BORN OF INFORMALISMO: MARTA MINUJÍN AND THE NASCENT BODY OF PERFORMANCE

The Miguel Urrutia Art Museum of the Banco de la República presents the exhibition Veroír el fracaso iluminado (Seehearing the Enlightened Failure), a retrospective that brings together more than 100 works by the Chilean artist Cecilia Vicuña, whose work addresses issues such as the environment, feminism, human rights humans, decolonization and the relationship between art and politics. The exhibition, curated by Miguel López, one of the most outstanding curators on the current Latin American art scene, arrives in Colombia thanks to the collaboration between the Kunstinstituut Melly (Rotterdam) and the Banco de la República.

Popular Painters and Other Visionaries examines the practices of 35 artists working on the margins of modernism and the mainstream art world throughout the Americas around the mid-20th century.

Americas Society presents the second part of This Must Be the Place: Latin American Artists in New York, 1965–1975, a group exhibition that explores the artworks, performances, and experimental practices of this generation of artists who lived in New York City in the 1960s and 1970s. Diversifying the city’s artistic life, these artists helped shape New York into the global art center it is today.

Presenting more than one hundred works—from iconic paintings such as The Last Supper to archival materials, drawings, prints, film, and rarely seen and newly discovered items—Andy Warhol: Revelation brings a fresh perspective to the canonical artist, exploring his career-long engagement with Catholic themes, as well as the tension between Warhol’s spiritual upbringing and his life as an out gay man.

Stockholm syndrome occurs when a victim establishes an emotional bond with their captors. With motherhood many women feel like this: their life is no longer theirs and escaping is impossible. However, the kidnappers are not the daughters or the sons. The perpetrator is the patriarchal system that, under the story of love, hides the tasks that sustain life while exploiting them. The works exhibited here reveal motherhood as a disputed concept. On one side is the violence of labor and legal demands; on the other, the struggles that intertwine like a tide around the need for reproductive rights and care strategies that escape capitalist accumulation. This is an example of the enormous political power of motherhood.

Mexican artist, Teresa Margolles, transfers the space of death to the sphere of art, a metaphor par excellence of the border, of a limit that paradoxically is reached only when we are no longer and, therefore, we will no longer be able to tell it. An attempt to counter addiction and impotence in the face of daily tragedies such as gender violence or the exploitation of illegal immigration, caused by the inaction of governments and by a melodramatic or sensationalistic media exploitation.

Organized by Human Rights Art Initiative and art+château, this photographic exhibition in Zurich features artist and human rights activist Marcelo Brodsky (b. 1954, Buenos Aires, Argentina) along with video works and a performance by Ko Latt, Yadanar Win, Lily and Zoncy, who represent the new generation of Burmese artists and whose work reveal elements of Myanmar’s social, political, and cultural narrative. Curated by Giulia Busetti and Dr. Valentina Locatelli.

The ninth edition of PArC, Perú Arte Contemporáneo, will take place between April 20^th and 24^th, 2022. Integrated into the Pinta universe, the most relevant international art fair in Peru is characterized by an experimental program and a selection of galleries with diverse and contemporary proposals. Pinta PArC, positioned among the most relevant cultural exchange platforms in the region, can be visited at Casa Prado (Av. 28 de Julio 878, Miraflores). For more information: www.parc.pinta.art

The Miguel Urrutia Art Museum of the Banco de la República presents the exhibition Veroír el fracaso iluminado (Seehearing the Enlightened Failure), a retrospective that brings together more than 100 works by the Chilean artist Cecilia Vicuña, whose work addresses issues such as the environment, feminism, human rights humans, decolonization and the relationship between art and politics. The exhibition, curated by Miguel López, one of the most outstanding curators on the current Latin American art scene, arrives in Colombia thanks to the collaboration between the Kunstinstituut Melly (Rotterdam) and the Banco de la República.

Popular Painters and Other Visionaries examines the practices of 35 artists working on the margins of modernism and the mainstream art world throughout the Americas around the mid-20th century.

Americas Society presents the second part of This Must Be the Place: Latin American Artists in New York, 1965–1975, a group exhibition that explores the artworks, performances, and experimental practices of this generation of artists who lived in New York City in the 1960s and 1970s. Diversifying the city’s artistic life, these artists helped shape New York into the global art center it is today.

Presenting more than one hundred works—from iconic paintings such as The Last Supper to archival materials, drawings, prints, film, and rarely seen and newly discovered items—Andy Warhol: Revelation brings a fresh perspective to the canonical artist, exploring his career-long engagement with Catholic themes, as well as the tension between Warhol’s spiritual upbringing and his life as an out gay man.

Stockholm syndrome occurs when a victim establishes an emotional bond with their captors. With motherhood many women feel like this: their life is no longer theirs and escaping is impossible. However, the kidnappers are not the daughters or the sons. The perpetrator is the patriarchal system that, under the story of love, hides the tasks that sustain life while exploiting them. The works exhibited here reveal motherhood as a disputed concept. On one side is the violence of labor and legal demands; on the other, the struggles that intertwine like a tide around the need for reproductive rights and care strategies that escape capitalist accumulation. This is an example of the enormous political power of motherhood.

Mexican artist, Teresa Margolles, transfers the space of death to the sphere of art, a metaphor par excellence of the border, of a limit that paradoxically is reached only when we are no longer and, therefore, we will no longer be able to tell it. An attempt to counter addiction and impotence in the face of daily tragedies such as gender violence or the exploitation of illegal immigration, caused by the inaction of governments and by a melodramatic or sensationalistic media exploitation.

Organized by Human Rights Art Initiative and art+château, this photographic exhibition in Zurich features artist and human rights activist Marcelo Brodsky (b. 1954, Buenos Aires, Argentina) along with video works and a performance by Ko Latt, Yadanar Win, Lily and Zoncy, who represent the new generation of Burmese artists and whose work reveal elements of Myanmar’s social, political, and cultural narrative. Curated by Giulia Busetti and Dr. Valentina Locatelli.

The ninth edition of PArC, Perú Arte Contemporáneo, will take place between April 20^th and 24^th, 2022. Integrated into the Pinta universe, the most relevant international art fair in Peru is characterized by an experimental program and a selection of galleries with diverse and contemporary proposals. Pinta PArC, positioned among the most relevant cultural exchange platforms in the region, can be visited at Casa Prado (Av. 28 de Julio 878, Miraflores). For more information: www.parc.pinta.art

Popular Painters and Other Visionaries examines the practices of 35 artists working on the margins of modernism and the mainstream art world throughout the Americas around the mid-20th century.

Americas Society presents the second part of This Must Be the Place: Latin American Artists in New York, 1965–1975, a group exhibition that explores the artworks, performances, and experimental practices of this generation of artists who lived in New York City in the 1960s and 1970s. Diversifying the city’s artistic life, these artists helped shape New York into the global art center it is today.

Presenting more than one hundred works—from iconic paintings such as The Last Supper to archival materials, drawings, prints, film, and rarely seen and newly discovered items—Andy Warhol: Revelation brings a fresh perspective to the canonical artist, exploring his career-long engagement with Catholic themes, as well as the tension between Warhol’s spiritual upbringing and his life as an out gay man.

Stockholm syndrome occurs when a victim establishes an emotional bond with their captors. With motherhood many women feel like this: their life is no longer theirs and escaping is impossible. However, the kidnappers are not the daughters or the sons. The perpetrator is the patriarchal system that, under the story of love, hides the tasks that sustain life while exploiting them. The works exhibited here reveal motherhood as a disputed concept. On one side is the violence of labor and legal demands; on the other, the struggles that intertwine like a tide around the need for reproductive rights and care strategies that escape capitalist accumulation. This is an example of the enormous political power of motherhood.

Mexican artist, Teresa Margolles, transfers the space of death to the sphere of art, a metaphor par excellence of the border, of a limit that paradoxically is reached only when we are no longer and, therefore, we will no longer be able to tell it. An attempt to counter addiction and impotence in the face of daily tragedies such as gender violence or the exploitation of illegal immigration, caused by the inaction of governments and by a melodramatic or sensationalistic media exploitation.

Organized by Human Rights Art Initiative and art+château, this photographic exhibition in Zurich features artist and human rights activist Marcelo Brodsky (b. 1954, Buenos Aires, Argentina) along with video works and a performance by Ko Latt, Yadanar Win, Lily and Zoncy, who represent the new generation of Burmese artists and whose work reveal elements of Myanmar’s social, political, and cultural narrative. Curated by Giulia Busetti and Dr. Valentina Locatelli.

The ninth edition of PArC, Perú Arte Contemporáneo, will take place between April 20^th and 24^th, 2022. Integrated into the Pinta universe, the most relevant international art fair in Peru is characterized by an experimental program and a selection of galleries with diverse and contemporary proposals. Pinta PArC, positioned among the most relevant cultural exchange platforms in the region, can be visited at Casa Prado (Av. 28 de Julio 878, Miraflores). For more information: www.parc.pinta.art

The Miguel Urrutia Art Museum of the Banco de la República presents the exhibition Veroír el fracaso iluminado (Seehearing the Enlightened Failure), a retrospective that brings together more than 100 works by the Chilean artist Cecilia Vicuña, whose work addresses issues such as the environment, feminism, human rights humans, decolonization and the relationship between art and politics. The exhibition, curated by Miguel López, one of the most outstanding curators on the current Latin American art scene, arrives in Colombia thanks to the collaboration between the Kunstinstituut Melly (Rotterdam) and the Banco de la República.

Popular Painters and Other Visionaries examines the practices of 35 artists working on the margins of modernism and the mainstream art world throughout the Americas around the mid-20th century.

Americas Society presents the second part of This Must Be the Place: Latin American Artists in New York, 1965–1975, a group exhibition that explores the artworks, performances, and experimental practices of this generation of artists who lived in New York City in the 1960s and 1970s. Diversifying the city’s artistic life, these artists helped shape New York into the global art center it is today.

Presenting more than one hundred works—from iconic paintings such as The Last Supper to archival materials, drawings, prints, film, and rarely seen and newly discovered items—Andy Warhol: Revelation brings a fresh perspective to the canonical artist, exploring his career-long engagement with Catholic themes, as well as the tension between Warhol’s spiritual upbringing and his life as an out gay man.

Stockholm syndrome occurs when a victim establishes an emotional bond with their captors. With motherhood many women feel like this: their life is no longer theirs and escaping is impossible. However, the kidnappers are not the daughters or the sons. The perpetrator is the patriarchal system that, under the story of love, hides the tasks that sustain life while exploiting them. The works exhibited here reveal motherhood as a disputed concept. On one side is the violence of labor and legal demands; on the other, the struggles that intertwine like a tide around the need for reproductive rights and care strategies that escape capitalist accumulation. This is an example of the enormous political power of motherhood.

Mexican artist, Teresa Margolles, transfers the space of death to the sphere of art, a metaphor par excellence of the border, of a limit that paradoxically is reached only when we are no longer and, therefore, we will no longer be able to tell it. An attempt to counter addiction and impotence in the face of daily tragedies such as gender violence or the exploitation of illegal immigration, caused by the inaction of governments and by a melodramatic or sensationalistic media exploitation.

Organized by Human Rights Art Initiative and art+château, this photographic exhibition in Zurich features artist and human rights activist Marcelo Brodsky (b. 1954, Buenos Aires, Argentina) along with video works and a performance by Ko Latt, Yadanar Win, Lily and Zoncy, who represent the new generation of Burmese artists and whose work reveal elements of Myanmar’s social, political, and cultural narrative. Curated by Giulia Busetti and Dr. Valentina Locatelli.

The ninth edition of PArC, Perú Arte Contemporáneo, will take place between April 20^th and 24^th, 2022. Integrated into the Pinta universe, the most relevant international art fair in Peru is characterized by an experimental program and a selection of galleries with diverse and contemporary proposals. Pinta PArC, positioned among the most relevant cultural exchange platforms in the region, can be visited at Casa Prado (Av. 28 de Julio 878, Miraflores). For more information: www.parc.pinta.art

The Miguel Urrutia Art Museum of the Banco de la República presents the exhibition Veroír el fracaso iluminado (Seehearing the Enlightened Failure), a retrospective that brings together more than 100 works by the Chilean artist Cecilia Vicuña, whose work addresses issues such as the environment, feminism, human rights humans, decolonization and the relationship between art and politics. The exhibition, curated by Miguel López, one of the most outstanding curators on the current Latin American art scene, arrives in Colombia thanks to the collaboration between the Kunstinstituut Melly (Rotterdam) and the Banco de la República.

Popular Painters and Other Visionaries examines the practices of 35 artists working on the margins of modernism and the mainstream art world throughout the Americas around the mid-20th century.

Americas Society presents the second part of This Must Be the Place: Latin American Artists in New York, 1965–1975, a group exhibition that explores the artworks, performances, and experimental practices of this generation of artists who lived in New York City in the 1960s and 1970s. Diversifying the city’s artistic life, these artists helped shape New York into the global art center it is today.

Presenting more than one hundred works—from iconic paintings such as The Last Supper to archival materials, drawings, prints, film, and rarely seen and newly discovered items—Andy Warhol: Revelation brings a fresh perspective to the canonical artist, exploring his career-long engagement with Catholic themes, as well as the tension between Warhol’s spiritual upbringing and his life as an out gay man.

Stockholm syndrome occurs when a victim establishes an emotional bond with their captors. With motherhood many women feel like this: their life is no longer theirs and escaping is impossible. However, the kidnappers are not the daughters or the sons. The perpetrator is the patriarchal system that, under the story of love, hides the tasks that sustain life while exploiting them. The works exhibited here reveal motherhood as a disputed concept. On one side is the violence of labor and legal demands; on the other, the struggles that intertwine like a tide around the need for reproductive rights and care strategies that escape capitalist accumulation. This is an example of the enormous political power of motherhood.

Mexican artist, Teresa Margolles, transfers the space of death to the sphere of art, a metaphor par excellence of the border, of a limit that paradoxically is reached only when we are no longer and, therefore, we will no longer be able to tell it. An attempt to counter addiction and impotence in the face of daily tragedies such as gender violence or the exploitation of illegal immigration, caused by the inaction of governments and by a melodramatic or sensationalistic media exploitation.

Organized by Human Rights Art Initiative and art+château, this photographic exhibition in Zurich features artist and human rights activist Marcelo Brodsky (b. 1954, Buenos Aires, Argentina) along with video works and a performance by Ko Latt, Yadanar Win, Lily and Zoncy, who represent the new generation of Burmese artists and whose work reveal elements of Myanmar’s social, political, and cultural narrative. Curated by Giulia Busetti and Dr. Valentina Locatelli.

The ninth edition of PArC, Perú Arte Contemporáneo, will take place between April 20^th and 24^th, 2022. Integrated into the Pinta universe, the most relevant international art fair in Peru is characterized by an experimental program and a selection of galleries with diverse and contemporary proposals. Pinta PArC, positioned among the most relevant cultural exchange platforms in the region, can be visited at Casa Prado (Av. 28 de Julio 878, Miraflores). For more information: www.parc.pinta.art