VOLVAMOS, PAINTINGS IN A CYCLE TO BE UNVEILED

The Galería del Paseo was founded in 1998 Uruguay and since then has developed a program of activities aimed at promoting Latin American artists in contemporary creation.

Mala Hierba / Yerba Mala is a bi-personal of Claudia Coca (Peru) and Claudia Casarino (Paraguay), presented at the Galería del Paseo Lima. The exhibition brings together a series of works marked by decolonial thought. Both artists coincide, briefly but intensely, in the use of American botanical iconography by chroniclers of the 18th and 19th centuries.

The group show runs until August 26 at the laNao space in La Condesa, Mexico City. Curated by Manuel Sentíes, COMERSE EL OJO (TO EAT ONE’S EYE) revolves around painting. The artists Anaís Vasconcelos, Luis Figueroa, Lucas Lugarinho and Enrique López Llamas participate.

José Luis Landet has been searching for the image of the Latin American landscape for years. And in El Atajo (The Shortcut), the exhibition that he presents in Marco, he finds some ways of approaching that idea. He builds ramps, connects vestiges, shreds colors, traces identikits, joins random images, creates an alphabet ... and ends up building a total idea of ​​our landscape, but above all of another subject that also haunts him: the painting. There is a large installation, a physical shortcut, and a set of 467 works that point to something that is clear in the subtitle: a displacement in the author.

Casa Triângulo exhibits Antonio Henrique Amaral: Pelo Avesso, Antonio Henrique Amaral's first exhibition at the gallery, curated by Pollyana Quintella and Raphael Fonseca. Multiple and polyphonic, Antonio Henrique Amaral (1935 - 2015) endeavored to create a body of work that would resist univocal meanings. His more than six decades of production have drawn a multifaceted path that has been the subject of recent revisions through essays and monographic exhibitions that place the artist beyond his iconic and emblematic Bananas, made between 1968 and 1975.

The Galería del Paseo was founded in 1998 Uruguay and since then has developed a program of activities aimed at promoting Latin American artists in contemporary creation.

Mala Hierba / Yerba Mala is a bi-personal of Claudia Coca (Peru) and Claudia Casarino (Paraguay), presented at the Galería del Paseo Lima. The exhibition brings together a series of works marked by decolonial thought. Both artists coincide, briefly but intensely, in the use of American botanical iconography by chroniclers of the 18th and 19th centuries.

The group show runs until August 26 at the laNao space in La Condesa, Mexico City. Curated by Manuel Sentíes, COMERSE EL OJO (TO EAT ONE’S EYE) revolves around painting. The artists Anaís Vasconcelos, Luis Figueroa, Lucas Lugarinho and Enrique López Llamas participate.

José Luis Landet has been searching for the image of the Latin American landscape for years. And in El Atajo (The Shortcut), the exhibition that he presents in Marco, he finds some ways of approaching that idea. He builds ramps, connects vestiges, shreds colors, traces identikits, joins random images, creates an alphabet ... and ends up building a total idea of ​​our landscape, but above all of another subject that also haunts him: the painting. There is a large installation, a physical shortcut, and a set of 467 works that point to something that is clear in the subtitle: a displacement in the author.

Casa Triângulo exhibits Antonio Henrique Amaral: Pelo Avesso, Antonio Henrique Amaral's first exhibition at the gallery, curated by Pollyana Quintella and Raphael Fonseca. Multiple and polyphonic, Antonio Henrique Amaral (1935 - 2015) endeavored to create a body of work that would resist univocal meanings. His more than six decades of production have drawn a multifaceted path that has been the subject of recent revisions through essays and monographic exhibitions that place the artist beyond his iconic and emblematic Bananas, made between 1968 and 1975.

Mala Hierba / Yerba Mala is a bi-personal of Claudia Coca (Peru) and Claudia Casarino (Paraguay), presented at the Galería del Paseo Lima. The exhibition brings together a series of works marked by decolonial thought. Both artists coincide, briefly but intensely, in the use of American botanical iconography by chroniclers of the 18th and 19th centuries.

The group show runs until August 26 at the laNao space in La Condesa, Mexico City. Curated by Manuel Sentíes, COMERSE EL OJO (TO EAT ONE’S EYE) revolves around painting. The artists Anaís Vasconcelos, Luis Figueroa, Lucas Lugarinho and Enrique López Llamas participate.

José Luis Landet has been searching for the image of the Latin American landscape for years. And in El Atajo (The Shortcut), the exhibition that he presents in Marco, he finds some ways of approaching that idea. He builds ramps, connects vestiges, shreds colors, traces identikits, joins random images, creates an alphabet ... and ends up building a total idea of ​​our landscape, but above all of another subject that also haunts him: the painting. There is a large installation, a physical shortcut, and a set of 467 works that point to something that is clear in the subtitle: a displacement in the author.

Casa Triângulo exhibits Antonio Henrique Amaral: Pelo Avesso, Antonio Henrique Amaral's first exhibition at the gallery, curated by Pollyana Quintella and Raphael Fonseca. Multiple and polyphonic, Antonio Henrique Amaral (1935 - 2015) endeavored to create a body of work that would resist univocal meanings. His more than six decades of production have drawn a multifaceted path that has been the subject of recent revisions through essays and monographic exhibitions that place the artist beyond his iconic and emblematic Bananas, made between 1968 and 1975.

The Galería del Paseo was founded in 1998 Uruguay and since then has developed a program of activities aimed at promoting Latin American artists in contemporary creation.

Mala Hierba / Yerba Mala is a bi-personal of Claudia Coca (Peru) and Claudia Casarino (Paraguay), presented at the Galería del Paseo Lima. The exhibition brings together a series of works marked by decolonial thought. Both artists coincide, briefly but intensely, in the use of American botanical iconography by chroniclers of the 18th and 19th centuries.

The group show runs until August 26 at the laNao space in La Condesa, Mexico City. Curated by Manuel Sentíes, COMERSE EL OJO (TO EAT ONE’S EYE) revolves around painting. The artists Anaís Vasconcelos, Luis Figueroa, Lucas Lugarinho and Enrique López Llamas participate.

José Luis Landet has been searching for the image of the Latin American landscape for years. And in El Atajo (The Shortcut), the exhibition that he presents in Marco, he finds some ways of approaching that idea. He builds ramps, connects vestiges, shreds colors, traces identikits, joins random images, creates an alphabet ... and ends up building a total idea of ​​our landscape, but above all of another subject that also haunts him: the painting. There is a large installation, a physical shortcut, and a set of 467 works that point to something that is clear in the subtitle: a displacement in the author.

Casa Triângulo exhibits Antonio Henrique Amaral: Pelo Avesso, Antonio Henrique Amaral's first exhibition at the gallery, curated by Pollyana Quintella and Raphael Fonseca. Multiple and polyphonic, Antonio Henrique Amaral (1935 - 2015) endeavored to create a body of work that would resist univocal meanings. His more than six decades of production have drawn a multifaceted path that has been the subject of recent revisions through essays and monographic exhibitions that place the artist beyond his iconic and emblematic Bananas, made between 1968 and 1975.

The Galería del Paseo was founded in 1998 Uruguay and since then has developed a program of activities aimed at promoting Latin American artists in contemporary creation.

Mala Hierba / Yerba Mala is a bi-personal of Claudia Coca (Peru) and Claudia Casarino (Paraguay), presented at the Galería del Paseo Lima. The exhibition brings together a series of works marked by decolonial thought. Both artists coincide, briefly but intensely, in the use of American botanical iconography by chroniclers of the 18th and 19th centuries.

The group show runs until August 26 at the laNao space in La Condesa, Mexico City. Curated by Manuel Sentíes, COMERSE EL OJO (TO EAT ONE’S EYE) revolves around painting. The artists Anaís Vasconcelos, Luis Figueroa, Lucas Lugarinho and Enrique López Llamas participate.

José Luis Landet has been searching for the image of the Latin American landscape for years. And in El Atajo (The Shortcut), the exhibition that he presents in Marco, he finds some ways of approaching that idea. He builds ramps, connects vestiges, shreds colors, traces identikits, joins random images, creates an alphabet ... and ends up building a total idea of ​​our landscape, but above all of another subject that also haunts him: the painting. There is a large installation, a physical shortcut, and a set of 467 works that point to something that is clear in the subtitle: a displacement in the author.

Casa Triângulo exhibits Antonio Henrique Amaral: Pelo Avesso, Antonio Henrique Amaral's first exhibition at the gallery, curated by Pollyana Quintella and Raphael Fonseca. Multiple and polyphonic, Antonio Henrique Amaral (1935 - 2015) endeavored to create a body of work that would resist univocal meanings. His more than six decades of production have drawn a multifaceted path that has been the subject of recent revisions through essays and monographic exhibitions that place the artist beyond his iconic and emblematic Bananas, made between 1968 and 1975.