AUSTRIAN PAIVILION AT THE VENICE BIENNALE
For the Austrian Pavilion in Venice in 2022, Jakob Lena Knebl and Ashley Hans Scheirl have conceived stage-like installations, entitled Invitation of the Soft Machine and Her Angry Body Parts, in which they unfurl their entire artistic cosmos – from paintings, sculptures, textile works, photographs, text and video to a fashion collection and a publication in the form of a magazine. These “spaces of desire” upset conventional notions of museum presentations and subvert the hierarchies of art and design, of high and low.

These installations analyse the operations of the mechanism which becomes a co-producer of constructions of identity as well as the role of desire and sensory experience within this context. By reflecting on the idea of “liberation” from conventions, they open up spaces that viewers can experience by way of play, becoming protagonists in the stage-like environments.
JAKOB LENA KNEBL and ASHLEY HANS SCHEIRL focus on the situation of the symmetrical architecture of the Austrian Pavilion, that is both divided and connected by a colonnade. The two sections each bear the mark of one of the two artists. While distinguishing the two distinct positions, this also ensures that they remain in conversation with each other so as to emphasise the artist duo at appropriate points. Various materials, modes of operation, symbols and forms, for example, appear to oscillate between the two presentations, duplicated and mirrored and translated into the preferred artistic practice in each case.
JAKOB LENA KNEBL’s expansive installations elude clear-cut classifications, deliberately breaking with accustomed norms. The artist’s current interrogation of the 1970s, the sociopolitical issues and the history of art and design of that decade, reflects their potent influence on the present day. Key aspects in this context include identity and the possibilities of its transformation, the places of its staging, and the question of co-producers and mechanisms of exclusion.
ASHLEY HANS SCHEIRL’s installation is a walk-in self-portrait as a painter. As in a theatre proscenium, we see a staggered arrangement of flat pieces of scenery, that are at the same time the layers of this fold-out painting. This scenery is made up of architectural interventions, paintings, printed wallpapers and objects of various materials. It is a walk-in, “accessible” painting and at the same time a theatre stage that is moved into and even under the auditorium, with one of the architectural peculiarities of the Pavilion being that visitors descend two steps from the entrance into the two sunken main rooms.
“The installation is characterised by a dynamic juxtaposition and intertwining of different, seemingly paradoxical spaces, styles and pictogram-style symbols, that all seek to garner the visitors’ attention with their own particular devices”, says Karola Kraus, curator of the Pavilion. As she goes on to say: “In turn they become protagonists in this piece, setting the scenery in motion with their bodies. This hierarchical division into background / foreground, grand gesture / minor detail, “ingenious” expressionism / décor, object / subject is unsettled so as to test the libidinous economy of power relations on one’s own body. We are all excited to see the outcome of this experiment.”
Jakob Lena Knebl and Ashley Hans Scheirl
Invitation of the Soft Machine and Her Angry Body Parts
April 23–November 27, 2022
Austrian Pavilion at the Venice Biennale
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THE IMPORTANCE OF THE ORIGIN WILL BE IMPORTED BY THE ORIGIN OF THE SUBSTANCE – ARGENTINE PAVILION AT THE VENICE BIENNALE
In this 59th International Art Exhibition – La Biennale di Venezia, the largest contemporary art event in the world, the artist selected to represent Argentina is Mónica Heller, who will show in the Argentine pavilion the video installation entitled The Origin of Substance Will Matter the Importance of Origin. The project, which has the curatorship of Alejo Ponce de León, was chosen among the 40 proposals that were presented in a public and open call.

Chilean artist Cecilia Vicuña is a recipients of the Golden Lions for Lifetime Achievement of the 59th International Art Exhibition of La Biennale di Venezia - The Milk of Dreams.
CECILIA VICUÑA RECEIVES THE GOLDEN LION AT THE VENICE BIENNALE
Chilean artist Cecilia Vicuña is a recipients of the Golden Lions for Lifetime Achievement of the 59th International Art Exhibition of La Biennale di Venezia - The Milk of Dreams.

The National Pavilion UAE exhibitis Mohamed Ahmed Ibrahim: Between Sunrise and Sunset at the Biennale Arte 2022 (Venice Biennale). Curated by Maya Allison, Executive Director of The New York University Abu Dhabi Art Gallery, the exhibition presents an installation of human-sized, abstract and organic sculptural forms.
BETWEEN SUNRISE AND SUNSET - UNITED ARAB EMIRATES PAVILION AT THE VENICE BIENNALE
The National Pavilion UAE exhibitis Mohamed Ahmed Ibrahim: Between Sunrise and Sunset at the Biennale Arte 2022 (Venice Biennale). Curated by Maya Allison, Executive Director of The New York University Abu Dhabi Art Gallery, the exhibition presents an installation of human-sized, abstract and organic sculptural forms.

Following its highly acclaimed debut at the 2019 Biennale, Ghana will present the exhibition Black Star—The Museum as Freedom for the Ghana Pavilion at the 59th International Art Exhibition—la Biennale di Venezia in 2022. With the patronage of Ghana’s President Nana Addo Dankwa Akufo-Addo and curatorship by Nana Oforiatta Ayim, the featured artists are Na Chainkua Reindorf, Afroscope and Diego Araúja.
BLACK STAR – GHANA PAVILION AT THE VENICE BIENNALE
Following its highly acclaimed debut at the 2019 Biennale, Ghana will present the exhibition Black Star—The Museum as Freedom for the Ghana Pavilion at the 59th International Art Exhibition—la Biennale di Venezia in 2022. With the patronage of Ghana’s President Nana Addo Dankwa Akufo-Addo and curatorship by Nana Oforiatta Ayim, the featured artists are Na Chainkua Reindorf, Afroscope and Diego Araúja.

Under the curatorship of Catalina Lozano and Mauricio Marcin, this proposal offers a collective approach, from a decolonial perspective, reflecting on worldviews, technologies, territories, and the reconfiguration of gender subjectivities. The artists Mariana Castillo Deball, Naomi Rincón Gallardo, Fernando Palma Rodríguez and Santiago Borja Charles offer allegories to imagine a coexistence based on complex relationships of reciprocity and respect. To construct a paradigm that addresses the mystery of regenerative coexistence of the most heterogeneous cultures, and not that of the exclusion of other living beings, both human and non-human.
UNTIL THE SONGS SPRING - MEXICO AT THE VENICE BIENNALE 2022
Under the curatorship of Catalina Lozano and Mauricio Marcin, this proposal offers a collective approach, from a decolonial perspective, reflecting on worldviews, technologies, territories, and the reconfiguration of gender subjectivities. The artists Mariana Castillo Deball, Naomi Rincón Gallardo, Fernando Palma Rodríguez and Santiago Borja Charles offer allegories to imagine a coexistence based on complex relationships of reciprocity and respect. To construct a paradigm that addresses the mystery of regenerative coexistence of the most heterogeneous cultures, and not that of the exclusion of other living beings, both human and non-human.

The German Pavilion at the 59th International Art Exhibition—la Biennale di Venezia in 2022 will feature the artist Maria Eichhorn. By choosing Eichhorn, who was born in Bamberg in 1962 and lives in Berlin, the curator Yilmaz Dziewior has decided in favor of an internationally highly recognized artist known as much for her conceptual approach as for her subtle sense of humor. With her visually minimal gestures, spatial interventions, and process-based works, Eichhorn critically examines institutional power structures and political and economic interrelationships.
GERMAN PAVILION AT THE 59TH VENICE BIENNALE: A QUESTION ON PAVILIONS THEMSELVES
The German Pavilion at the 59th International Art Exhibition—la Biennale di Venezia in 2022 will feature the artist Maria Eichhorn. By choosing Eichhorn, who was born in Bamberg in 1962 and lives in Berlin, the curator Yilmaz Dziewior has decided in favor of an internationally highly recognized artist known as much for her conceptual approach as for her subtle sense of humor. With her visually minimal gestures, spatial interventions, and process-based works, Eichhorn critically examines institutional power structures and political and economic interrelationships.

For the 59th International Art Exhibition, La Biennale di Venezia, the Belgian Pavilion (Flemish Community) has invited curator Hilde Teerlinck and artist Francis Alÿs to develop an exhibition project. For the Belgian Pavilion, Alÿs will present The Nature of the Game, an exhibition featuring a selection of films and a series of paintings. Almost all of the films will be new productions.
FRANCIS ALŸS WILL REPRESENT BELGIUM AT THE VENICE BIENNALE
For the 59th International Art Exhibition, La Biennale di Venezia, the Belgian Pavilion (Flemish Community) has invited curator Hilde Teerlinck and artist Francis Alÿs to develop an exhibition project. For the Belgian Pavilion, Alÿs will present The Nature of the Game, an exhibition featuring a selection of films and a series of paintings. Almost all of the films will be new productions.

The Australia Council for the Arts has announced the first details of Marco Fusinato’s presentation at the Venice Biennale 2022, curated by Alexie Glass-Kantor and titled ‘DESASTRES’.
AUSTRALIA EXHIBITS FUSINATO’S “DESASTRES” AT THE VENICE BIENNALE
The Australia Council for the Arts has announced the first details of Marco Fusinato’s presentation at the Venice Biennale 2022, curated by Alexie Glass-Kantor and titled ‘DESASTRES’.

Correction is the project presented by artist Ignasi Aballí (Barcelona, 1958) for the Pavilion of Spain at the 59th International Venice Biennale, curated by Bea Espejo. Aballí's proposal consists of two actions: a 1:1 scale architectural intervention of the pavilion and the publication of six guides.
SPANISH PAVILION AT THE VENICE BIENNALE
Correction is the project presented by artist Ignasi Aballí (Barcelona, 1958) for the Pavilion of Spain at the 59th International Venice Biennale, curated by Bea Espejo. Aballí's proposal consists of two actions: a 1:1 scale architectural intervention of the pavilion and the publication of six guides.

In this 59th International Art Exhibition – La Biennale di Venezia, the largest contemporary art event in the world, the artist selected to represent Argentina is Mónica Heller, who will show in the Argentine pavilion the video installation entitled The Origin of Substance Will Matter the Importance of Origin. The project, which has the curatorship of Alejo Ponce de León, was chosen among the 40 proposals that were presented in a public and open call.
THE IMPORTANCE OF THE ORIGIN WILL BE IMPORTED BY THE ORIGIN OF THE SUBSTANCE – ARGENTINE PAVILION AT THE VENICE BIENNALE
In this 59th International Art Exhibition – La Biennale di Venezia, the largest contemporary art event in the world, the artist selected to represent Argentina is Mónica Heller, who will show in the Argentine pavilion the video installation entitled The Origin of Substance Will Matter the Importance of Origin. The project, which has the curatorship of Alejo Ponce de León, was chosen among the 40 proposals that were presented in a public and open call.

Chilean artist Cecilia Vicuña is a recipients of the Golden Lions for Lifetime Achievement of the 59th International Art Exhibition of La Biennale di Venezia - The Milk of Dreams.
CECILIA VICUÑA RECEIVES THE GOLDEN LION AT THE VENICE BIENNALE
Chilean artist Cecilia Vicuña is a recipients of the Golden Lions for Lifetime Achievement of the 59th International Art Exhibition of La Biennale di Venezia - The Milk of Dreams.

The National Pavilion UAE exhibitis Mohamed Ahmed Ibrahim: Between Sunrise and Sunset at the Biennale Arte 2022 (Venice Biennale). Curated by Maya Allison, Executive Director of The New York University Abu Dhabi Art Gallery, the exhibition presents an installation of human-sized, abstract and organic sculptural forms.
BETWEEN SUNRISE AND SUNSET - UNITED ARAB EMIRATES PAVILION AT THE VENICE BIENNALE
The National Pavilion UAE exhibitis Mohamed Ahmed Ibrahim: Between Sunrise and Sunset at the Biennale Arte 2022 (Venice Biennale). Curated by Maya Allison, Executive Director of The New York University Abu Dhabi Art Gallery, the exhibition presents an installation of human-sized, abstract and organic sculptural forms.