13 BRAZILIAN ARTISTS EXHIBIT IN FRAMER FRAMED, AMSTERDAM

On its 25th anniversary, Hamburger Bahnhof – Museum für Gegenwart – Berlin shows important works from the Nationalgalerie Collection and the Haubrok Collection. A spacious architectural design was developed in the museum’s Historical Hall especially for the occasion. Highlighted among the works are those by Alfredo Jaar and Ruben Ochoa.

Exhibited by The Institute for Studies on Latin American Art (ISLAA) and curated by Mariano López Seoane and Bernardo Mosqueira, Eros Rising presents drawings, paintings, and photographs by Artur Barrio, Oscar Bony, Carmelo Carrá, Feliciano Centurión, David Lamelas, Castiel Vitorino Brasileiro, Carlos Motta, Wynnie Mynerva, La Chola Poblete, and Tadáskía that seek to give form to the intangible experience of eroticism.

The artist has created a full-fledged maritime museum within the walls of the Brooklyn Museum, debuting approximately 250 new and recent works made entirely out of discarded plastic found in New York waterways. DEATH TO THE LIVING, Long Live Trash, a critical, provocative look at the ecological impact of capitalism across centuries, connects the history of American maritime art to current themes of environmental justice.

In this exhibition, photographs from Brazil turn to the constructions of national identity and culture based on the photographic collection of the Museum of Modern Art in Rio de Janeiro. The exhibition presents around 270 works by 120 artists, produced from 1860 to the present. It also includes a commissioned work by Rio de Janeiro-based visual artist Aline Motta, and a revival of her installation Filha natural.

Celebrating the work and legacy of the writer Clarice Lispector (1920-1977), the IMS brings the exhibition Constelação Clarice. An investigation into the poetics of the author, curated by Eucanaã Ferraz and Veronica Stigger, the exhibition brings together approximately 300 pieces, including manuscripts, photographs, letters, records, press materials and other documents.

Geraldo de Barros is, without a doubt, one of the Brazilian artists most studied by contempora- neity. Over the course of his artistic career he pioneered the path of multidisciplinarity, develop- ing his work consistent with not only his own research, but also with the Brazilian political and social contexts and with Brazilian art history. To celebrate these historical developments, the Ar- quivo Geraldo de Barros and Luciana Brito Galeria are presenting the exhibition Objetos-Forma [Objects-Form], which features never-before-shown works that recover a fundamental moment in Geraldo de Barros’s career. The show opens on August 9 and occupies all the gallery’s exhibi- tion spaces.

On its 25th anniversary, Hamburger Bahnhof – Museum für Gegenwart – Berlin shows important works from the Nationalgalerie Collection and the Haubrok Collection. A spacious architectural design was developed in the museum’s Historical Hall especially for the occasion. Highlighted among the works are those by Alfredo Jaar and Ruben Ochoa.

Exhibited by The Institute for Studies on Latin American Art (ISLAA) and curated by Mariano López Seoane and Bernardo Mosqueira, Eros Rising presents drawings, paintings, and photographs by Artur Barrio, Oscar Bony, Carmelo Carrá, Feliciano Centurión, David Lamelas, Castiel Vitorino Brasileiro, Carlos Motta, Wynnie Mynerva, La Chola Poblete, and Tadáskía that seek to give form to the intangible experience of eroticism.

The artist has created a full-fledged maritime museum within the walls of the Brooklyn Museum, debuting approximately 250 new and recent works made entirely out of discarded plastic found in New York waterways. DEATH TO THE LIVING, Long Live Trash, a critical, provocative look at the ecological impact of capitalism across centuries, connects the history of American maritime art to current themes of environmental justice.

In this exhibition, photographs from Brazil turn to the constructions of national identity and culture based on the photographic collection of the Museum of Modern Art in Rio de Janeiro. The exhibition presents around 270 works by 120 artists, produced from 1860 to the present. It also includes a commissioned work by Rio de Janeiro-based visual artist Aline Motta, and a revival of her installation Filha natural.

Celebrating the work and legacy of the writer Clarice Lispector (1920-1977), the IMS brings the exhibition Constelação Clarice. An investigation into the poetics of the author, curated by Eucanaã Ferraz and Veronica Stigger, the exhibition brings together approximately 300 pieces, including manuscripts, photographs, letters, records, press materials and other documents.

Geraldo de Barros is, without a doubt, one of the Brazilian artists most studied by contempora- neity. Over the course of his artistic career he pioneered the path of multidisciplinarity, develop- ing his work consistent with not only his own research, but also with the Brazilian political and social contexts and with Brazilian art history. To celebrate these historical developments, the Ar- quivo Geraldo de Barros and Luciana Brito Galeria are presenting the exhibition Objetos-Forma [Objects-Form], which features never-before-shown works that recover a fundamental moment in Geraldo de Barros’s career. The show opens on August 9 and occupies all the gallery’s exhibi- tion spaces.

Exhibited by The Institute for Studies on Latin American Art (ISLAA) and curated by Mariano López Seoane and Bernardo Mosqueira, Eros Rising presents drawings, paintings, and photographs by Artur Barrio, Oscar Bony, Carmelo Carrá, Feliciano Centurión, David Lamelas, Castiel Vitorino Brasileiro, Carlos Motta, Wynnie Mynerva, La Chola Poblete, and Tadáskía that seek to give form to the intangible experience of eroticism.

The artist has created a full-fledged maritime museum within the walls of the Brooklyn Museum, debuting approximately 250 new and recent works made entirely out of discarded plastic found in New York waterways. DEATH TO THE LIVING, Long Live Trash, a critical, provocative look at the ecological impact of capitalism across centuries, connects the history of American maritime art to current themes of environmental justice.

In this exhibition, photographs from Brazil turn to the constructions of national identity and culture based on the photographic collection of the Museum of Modern Art in Rio de Janeiro. The exhibition presents around 270 works by 120 artists, produced from 1860 to the present. It also includes a commissioned work by Rio de Janeiro-based visual artist Aline Motta, and a revival of her installation Filha natural.

Celebrating the work and legacy of the writer Clarice Lispector (1920-1977), the IMS brings the exhibition Constelação Clarice. An investigation into the poetics of the author, curated by Eucanaã Ferraz and Veronica Stigger, the exhibition brings together approximately 300 pieces, including manuscripts, photographs, letters, records, press materials and other documents.

Geraldo de Barros is, without a doubt, one of the Brazilian artists most studied by contempora- neity. Over the course of his artistic career he pioneered the path of multidisciplinarity, develop- ing his work consistent with not only his own research, but also with the Brazilian political and social contexts and with Brazilian art history. To celebrate these historical developments, the Ar- quivo Geraldo de Barros and Luciana Brito Galeria are presenting the exhibition Objetos-Forma [Objects-Form], which features never-before-shown works that recover a fundamental moment in Geraldo de Barros’s career. The show opens on August 9 and occupies all the gallery’s exhibi- tion spaces.

On its 25th anniversary, Hamburger Bahnhof – Museum für Gegenwart – Berlin shows important works from the Nationalgalerie Collection and the Haubrok Collection. A spacious architectural design was developed in the museum’s Historical Hall especially for the occasion. Highlighted among the works are those by Alfredo Jaar and Ruben Ochoa.

Exhibited by The Institute for Studies on Latin American Art (ISLAA) and curated by Mariano López Seoane and Bernardo Mosqueira, Eros Rising presents drawings, paintings, and photographs by Artur Barrio, Oscar Bony, Carmelo Carrá, Feliciano Centurión, David Lamelas, Castiel Vitorino Brasileiro, Carlos Motta, Wynnie Mynerva, La Chola Poblete, and Tadáskía that seek to give form to the intangible experience of eroticism.

The artist has created a full-fledged maritime museum within the walls of the Brooklyn Museum, debuting approximately 250 new and recent works made entirely out of discarded plastic found in New York waterways. DEATH TO THE LIVING, Long Live Trash, a critical, provocative look at the ecological impact of capitalism across centuries, connects the history of American maritime art to current themes of environmental justice.

In this exhibition, photographs from Brazil turn to the constructions of national identity and culture based on the photographic collection of the Museum of Modern Art in Rio de Janeiro. The exhibition presents around 270 works by 120 artists, produced from 1860 to the present. It also includes a commissioned work by Rio de Janeiro-based visual artist Aline Motta, and a revival of her installation Filha natural.

Celebrating the work and legacy of the writer Clarice Lispector (1920-1977), the IMS brings the exhibition Constelação Clarice. An investigation into the poetics of the author, curated by Eucanaã Ferraz and Veronica Stigger, the exhibition brings together approximately 300 pieces, including manuscripts, photographs, letters, records, press materials and other documents.

Geraldo de Barros is, without a doubt, one of the Brazilian artists most studied by contempora- neity. Over the course of his artistic career he pioneered the path of multidisciplinarity, develop- ing his work consistent with not only his own research, but also with the Brazilian political and social contexts and with Brazilian art history. To celebrate these historical developments, the Ar- quivo Geraldo de Barros and Luciana Brito Galeria are presenting the exhibition Objetos-Forma [Objects-Form], which features never-before-shown works that recover a fundamental moment in Geraldo de Barros’s career. The show opens on August 9 and occupies all the gallery’s exhibi- tion spaces.

On its 25th anniversary, Hamburger Bahnhof – Museum für Gegenwart – Berlin shows important works from the Nationalgalerie Collection and the Haubrok Collection. A spacious architectural design was developed in the museum’s Historical Hall especially for the occasion. Highlighted among the works are those by Alfredo Jaar and Ruben Ochoa.

Exhibited by The Institute for Studies on Latin American Art (ISLAA) and curated by Mariano López Seoane and Bernardo Mosqueira, Eros Rising presents drawings, paintings, and photographs by Artur Barrio, Oscar Bony, Carmelo Carrá, Feliciano Centurión, David Lamelas, Castiel Vitorino Brasileiro, Carlos Motta, Wynnie Mynerva, La Chola Poblete, and Tadáskía that seek to give form to the intangible experience of eroticism.

The artist has created a full-fledged maritime museum within the walls of the Brooklyn Museum, debuting approximately 250 new and recent works made entirely out of discarded plastic found in New York waterways. DEATH TO THE LIVING, Long Live Trash, a critical, provocative look at the ecological impact of capitalism across centuries, connects the history of American maritime art to current themes of environmental justice.

In this exhibition, photographs from Brazil turn to the constructions of national identity and culture based on the photographic collection of the Museum of Modern Art in Rio de Janeiro. The exhibition presents around 270 works by 120 artists, produced from 1860 to the present. It also includes a commissioned work by Rio de Janeiro-based visual artist Aline Motta, and a revival of her installation Filha natural.

Celebrating the work and legacy of the writer Clarice Lispector (1920-1977), the IMS brings the exhibition Constelação Clarice. An investigation into the poetics of the author, curated by Eucanaã Ferraz and Veronica Stigger, the exhibition brings together approximately 300 pieces, including manuscripts, photographs, letters, records, press materials and other documents.

Geraldo de Barros is, without a doubt, one of the Brazilian artists most studied by contempora- neity. Over the course of his artistic career he pioneered the path of multidisciplinarity, develop- ing his work consistent with not only his own research, but also with the Brazilian political and social contexts and with Brazilian art history. To celebrate these historical developments, the Ar- quivo Geraldo de Barros and Luciana Brito Galeria are presenting the exhibition Objetos-Forma [Objects-Form], which features never-before-shown works that recover a fundamental moment in Geraldo de Barros’s career. The show opens on August 9 and occupies all the gallery’s exhibi- tion spaces.