allude to the theories of color, the purism of the medium and the ruptures of the mimetic representation that occurred during the emergence of the artistic avant-gardes in the first decades of the 20th century. However, Special Defects departs from such assumptions and invites the viewer to an aesthetic experience of color through a unique treatment of paint. The above, from a global language that is expressed through the construction of shapes and colors, which today are not only present in fine arts but also in design and advertising. " Luciana Rizo introduces in the curatorial text.

Artists who have that ability to approach and distance themselves from reality have always caught my attention. Ronald Morán, (Salvadoran) is one of them; in this case, he offers us a double distancing: the distancing of a mimetic tradition that recycles reality with repeated images to the point of vertigo and, on the other hand, the distancing forced by the Covid 19 pandemic.

In collaboration with Jimena Pérez Salerno, the Argentine artist carried out a performance in the river which she later translated to la_cápsula’s gallery space in Zurich, Switzerland.