THE GEOGRAPHY OF MEANINGS BY ANNA MARIA MAIOLINO

The rise of the philosophy of language in the middle of the last century impacted all areas of humanistic culture, especially theoretical thought and the arts. The notions of discourse, story and narrative are part of that linguistic turn in which culture is perceived as a text. This approach has also influenced the conceptualization, appreciation and evaluation of the visual arts, even in the face of the programmatic reluctance of art-purism and its rejection of the anecdotal. Basically, the discursive subjects, the story and the narration displaced the old leading role of the "retinal" aesthetics. Since then, a large part of the artistic questions are aired in the verbal sphere and not in the strictly sensible plane.

The Spanish-German artist Gabriela Ayza Aschmann (Cologne, Germany, 1991) presents in Tomas Redrado Art a series of paintings created in 2022, as an experience of inquiry into the expanded borders of portraiture that strengthens her. It is a sustained practice that she carries out advancing against the background of the history of the avant-garde, but above all she acts as if she were tearing pages from her own life, to add them to art.

The Museum of Modern Art of Buenos Aires presents the first solo exhibition of the young Argentine artist Florencia Sadir.

Painting as the basis and as a problem, affective bonds and forms of unlearning. These are some of the themes that outline the exhibition "A Slow Coming - Chapter I", a new exhibition at the Museum of Contemporary Art (MAC) in Niterói, Brazil.

The exhibition will feature works donated to the museum by the Colección Patricia Phelps de Cisneros, as well as news acquisitions, loans and commissions from the late 1980s to the present.

The Bass presents El fin de la imaginación (The end of imagination), an exhibition that combines Adrián Villar Rojas work with two sculptures of Mariana Telleria.

María Teresa Hincapié: If This Were A Beginning of Infinity, in MACBA, is an initial attempt to organize the physical and intangible legacy of this artist, so vital to understanding present-day practices.

The first major show of the multi-media artist on O-Overgarden, in which she explores her Chilean heritage.

Art and childhood meet in many points. One of them is the ability to transform reality into something else by reformulating it, questioning it, expanding it. This is shown in the work of Argentine artist María Silvia Corcuera Terán (Buenos Aires, 1955), which includes paintings, sculptures, textiles and reliefs, with a preeminence of objects and collage.

Art Basel 2023 featured over 200 leading galleries and more than 4000 artists, where Latin-American galleries from Colombia, Mexico and Brazil, among other countries, participated.  

The rise of the philosophy of language in the middle of the last century impacted all areas of humanistic culture, especially theoretical thought and the arts. The notions of discourse, story and narrative are part of that linguistic turn in which culture is perceived as a text. This approach has also influenced the conceptualization, appreciation and evaluation of the visual arts, even in the face of the programmatic reluctance of art-purism and its rejection of the anecdotal. Basically, the discursive subjects, the story and the narration displaced the old leading role of the "retinal" aesthetics. Since then, a large part of the artistic questions are aired in the verbal sphere and not in the strictly sensible plane.

The Spanish-German artist Gabriela Ayza Aschmann (Cologne, Germany, 1991) presents in Tomas Redrado Art a series of paintings created in 2022, as an experience of inquiry into the expanded borders of portraiture that strengthens her. It is a sustained practice that she carries out advancing against the background of the history of the avant-garde, but above all she acts as if she were tearing pages from her own life, to add them to art.

The Museum of Modern Art of Buenos Aires presents the first solo exhibition of the young Argentine artist Florencia Sadir.

Painting as the basis and as a problem, affective bonds and forms of unlearning. These are some of the themes that outline the exhibition "A Slow Coming - Chapter I", a new exhibition at the Museum of Contemporary Art (MAC) in Niterói, Brazil.

The exhibition will feature works donated to the museum by the Colección Patricia Phelps de Cisneros, as well as news acquisitions, loans and commissions from the late 1980s to the present.

The Bass presents El fin de la imaginación (The end of imagination), an exhibition that combines Adrián Villar Rojas work with two sculptures of Mariana Telleria.

María Teresa Hincapié: If This Were A Beginning of Infinity, in MACBA, is an initial attempt to organize the physical and intangible legacy of this artist, so vital to understanding present-day practices.

The first major show of the multi-media artist on O-Overgarden, in which she explores her Chilean heritage.

Art and childhood meet in many points. One of them is the ability to transform reality into something else by reformulating it, questioning it, expanding it. This is shown in the work of Argentine artist María Silvia Corcuera Terán (Buenos Aires, 1955), which includes paintings, sculptures, textiles and reliefs, with a preeminence of objects and collage.

Art Basel 2023 featured over 200 leading galleries and more than 4000 artists, where Latin-American galleries from Colombia, Mexico and Brazil, among other countries, participated.  

The Spanish-German artist Gabriela Ayza Aschmann (Cologne, Germany, 1991) presents in Tomas Redrado Art a series of paintings created in 2022, as an experience of inquiry into the expanded borders of portraiture that strengthens her. It is a sustained practice that she carries out advancing against the background of the history of the avant-garde, but above all she acts as if she were tearing pages from her own life, to add them to art.

The Museum of Modern Art of Buenos Aires presents the first solo exhibition of the young Argentine artist Florencia Sadir.

Painting as the basis and as a problem, affective bonds and forms of unlearning. These are some of the themes that outline the exhibition "A Slow Coming - Chapter I", a new exhibition at the Museum of Contemporary Art (MAC) in Niterói, Brazil.

The exhibition will feature works donated to the museum by the Colección Patricia Phelps de Cisneros, as well as news acquisitions, loans and commissions from the late 1980s to the present.

The Bass presents El fin de la imaginación (The end of imagination), an exhibition that combines Adrián Villar Rojas work with two sculptures of Mariana Telleria.

María Teresa Hincapié: If This Were A Beginning of Infinity, in MACBA, is an initial attempt to organize the physical and intangible legacy of this artist, so vital to understanding present-day practices.

The first major show of the multi-media artist on O-Overgarden, in which she explores her Chilean heritage.

Art and childhood meet in many points. One of them is the ability to transform reality into something else by reformulating it, questioning it, expanding it. This is shown in the work of Argentine artist María Silvia Corcuera Terán (Buenos Aires, 1955), which includes paintings, sculptures, textiles and reliefs, with a preeminence of objects and collage.

Art Basel 2023 featured over 200 leading galleries and more than 4000 artists, where Latin-American galleries from Colombia, Mexico and Brazil, among other countries, participated.  

The rise of the philosophy of language in the middle of the last century impacted all areas of humanistic culture, especially theoretical thought and the arts. The notions of discourse, story and narrative are part of that linguistic turn in which culture is perceived as a text. This approach has also influenced the conceptualization, appreciation and evaluation of the visual arts, even in the face of the programmatic reluctance of art-purism and its rejection of the anecdotal. Basically, the discursive subjects, the story and the narration displaced the old leading role of the "retinal" aesthetics. Since then, a large part of the artistic questions are aired in the verbal sphere and not in the strictly sensible plane.

The Spanish-German artist Gabriela Ayza Aschmann (Cologne, Germany, 1991) presents in Tomas Redrado Art a series of paintings created in 2022, as an experience of inquiry into the expanded borders of portraiture that strengthens her. It is a sustained practice that she carries out advancing against the background of the history of the avant-garde, but above all she acts as if she were tearing pages from her own life, to add them to art.

The Museum of Modern Art of Buenos Aires presents the first solo exhibition of the young Argentine artist Florencia Sadir.

Painting as the basis and as a problem, affective bonds and forms of unlearning. These are some of the themes that outline the exhibition "A Slow Coming - Chapter I", a new exhibition at the Museum of Contemporary Art (MAC) in Niterói, Brazil.

The exhibition will feature works donated to the museum by the Colección Patricia Phelps de Cisneros, as well as news acquisitions, loans and commissions from the late 1980s to the present.

The Bass presents El fin de la imaginación (The end of imagination), an exhibition that combines Adrián Villar Rojas work with two sculptures of Mariana Telleria.

María Teresa Hincapié: If This Were A Beginning of Infinity, in MACBA, is an initial attempt to organize the physical and intangible legacy of this artist, so vital to understanding present-day practices.

The first major show of the multi-media artist on O-Overgarden, in which she explores her Chilean heritage.

Art and childhood meet in many points. One of them is the ability to transform reality into something else by reformulating it, questioning it, expanding it. This is shown in the work of Argentine artist María Silvia Corcuera Terán (Buenos Aires, 1955), which includes paintings, sculptures, textiles and reliefs, with a preeminence of objects and collage.

Art Basel 2023 featured over 200 leading galleries and more than 4000 artists, where Latin-American galleries from Colombia, Mexico and Brazil, among other countries, participated.  

The rise of the philosophy of language in the middle of the last century impacted all areas of humanistic culture, especially theoretical thought and the arts. The notions of discourse, story and narrative are part of that linguistic turn in which culture is perceived as a text. This approach has also influenced the conceptualization, appreciation and evaluation of the visual arts, even in the face of the programmatic reluctance of art-purism and its rejection of the anecdotal. Basically, the discursive subjects, the story and the narration displaced the old leading role of the "retinal" aesthetics. Since then, a large part of the artistic questions are aired in the verbal sphere and not in the strictly sensible plane.

The Spanish-German artist Gabriela Ayza Aschmann (Cologne, Germany, 1991) presents in Tomas Redrado Art a series of paintings created in 2022, as an experience of inquiry into the expanded borders of portraiture that strengthens her. It is a sustained practice that she carries out advancing against the background of the history of the avant-garde, but above all she acts as if she were tearing pages from her own life, to add them to art.

The Museum of Modern Art of Buenos Aires presents the first solo exhibition of the young Argentine artist Florencia Sadir.

Painting as the basis and as a problem, affective bonds and forms of unlearning. These are some of the themes that outline the exhibition "A Slow Coming - Chapter I", a new exhibition at the Museum of Contemporary Art (MAC) in Niterói, Brazil.

The exhibition will feature works donated to the museum by the Colección Patricia Phelps de Cisneros, as well as news acquisitions, loans and commissions from the late 1980s to the present.

The Bass presents El fin de la imaginación (The end of imagination), an exhibition that combines Adrián Villar Rojas work with two sculptures of Mariana Telleria.

María Teresa Hincapié: If This Were A Beginning of Infinity, in MACBA, is an initial attempt to organize the physical and intangible legacy of this artist, so vital to understanding present-day practices.

The first major show of the multi-media artist on O-Overgarden, in which she explores her Chilean heritage.

Art and childhood meet in many points. One of them is the ability to transform reality into something else by reformulating it, questioning it, expanding it. This is shown in the work of Argentine artist María Silvia Corcuera Terán (Buenos Aires, 1955), which includes paintings, sculptures, textiles and reliefs, with a preeminence of objects and collage.

Art Basel 2023 featured over 200 leading galleries and more than 4000 artists, where Latin-American galleries from Colombia, Mexico and Brazil, among other countries, participated.