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La Intermundial Holobiente is an inter/un-disciplinary group that attempts to invent imaginative practices based on modes of thought that are more than human —that is, not anthropo-centered. Its members are Claudia Fontes, visual artist represented by the gallery, philosopher Paula Fleisner and writer Pablo M. Ruiz.

Acquired for PAMM’s collection in 2020 with funds provided by Jorge M. Pérez, Chromosaturation is an immersive environment that reimagines color as an embodied experience.

Memory of a Telluric Movement is the title of this exhibition at Museum Haus Konstruktiv. It presents a comprehensive solo exhibition to Mexican artist Jose Dávila (b. 1974 in Guadalajara, Mexico, where he lives and works). Curated by Sabine Schaschl and on view until September 11^th.

The exhibition presents on several locations of the city of Lucca, 45 sculptures in marble, bronze and wood. The works in the streets, 16th century walls, churches and two interior spaces, can be visited until September 4.

The 24th Biennale of Sydney will take place March 9–June 10, 2024.

[NAME] Publications inaugurated their new space in West Miami with the exhibition Rafael Domenech: An Oracle on a Tomato, Ubiquitous Rectangles. The exhibition includes a series of newly-commissioned objects that activate the hidden potentials in the traditional book form by unfolding it as multi-media painting-like structures.

Radical Conventions is presented in collaboration with the Cuban Heritage Collection of the University of Miami Libraries. Curated by Elizabeth Cerejido, PhD., the exhibition will be on view until June 12^th.

Presented by Superblue and BMW i, this art installation uses new technology to create an immersive chorus of 6,000 heartbeats. "Pulse Topology" will be presented in the foyer of Design Miami/ Basel from June 14 to 19.

The Hamburger Bahnhof is holding an exhibition entitled Under Construction, which will present the latest additions to the Nationalgalerie collection. The museum has been able to acquire these new objects over the past few years thanks in large part to funding from the Freunde der Nationalgalerie.

This is the first solo exhibition in the United States dedicated to Geles Cabrera, who is one of the most prominent female sculptors of her country. Geles Cabrera: Museo Escultórico will feature artwork created over 40 years of her career and will be on view from June 8 through July 30, 2022.

Organized by Fundación Proa with the collaboration of the Estate of Christo V. Javacheff and Museo de Arte Contemporáneo Atchugarry; curated by Lorenza Giovanelli. The retrospective exhibition Christo and Jeanne-Claude presents an exhaustive fundamental territory of concepts and images to appreciate the art of the second half of the twentieth century. The appropriation of public property, wrapping monuments and transforming the natural space with their interventions brings us closer to one of the most relevant trends in artistic practice.

The Jan Mulder Collection, in collaboration with the Foto Colectania Foundation in Barcelona, presents for the first time in Europe "Martín Chambi and his Contemporaries. The Andes Photographed", an exhibition with original photographs by Martín Chambi and 15 other Peruvian and foreign photographers who have traveled through the southern Peruvian Andes during the period of Chambi's activity.

The New York based photography foundation Penumbra exhibits OCÉANOS by Roberto Huarcaya (Lima, Perú, 1959) until July 22^nd. The show presents the first-ever exhibition of this Peruvian artist’ large-scale photograms of the Pacific Ocean. In what could be described as a "photogrammatic performance," Huarcaya immerses himself into the waters of the sea to record its virulent nature and traces of contamination.

CGAC -Centro Galego de Arte Contemporánea- exhibits Buen Gobierno (Good Government) by Peruvian artista Sandra Gamarra Heshiki.

Exhibited at the Spcrates Sculpture Park, in collaboration with Projeto Hélio Oiticica and Americas Society. Titled Subterranean Tropicália Projects: PN15 1971/2022, this immersive environment is the first realization of a never-before-executed idea by the late Brazilian artist.

Miami Dade College’s (MDC) Cuban Legacy Gallery, in collaboration with the American Museum of the Cuban Diaspora, presents Baruj Salinas: 1972–2022, a thematic survey of the acclaimed Miami-based Cuban American painter’s abstract work. Curated by Adriana Herrera, the show spans a half century of Salinas’ artistic career and features 40 works and includes paintings, works on paper, glazed ceramics, and an artist’s book. The works are borrowed from Miami collections, including that of the Cintas Foundation. The exhibition will be on view until August 14, 2022.

In Maluf's exhibition project, the language of three-dimensional works is combined with the installation format. With this in mind, and the characteristic spatial layout of Gallery 5 of the Emilio Caraffa Museum with its great heights, the works participate from their immanence in a dialogue with the circumstance.

Pepe Mar is a cognoscente of materiality at the forefront of social fluency and personal obsession. Mar excavates the ritual narratives inherent in secondhand stores, science fiction, celebrity, commercial design, and social media to create abstract and anthropomorphic barometers of contemporary culture.  The artist’s work, available at the David Castillo Gallery, is committed to a personal and universal exploration of cultural alienation.

The Bass presents AbsenceRevealed, an exhibition featuring a new series of works by experimental photo-based artist Maria Martínez-Cañas on view through October 23, 2022.

Another Space announces Elsewhere(s), an exploration of otherworldliness. Cocurated by Estrellita B. Brodsky and José Falconi, the exhibition brings together works by over 25 artists from Latin America and its diaspora, from the 9th Century BCE to the present. Grouped around themes of cosmology, magic, and non-Western forms of knowledge, Elsewhere(s) seeks to reflect on the traditional role of artists and their potential to envision alternative societies as utopian or reclaimed territories.

Pinacoteca de São Paulo presents Adriana Varejão: Sutures, Fissures, Ruins, a retrospective exhibition by Adriana Varejão (Rio de Janeiro, 1964). Curated by Jochen Volz, the museum’s general director, the show proposes a narrative that highlights the diversity and complexity of her production.

The exhibition Teresa Lanceta: Weaving as Open Source traces the artist's trajectory from the 1970s through to the present day and includes a broad selection of tapestries, weavings, fabrics, drawings, photographs and videos, offering the most comprehensive overview of her work to date. The exhibition traces a narrative through various series of projects with the aim of identifying Lanceta's voice, and presents works that poetically question concepts formerly considered antagonistic. 

The exhibition Tierra Blanca Joven at the Brooklyn Museum, draws from the artist’s own experiences as an undocumented immigrant and cancer survivor to weave together themes of displacement, illness, recovery, and healing in new and existing works; objects from the Museum’s Maya art collection; and a Healing Room.

The National Pavilion UAE exhibitis Mohamed Ahmed Ibrahim: Between Sunrise and Sunset at the Biennale Arte 2022 (Venice Biennale). Curated by Maya Allison, Executive Director of The New York University Abu Dhabi Art Gallery, the exhibition presents an installation of human-sized, abstract and organic sculptural forms.

The EFG Latin America Art Award, in partnership with ArtNexus, announced Ximena Garrido-Lecca, from the gallery 80m2 Livia Benavides, Lima, as the artist nominated for its annual acquisition award. The work was selected at the Pinta PArC fair with the  collaboration of Magali Arriola, art critic and independent curator, jointly with Celia Sredni de Birbragher, Director and Editor of ArtNexus.

Tate Modern and Hyundai Motor announced that Chilean artist and poet Cecilia Vicuña will create the next annual Hyundai Commission. Vicuña (b.1948) is perhaps best known for her radical textile sculptures, combining natural materials and traditional crafts. A prolific multi-disciplinary artist, Vicuña explores the pressing concerns of ecology, community, and social justice. Her new site-specific work for the Turbine Hall will inaugurate on October 11^th  2022.

Chilean artist Cecilia Vicuña is a recipients of the Golden Lions for Lifetime Achievement of the 59th International Art Exhibition of La Biennale di Venezia - The Milk of Dreams.

With the curatorship of Verónica Santalla and the collaboration of Miguel López, this meeting space is proposed in a hybrid format, combining in-person talks at the Pinta PArC auditorium and audiovisual content.

Curated by Florencia Portocarrero, the NEXT section brings together seven galleries that are committed to visibilizing the work of young and/or emerging artists. The section seeks to function as a window, for the public of the fair, to the various cities of Latin America in which the gallery projects are registered; such as Buenos Aires, Cusco, Lima, Cholula, Rosario, Quito and Santiago.

In this 59th International Art Exhibition – La Biennale di Venezia, the largest contemporary art event in the world, the artist selected to represent Argentina is Mónica Heller, who will show in the Argentine pavilion the video installation entitled The Origin of Substance Will Matter the Importance of Origin. The project, which has the curatorship of Alejo Ponce de León, was chosen among the 40 proposals that were presented in a public and open call.