CECILIA VICUÑA’S TATE MODERN COMMISSION

Chilean artist Cecilia Vicuña is a recipients of the Golden Lions for Lifetime Achievement of the 59th International Art Exhibition of La Biennale di Venezia - The Milk of Dreams.

As a novelty, this year Pinta PArC presents a new space with a leading role marked by the textile art of Tiodoro Pacco. Institutionally and with the curatorship of Jerson Ramirez, the aim is to recover, highlight and celebrate the traditional techniques and artistic work of the region. The space is thus dedicated to the exploration of memory, the transmission of cultural values​​and the examination of the processes and formats that are interwoven in the Peruvian artistic identity.

The Miguel Urrutia Art Museum of the Banco de la República presents the exhibition Veroír el fracaso iluminado (Seehearing the Enlightened Failure), a retrospective that brings together more than 100 works by the Chilean artist Cecilia Vicuña, whose work addresses issues such as the environment, feminism, human rights humans, decolonization and the relationship between art and politics. The exhibition, curated by Miguel López, one of the most outstanding curators on the current Latin American art scene, arrives in Colombia thanks to the collaboration between the Kunstinstituut Melly (Rotterdam) and the Banco de la República.

In Maluf's exhibition project, the language of three-dimensional works is combined with the installation format. With this in mind, and the characteristic spatial layout of Gallery 5 of the Emilio Caraffa Museum with its great heights, the works participate from their immanence in a dialogue with the circumstance.

“We live in a world that demands of us clear meanings and pragmatic definitions of things, that wants to possess and that rejects uncertainty. Taking our focus back to poetry allows us to understand that knowing is not synonymous with dominating, but rather with being with, generating interconnectedness and bonding”.

Exhibited at the Spcrates Sculpture Park, in collaboration with Projeto Hélio Oiticica and Americas Society. Titled Subterranean Tropicália Projects: PN15 1971/2022, this immersive environment is the first realization of a never-before-executed idea by the late Brazilian artist.

Welcome to the fascinating world of kinetic art! The Espace Monte-Cristo, the Parisian headquarters of the Fondation Villa Datris-Isle-sur-la-Sorgue, presents to celebrate its fifth anniversary "Cinétique! La sculpture en mouvement" (Kinetic! Sculpture in movement). The staging of this exhibition allows us to discover the creations of 25 French and international artists; kinetic sculptures from the 60s to the present mixing historical and scientific references. Static, dynamic or mechanical, these works play with our perception and evolve according to our movements. A colorful, sonorous, rhythmic and moving journey opens up before us.

Chilean artist Cecilia Vicuña is a recipients of the Golden Lions for Lifetime Achievement of the 59th International Art Exhibition of La Biennale di Venezia - The Milk of Dreams.

As a novelty, this year Pinta PArC presents a new space with a leading role marked by the textile art of Tiodoro Pacco. Institutionally and with the curatorship of Jerson Ramirez, the aim is to recover, highlight and celebrate the traditional techniques and artistic work of the region. The space is thus dedicated to the exploration of memory, the transmission of cultural values​​and the examination of the processes and formats that are interwoven in the Peruvian artistic identity.

The Miguel Urrutia Art Museum of the Banco de la República presents the exhibition Veroír el fracaso iluminado (Seehearing the Enlightened Failure), a retrospective that brings together more than 100 works by the Chilean artist Cecilia Vicuña, whose work addresses issues such as the environment, feminism, human rights humans, decolonization and the relationship between art and politics. The exhibition, curated by Miguel López, one of the most outstanding curators on the current Latin American art scene, arrives in Colombia thanks to the collaboration between the Kunstinstituut Melly (Rotterdam) and the Banco de la República.

In Maluf's exhibition project, the language of three-dimensional works is combined with the installation format. With this in mind, and the characteristic spatial layout of Gallery 5 of the Emilio Caraffa Museum with its great heights, the works participate from their immanence in a dialogue with the circumstance.

“We live in a world that demands of us clear meanings and pragmatic definitions of things, that wants to possess and that rejects uncertainty. Taking our focus back to poetry allows us to understand that knowing is not synonymous with dominating, but rather with being with, generating interconnectedness and bonding”.

Exhibited at the Spcrates Sculpture Park, in collaboration with Projeto Hélio Oiticica and Americas Society. Titled Subterranean Tropicália Projects: PN15 1971/2022, this immersive environment is the first realization of a never-before-executed idea by the late Brazilian artist.

Welcome to the fascinating world of kinetic art! The Espace Monte-Cristo, the Parisian headquarters of the Fondation Villa Datris-Isle-sur-la-Sorgue, presents to celebrate its fifth anniversary "Cinétique! La sculpture en mouvement" (Kinetic! Sculpture in movement). The staging of this exhibition allows us to discover the creations of 25 French and international artists; kinetic sculptures from the 60s to the present mixing historical and scientific references. Static, dynamic or mechanical, these works play with our perception and evolve according to our movements. A colorful, sonorous, rhythmic and moving journey opens up before us.

As a novelty, this year Pinta PArC presents a new space with a leading role marked by the textile art of Tiodoro Pacco. Institutionally and with the curatorship of Jerson Ramirez, the aim is to recover, highlight and celebrate the traditional techniques and artistic work of the region. The space is thus dedicated to the exploration of memory, the transmission of cultural values​​and the examination of the processes and formats that are interwoven in the Peruvian artistic identity.

The Miguel Urrutia Art Museum of the Banco de la República presents the exhibition Veroír el fracaso iluminado (Seehearing the Enlightened Failure), a retrospective that brings together more than 100 works by the Chilean artist Cecilia Vicuña, whose work addresses issues such as the environment, feminism, human rights humans, decolonization and the relationship between art and politics. The exhibition, curated by Miguel López, one of the most outstanding curators on the current Latin American art scene, arrives in Colombia thanks to the collaboration between the Kunstinstituut Melly (Rotterdam) and the Banco de la República.

In Maluf's exhibition project, the language of three-dimensional works is combined with the installation format. With this in mind, and the characteristic spatial layout of Gallery 5 of the Emilio Caraffa Museum with its great heights, the works participate from their immanence in a dialogue with the circumstance.

“We live in a world that demands of us clear meanings and pragmatic definitions of things, that wants to possess and that rejects uncertainty. Taking our focus back to poetry allows us to understand that knowing is not synonymous with dominating, but rather with being with, generating interconnectedness and bonding”.

Exhibited at the Spcrates Sculpture Park, in collaboration with Projeto Hélio Oiticica and Americas Society. Titled Subterranean Tropicália Projects: PN15 1971/2022, this immersive environment is the first realization of a never-before-executed idea by the late Brazilian artist.

Welcome to the fascinating world of kinetic art! The Espace Monte-Cristo, the Parisian headquarters of the Fondation Villa Datris-Isle-sur-la-Sorgue, presents to celebrate its fifth anniversary "Cinétique! La sculpture en mouvement" (Kinetic! Sculpture in movement). The staging of this exhibition allows us to discover the creations of 25 French and international artists; kinetic sculptures from the 60s to the present mixing historical and scientific references. Static, dynamic or mechanical, these works play with our perception and evolve according to our movements. A colorful, sonorous, rhythmic and moving journey opens up before us.

Chilean artist Cecilia Vicuña is a recipients of the Golden Lions for Lifetime Achievement of the 59th International Art Exhibition of La Biennale di Venezia - The Milk of Dreams.

As a novelty, this year Pinta PArC presents a new space with a leading role marked by the textile art of Tiodoro Pacco. Institutionally and with the curatorship of Jerson Ramirez, the aim is to recover, highlight and celebrate the traditional techniques and artistic work of the region. The space is thus dedicated to the exploration of memory, the transmission of cultural values​​and the examination of the processes and formats that are interwoven in the Peruvian artistic identity.

The Miguel Urrutia Art Museum of the Banco de la República presents the exhibition Veroír el fracaso iluminado (Seehearing the Enlightened Failure), a retrospective that brings together more than 100 works by the Chilean artist Cecilia Vicuña, whose work addresses issues such as the environment, feminism, human rights humans, decolonization and the relationship between art and politics. The exhibition, curated by Miguel López, one of the most outstanding curators on the current Latin American art scene, arrives in Colombia thanks to the collaboration between the Kunstinstituut Melly (Rotterdam) and the Banco de la República.

In Maluf's exhibition project, the language of three-dimensional works is combined with the installation format. With this in mind, and the characteristic spatial layout of Gallery 5 of the Emilio Caraffa Museum with its great heights, the works participate from their immanence in a dialogue with the circumstance.

“We live in a world that demands of us clear meanings and pragmatic definitions of things, that wants to possess and that rejects uncertainty. Taking our focus back to poetry allows us to understand that knowing is not synonymous with dominating, but rather with being with, generating interconnectedness and bonding”.

Exhibited at the Spcrates Sculpture Park, in collaboration with Projeto Hélio Oiticica and Americas Society. Titled Subterranean Tropicália Projects: PN15 1971/2022, this immersive environment is the first realization of a never-before-executed idea by the late Brazilian artist.

Welcome to the fascinating world of kinetic art! The Espace Monte-Cristo, the Parisian headquarters of the Fondation Villa Datris-Isle-sur-la-Sorgue, presents to celebrate its fifth anniversary "Cinétique! La sculpture en mouvement" (Kinetic! Sculpture in movement). The staging of this exhibition allows us to discover the creations of 25 French and international artists; kinetic sculptures from the 60s to the present mixing historical and scientific references. Static, dynamic or mechanical, these works play with our perception and evolve according to our movements. A colorful, sonorous, rhythmic and moving journey opens up before us.

Chilean artist Cecilia Vicuña is a recipients of the Golden Lions for Lifetime Achievement of the 59th International Art Exhibition of La Biennale di Venezia - The Milk of Dreams.

As a novelty, this year Pinta PArC presents a new space with a leading role marked by the textile art of Tiodoro Pacco. Institutionally and with the curatorship of Jerson Ramirez, the aim is to recover, highlight and celebrate the traditional techniques and artistic work of the region. The space is thus dedicated to the exploration of memory, the transmission of cultural values​​and the examination of the processes and formats that are interwoven in the Peruvian artistic identity.

The Miguel Urrutia Art Museum of the Banco de la República presents the exhibition Veroír el fracaso iluminado (Seehearing the Enlightened Failure), a retrospective that brings together more than 100 works by the Chilean artist Cecilia Vicuña, whose work addresses issues such as the environment, feminism, human rights humans, decolonization and the relationship between art and politics. The exhibition, curated by Miguel López, one of the most outstanding curators on the current Latin American art scene, arrives in Colombia thanks to the collaboration between the Kunstinstituut Melly (Rotterdam) and the Banco de la República.

In Maluf's exhibition project, the language of three-dimensional works is combined with the installation format. With this in mind, and the characteristic spatial layout of Gallery 5 of the Emilio Caraffa Museum with its great heights, the works participate from their immanence in a dialogue with the circumstance.

“We live in a world that demands of us clear meanings and pragmatic definitions of things, that wants to possess and that rejects uncertainty. Taking our focus back to poetry allows us to understand that knowing is not synonymous with dominating, but rather with being with, generating interconnectedness and bonding”.

Exhibited at the Spcrates Sculpture Park, in collaboration with Projeto Hélio Oiticica and Americas Society. Titled Subterranean Tropicália Projects: PN15 1971/2022, this immersive environment is the first realization of a never-before-executed idea by the late Brazilian artist.

Welcome to the fascinating world of kinetic art! The Espace Monte-Cristo, the Parisian headquarters of the Fondation Villa Datris-Isle-sur-la-Sorgue, presents to celebrate its fifth anniversary "Cinétique! La sculpture en mouvement" (Kinetic! Sculpture in movement). The staging of this exhibition allows us to discover the creations of 25 French and international artists; kinetic sculptures from the 60s to the present mixing historical and scientific references. Static, dynamic or mechanical, these works play with our perception and evolve according to our movements. A colorful, sonorous, rhythmic and moving journey opens up before us.