A COLLECTIVE EXHIBITION AT FUNDACIÓN PABLO ATCHUGARRY
The55project announced the opening of the Collective Show, curated by Josué Mattos at Fundación Pablo Atchugarry.

O Cio da Terra, Ócio da Terra cycles of fertility and pause, features the following artists: Albano Afonso, Afonso Tostes, Bárbara Wagner & Benjamin De Burca, Bel Falleiros, Bené Fonteles, Brígida Baltar, Celeida Tostes, Cristiano Lenhardt, Efe Godoy, Efrain Almeida, Ernesto Neto, Elza Lima, Gustavo Caboco & Lucilene Wapichana, Ivan Grilo, Jorgge Menna Barreto e Joelson Buggila, Juliana Lapa, Kamikia Kisêdjê, Laura Gorski, Lia Chaia, Lídia Lisbôa, Marcia Xavier, Mariana Berta, Mônica Ventura, Rafael RG, Renata Cruz, Rosana Paulino, Rose Afefé, Sallisa Rosa, and Teresa Siewerdt.
The exhibition O Cio da Terra, Ócio da Terra echoes voices advocating for the rights of life, reforming unproductive areas, and preserving the sacredness of the earth. In that sense, the group show generates narratives resonating with 'florestania,' a conception of the future that replaces some principles of citizenship with forest knowledge and a way of life. One of these narratives is the cycles of pause and fertility that characterize all life forms as a derivation of 'ócio' (idleness) and 'cio' (estrus).
Josué Mattos has contributed to various museums and art centers in Brazil, Europe, and Japan as an art historian and curator. Mattos completed his Master's in Contemporary Art History at Paris X Nanterre and Curatorial Practices at the Université Paris 1 Panthéon-Sorbonne. He co-founded the Veras Cultural Centre on the Island of Florianópolis, Brazil.
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The group exhibition O curso do sol (The course of the sun) is organized by the Brazilian gallery Gomide&Co, in collaboration with curator Yudi Rafael and researcher and artist Roberto Okinaka.

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The artist’s first solo museum exhibition presents selected works from throughout her 30-year career and explores the history of migration between the Caribbean and the United States, gender, race, and the representation of the female body.
JUANA VALDÉS’ HISTORICAL AND PERSONAL NARRATIVES AT SARASOTA ART MUSEUM
The artist’s first solo museum exhibition presents selected works from throughout her 30-year career and explores the history of migration between the Caribbean and the United States, gender, race, and the representation of the female body.

Interference Patterns is a solo exhibition of new and recent work by multidisciplinary Tlingit and Unangax̂ artist Nicholas Galanin at SITE Santa Fe. Rooted in his relationship to Land, Indigenous visual language, and thought, Galanin merges conceptual and material practices in his expansive creative approach.
NICHOLAS GALANIN: INTERFERENCE PATTERNS AT SITE SANTA FE
Interference Patterns is a solo exhibition of new and recent work by multidisciplinary Tlingit and Unangax̂ artist Nicholas Galanin at SITE Santa Fe. Rooted in his relationship to Land, Indigenous visual language, and thought, Galanin merges conceptual and material practices in his expansive creative approach.

US Pavilion selected queer and indigenous artist Jeffrey Gibson for the Venice Biennale 2024. Presented by Portland Art Museum and SITE Santa Fe.
JEFFREY GIBSON WILL REPRESENT UNITED STATES AT THE 60TH VENICE BIENNALE IN 2024
US Pavilion selected queer and indigenous artist Jeffrey Gibson for the Venice Biennale 2024. Presented by Portland Art Museum and SITE Santa Fe.

The group exhibition O curso do sol (The course of the sun) is organized by the Brazilian gallery Gomide&Co, in collaboration with curator Yudi Rafael and researcher and artist Roberto Okinaka.

Focused on Black and Indigenous women and non-binary artists, On the edge of visibility – An international Symposium will focus on photographic practices within three broad geographical zones: Latin American, the Caribbean, and the United States.
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Focused on Black and Indigenous women and non-binary artists, On the edge of visibility – An international Symposium will focus on photographic practices within three broad geographical zones: Latin American, the Caribbean, and the United States.

The Foundation Louis Vuitton presents a major retrospective of Mark Rothko’s work. Curated by Suzanne Pagé and Christopher Rothko, this is the first exhibition dedicated to the artist since the 1999 retrospective at the musée d’Art modern de la Ville de Paris.
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