VERTICAL LANDSCAPE BY JORGE MIÑO
Dot Fiftyone gallery presents the exhibition Vertical Landscape from Argentine artist Jorge Miño.
In Vertical Landscape, Jorge Miño presents his new series of photographs about the voids surrounding bodies, objects, and structures; the solitary space that envelops what captures the attention. He conveys the significance of these spaces, a place that beckons (or compels) the viewer to become a part of it, to explore the artwork, a space for others.
In words of Rachel Mohl (Assistant curator of Latin American and Latino art Museum Fine Arts, Houston): “Photography poses a duality between subject and object and subjectivity and objectivity that originates in an encounter with reality. Typically, the referent, or subject, adheres to the photograph, which allows it to create a seemingly objective replication of a specific place and time. As such, the immobility of the photographic image has become equated with death, vulnerability, and mortality. In contrast, the artist Jorge Miño transforms architectural photography, typically used to document a specific place, from a fixed image into a living object, thus returning the subjective experience to image. He does this by transgressing the very nature of photography. He uses his cellphone camera to capture certain architectural elements, and then alters them through various digital processes so that they become unrecognizable. His most recent works isolate, duplicate, overlap, stipple, and dilute architectural elements to produce a nearly abstract formal investigation. The destabilization and decontextualization of the image suspends space and time from its defined linear progression. Juxtaposed flat planes unfold in infinite directions rupturing the previous cohesive composition and revealing a plurality of space and multiplicity of form. Through this spatial-temporal dislocation, Miño transforms the photographic representation from a unified, memento mori into a poetic transgression in order to engender alternate experiences and understandings of reality”.
Vertical Landscape. Individual exhibition by Jorge Miño.
Until November 18th, 2023.
Dot Fiftyone Gallery. 7275 NE 4th Ave. #101, Miami, United States.
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The exhibition of the multimedia conceptual artist Alexander Apóstol opened at the PROA21 space. Curated by the theorist and historian Cuauhtemoc Medina, it brings together works produced between 2009 and 2018 closely linked to the Venezuelan reality, his country of origin.
ALEXANDER APÓSTOL: POSTURE AND GEOMETRY IN THE ERA OF TROPICAL AUTOCRACY
The exhibition of the multimedia conceptual artist Alexander Apóstol opened at the PROA21 space. Curated by the theorist and historian Cuauhtemoc Medina, it brings together works produced between 2009 and 2018 closely linked to the Venezuelan reality, his country of origin.
EFG Latin America Art Award, in collaboration with ArtNexus, presented arteba 2023's nominated artist. Iosu Aramburu is one of the finalists for the annual acquisition award, which will be announced at Pinta Miami during Miami Art Week.
IOSI ARAMBURU IS arteBA 2023'S ARTIST NOMINEE FOR THE EFG LATIN AMERICAN AWARD
EFG Latin America Art Award, in collaboration with ArtNexus, presented arteba 2023's nominated artist. Iosu Aramburu is one of the finalists for the annual acquisition award, which will be announced at Pinta Miami during Miami Art Week.
What she means, curated by Hilton Als at Pérez Art Museum, is an exhibition that portraits Joan Didion featuring over 200 works by 50 artists, including Betye Saar, Ana Mendieta, and Felix Gonzalez-Torres, among many others.
PÉREZ ART MUSEUM MIAMI PRESENTS JOAN DIDION’S EXHIBITION
What she means, curated by Hilton Als at Pérez Art Museum, is an exhibition that portraits Joan Didion featuring over 200 works by 50 artists, including Betye Saar, Ana Mendieta, and Felix Gonzalez-Torres, among many others.
Made in L.A. 2023: Acts of living is the sixth iteration of the Hammer’s biennial exhibition highlighting the practices of artists working throughout the greater Los Angeles area.
MADE IN L.A. 2023: ACTS OF LIVING. THE EXHIBITION AT HAMMER MUSEUM
Made in L.A. 2023: Acts of living is the sixth iteration of the Hammer’s biennial exhibition highlighting the practices of artists working throughout the greater Los Angeles area.
Focused on Black and Indigenous women and non-binary artists, On the edge of visibility – An international Symposium will focus on photographic practices within three broad geographical zones: Latin American, the Caribbean, and the United States.
ON THE EDGE OF VISIBILITY: AN INTERNATIONAL SYMPOSIUM
Focused on Black and Indigenous women and non-binary artists, On the edge of visibility – An international Symposium will focus on photographic practices within three broad geographical zones: Latin American, the Caribbean, and the United States.
Interference Patterns is a solo exhibition of new and recent work by multidisciplinary Tlingit and Unangax̂ artist Nicholas Galanin at SITE Santa Fe. Rooted in his relationship to Land, Indigenous visual language, and thought, Galanin merges conceptual and material practices in his expansive creative approach.
NICHOLAS GALANIN: INTERFERENCE PATTERNS AT SITE SANTA FE
Interference Patterns is a solo exhibition of new and recent work by multidisciplinary Tlingit and Unangax̂ artist Nicholas Galanin at SITE Santa Fe. Rooted in his relationship to Land, Indigenous visual language, and thought, Galanin merges conceptual and material practices in his expansive creative approach.
The MacArthur Fellowship program announced the 2023 participants selection.
MACARTHUR FELLOWS FOR THE 2023 PROGRAM EDITION
The MacArthur Fellowship program announced the 2023 participants selection.
The artist’s first solo museum exhibition presents selected works from throughout her 30-year career and explores the history of migration between the Caribbean and the United States, gender, race, and the representation of the female body.
JUANA VALDÉS’ HISTORICAL AND PERSONAL NARRATIVES AT SARASOTA ART MUSEUM
The artist’s first solo museum exhibition presents selected works from throughout her 30-year career and explores the history of migration between the Caribbean and the United States, gender, race, and the representation of the female body.
The55project announced the opening of the Collective Show, curated by Josué Mattos at Fundación Pablo Atchugarry.
A COLLECTIVE EXHIBITION AT FUNDACIÓN PABLO ATCHUGARRY
The55project announced the opening of the Collective Show, curated by Josué Mattos at Fundación Pablo Atchugarry.
The experience proposed by Martina Servio Olavide is composed of two parts, one that invokes dying and the other, as an organic counterpoint, living. The first, "dying", is represented by a non-naturalistic play, while the second, "living", manifests itself as an exhibition in an art gallery. Through these two dimensions, the artist challenges the viewer to question their understanding of self and others, and to explore a wide range of interpretations.
HACKING PERCEPTION
The experience proposed by Martina Servio Olavide is composed of two parts, one that invokes dying and the other, as an organic counterpoint, living. The first, "dying", is represented by a non-naturalistic play, while the second, "living", manifests itself as an exhibition in an art gallery. Through these two dimensions, the artist challenges the viewer to question their understanding of self and others, and to explore a wide range of interpretations.
Juan Francisco Elso: Por América offers a captivating retrospective of the brief, yet significant career of the late Cuban artist.
The American Denim is a celebration of heritage and artistry, exemplifying the synergy of tradition and creativity.
Muriel Hasbun: Tracing Terruño is the first comprehensive career survey in New York City of multidisciplinary artist, educator, and advocate for Central American culture and history, Muriel Hasbun.
MIGRATION, IDENTITY AND MEMORY: MURIEL HASBUN AT ICP
Muriel Hasbun: Tracing Terruño is the first comprehensive career survey in New York City of multidisciplinary artist, educator, and advocate for Central American culture and history, Muriel Hasbun.
Aglaé Bassens: Emptiful is the debut solo museum presentation for the Brooklyn-based painter at Institute of Contemporary Art Miami.
Pinta Miami 2023 returns –from December 6 to 10th– to the Hangar in Coconut Grove, the venue that was a success in the last edition. The fair will feature the participation of 51 spaces and 15 countries.
PINTA MIAMI 2023: A NEW EDITION COMITTED TO THE DISSEMINATION OF CONTEMPORARY LATIN AMERICAN ART
Pinta Miami 2023 returns –from December 6 to 10th– to the Hangar in Coconut Grove, the venue that was a success in the last edition. The fair will feature the participation of 51 spaces and 15 countries.
