COLOMBIAN PRESENCE AT PINTA LIMA: THREE PROPOSALS FROM BOGOTÁ
Pinta Lima returns for its 12th edition from April 24 to 27, 2025, bringing with it three Bogotá-based galleries offering versatile and thought-provoking proposals. Together, they create a dialogue that spans a wide thematic universe characteristic of contemporary art: exploring the passage of time and materiality, questioning art history and identity, and exposing the visual culture of mass media.

El Salón Comunal, Galería El Museo, and ArtNexus are the three Colombian institutions selected to participate in the upcoming edition of Pinta Lima—the only contemporary art fair in Peru that celebrates the diversity of Latin America's artistic and cultural scene. Through a variety of artistic expressions, these galleries encompass different interpretations of Latin American contemporaneity.
Salón Comunal – NEXT Section
Salón Comunal arrives at the fair's NEXT section with a proposal that explores time as a sculptor and matter as a witness to its passage. This year, the gallery presents the work of Cecilia Ordoñez and Bernardo Montoya, two artists who—through ceramics and painting—engage in a dialogue with the persistence and transformation of materials.
Cecilia Ordoñez’s ceramics condense the memory of gesture and the plasticity of fired earth. Her pieces reveal a process in which fire and time consolidate forms that evoke the archaic and the essential. The manual trace fuses with the surface, leaving an indelible mark that bears witness to the history of matter. Her creations reflect a deep connection with nature and tradition, combined with technical skill to produce exceptional pieces.
Bernardo Montoya, on the other hand, works with layers of paint that settle like geological strata. His works are accumulations of gestures that, through their superimposition, generate material landscapes where time is not merely recorded but becomes the protagonist. Erosion, construction, and disappearance coexist in his pictorial practice, reminding us that every image is, in essence, a remnant.
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Camilo Bojacá. De la serie Plano de corte 19, 2023. Lápiz sobre papel de periódico (1872) y estructura en minas de grafito de 0,7 mm, 29.5 x 37 cm. Cortesía de El Museo
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Gonzalo Fuenmayor. Apocalipsis CXI, 2024. Carboncillo sobre papel, 208.5 x 114.5 cm. Cortesía de El Museo
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Camilo Bojacá. De la serie Plano de corte 19, 2023. Lápiz sobre papel de periódico (1872) y estructura en minas de grafito de 0,7 mm, 29.5 x 37 cm. Cortesía de El Museo
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Jorge Cabieses. Estados de un cuerpo XXXIX, 2024. Acrílico sobre lona, 200 x 150 cm. Cortesía de El Museo
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Marco Mojica. A fake Koons "Is it cake", 2024. Óleo sobre lienzo, 180 x 120 cm. Cortesía de El Museo
Galería El Museo – Main Section
For its participation in the Main Section of Pinta Lima 2025, Galería El Museo presents a selection of six contemporary artists whose practices span geometric abstraction, pictorial figuration, conceptualism, cultural critique, collage, and assemblage. The collection of works engages with diverse visual languages that, from individual perspectives, reflect on art history, cultural identity, the media, and architectural space.
Gonzalo Fuenmayor articulates a dense symbolism through charcoal drawing, evoking tensions between the tropics and the Western gaze, between migration and identity construction. Camilo Bojacá uses appropriation and architectural space to interrogate structural notions through graphite assemblages on period prints, while Jorge Cabieses explores geometry through hybrid cultural references, using textiles and cork as surfaces to rethink color and form.
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Óscar Abraham Pabón. Artesanías modernas OM10, 2025. Collage con cartulinas de colores y papel de diploma, 29 x 21 cm. Cortesía de El Museo
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Óscar Abraham Pabón. Artesanías modernas OM10, 2025. Collage con cartulinas de colores y papel de diploma, 29 x 21 cm. Cortesía de El Museo
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Fernando García Vásquez. Desnudos. El eslabón perdido (Después de El Bosco # 09), 2024. Óleo sobre madera 27 x 42 cm. Cortesía den El Museo
The selection is rounded out by Marco Mojica, who contrasts painting tradition with contemporary visual culture to question notions of the real and the represented; Óscar Abraham Pabón, who intervenes in geometric patterns and concrete forms to imbue them with new meanings; and Fernando García Vásquez, whose painting reinterprets masterpieces of art history from a critical lens on memory, conflict, and absence, creating unsettling voids in recognizable landscapes.
ArtNexus – Main Section
This year, ArtNexus presents a selection of limited-edition graphic works in the fair’s Main Section, featuring artists such as Fernando Bryce, Sandra Gamarra, Antonio Pichillá, Darío Escobar, Antonio Seguí, Álvaro Barrios, Edwin Monsalve, and Daniel Senise, among others.
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Fernando Bryce. The Future is Here (El futuro es ahora), 2023. Serigrafía sobre papel. Fabriano Rosaspina 220 gr. 70 x 50 cm. Edición de 50. Cortesía de ArtNexus
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Fernando Bryce. The Future is Here (El futuro es ahora), 2023. Serigrafía sobre papel. Fabriano Rosaspina 220 gr. 70 x 50 cm. Edición de 50. Cortesía de ArtNexus
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Alvaro Barrios. Las Dos Fridas, 2021. Serigrafía sobre papel Fabriano Rosaspina, 70 x 100 cm. Edición de 35. Cortesía de ArtNexus
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Darío Escobar. Bate con redilas No. 2, 2022-2023. Madera y pigmento, 86 cm como medida máxima. Edición de 12 + 2 PA. Cortesía de ArtNexus
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Edwin Monsalve. De la serie Ríos y Montañas 2019. Tinta litográfica y laminilla de oro, plata y cobre sobre papel Fabriano Rosaspina, 50 x 50. Edición de 30. Cortesía de ArtNexus
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Antonio Pichillá. Semilla, 2024. Técnica textil artesanal e hilos de lana. 32 x 31 cm (12 5/8 x 12 3/16 pulgadas). Serie de 8. Fotos: Antonio Pichillá Studio. Cortesía de ArtNexus
Through diverse approaches and techniques, these editions share a critical gaze on history, memory, and systems of representation. Whether by revisiting official narratives, appropriating popular imagery, or blurring the line between art and archive, the works open a dialogue that transcends the graphic medium to address fundamental questions of identity, politics, and visual culture.
Pinta Lima’s twelfth edition will take place from April 24 to 27, 2025, at Casa Prado, Lima (Peru).
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The Museo de Arte de Lima (MALI), in collaboration with the Shipibo Conibo Center in New York and with the support of proyectoamil in Lima and White Cube gallery in London, presented the exhibition Sara Flores. Non Nete, the first solo show of the renowned Shipibo-Konibo artist in a Peruvian museum.
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Peruvian contemporary art is experiencing a vibrant moment. Over the past decade, its art ecosystem has begun to consolidate, with a growing local collector base, a more professional gallery scene, and an increasing number of artists gaining international visibility. However, it remains an early stage, with a small and fragile market that requires stronger structures to support its development. Unlike other countries in the region, Peru lacks strong institutional support for contemporary art.
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Galería del Paseo / Lima presents Esta tierra que compartimos (This land we share), a solo exhibition by Peruvian artist Josué Sánchez, curated by Giuliana Vidarte with exhibition design by Álvaro Sánchez.

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As part of the artistic and technological innovation of the #12 edition of Pinta Lima, the winning proposal for the artistic intervention of the Audi Q6 e-tron, a 100% electric vehicle of the Audi company, was announced. The work entitled “Aurora Mar” by artist Gabriela María Ganoza Tacchino was selected for its powerful environmental message and its innovative use of sustainable materials.
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As part of the artistic and technological innovation of the #12 edition of Pinta Lima, the winning proposal for the artistic intervention of the Audi Q6 e-tron, a 100% electric vehicle of the Audi company, was announced. The work entitled “Aurora Mar” by artist Gabriela María Ganoza Tacchino was selected for its powerful environmental message and its innovative use of sustainable materials.

The Museo de Arte de Lima (MALI), in collaboration with the Shipibo Conibo Center in New York and with the support of proyectoamil in Lima and White Cube gallery in London, presented the exhibition Sara Flores. Non Nete, the first solo show of the renowned Shipibo-Konibo artist in a Peruvian museum.
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At the Lima Art Museum – MALI, the exhibition Yerko Zlatar. Ancestral Technology is currently on view. This show invites reflection on the contrast between the deep, harmonious connection that ancient Andean civilizations had with the cosmos and their environment, and the way we now live, governed by a technology driven by consumerism and individualism.
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At the Lima Art Museum – MALI, the exhibition Yerko Zlatar. Ancestral Technology is currently on view. This show invites reflection on the contrast between the deep, harmonious connection that ancient Andean civilizations had with the cosmos and their environment, and the way we now live, governed by a technology driven by consumerism and individualism.

Peruvian contemporary art is experiencing a vibrant moment. Over the past decade, its art ecosystem has begun to consolidate, with a growing local collector base, a more professional gallery scene, and an increasing number of artists gaining international visibility. However, it remains an early stage, with a small and fragile market that requires stronger structures to support its development. Unlike other countries in the region, Peru lacks strong institutional support for contemporary art.
PERU ADVANCES STEADILY ON THE CONTEMPORARY ART MAP
Peruvian contemporary art is experiencing a vibrant moment. Over the past decade, its art ecosystem has begun to consolidate, with a growing local collector base, a more professional gallery scene, and an increasing number of artists gaining international visibility. However, it remains an early stage, with a small and fragile market that requires stronger structures to support its development. Unlike other countries in the region, Peru lacks strong institutional support for contemporary art.

The exhibition, which opened on November 28, 2024, presents for the first time a family collection of great significance to Peruvian history, consisting of portraits, religious paintings, and various objects. These pieces allow for an exploration of different aspects of life in the viceregal court of Lima during the 18th century.
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The exhibition, which opened on November 28, 2024, presents for the first time a family collection of great significance to Peruvian history, consisting of portraits, religious paintings, and various objects. These pieces allow for an exploration of different aspects of life in the viceregal court of Lima during the 18th century.

Galería del Paseo / Lima presents Esta tierra que compartimos (This land we share), a solo exhibition by Peruvian artist Josué Sánchez, curated by Giuliana Vidarte with exhibition design by Álvaro Sánchez.

Peruvian artist Yerko Zlatar, alongside Mariana Otero, director of Puna gallery (Peru), explores the contemporaneity of traditional crafts in the NEXT Section of the fair. The collaborative duo showcases unique pieces rooted in traditional practices such as weaving, ceramics, and basketry, understood as living languages that enable the creation of new works of art.
A PROJECT THAT “ACTIVATES THE PAST AS POSSIBILITY” AT PINTA LIMA
Peruvian artist Yerko Zlatar, alongside Mariana Otero, director of Puna gallery (Peru), explores the contemporaneity of traditional crafts in the NEXT Section of the fair. The collaborative duo showcases unique pieces rooted in traditional practices such as weaving, ceramics, and basketry, understood as living languages that enable the creation of new works of art.

As part of the artistic and technological innovation of the #12 edition of Pinta Lima, the winning proposal for the artistic intervention of the Audi Q6 e-tron, a 100% electric vehicle of the Audi company, was announced. The work entitled “Aurora Mar” by artist Gabriela María Ganoza Tacchino was selected for its powerful environmental message and its innovative use of sustainable materials.
AUDI CONTEST IN PINTA LIMA 2025: CREATIVITY WITH IMPACT
As part of the artistic and technological innovation of the #12 edition of Pinta Lima, the winning proposal for the artistic intervention of the Audi Q6 e-tron, a 100% electric vehicle of the Audi company, was announced. The work entitled “Aurora Mar” by artist Gabriela María Ganoza Tacchino was selected for its powerful environmental message and its innovative use of sustainable materials.

The Museo de Arte de Lima (MALI), in collaboration with the Shipibo Conibo Center in New York and with the support of proyectoamil in Lima and White Cube gallery in London, presented the exhibition Sara Flores. Non Nete, the first solo show of the renowned Shipibo-Konibo artist in a Peruvian museum.
A SHIPIBO-KONIBO ARTIST IN A PERUVIAN MUSEUM: ECOFEMINISM AND DEEP ECOLOGY
The Museo de Arte de Lima (MALI), in collaboration with the Shipibo Conibo Center in New York and with the support of proyectoamil in Lima and White Cube gallery in London, presented the exhibition Sara Flores. Non Nete, the first solo show of the renowned Shipibo-Konibo artist in a Peruvian museum.

At the Lima Art Museum – MALI, the exhibition Yerko Zlatar. Ancestral Technology is currently on view. This show invites reflection on the contrast between the deep, harmonious connection that ancient Andean civilizations had with the cosmos and their environment, and the way we now live, governed by a technology driven by consumerism and individualism.
BETWEEN COSMOS AND ALGORITHM: YERKO ZLATAR'S VISION AT MALI
At the Lima Art Museum – MALI, the exhibition Yerko Zlatar. Ancestral Technology is currently on view. This show invites reflection on the contrast between the deep, harmonious connection that ancient Andean civilizations had with the cosmos and their environment, and the way we now live, governed by a technology driven by consumerism and individualism.

Peruvian contemporary art is experiencing a vibrant moment. Over the past decade, its art ecosystem has begun to consolidate, with a growing local collector base, a more professional gallery scene, and an increasing number of artists gaining international visibility. However, it remains an early stage, with a small and fragile market that requires stronger structures to support its development. Unlike other countries in the region, Peru lacks strong institutional support for contemporary art.
PERU ADVANCES STEADILY ON THE CONTEMPORARY ART MAP
Peruvian contemporary art is experiencing a vibrant moment. Over the past decade, its art ecosystem has begun to consolidate, with a growing local collector base, a more professional gallery scene, and an increasing number of artists gaining international visibility. However, it remains an early stage, with a small and fragile market that requires stronger structures to support its development. Unlike other countries in the region, Peru lacks strong institutional support for contemporary art.

The exhibition, which opened on November 28, 2024, presents for the first time a family collection of great significance to Peruvian history, consisting of portraits, religious paintings, and various objects. These pieces allow for an exploration of different aspects of life in the viceregal court of Lima during the 18th century.
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The exhibition, which opened on November 28, 2024, presents for the first time a family collection of great significance to Peruvian history, consisting of portraits, religious paintings, and various objects. These pieces allow for an exploration of different aspects of life in the viceregal court of Lima during the 18th century.

Galería del Paseo / Lima presents Esta tierra que compartimos (This land we share), a solo exhibition by Peruvian artist Josué Sánchez, curated by Giuliana Vidarte with exhibition design by Álvaro Sánchez.

Peruvian artist Yerko Zlatar, alongside Mariana Otero, director of Puna gallery (Peru), explores the contemporaneity of traditional crafts in the NEXT Section of the fair. The collaborative duo showcases unique pieces rooted in traditional practices such as weaving, ceramics, and basketry, understood as living languages that enable the creation of new works of art.
A PROJECT THAT “ACTIVATES THE PAST AS POSSIBILITY” AT PINTA LIMA
Peruvian artist Yerko Zlatar, alongside Mariana Otero, director of Puna gallery (Peru), explores the contemporaneity of traditional crafts in the NEXT Section of the fair. The collaborative duo showcases unique pieces rooted in traditional practices such as weaving, ceramics, and basketry, understood as living languages that enable the creation of new works of art.