ISABELLA SOLAR VILLASECA: MEMORY MARKETPLACE ON O-OVERGARDEN
The first major show of the multi-media artist on O-Overgarden, in which she explores her Chilean heritage.

Rhythm is the backbone of Isabella Solar Villaseca’s artistic practice. Whether in her films or sculptural pieces, the work is grounded in her Chilean descent and Swedish upbringing in diasporic communities on the outskirts of Stockholm, singing and dancing to evoke the Patria lost to fascism. And rhythm—and its metaphorical cousin, dance—is the recurring catalyst of Villaseca’s new series of artworks, composed for her exhibition at O—Overgaden.
The artist presents her new 26-minute-long film; a large gymnasium-like floor with outlines referring to folk dance steps; a series of statement T-shirts like those worn by music fans; and sculptural elements resembling emblematic architectural features, such as the stadium tribune and the presidential balcony.
Together, the works scrutinize the luring, emotional catch of the Chilean protest song and folkloric beat; a type of popular music that tends to summon a certain kind of genuine bodily collectivity and kinship, but which also has a history of being used and manipulated in populist political campaigning and the media’s captivating marketing.
In Villaseca’s grand new film Beware of the Giant, pixelated and low-fi footage, spanning the 1973 Chilean military coup by General Augusto Pinochet to current civilian protests in Chile, radiates from a large commercial LED screen. It is accompanied by a soundtrack of Chilean folksongs and protest anthems from Violeta Parra and Victor Jara to Cueca-dancing and public chants of “El pueblo unido jamás será vencido” (The people, united, will never be defeated).
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Views from the exposition. Courtesy O-Overgarden.
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Views from the exposition. Courtesy O-Overgarden.
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Views from the exposition. Courtesy O-Overgarden.
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Views from the exposition. Courtesy O-Overgarden.
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Isabella Solar Villaseca: Beware of the Giant, 2022. HD video, arkiv material, found footage, 16 min (video still). Courtesy O-Overgarden.
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Isabella Solar Villaseca: Beware of the Giant, 2022. HD video, arkiv material, found footage, 16 min (video still). Courtesy O-Overgarden.
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Isabella Solar Villaseca: Beware of the Giant, 2022. HD video, arkiv material, found footage, 16 min (video still). Courtesy O-Overgarden.
Isabella Solar Villaseca (b. 1992, SE) lives and works in Copenhagen. She has a BFA from Bergen Academy of Art and Design (2017) and an MFA from the Royal Danish Art Academy (2021). In 2021 she was the recipient of the Poul Erik Bech Foundation’s art prize. Her exhibition Memory Marketplace is the culmination of Villaseca’s participation in O—Overgaden’s 1-year postgraduate program, INTRO.
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PAV (Parco Arte Vivente) is presenting Tierra (Earth), the solo exhibition of guatemaltecan artista Regina José Galino. She has been investigating for over 20 years the subject of social justice through the lens of performative practives.
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The Fairfield University Art Museum and the Art Museum at the University of Saint Joseph announce the closing of the monographic exhibition Gladys Triana: A Path to Enlightenment, 1971-2021, which displays the work of Gladys Triana (b. Cuba, 1937) at these two venues simultaneously. This exhibition, which opened on September 23, 2022, marked the first collaboration between both exhibitions to provide a two-venue survey of an artist’s work.
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The Museum of Contemporary Art of Buenos Aires presents Habitat, a selection of works by artist Luciana Levinton that includes large canvases and unusual supports.
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