AUDI CONTEST IN PINTA LIMA 2025: CREATIVITY WITH IMPACT
As part of the artistic and technological innovation of the #12 edition of Pinta Lima, the winning proposal for the artistic intervention of the Audi Q6 e-tron, a 100% electric vehicle of the Audi company, was announced. The work entitled “Aurora Mar” by artist Gabriela María Ganoza Tacchino was selected for its powerful environmental message and its innovative use of sustainable materials.
The jury was composed by Irene Gelfman, Pinta's global curator, Florencia Portocarrero, curator of RADAR at Pinta Lima and Alexandra Bonnemaison, Manager of Audi Peru, who reviewed numerous applications submitted by artists. For the selection of the winning project, the participants' background and experience, the concept, its contents, the way in which the vehicle would be adapted to the space to be intervened, the compliance and respect for the proposed theme, and the efficient use of material and immaterial resources were taken into account.
This initiative reinforces the commitment to the development of clean technologies and environmental responsibility through art, transforming a vehicle into a work of art that inspires change. The intervention will be presented at the Pinta Lima fair where the public will be able to approach the Audi space to appreciate this proposal.
Who is the artist?
Gabriela María Ganoza Tacchino is a Peruvian artist specialized in realist painting, with a strong influence of the Renaissance painters. Her work explores the intersection between art and environmental awareness, using exclusively recycled materials as a statement of sustainability and commitment to the planet. Throughout his career, she has developed a visual language of her own, where technical precision is combined with a profound ecological narrative.
What is the role of innovation in Pinta?
In an ever-changing global market, Pinta has been able to adapt to new demands, integrating digital technologies and interactive experiences that complement its face-to-face events. This hybrid strategy allows Pinta to expand its reach and improve accessibility to its proposals, positioning it at the forefront of the digital transformation of the arts sector.
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The Museo de Arte de Lima (MALI), in collaboration with the Shipibo Conibo Center in New York and with the support of proyectoamil in Lima and White Cube gallery in London, presented the exhibition Sara Flores. Non Nete, the first solo show of the renowned Shipibo-Konibo artist in a Peruvian museum.
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The Museo de Arte de Lima (MALI), in collaboration with the Shipibo Conibo Center in New York and with the support of proyectoamil in Lima and White Cube gallery in London, presented the exhibition Sara Flores. Non Nete, the first solo show of the renowned Shipibo-Konibo artist in a Peruvian museum.
At the Lima Art Museum – MALI, the exhibition Yerko Zlatar. Ancestral Technology is currently on view. This show invites reflection on the contrast between the deep, harmonious connection that ancient Andean civilizations had with the cosmos and their environment, and the way we now live, governed by a technology driven by consumerism and individualism.
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At the Lima Art Museum – MALI, the exhibition Yerko Zlatar. Ancestral Technology is currently on view. This show invites reflection on the contrast between the deep, harmonious connection that ancient Andean civilizations had with the cosmos and their environment, and the way we now live, governed by a technology driven by consumerism and individualism.
Peruvian contemporary art is experiencing a vibrant moment. Over the past decade, its art ecosystem has begun to consolidate, with a growing local collector base, a more professional gallery scene, and an increasing number of artists gaining international visibility. However, it remains an early stage, with a small and fragile market that requires stronger structures to support its development. Unlike other countries in the region, Peru lacks strong institutional support for contemporary art.
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Galería del Paseo / Lima presents Esta tierra que compartimos (This land we share), a solo exhibition by Peruvian artist Josué Sánchez, curated by Giuliana Vidarte with exhibition design by Álvaro Sánchez.
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Peruvian artist Yerko Zlatar, alongside Mariana Otero, director of Puna gallery (Peru), explores the contemporaneity of traditional crafts in the NEXT Section of the fair. The collaborative duo showcases unique pieces rooted in traditional practices such as weaving, ceramics, and basketry, understood as living languages that enable the creation of new works of art.
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Peruvian artist Yerko Zlatar, alongside Mariana Otero, director of Puna gallery (Peru), explores the contemporaneity of traditional crafts in the NEXT Section of the fair. The collaborative duo showcases unique pieces rooted in traditional practices such as weaving, ceramics, and basketry, understood as living languages that enable the creation of new works of art.
The Museo de Arte de Lima (MALI), in collaboration with the Shipibo Conibo Center in New York and with the support of proyectoamil in Lima and White Cube gallery in London, presented the exhibition Sara Flores. Non Nete, the first solo show of the renowned Shipibo-Konibo artist in a Peruvian museum.
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The Museo de Arte de Lima (MALI), in collaboration with the Shipibo Conibo Center in New York and with the support of proyectoamil in Lima and White Cube gallery in London, presented the exhibition Sara Flores. Non Nete, the first solo show of the renowned Shipibo-Konibo artist in a Peruvian museum.
At the Lima Art Museum – MALI, the exhibition Yerko Zlatar. Ancestral Technology is currently on view. This show invites reflection on the contrast between the deep, harmonious connection that ancient Andean civilizations had with the cosmos and their environment, and the way we now live, governed by a technology driven by consumerism and individualism.
BETWEEN COSMOS AND ALGORITHM: YERKO ZLATAR'S VISION AT MALI
At the Lima Art Museum – MALI, the exhibition Yerko Zlatar. Ancestral Technology is currently on view. This show invites reflection on the contrast between the deep, harmonious connection that ancient Andean civilizations had with the cosmos and their environment, and the way we now live, governed by a technology driven by consumerism and individualism.
Peruvian contemporary art is experiencing a vibrant moment. Over the past decade, its art ecosystem has begun to consolidate, with a growing local collector base, a more professional gallery scene, and an increasing number of artists gaining international visibility. However, it remains an early stage, with a small and fragile market that requires stronger structures to support its development. Unlike other countries in the region, Peru lacks strong institutional support for contemporary art.
PERU ADVANCES STEADILY ON THE CONTEMPORARY ART MAP
Peruvian contemporary art is experiencing a vibrant moment. Over the past decade, its art ecosystem has begun to consolidate, with a growing local collector base, a more professional gallery scene, and an increasing number of artists gaining international visibility. However, it remains an early stage, with a small and fragile market that requires stronger structures to support its development. Unlike other countries in the region, Peru lacks strong institutional support for contemporary art.
The exhibition, which opened on November 28, 2024, presents for the first time a family collection of great significance to Peruvian history, consisting of portraits, religious paintings, and various objects. These pieces allow for an exploration of different aspects of life in the viceregal court of Lima during the 18th century.
FAMILY STORIES: THE GASTAÑETA CARRILLO DE ALBORNOZ COLLECTION AT MALI
The exhibition, which opened on November 28, 2024, presents for the first time a family collection of great significance to Peruvian history, consisting of portraits, religious paintings, and various objects. These pieces allow for an exploration of different aspects of life in the viceregal court of Lima during the 18th century.
Galería del Paseo / Lima presents Esta tierra que compartimos (This land we share), a solo exhibition by Peruvian artist Josué Sánchez, curated by Giuliana Vidarte with exhibition design by Álvaro Sánchez.
Pinta Lima returns for its 12th edition from April 24 to 27, 2025, bringing with it three Bogotá-based galleries offering versatile and thought-provoking proposals. Together, they create a dialogue that spans a wide thematic universe characteristic of contemporary art: exploring the passage of time and materiality, questioning art history and identity, and exposing the visual culture of mass media.
COLOMBIAN PRESENCE AT PINTA LIMA: THREE PROPOSALS FROM BOGOTÁ
Pinta Lima returns for its 12th edition from April 24 to 27, 2025, bringing with it three Bogotá-based galleries offering versatile and thought-provoking proposals. Together, they create a dialogue that spans a wide thematic universe characteristic of contemporary art: exploring the passage of time and materiality, questioning art history and identity, and exposing the visual culture of mass media.
Peruvian artist Yerko Zlatar, alongside Mariana Otero, director of Puna gallery (Peru), explores the contemporaneity of traditional crafts in the NEXT Section of the fair. The collaborative duo showcases unique pieces rooted in traditional practices such as weaving, ceramics, and basketry, understood as living languages that enable the creation of new works of art.
A PROJECT THAT “ACTIVATES THE PAST AS POSSIBILITY” AT PINTA LIMA
Peruvian artist Yerko Zlatar, alongside Mariana Otero, director of Puna gallery (Peru), explores the contemporaneity of traditional crafts in the NEXT Section of the fair. The collaborative duo showcases unique pieces rooted in traditional practices such as weaving, ceramics, and basketry, understood as living languages that enable the creation of new works of art.
The Museo de Arte de Lima (MALI), in collaboration with the Shipibo Conibo Center in New York and with the support of proyectoamil in Lima and White Cube gallery in London, presented the exhibition Sara Flores. Non Nete, the first solo show of the renowned Shipibo-Konibo artist in a Peruvian museum.
A SHIPIBO-KONIBO ARTIST IN A PERUVIAN MUSEUM: ECOFEMINISM AND DEEP ECOLOGY
The Museo de Arte de Lima (MALI), in collaboration with the Shipibo Conibo Center in New York and with the support of proyectoamil in Lima and White Cube gallery in London, presented the exhibition Sara Flores. Non Nete, the first solo show of the renowned Shipibo-Konibo artist in a Peruvian museum.
At the Lima Art Museum – MALI, the exhibition Yerko Zlatar. Ancestral Technology is currently on view. This show invites reflection on the contrast between the deep, harmonious connection that ancient Andean civilizations had with the cosmos and their environment, and the way we now live, governed by a technology driven by consumerism and individualism.
BETWEEN COSMOS AND ALGORITHM: YERKO ZLATAR'S VISION AT MALI
At the Lima Art Museum – MALI, the exhibition Yerko Zlatar. Ancestral Technology is currently on view. This show invites reflection on the contrast between the deep, harmonious connection that ancient Andean civilizations had with the cosmos and their environment, and the way we now live, governed by a technology driven by consumerism and individualism.
Peruvian contemporary art is experiencing a vibrant moment. Over the past decade, its art ecosystem has begun to consolidate, with a growing local collector base, a more professional gallery scene, and an increasing number of artists gaining international visibility. However, it remains an early stage, with a small and fragile market that requires stronger structures to support its development. Unlike other countries in the region, Peru lacks strong institutional support for contemporary art.
PERU ADVANCES STEADILY ON THE CONTEMPORARY ART MAP
Peruvian contemporary art is experiencing a vibrant moment. Over the past decade, its art ecosystem has begun to consolidate, with a growing local collector base, a more professional gallery scene, and an increasing number of artists gaining international visibility. However, it remains an early stage, with a small and fragile market that requires stronger structures to support its development. Unlike other countries in the region, Peru lacks strong institutional support for contemporary art.
The exhibition, which opened on November 28, 2024, presents for the first time a family collection of great significance to Peruvian history, consisting of portraits, religious paintings, and various objects. These pieces allow for an exploration of different aspects of life in the viceregal court of Lima during the 18th century.
FAMILY STORIES: THE GASTAÑETA CARRILLO DE ALBORNOZ COLLECTION AT MALI
The exhibition, which opened on November 28, 2024, presents for the first time a family collection of great significance to Peruvian history, consisting of portraits, religious paintings, and various objects. These pieces allow for an exploration of different aspects of life in the viceregal court of Lima during the 18th century.
Galería del Paseo / Lima presents Esta tierra que compartimos (This land we share), a solo exhibition by Peruvian artist Josué Sánchez, curated by Giuliana Vidarte with exhibition design by Álvaro Sánchez.
Pinta Lima returns for its 12th edition from April 24 to 27, 2025, bringing with it three Bogotá-based galleries offering versatile and thought-provoking proposals. Together, they create a dialogue that spans a wide thematic universe characteristic of contemporary art: exploring the passage of time and materiality, questioning art history and identity, and exposing the visual culture of mass media.
COLOMBIAN PRESENCE AT PINTA LIMA: THREE PROPOSALS FROM BOGOTÁ
Pinta Lima returns for its 12th edition from April 24 to 27, 2025, bringing with it three Bogotá-based galleries offering versatile and thought-provoking proposals. Together, they create a dialogue that spans a wide thematic universe characteristic of contemporary art: exploring the passage of time and materiality, questioning art history and identity, and exposing the visual culture of mass media.
Peruvian artist Yerko Zlatar, alongside Mariana Otero, director of Puna gallery (Peru), explores the contemporaneity of traditional crafts in the NEXT Section of the fair. The collaborative duo showcases unique pieces rooted in traditional practices such as weaving, ceramics, and basketry, understood as living languages that enable the creation of new works of art.
A PROJECT THAT “ACTIVATES THE PAST AS POSSIBILITY” AT PINTA LIMA
Peruvian artist Yerko Zlatar, alongside Mariana Otero, director of Puna gallery (Peru), explores the contemporaneity of traditional crafts in the NEXT Section of the fair. The collaborative duo showcases unique pieces rooted in traditional practices such as weaving, ceramics, and basketry, understood as living languages that enable the creation of new works of art.
The Museo de Arte de Lima (MALI), in collaboration with the Shipibo Conibo Center in New York and with the support of proyectoamil in Lima and White Cube gallery in London, presented the exhibition Sara Flores. Non Nete, the first solo show of the renowned Shipibo-Konibo artist in a Peruvian museum.
A SHIPIBO-KONIBO ARTIST IN A PERUVIAN MUSEUM: ECOFEMINISM AND DEEP ECOLOGY
The Museo de Arte de Lima (MALI), in collaboration with the Shipibo Conibo Center in New York and with the support of proyectoamil in Lima and White Cube gallery in London, presented the exhibition Sara Flores. Non Nete, the first solo show of the renowned Shipibo-Konibo artist in a Peruvian museum.
At the Lima Art Museum – MALI, the exhibition Yerko Zlatar. Ancestral Technology is currently on view. This show invites reflection on the contrast between the deep, harmonious connection that ancient Andean civilizations had with the cosmos and their environment, and the way we now live, governed by a technology driven by consumerism and individualism.
BETWEEN COSMOS AND ALGORITHM: YERKO ZLATAR'S VISION AT MALI
At the Lima Art Museum – MALI, the exhibition Yerko Zlatar. Ancestral Technology is currently on view. This show invites reflection on the contrast between the deep, harmonious connection that ancient Andean civilizations had with the cosmos and their environment, and the way we now live, governed by a technology driven by consumerism and individualism.
Peruvian contemporary art is experiencing a vibrant moment. Over the past decade, its art ecosystem has begun to consolidate, with a growing local collector base, a more professional gallery scene, and an increasing number of artists gaining international visibility. However, it remains an early stage, with a small and fragile market that requires stronger structures to support its development. Unlike other countries in the region, Peru lacks strong institutional support for contemporary art.
PERU ADVANCES STEADILY ON THE CONTEMPORARY ART MAP
Peruvian contemporary art is experiencing a vibrant moment. Over the past decade, its art ecosystem has begun to consolidate, with a growing local collector base, a more professional gallery scene, and an increasing number of artists gaining international visibility. However, it remains an early stage, with a small and fragile market that requires stronger structures to support its development. Unlike other countries in the region, Peru lacks strong institutional support for contemporary art.
The exhibition, which opened on November 28, 2024, presents for the first time a family collection of great significance to Peruvian history, consisting of portraits, religious paintings, and various objects. These pieces allow for an exploration of different aspects of life in the viceregal court of Lima during the 18th century.
FAMILY STORIES: THE GASTAÑETA CARRILLO DE ALBORNOZ COLLECTION AT MALI
The exhibition, which opened on November 28, 2024, presents for the first time a family collection of great significance to Peruvian history, consisting of portraits, religious paintings, and various objects. These pieces allow for an exploration of different aspects of life in the viceregal court of Lima during the 18th century.
Galería del Paseo / Lima presents Esta tierra que compartimos (This land we share), a solo exhibition by Peruvian artist Josué Sánchez, curated by Giuliana Vidarte with exhibition design by Álvaro Sánchez.
Pinta Lima returns for its 12th edition from April 24 to 27, 2025, bringing with it three Bogotá-based galleries offering versatile and thought-provoking proposals. Together, they create a dialogue that spans a wide thematic universe characteristic of contemporary art: exploring the passage of time and materiality, questioning art history and identity, and exposing the visual culture of mass media.
COLOMBIAN PRESENCE AT PINTA LIMA: THREE PROPOSALS FROM BOGOTÁ
Pinta Lima returns for its 12th edition from April 24 to 27, 2025, bringing with it three Bogotá-based galleries offering versatile and thought-provoking proposals. Together, they create a dialogue that spans a wide thematic universe characteristic of contemporary art: exploring the passage of time and materiality, questioning art history and identity, and exposing the visual culture of mass media.
Peruvian artist Yerko Zlatar, alongside Mariana Otero, director of Puna gallery (Peru), explores the contemporaneity of traditional crafts in the NEXT Section of the fair. The collaborative duo showcases unique pieces rooted in traditional practices such as weaving, ceramics, and basketry, understood as living languages that enable the creation of new works of art.
A PROJECT THAT “ACTIVATES THE PAST AS POSSIBILITY” AT PINTA LIMA
Peruvian artist Yerko Zlatar, alongside Mariana Otero, director of Puna gallery (Peru), explores the contemporaneity of traditional crafts in the NEXT Section of the fair. The collaborative duo showcases unique pieces rooted in traditional practices such as weaving, ceramics, and basketry, understood as living languages that enable the creation of new works of art.
