ARGENTINE CONTEMPORARY ART AT MAC NITERÓI.

The exhibition will feature works donated to the museum by the Colección Patricia Phelps de Cisneros, as well as news acquisitions, loans and commissions from the late 1980s to the present.

Gallery Ilian Rebei gathered Brazilian artists researching the theme of the body and politics in a collective exhibition to reflect on their relationship to the country’s political context.

Somewhat fused forms, in a dismantling that seems continuous, signaling a kind of tired geometry. The banal brilliance of a chromatic automotive cover in what could have been the label of a crumbling and volatile language typical of large urban agglomerations, in a tenuous cross between street art and graffiti.

The Museo de Arte de Zapopan presents selected works from the Cisneros Fontanals Art Foundation (CIFO) to explore -and question- the ways contemporary Latin American art and its main exponents are conceived.

MALBA presents a panoramic exhibition by Anna Maria Maiolino (Scalea Italy, 1942) with more than fifty years of works that include paintings, drawings, woodcuts, sculptures, photographs, videos, sound pieces and installations in an attempt to capture the prismatic spirit of the artist.

The Bass presents El fin de la imaginación (The end of imagination), an exhibition that combines Adrián Villar Rojas work with two sculptures of Mariana Telleria.

The exhibition will feature works donated to the museum by the Colección Patricia Phelps de Cisneros, as well as news acquisitions, loans and commissions from the late 1980s to the present.

Gallery Ilian Rebei gathered Brazilian artists researching the theme of the body and politics in a collective exhibition to reflect on their relationship to the country’s political context.

Somewhat fused forms, in a dismantling that seems continuous, signaling a kind of tired geometry. The banal brilliance of a chromatic automotive cover in what could have been the label of a crumbling and volatile language typical of large urban agglomerations, in a tenuous cross between street art and graffiti.

The Museo de Arte de Zapopan presents selected works from the Cisneros Fontanals Art Foundation (CIFO) to explore -and question- the ways contemporary Latin American art and its main exponents are conceived.

MALBA presents a panoramic exhibition by Anna Maria Maiolino (Scalea Italy, 1942) with more than fifty years of works that include paintings, drawings, woodcuts, sculptures, photographs, videos, sound pieces and installations in an attempt to capture the prismatic spirit of the artist.

The Bass presents El fin de la imaginación (The end of imagination), an exhibition that combines Adrián Villar Rojas work with two sculptures of Mariana Telleria.

Gallery Ilian Rebei gathered Brazilian artists researching the theme of the body and politics in a collective exhibition to reflect on their relationship to the country’s political context.

Somewhat fused forms, in a dismantling that seems continuous, signaling a kind of tired geometry. The banal brilliance of a chromatic automotive cover in what could have been the label of a crumbling and volatile language typical of large urban agglomerations, in a tenuous cross between street art and graffiti.

The Museo de Arte de Zapopan presents selected works from the Cisneros Fontanals Art Foundation (CIFO) to explore -and question- the ways contemporary Latin American art and its main exponents are conceived.

MALBA presents a panoramic exhibition by Anna Maria Maiolino (Scalea Italy, 1942) with more than fifty years of works that include paintings, drawings, woodcuts, sculptures, photographs, videos, sound pieces and installations in an attempt to capture the prismatic spirit of the artist.

The Bass presents El fin de la imaginación (The end of imagination), an exhibition that combines Adrián Villar Rojas work with two sculptures of Mariana Telleria.

The exhibition will feature works donated to the museum by the Colección Patricia Phelps de Cisneros, as well as news acquisitions, loans and commissions from the late 1980s to the present.

Gallery Ilian Rebei gathered Brazilian artists researching the theme of the body and politics in a collective exhibition to reflect on their relationship to the country’s political context.

Somewhat fused forms, in a dismantling that seems continuous, signaling a kind of tired geometry. The banal brilliance of a chromatic automotive cover in what could have been the label of a crumbling and volatile language typical of large urban agglomerations, in a tenuous cross between street art and graffiti.

The Museo de Arte de Zapopan presents selected works from the Cisneros Fontanals Art Foundation (CIFO) to explore -and question- the ways contemporary Latin American art and its main exponents are conceived.

MALBA presents a panoramic exhibition by Anna Maria Maiolino (Scalea Italy, 1942) with more than fifty years of works that include paintings, drawings, woodcuts, sculptures, photographs, videos, sound pieces and installations in an attempt to capture the prismatic spirit of the artist.

The Bass presents El fin de la imaginación (The end of imagination), an exhibition that combines Adrián Villar Rojas work with two sculptures of Mariana Telleria.

The exhibition will feature works donated to the museum by the Colección Patricia Phelps de Cisneros, as well as news acquisitions, loans and commissions from the late 1980s to the present.

Gallery Ilian Rebei gathered Brazilian artists researching the theme of the body and politics in a collective exhibition to reflect on their relationship to the country’s political context.

Somewhat fused forms, in a dismantling that seems continuous, signaling a kind of tired geometry. The banal brilliance of a chromatic automotive cover in what could have been the label of a crumbling and volatile language typical of large urban agglomerations, in a tenuous cross between street art and graffiti.

The Museo de Arte de Zapopan presents selected works from the Cisneros Fontanals Art Foundation (CIFO) to explore -and question- the ways contemporary Latin American art and its main exponents are conceived.

MALBA presents a panoramic exhibition by Anna Maria Maiolino (Scalea Italy, 1942) with more than fifty years of works that include paintings, drawings, woodcuts, sculptures, photographs, videos, sound pieces and installations in an attempt to capture the prismatic spirit of the artist.

The Bass presents El fin de la imaginación (The end of imagination), an exhibition that combines Adrián Villar Rojas work with two sculptures of Mariana Telleria.