AUSTRALIA EXHIBITS FUSINATO’S “DESASTRES” AT THE VENICE BIENNALE
The Australia Council for the Arts has announced the first details of Marco Fusinato’s presentation at the Venice Biennale 2022, curated by Alexie Glass-Kantor and titled ‘DESASTRES’.

DESASTRES is an experimental noise project that synchronises sound with image and takes the form of a durational solo performance as installation. The artist will be performing during the opening hours of the Biennale—a total of 200 days. The presentation will be the first time the Australian Pavilion, located in the historic Giardini della Biennale, has been the site for a live durational performance.
Curator Glass-Kantor says: “DESASTRES breaks from the traditional exhibition format. This is not a static exhibition, but an evolving work. We will be live for the entire 200 days of the Venice Biennale and every time an audience experiences the work, it will be unique. The intensity of the conditions in which this project evolved has allowed the work to be fully embodied as the complete disaster. The performance of the work isn’t about theatre but the act of labour and perseverance.”
Originally from the Veneto region in Italy, Marco Fusinato’s parents migrated to Australia where he was born. He currently lives and works in Naarm/Melbourne. Fusinato is a contemporary artist and noise-musician whose work takes the form of installation, photographic reproduction, design, performance and recording. DESASTRES is a culmination of his interests in noise/experimental music, underground culture, mass media images and art history.
“I’m interested in the tensions around opposing forces like noise versus silence, order versus disorder, the institution versus the underground, purity versus contamination. These binaries co-exist and in DESASTRES it’s that friction I want to maintain—not eliminate. I feel like these tensions are always rubbing up against each other and the interesting thing is how one deals with these agitations, with the contradictions. It’s that in-between state that I want to occupy.”
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Marco Fusinato. A selection of pages from the Score for DESASTRES, 2022. Facsimile on Edition Peters manuscript paper. Each 45.5 x 30.3 cm. Courtesy the artist and Anna Schwartz Gallery
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Marco Fusinato. A selection of pages from the Score for DESASTRES, 2022. Facsimile on Edition Peters manuscript paper. Each 45.5 x 30.3 cm. Courtesy the artist and Anna Schwartz Gallery
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Marco Fusinato. A selection of pages from the Score for DESASTRES, 2022. Facsimile on Edition Peters manuscript paper. Each 45.5 x 30.3 cm. Courtesy the artist and Anna Schwartz Gallery
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Marco Fusinato. A selection of pages from the Score for DESASTRES, 2022. Facsimile on Edition Peters manuscript paper. Each 45.5 x 30.3 cm. Courtesy the artist and Anna Schwartz Gallery
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Marco Fusinato. A selection of pages from the Score for DESASTRES, 2022. Facsimile on Edition Peters manuscript paper. Each 45.5 x 30.3 cm. Courtesy the artist and Anna Schwartz Gallery
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Alexie Glass-Kantor and Marco Fusinato. Photo courtesy Zan Wimberley
Fusinato’s work has been presented in many international exhibitions, including All the World’s Futures, 56th International Art Exhibition of La Biennale di Venezia (2015); The Imminence of Poetics, 30th Sao Paulo Biennale (2012); SUPERPOSITION: Art of Equilibrium and Engagement, 21st Biennale of Sydney (2018); and Australia: Antipodean Stories, Padiglione d’Arte Contemporanea, Milan (2019).
As a musician, Fusinato explores the idea of noise as music, using the electric guitar and mass amplification to improvise intricate, wide-ranging and physically affecting frequencies. His ongoing series of durational noise-guitar performances Spectral Arrows – described as a monumental aural sculpture – was first performed at The Glasgow International Arts Festival in 2012 and has since been performed in museums and theatres worldwide.
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The exhibition will include “gender non-conforming artists who are challenging the figure of man as centre of the universe”. The artistic director of the 2022 Venice Biennale, Cecilia Alemani, outlined her curatorial plans for the 59th International Art Exhibition, which opens this spring (23 April-27 November). Alemani revealed that the show, The Milk of Dreams, will include 213 artists from 58 countries with more than 180 artists participating for the first time.
BIENNALE DI VENEZIA – THE MILK OF DREAMS, BY CECILIA ALEMANI
The exhibition will include “gender non-conforming artists who are challenging the figure of man as centre of the universe”. The artistic director of the 2022 Venice Biennale, Cecilia Alemani, outlined her curatorial plans for the 59th International Art Exhibition, which opens this spring (23 April-27 November). Alemani revealed that the show, The Milk of Dreams, will include 213 artists from 58 countries with more than 180 artists participating for the first time.

El Museo del Barrio presents Raphael Montañez Ortiz: A Contextual Retrospective, from April 14th to September 11th, 2022, the first large-scale exhibition dedicated to the artist, activist, educator and founder of El Museo del Barrio, since 1988. Curated by El Museo’s chief curator, Rodrigo Moura, and guest curator Julieta González, the exhibition spans several decades of his production, from the 1950s to the early 2020s, in different media such as film, painting, photography, video installations, documents, and assemblages. This is the largest exhibition-to-date dedicated to the artist.
RAPHAEL MONTAÑEZ ORTIZ AT MUSEO DEL BARRIO
El Museo del Barrio presents Raphael Montañez Ortiz: A Contextual Retrospective, from April 14th to September 11th, 2022, the first large-scale exhibition dedicated to the artist, activist, educator and founder of El Museo del Barrio, since 1988. Curated by El Museo’s chief curator, Rodrigo Moura, and guest curator Julieta González, the exhibition spans several decades of his production, from the 1950s to the early 2020s, in different media such as film, painting, photography, video installations, documents, and assemblages. This is the largest exhibition-to-date dedicated to the artist.

Correction is the project presented by artist Ignasi Aballí (Barcelona, 1958) for the Pavilion of Spain at the 59th International Venice Biennale, curated by Bea Espejo. Aballí's proposal consists of two actions: a 1:1 scale architectural intervention of the pavilion and the publication of six guides.
SPANISH PAVILION AT THE VENICE BIENNALE
Correction is the project presented by artist Ignasi Aballí (Barcelona, 1958) for the Pavilion of Spain at the 59th International Venice Biennale, curated by Bea Espejo. Aballí's proposal consists of two actions: a 1:1 scale architectural intervention of the pavilion and the publication of six guides.

In this 59th International Art Exhibition – La Biennale di Venezia, the largest contemporary art event in the world, the artist selected to represent Argentina is Mónica Heller, who will show in the Argentine pavilion the video installation entitled The Origin of Substance Will Matter the Importance of Origin. The project, which has the curatorship of Alejo Ponce de León, was chosen among the 40 proposals that were presented in a public and open call.
THE IMPORTANCE OF THE ORIGIN WILL BE IMPORTED BY THE ORIGIN OF THE SUBSTANCE – ARGENTINE PAVILION AT THE VENICE BIENNALE
In this 59th International Art Exhibition – La Biennale di Venezia, the largest contemporary art event in the world, the artist selected to represent Argentina is Mónica Heller, who will show in the Argentine pavilion the video installation entitled The Origin of Substance Will Matter the Importance of Origin. The project, which has the curatorship of Alejo Ponce de León, was chosen among the 40 proposals that were presented in a public and open call.

Chilean artist Cecilia Vicuña is a recipients of the Golden Lions for Lifetime Achievement of the 59th International Art Exhibition of La Biennale di Venezia - The Milk of Dreams.
CECILIA VICUÑA RECEIVES THE GOLDEN LION AT THE VENICE BIENNALE
Chilean artist Cecilia Vicuña is a recipients of the Golden Lions for Lifetime Achievement of the 59th International Art Exhibition of La Biennale di Venezia - The Milk of Dreams.

The National Pavilion UAE exhibitis Mohamed Ahmed Ibrahim: Between Sunrise and Sunset at the Biennale Arte 2022 (Venice Biennale). Curated by Maya Allison, Executive Director of The New York University Abu Dhabi Art Gallery, the exhibition presents an installation of human-sized, abstract and organic sculptural forms.
BETWEEN SUNRISE AND SUNSET - UNITED ARAB EMIRATES PAVILION AT THE VENICE BIENNALE
The National Pavilion UAE exhibitis Mohamed Ahmed Ibrahim: Between Sunrise and Sunset at the Biennale Arte 2022 (Venice Biennale). Curated by Maya Allison, Executive Director of The New York University Abu Dhabi Art Gallery, the exhibition presents an installation of human-sized, abstract and organic sculptural forms.

The 24th Biennale of Sydney will take place March 9–June 10, 2024.
COSMIN COSTINAȘ AND INTI GUERRERO APPOINTED 2024 ARTISTIC DIRECTORS OF THE BIENNALE OF SYDNEY
The 24th Biennale of Sydney will take place March 9–June 10, 2024.

For the 59th International Art Exhibition, La Biennale di Venezia, the Belgian Pavilion (Flemish Community) has invited curator Hilde Teerlinck and artist Francis Alÿs to develop an exhibition project. For the Belgian Pavilion, Alÿs will present The Nature of the Game, an exhibition featuring a selection of films and a series of paintings. Almost all of the films will be new productions.
FRANCIS ALŸS WILL REPRESENT BELGIUM AT THE VENICE BIENNALE
For the 59th International Art Exhibition, La Biennale di Venezia, the Belgian Pavilion (Flemish Community) has invited curator Hilde Teerlinck and artist Francis Alÿs to develop an exhibition project. For the Belgian Pavilion, Alÿs will present The Nature of the Game, an exhibition featuring a selection of films and a series of paintings. Almost all of the films will be new productions.

For the Austrian Pavilion in Venice in 2022, Jakob Lena Knebl and Ashley Hans Scheirl have conceived stage-like installations, entitled Invitation of the Soft Machine and Her Angry Body Parts, in which they unfurl their entire artistic cosmos – from paintings, sculptures, textile works, photographs, text and video to a fashion collection and a publication in the form of a magazine. These “spaces of desire” upset conventional notions of museum presentations and subvert the hierarchies of art and design, of high and low.
AUSTRIAN PAIVILION AT THE VENICE BIENNALE
For the Austrian Pavilion in Venice in 2022, Jakob Lena Knebl and Ashley Hans Scheirl have conceived stage-like installations, entitled Invitation of the Soft Machine and Her Angry Body Parts, in which they unfurl their entire artistic cosmos – from paintings, sculptures, textile works, photographs, text and video to a fashion collection and a publication in the form of a magazine. These “spaces of desire” upset conventional notions of museum presentations and subvert the hierarchies of art and design, of high and low.

Following its highly acclaimed debut at the 2019 Biennale, Ghana will present the exhibition Black Star—The Museum as Freedom for the Ghana Pavilion at the 59th International Art Exhibition—la Biennale di Venezia in 2022. With the patronage of Ghana’s President Nana Addo Dankwa Akufo-Addo and curatorship by Nana Oforiatta Ayim, the featured artists are Na Chainkua Reindorf, Afroscope and Diego Araúja.
BLACK STAR – GHANA PAVILION AT THE VENICE BIENNALE
Following its highly acclaimed debut at the 2019 Biennale, Ghana will present the exhibition Black Star—The Museum as Freedom for the Ghana Pavilion at the 59th International Art Exhibition—la Biennale di Venezia in 2022. With the patronage of Ghana’s President Nana Addo Dankwa Akufo-Addo and curatorship by Nana Oforiatta Ayim, the featured artists are Na Chainkua Reindorf, Afroscope and Diego Araúja.

The exhibition will include “gender non-conforming artists who are challenging the figure of man as centre of the universe”. The artistic director of the 2022 Venice Biennale, Cecilia Alemani, outlined her curatorial plans for the 59th International Art Exhibition, which opens this spring (23 April-27 November). Alemani revealed that the show, The Milk of Dreams, will include 213 artists from 58 countries with more than 180 artists participating for the first time.
BIENNALE DI VENEZIA – THE MILK OF DREAMS, BY CECILIA ALEMANI
The exhibition will include “gender non-conforming artists who are challenging the figure of man as centre of the universe”. The artistic director of the 2022 Venice Biennale, Cecilia Alemani, outlined her curatorial plans for the 59th International Art Exhibition, which opens this spring (23 April-27 November). Alemani revealed that the show, The Milk of Dreams, will include 213 artists from 58 countries with more than 180 artists participating for the first time.

El Museo del Barrio presents Raphael Montañez Ortiz: A Contextual Retrospective, from April 14th to September 11th, 2022, the first large-scale exhibition dedicated to the artist, activist, educator and founder of El Museo del Barrio, since 1988. Curated by El Museo’s chief curator, Rodrigo Moura, and guest curator Julieta González, the exhibition spans several decades of his production, from the 1950s to the early 2020s, in different media such as film, painting, photography, video installations, documents, and assemblages. This is the largest exhibition-to-date dedicated to the artist.
RAPHAEL MONTAÑEZ ORTIZ AT MUSEO DEL BARRIO
El Museo del Barrio presents Raphael Montañez Ortiz: A Contextual Retrospective, from April 14th to September 11th, 2022, the first large-scale exhibition dedicated to the artist, activist, educator and founder of El Museo del Barrio, since 1988. Curated by El Museo’s chief curator, Rodrigo Moura, and guest curator Julieta González, the exhibition spans several decades of his production, from the 1950s to the early 2020s, in different media such as film, painting, photography, video installations, documents, and assemblages. This is the largest exhibition-to-date dedicated to the artist.

Correction is the project presented by artist Ignasi Aballí (Barcelona, 1958) for the Pavilion of Spain at the 59th International Venice Biennale, curated by Bea Espejo. Aballí's proposal consists of two actions: a 1:1 scale architectural intervention of the pavilion and the publication of six guides.
SPANISH PAVILION AT THE VENICE BIENNALE
Correction is the project presented by artist Ignasi Aballí (Barcelona, 1958) for the Pavilion of Spain at the 59th International Venice Biennale, curated by Bea Espejo. Aballí's proposal consists of two actions: a 1:1 scale architectural intervention of the pavilion and the publication of six guides.

In this 59th International Art Exhibition – La Biennale di Venezia, the largest contemporary art event in the world, the artist selected to represent Argentina is Mónica Heller, who will show in the Argentine pavilion the video installation entitled The Origin of Substance Will Matter the Importance of Origin. The project, which has the curatorship of Alejo Ponce de León, was chosen among the 40 proposals that were presented in a public and open call.
THE IMPORTANCE OF THE ORIGIN WILL BE IMPORTED BY THE ORIGIN OF THE SUBSTANCE – ARGENTINE PAVILION AT THE VENICE BIENNALE
In this 59th International Art Exhibition – La Biennale di Venezia, the largest contemporary art event in the world, the artist selected to represent Argentina is Mónica Heller, who will show in the Argentine pavilion the video installation entitled The Origin of Substance Will Matter the Importance of Origin. The project, which has the curatorship of Alejo Ponce de León, was chosen among the 40 proposals that were presented in a public and open call.

Chilean artist Cecilia Vicuña is a recipients of the Golden Lions for Lifetime Achievement of the 59th International Art Exhibition of La Biennale di Venezia - The Milk of Dreams.
CECILIA VICUÑA RECEIVES THE GOLDEN LION AT THE VENICE BIENNALE
Chilean artist Cecilia Vicuña is a recipients of the Golden Lions for Lifetime Achievement of the 59th International Art Exhibition of La Biennale di Venezia - The Milk of Dreams.

The National Pavilion UAE exhibitis Mohamed Ahmed Ibrahim: Between Sunrise and Sunset at the Biennale Arte 2022 (Venice Biennale). Curated by Maya Allison, Executive Director of The New York University Abu Dhabi Art Gallery, the exhibition presents an installation of human-sized, abstract and organic sculptural forms.
BETWEEN SUNRISE AND SUNSET - UNITED ARAB EMIRATES PAVILION AT THE VENICE BIENNALE
The National Pavilion UAE exhibitis Mohamed Ahmed Ibrahim: Between Sunrise and Sunset at the Biennale Arte 2022 (Venice Biennale). Curated by Maya Allison, Executive Director of The New York University Abu Dhabi Art Gallery, the exhibition presents an installation of human-sized, abstract and organic sculptural forms.

The 24th Biennale of Sydney will take place March 9–June 10, 2024.
COSMIN COSTINAȘ AND INTI GUERRERO APPOINTED 2024 ARTISTIC DIRECTORS OF THE BIENNALE OF SYDNEY
The 24th Biennale of Sydney will take place March 9–June 10, 2024.