LYDIA AZOUT EXHIBITS “OLD EARTH-NEW EARTH” IN DOT FIFTYONE GALLERY MIAMI

Jorge Cabieses’ paintings are distinctly geometric and his approach is successful in outsmarting geometric abstraction. His high clean and regular forms are contrasted by the use of hard and rustic materials. Curator Laura Marsh states, “Jorge Cabieses’ collages, paintings, and sculptures have resonance and depth beyond their points of departure within the canon of painting. “

After concluding her retrospective exhibition at the Miguel Urrutia Art Museum, of the Banco de la República, between October and December 2020, the artist Beatriz González has been invited to participate in the exhibition "Another Energy: Power to Continue Challenging", in the company of 15 women artists of wide range and different nationalities, at the Mori Museum in Tokyo (Japan). Here is a summary of her artistic career.

"But what messages do these artists, in O Ventre da Terra, address to us? (...) For them, the land is not just one thing. Now it is homeland and nation, sometimes nature and landscape, sometimes texture and materiality, now ancestral and primeval origin, now cemetery and final destination." The art critic from Rio de Janeiro Pollyana Quintella synthesizes the multiple vectors to which the thought-provoking group of pieces present in the collective exhibition of the gallery Superfície in São Paulo can be directed. It does not escape the attention of almost all women in authorship and the time when it was conceived - the 1970s, of marked experimentalism in the face of the repression of the lead years in the political sphere, which would still last some time in the 80´s.

The exhibition PROHIBIDO (Forbidden) showcases selection of 13 paintings and an oversized travel journal completed from 1992 to 2014 by artist Lydia Rubio, who represents her environment in a naturalistic style reminiscent of the Hudson River School. For four decades, she has painted highly technical oils on panel, using the traditions of the old masters with a systematic conceptual approach; the traditional style transformed through her subversive allegorical and poetic play.

The Ecuadorian gallery presents A circle called zero, a solo exhibition by David Rickard (New Zealand/UK) curated by Rubén Darío Díaz Chávez. The proposal brings together works in painting, objects, installation, sculpture, video and photography and reflects on the territory, its representation and how we relate to each other in times of pandemic.

Jorge Cabieses’ paintings are distinctly geometric and his approach is successful in outsmarting geometric abstraction. His high clean and regular forms are contrasted by the use of hard and rustic materials. Curator Laura Marsh states, “Jorge Cabieses’ collages, paintings, and sculptures have resonance and depth beyond their points of departure within the canon of painting. “

After concluding her retrospective exhibition at the Miguel Urrutia Art Museum, of the Banco de la República, between October and December 2020, the artist Beatriz González has been invited to participate in the exhibition "Another Energy: Power to Continue Challenging", in the company of 15 women artists of wide range and different nationalities, at the Mori Museum in Tokyo (Japan). Here is a summary of her artistic career.

"But what messages do these artists, in O Ventre da Terra, address to us? (...) For them, the land is not just one thing. Now it is homeland and nation, sometimes nature and landscape, sometimes texture and materiality, now ancestral and primeval origin, now cemetery and final destination." The art critic from Rio de Janeiro Pollyana Quintella synthesizes the multiple vectors to which the thought-provoking group of pieces present in the collective exhibition of the gallery Superfície in São Paulo can be directed. It does not escape the attention of almost all women in authorship and the time when it was conceived - the 1970s, of marked experimentalism in the face of the repression of the lead years in the political sphere, which would still last some time in the 80´s.

The exhibition PROHIBIDO (Forbidden) showcases selection of 13 paintings and an oversized travel journal completed from 1992 to 2014 by artist Lydia Rubio, who represents her environment in a naturalistic style reminiscent of the Hudson River School. For four decades, she has painted highly technical oils on panel, using the traditions of the old masters with a systematic conceptual approach; the traditional style transformed through her subversive allegorical and poetic play.

The Ecuadorian gallery presents A circle called zero, a solo exhibition by David Rickard (New Zealand/UK) curated by Rubén Darío Díaz Chávez. The proposal brings together works in painting, objects, installation, sculpture, video and photography and reflects on the territory, its representation and how we relate to each other in times of pandemic.

After concluding her retrospective exhibition at the Miguel Urrutia Art Museum, of the Banco de la República, between October and December 2020, the artist Beatriz González has been invited to participate in the exhibition "Another Energy: Power to Continue Challenging", in the company of 15 women artists of wide range and different nationalities, at the Mori Museum in Tokyo (Japan). Here is a summary of her artistic career.

"But what messages do these artists, in O Ventre da Terra, address to us? (...) For them, the land is not just one thing. Now it is homeland and nation, sometimes nature and landscape, sometimes texture and materiality, now ancestral and primeval origin, now cemetery and final destination." The art critic from Rio de Janeiro Pollyana Quintella synthesizes the multiple vectors to which the thought-provoking group of pieces present in the collective exhibition of the gallery Superfície in São Paulo can be directed. It does not escape the attention of almost all women in authorship and the time when it was conceived - the 1970s, of marked experimentalism in the face of the repression of the lead years in the political sphere, which would still last some time in the 80´s.

The exhibition PROHIBIDO (Forbidden) showcases selection of 13 paintings and an oversized travel journal completed from 1992 to 2014 by artist Lydia Rubio, who represents her environment in a naturalistic style reminiscent of the Hudson River School. For four decades, she has painted highly technical oils on panel, using the traditions of the old masters with a systematic conceptual approach; the traditional style transformed through her subversive allegorical and poetic play.

The Ecuadorian gallery presents A circle called zero, a solo exhibition by David Rickard (New Zealand/UK) curated by Rubén Darío Díaz Chávez. The proposal brings together works in painting, objects, installation, sculpture, video and photography and reflects on the territory, its representation and how we relate to each other in times of pandemic.

Jorge Cabieses’ paintings are distinctly geometric and his approach is successful in outsmarting geometric abstraction. His high clean and regular forms are contrasted by the use of hard and rustic materials. Curator Laura Marsh states, “Jorge Cabieses’ collages, paintings, and sculptures have resonance and depth beyond their points of departure within the canon of painting. “

After concluding her retrospective exhibition at the Miguel Urrutia Art Museum, of the Banco de la República, between October and December 2020, the artist Beatriz González has been invited to participate in the exhibition "Another Energy: Power to Continue Challenging", in the company of 15 women artists of wide range and different nationalities, at the Mori Museum in Tokyo (Japan). Here is a summary of her artistic career.

"But what messages do these artists, in O Ventre da Terra, address to us? (...) For them, the land is not just one thing. Now it is homeland and nation, sometimes nature and landscape, sometimes texture and materiality, now ancestral and primeval origin, now cemetery and final destination." The art critic from Rio de Janeiro Pollyana Quintella synthesizes the multiple vectors to which the thought-provoking group of pieces present in the collective exhibition of the gallery Superfície in São Paulo can be directed. It does not escape the attention of almost all women in authorship and the time when it was conceived - the 1970s, of marked experimentalism in the face of the repression of the lead years in the political sphere, which would still last some time in the 80´s.

The exhibition PROHIBIDO (Forbidden) showcases selection of 13 paintings and an oversized travel journal completed from 1992 to 2014 by artist Lydia Rubio, who represents her environment in a naturalistic style reminiscent of the Hudson River School. For four decades, she has painted highly technical oils on panel, using the traditions of the old masters with a systematic conceptual approach; the traditional style transformed through her subversive allegorical and poetic play.

The Ecuadorian gallery presents A circle called zero, a solo exhibition by David Rickard (New Zealand/UK) curated by Rubén Darío Díaz Chávez. The proposal brings together works in painting, objects, installation, sculpture, video and photography and reflects on the territory, its representation and how we relate to each other in times of pandemic.

Jorge Cabieses’ paintings are distinctly geometric and his approach is successful in outsmarting geometric abstraction. His high clean and regular forms are contrasted by the use of hard and rustic materials. Curator Laura Marsh states, “Jorge Cabieses’ collages, paintings, and sculptures have resonance and depth beyond their points of departure within the canon of painting. “

After concluding her retrospective exhibition at the Miguel Urrutia Art Museum, of the Banco de la República, between October and December 2020, the artist Beatriz González has been invited to participate in the exhibition "Another Energy: Power to Continue Challenging", in the company of 15 women artists of wide range and different nationalities, at the Mori Museum in Tokyo (Japan). Here is a summary of her artistic career.

"But what messages do these artists, in O Ventre da Terra, address to us? (...) For them, the land is not just one thing. Now it is homeland and nation, sometimes nature and landscape, sometimes texture and materiality, now ancestral and primeval origin, now cemetery and final destination." The art critic from Rio de Janeiro Pollyana Quintella synthesizes the multiple vectors to which the thought-provoking group of pieces present in the collective exhibition of the gallery Superfície in São Paulo can be directed. It does not escape the attention of almost all women in authorship and the time when it was conceived - the 1970s, of marked experimentalism in the face of the repression of the lead years in the political sphere, which would still last some time in the 80´s.

The exhibition PROHIBIDO (Forbidden) showcases selection of 13 paintings and an oversized travel journal completed from 1992 to 2014 by artist Lydia Rubio, who represents her environment in a naturalistic style reminiscent of the Hudson River School. For four decades, she has painted highly technical oils on panel, using the traditions of the old masters with a systematic conceptual approach; the traditional style transformed through her subversive allegorical and poetic play.

The Ecuadorian gallery presents A circle called zero, a solo exhibition by David Rickard (New Zealand/UK) curated by Rubén Darío Díaz Chávez. The proposal brings together works in painting, objects, installation, sculpture, video and photography and reflects on the territory, its representation and how we relate to each other in times of pandemic.