CECILIA VICUÑA. SEEHEARING THE ENLIGHTENED FAILURE

Within the framework of what was Radical Women exhibition that was given at the Hammer Museum, L.A., California, independent critic and curator Adriana Herrera Téllez reflects on the visibility of these artists and the legacy proposed by the catalog.

Gomide & Co announces the participation of Brazilian artist Leonora de Barros at the 59^th International Art Exhibition of La Biennale di Venezia, curated by Cecilia Alemani and scheduled to open on April 23, 2022.

The Cartier Foundation presents "Heliotropo 37", the first major exhibition in France dedicated to the work of Mexican photographer Graciela Iturbide. It brings together more than 200 images from the 1970s to today. Photographs from the most iconic to the most recent, as well as a color series specially produced for the exhibition. If today she is famous for her portraits of the Indians of the Sonoran Desert, the women of Juchitán, or for her photographic essays on the ancestral communities and traditions of Mexico, Graciela Iturbide also draws an almost spiritual focus to landscapes and objects. Showing for the first time these two facets, these two points of view of the artist's work, the exhibition thus offers a renewed vision and reveals her great contribution to photographic art.

The Institute for Studies on Latin American Art (ISLAA) announced the opening of Born of Informalismo: Marta Minujín and the Nascent Body of Performance, curated by Michaëla de Lacaze Mohrmann. The third in a series of exhibitions on Latin American modernism and its legacies, this show examines the early work of trailblazing Argentine artist Marta Minujín (b. 1943), tracing her trajectory from informalist painting and sculpture to performance.

Stockholm syndrome occurs when a victim establishes an emotional bond with their captors. With motherhood many women feel like this: their life is no longer theirs and escaping is impossible. However, the kidnappers are not the daughters or the sons. The perpetrator is the patriarchal system that, under the story of love, hides the tasks that sustain life while exploiting them. The works exhibited here reveal motherhood as a disputed concept. On one side is the violence of labor and legal demands; on the other, the struggles that intertwine like a tide around the need for reproductive rights and care strategies that escape capitalist accumulation. This is an example of the enormous political power of motherhood.

Mexican artist, Teresa Margolles, transfers the space of death to the sphere of art, a metaphor par excellence of the border, of a limit that paradoxically is reached only when we are no longer and, therefore, we will no longer be able to tell it. An attempt to counter addiction and impotence in the face of daily tragedies such as gender violence or the exploitation of illegal immigration, caused by the inaction of governments and by a melodramatic or sensationalistic media exploitation.

The ninth edition of PArC, Perú Arte Contemporáneo, will take place between April 20^th and 24^th, 2022. Integrated into the Pinta universe, the most relevant international art fair in Peru is characterized by an experimental program and a selection of galleries with diverse and contemporary proposals. Pinta PArC, positioned among the most relevant cultural exchange platforms in the region, can be visited at Casa Prado (Av. 28 de Julio 878, Miraflores). For more information: www.parc.pinta.art

Tate Modern and Hyundai Motor announced that Chilean artist and poet Cecilia Vicuña will create the next annual Hyundai Commission. Vicuña (b.1948) is perhaps best known for her radical textile sculptures, combining natural materials and traditional crafts. A prolific multi-disciplinary artist, Vicuña explores the pressing concerns of ecology, community, and social justice. Her new site-specific work for the Turbine Hall will inaugurate on October 11^th  2022.

The artist has created a full-fledged maritime museum within the walls of the Brooklyn Museum, debuting approximately 250 new and recent works made entirely out of discarded plastic found in New York waterways. DEATH TO THE LIVING, Long Live Trash, a critical, provocative look at the ecological impact of capitalism across centuries, connects the history of American maritime art to current themes of environmental justice.

Toronto Biennal of Art announced the appointment of Dominique Fontaine and Miguel A. López as co-curators to guide the exhibition’s third edition, taking place in 2024.

The Ama Amoedo Foundation has announced the artists selected for its 2023 residency. The jury was formed by Miguel A. López, Solana Chehtman and Tobías Ostrander.

Within the framework of what was Radical Women exhibition that was given at the Hammer Museum, L.A., California, independent critic and curator Adriana Herrera Téllez reflects on the visibility of these artists and the legacy proposed by the catalog.

Gomide & Co announces the participation of Brazilian artist Leonora de Barros at the 59^th International Art Exhibition of La Biennale di Venezia, curated by Cecilia Alemani and scheduled to open on April 23, 2022.

The Cartier Foundation presents "Heliotropo 37", the first major exhibition in France dedicated to the work of Mexican photographer Graciela Iturbide. It brings together more than 200 images from the 1970s to today. Photographs from the most iconic to the most recent, as well as a color series specially produced for the exhibition. If today she is famous for her portraits of the Indians of the Sonoran Desert, the women of Juchitán, or for her photographic essays on the ancestral communities and traditions of Mexico, Graciela Iturbide also draws an almost spiritual focus to landscapes and objects. Showing for the first time these two facets, these two points of view of the artist's work, the exhibition thus offers a renewed vision and reveals her great contribution to photographic art.

The Institute for Studies on Latin American Art (ISLAA) announced the opening of Born of Informalismo: Marta Minujín and the Nascent Body of Performance, curated by Michaëla de Lacaze Mohrmann. The third in a series of exhibitions on Latin American modernism and its legacies, this show examines the early work of trailblazing Argentine artist Marta Minujín (b. 1943), tracing her trajectory from informalist painting and sculpture to performance.

Stockholm syndrome occurs when a victim establishes an emotional bond with their captors. With motherhood many women feel like this: their life is no longer theirs and escaping is impossible. However, the kidnappers are not the daughters or the sons. The perpetrator is the patriarchal system that, under the story of love, hides the tasks that sustain life while exploiting them. The works exhibited here reveal motherhood as a disputed concept. On one side is the violence of labor and legal demands; on the other, the struggles that intertwine like a tide around the need for reproductive rights and care strategies that escape capitalist accumulation. This is an example of the enormous political power of motherhood.

Mexican artist, Teresa Margolles, transfers the space of death to the sphere of art, a metaphor par excellence of the border, of a limit that paradoxically is reached only when we are no longer and, therefore, we will no longer be able to tell it. An attempt to counter addiction and impotence in the face of daily tragedies such as gender violence or the exploitation of illegal immigration, caused by the inaction of governments and by a melodramatic or sensationalistic media exploitation.

The ninth edition of PArC, Perú Arte Contemporáneo, will take place between April 20^th and 24^th, 2022. Integrated into the Pinta universe, the most relevant international art fair in Peru is characterized by an experimental program and a selection of galleries with diverse and contemporary proposals. Pinta PArC, positioned among the most relevant cultural exchange platforms in the region, can be visited at Casa Prado (Av. 28 de Julio 878, Miraflores). For more information: www.parc.pinta.art

Tate Modern and Hyundai Motor announced that Chilean artist and poet Cecilia Vicuña will create the next annual Hyundai Commission. Vicuña (b.1948) is perhaps best known for her radical textile sculptures, combining natural materials and traditional crafts. A prolific multi-disciplinary artist, Vicuña explores the pressing concerns of ecology, community, and social justice. Her new site-specific work for the Turbine Hall will inaugurate on October 11^th  2022.

The artist has created a full-fledged maritime museum within the walls of the Brooklyn Museum, debuting approximately 250 new and recent works made entirely out of discarded plastic found in New York waterways. DEATH TO THE LIVING, Long Live Trash, a critical, provocative look at the ecological impact of capitalism across centuries, connects the history of American maritime art to current themes of environmental justice.

Toronto Biennal of Art announced the appointment of Dominique Fontaine and Miguel A. López as co-curators to guide the exhibition’s third edition, taking place in 2024.

The Ama Amoedo Foundation has announced the artists selected for its 2023 residency. The jury was formed by Miguel A. López, Solana Chehtman and Tobías Ostrander.

Gomide & Co announces the participation of Brazilian artist Leonora de Barros at the 59^th International Art Exhibition of La Biennale di Venezia, curated by Cecilia Alemani and scheduled to open on April 23, 2022.

The Cartier Foundation presents "Heliotropo 37", the first major exhibition in France dedicated to the work of Mexican photographer Graciela Iturbide. It brings together more than 200 images from the 1970s to today. Photographs from the most iconic to the most recent, as well as a color series specially produced for the exhibition. If today she is famous for her portraits of the Indians of the Sonoran Desert, the women of Juchitán, or for her photographic essays on the ancestral communities and traditions of Mexico, Graciela Iturbide also draws an almost spiritual focus to landscapes and objects. Showing for the first time these two facets, these two points of view of the artist's work, the exhibition thus offers a renewed vision and reveals her great contribution to photographic art.

The Institute for Studies on Latin American Art (ISLAA) announced the opening of Born of Informalismo: Marta Minujín and the Nascent Body of Performance, curated by Michaëla de Lacaze Mohrmann. The third in a series of exhibitions on Latin American modernism and its legacies, this show examines the early work of trailblazing Argentine artist Marta Minujín (b. 1943), tracing her trajectory from informalist painting and sculpture to performance.

Stockholm syndrome occurs when a victim establishes an emotional bond with their captors. With motherhood many women feel like this: their life is no longer theirs and escaping is impossible. However, the kidnappers are not the daughters or the sons. The perpetrator is the patriarchal system that, under the story of love, hides the tasks that sustain life while exploiting them. The works exhibited here reveal motherhood as a disputed concept. On one side is the violence of labor and legal demands; on the other, the struggles that intertwine like a tide around the need for reproductive rights and care strategies that escape capitalist accumulation. This is an example of the enormous political power of motherhood.

Mexican artist, Teresa Margolles, transfers the space of death to the sphere of art, a metaphor par excellence of the border, of a limit that paradoxically is reached only when we are no longer and, therefore, we will no longer be able to tell it. An attempt to counter addiction and impotence in the face of daily tragedies such as gender violence or the exploitation of illegal immigration, caused by the inaction of governments and by a melodramatic or sensationalistic media exploitation.

The ninth edition of PArC, Perú Arte Contemporáneo, will take place between April 20^th and 24^th, 2022. Integrated into the Pinta universe, the most relevant international art fair in Peru is characterized by an experimental program and a selection of galleries with diverse and contemporary proposals. Pinta PArC, positioned among the most relevant cultural exchange platforms in the region, can be visited at Casa Prado (Av. 28 de Julio 878, Miraflores). For more information: www.parc.pinta.art

Tate Modern and Hyundai Motor announced that Chilean artist and poet Cecilia Vicuña will create the next annual Hyundai Commission. Vicuña (b.1948) is perhaps best known for her radical textile sculptures, combining natural materials and traditional crafts. A prolific multi-disciplinary artist, Vicuña explores the pressing concerns of ecology, community, and social justice. Her new site-specific work for the Turbine Hall will inaugurate on October 11^th  2022.

The artist has created a full-fledged maritime museum within the walls of the Brooklyn Museum, debuting approximately 250 new and recent works made entirely out of discarded plastic found in New York waterways. DEATH TO THE LIVING, Long Live Trash, a critical, provocative look at the ecological impact of capitalism across centuries, connects the history of American maritime art to current themes of environmental justice.

Toronto Biennal of Art announced the appointment of Dominique Fontaine and Miguel A. López as co-curators to guide the exhibition’s third edition, taking place in 2024.

The Ama Amoedo Foundation has announced the artists selected for its 2023 residency. The jury was formed by Miguel A. López, Solana Chehtman and Tobías Ostrander.

Within the framework of what was Radical Women exhibition that was given at the Hammer Museum, L.A., California, independent critic and curator Adriana Herrera Téllez reflects on the visibility of these artists and the legacy proposed by the catalog.

Gomide & Co announces the participation of Brazilian artist Leonora de Barros at the 59^th International Art Exhibition of La Biennale di Venezia, curated by Cecilia Alemani and scheduled to open on April 23, 2022.

The Cartier Foundation presents "Heliotropo 37", the first major exhibition in France dedicated to the work of Mexican photographer Graciela Iturbide. It brings together more than 200 images from the 1970s to today. Photographs from the most iconic to the most recent, as well as a color series specially produced for the exhibition. If today she is famous for her portraits of the Indians of the Sonoran Desert, the women of Juchitán, or for her photographic essays on the ancestral communities and traditions of Mexico, Graciela Iturbide also draws an almost spiritual focus to landscapes and objects. Showing for the first time these two facets, these two points of view of the artist's work, the exhibition thus offers a renewed vision and reveals her great contribution to photographic art.

The Institute for Studies on Latin American Art (ISLAA) announced the opening of Born of Informalismo: Marta Minujín and the Nascent Body of Performance, curated by Michaëla de Lacaze Mohrmann. The third in a series of exhibitions on Latin American modernism and its legacies, this show examines the early work of trailblazing Argentine artist Marta Minujín (b. 1943), tracing her trajectory from informalist painting and sculpture to performance.

Stockholm syndrome occurs when a victim establishes an emotional bond with their captors. With motherhood many women feel like this: their life is no longer theirs and escaping is impossible. However, the kidnappers are not the daughters or the sons. The perpetrator is the patriarchal system that, under the story of love, hides the tasks that sustain life while exploiting them. The works exhibited here reveal motherhood as a disputed concept. On one side is the violence of labor and legal demands; on the other, the struggles that intertwine like a tide around the need for reproductive rights and care strategies that escape capitalist accumulation. This is an example of the enormous political power of motherhood.

Mexican artist, Teresa Margolles, transfers the space of death to the sphere of art, a metaphor par excellence of the border, of a limit that paradoxically is reached only when we are no longer and, therefore, we will no longer be able to tell it. An attempt to counter addiction and impotence in the face of daily tragedies such as gender violence or the exploitation of illegal immigration, caused by the inaction of governments and by a melodramatic or sensationalistic media exploitation.

The ninth edition of PArC, Perú Arte Contemporáneo, will take place between April 20^th and 24^th, 2022. Integrated into the Pinta universe, the most relevant international art fair in Peru is characterized by an experimental program and a selection of galleries with diverse and contemporary proposals. Pinta PArC, positioned among the most relevant cultural exchange platforms in the region, can be visited at Casa Prado (Av. 28 de Julio 878, Miraflores). For more information: www.parc.pinta.art

Tate Modern and Hyundai Motor announced that Chilean artist and poet Cecilia Vicuña will create the next annual Hyundai Commission. Vicuña (b.1948) is perhaps best known for her radical textile sculptures, combining natural materials and traditional crafts. A prolific multi-disciplinary artist, Vicuña explores the pressing concerns of ecology, community, and social justice. Her new site-specific work for the Turbine Hall will inaugurate on October 11^th  2022.

The artist has created a full-fledged maritime museum within the walls of the Brooklyn Museum, debuting approximately 250 new and recent works made entirely out of discarded plastic found in New York waterways. DEATH TO THE LIVING, Long Live Trash, a critical, provocative look at the ecological impact of capitalism across centuries, connects the history of American maritime art to current themes of environmental justice.

Toronto Biennal of Art announced the appointment of Dominique Fontaine and Miguel A. López as co-curators to guide the exhibition’s third edition, taking place in 2024.

The Ama Amoedo Foundation has announced the artists selected for its 2023 residency. The jury was formed by Miguel A. López, Solana Chehtman and Tobías Ostrander.

Within the framework of what was Radical Women exhibition that was given at the Hammer Museum, L.A., California, independent critic and curator Adriana Herrera Téllez reflects on the visibility of these artists and the legacy proposed by the catalog.

Gomide & Co announces the participation of Brazilian artist Leonora de Barros at the 59^th International Art Exhibition of La Biennale di Venezia, curated by Cecilia Alemani and scheduled to open on April 23, 2022.

The Cartier Foundation presents "Heliotropo 37", the first major exhibition in France dedicated to the work of Mexican photographer Graciela Iturbide. It brings together more than 200 images from the 1970s to today. Photographs from the most iconic to the most recent, as well as a color series specially produced for the exhibition. If today she is famous for her portraits of the Indians of the Sonoran Desert, the women of Juchitán, or for her photographic essays on the ancestral communities and traditions of Mexico, Graciela Iturbide also draws an almost spiritual focus to landscapes and objects. Showing for the first time these two facets, these two points of view of the artist's work, the exhibition thus offers a renewed vision and reveals her great contribution to photographic art.

The Institute for Studies on Latin American Art (ISLAA) announced the opening of Born of Informalismo: Marta Minujín and the Nascent Body of Performance, curated by Michaëla de Lacaze Mohrmann. The third in a series of exhibitions on Latin American modernism and its legacies, this show examines the early work of trailblazing Argentine artist Marta Minujín (b. 1943), tracing her trajectory from informalist painting and sculpture to performance.

Stockholm syndrome occurs when a victim establishes an emotional bond with their captors. With motherhood many women feel like this: their life is no longer theirs and escaping is impossible. However, the kidnappers are not the daughters or the sons. The perpetrator is the patriarchal system that, under the story of love, hides the tasks that sustain life while exploiting them. The works exhibited here reveal motherhood as a disputed concept. On one side is the violence of labor and legal demands; on the other, the struggles that intertwine like a tide around the need for reproductive rights and care strategies that escape capitalist accumulation. This is an example of the enormous political power of motherhood.

Mexican artist, Teresa Margolles, transfers the space of death to the sphere of art, a metaphor par excellence of the border, of a limit that paradoxically is reached only when we are no longer and, therefore, we will no longer be able to tell it. An attempt to counter addiction and impotence in the face of daily tragedies such as gender violence or the exploitation of illegal immigration, caused by the inaction of governments and by a melodramatic or sensationalistic media exploitation.

The ninth edition of PArC, Perú Arte Contemporáneo, will take place between April 20^th and 24^th, 2022. Integrated into the Pinta universe, the most relevant international art fair in Peru is characterized by an experimental program and a selection of galleries with diverse and contemporary proposals. Pinta PArC, positioned among the most relevant cultural exchange platforms in the region, can be visited at Casa Prado (Av. 28 de Julio 878, Miraflores). For more information: www.parc.pinta.art

Tate Modern and Hyundai Motor announced that Chilean artist and poet Cecilia Vicuña will create the next annual Hyundai Commission. Vicuña (b.1948) is perhaps best known for her radical textile sculptures, combining natural materials and traditional crafts. A prolific multi-disciplinary artist, Vicuña explores the pressing concerns of ecology, community, and social justice. Her new site-specific work for the Turbine Hall will inaugurate on October 11^th  2022.

The artist has created a full-fledged maritime museum within the walls of the Brooklyn Museum, debuting approximately 250 new and recent works made entirely out of discarded plastic found in New York waterways. DEATH TO THE LIVING, Long Live Trash, a critical, provocative look at the ecological impact of capitalism across centuries, connects the history of American maritime art to current themes of environmental justice.

Toronto Biennal of Art announced the appointment of Dominique Fontaine and Miguel A. López as co-curators to guide the exhibition’s third edition, taking place in 2024.

The Ama Amoedo Foundation has announced the artists selected for its 2023 residency. The jury was formed by Miguel A. López, Solana Chehtman and Tobías Ostrander.