PART II: LATIN AMERICAN ARTISTS IN NEW YORK – AMERICAS SOCIETY’S EXHIBITION

-With an experience of more than fifteen years bringing Latin American art to the world, we unify our art and photography fairs, and our cooperation and integration programs, under the Pinta brand; renewing our purpose of highlighting and enhancing the talent of emerging and established artists linked to the region.

This Must Be the Place: Latin American Artists in New York, 1965–1975 is a group exhibition that explores the artworks, performances, and experimental practices of this generation of artists, as well as their involvement in the local art scene. Diversifying the city’s artistic life, these artists helped shape New York into the global art center it is today. The artworks presented in this exhibition are central to understanding the social and political landscape in the Americas and the tensions and bridges between north and south, exploring issues of migration, identity, politics, exile, and nostalgia.

Proyectos Ultravioleta presents Ríos de Gente (Rivers of People), the second solo show by Regina José Galindo at the gallery, dedicated to Bernardo Caal, defender of the water, the earth, and of the rights of indigenous peoples.

Arthouse Project is a hybrid and multidisciplinary platform for artistic and social development whose mission is to exhibit and bring together different disciplines in art, architecture, photography, design and fashion.

Popular Painters and Other Visionaries examines the practices of 35 artists working on the margins of modernism and the mainstream art world throughout the Americas around the mid-20th century.

The Institute for Studies on Latin American Art (ISLAA) announced the opening of Born of Informalismo: Marta Minujín and the Nascent Body of Performance, curated by Michaëla de Lacaze Mohrmann. The third in a series of exhibitions on Latin American modernism and its legacies, this show examines the early work of trailblazing Argentine artist Marta Minujín (b. 1943), tracing her trajectory from informalist painting and sculpture to performance.

-With an experience of more than fifteen years bringing Latin American art to the world, we unify our art and photography fairs, and our cooperation and integration programs, under the Pinta brand; renewing our purpose of highlighting and enhancing the talent of emerging and established artists linked to the region.

This Must Be the Place: Latin American Artists in New York, 1965–1975 is a group exhibition that explores the artworks, performances, and experimental practices of this generation of artists, as well as their involvement in the local art scene. Diversifying the city’s artistic life, these artists helped shape New York into the global art center it is today. The artworks presented in this exhibition are central to understanding the social and political landscape in the Americas and the tensions and bridges between north and south, exploring issues of migration, identity, politics, exile, and nostalgia.

Proyectos Ultravioleta presents Ríos de Gente (Rivers of People), the second solo show by Regina José Galindo at the gallery, dedicated to Bernardo Caal, defender of the water, the earth, and of the rights of indigenous peoples.

Arthouse Project is a hybrid and multidisciplinary platform for artistic and social development whose mission is to exhibit and bring together different disciplines in art, architecture, photography, design and fashion.

Popular Painters and Other Visionaries examines the practices of 35 artists working on the margins of modernism and the mainstream art world throughout the Americas around the mid-20th century.

The Institute for Studies on Latin American Art (ISLAA) announced the opening of Born of Informalismo: Marta Minujín and the Nascent Body of Performance, curated by Michaëla de Lacaze Mohrmann. The third in a series of exhibitions on Latin American modernism and its legacies, this show examines the early work of trailblazing Argentine artist Marta Minujín (b. 1943), tracing her trajectory from informalist painting and sculpture to performance.

This Must Be the Place: Latin American Artists in New York, 1965–1975 is a group exhibition that explores the artworks, performances, and experimental practices of this generation of artists, as well as their involvement in the local art scene. Diversifying the city’s artistic life, these artists helped shape New York into the global art center it is today. The artworks presented in this exhibition are central to understanding the social and political landscape in the Americas and the tensions and bridges between north and south, exploring issues of migration, identity, politics, exile, and nostalgia.

Proyectos Ultravioleta presents Ríos de Gente (Rivers of People), the second solo show by Regina José Galindo at the gallery, dedicated to Bernardo Caal, defender of the water, the earth, and of the rights of indigenous peoples.

Arthouse Project is a hybrid and multidisciplinary platform for artistic and social development whose mission is to exhibit and bring together different disciplines in art, architecture, photography, design and fashion.

Popular Painters and Other Visionaries examines the practices of 35 artists working on the margins of modernism and the mainstream art world throughout the Americas around the mid-20th century.

The Institute for Studies on Latin American Art (ISLAA) announced the opening of Born of Informalismo: Marta Minujín and the Nascent Body of Performance, curated by Michaëla de Lacaze Mohrmann. The third in a series of exhibitions on Latin American modernism and its legacies, this show examines the early work of trailblazing Argentine artist Marta Minujín (b. 1943), tracing her trajectory from informalist painting and sculpture to performance.

-With an experience of more than fifteen years bringing Latin American art to the world, we unify our art and photography fairs, and our cooperation and integration programs, under the Pinta brand; renewing our purpose of highlighting and enhancing the talent of emerging and established artists linked to the region.

This Must Be the Place: Latin American Artists in New York, 1965–1975 is a group exhibition that explores the artworks, performances, and experimental practices of this generation of artists, as well as their involvement in the local art scene. Diversifying the city’s artistic life, these artists helped shape New York into the global art center it is today. The artworks presented in this exhibition are central to understanding the social and political landscape in the Americas and the tensions and bridges between north and south, exploring issues of migration, identity, politics, exile, and nostalgia.

Proyectos Ultravioleta presents Ríos de Gente (Rivers of People), the second solo show by Regina José Galindo at the gallery, dedicated to Bernardo Caal, defender of the water, the earth, and of the rights of indigenous peoples.

Arthouse Project is a hybrid and multidisciplinary platform for artistic and social development whose mission is to exhibit and bring together different disciplines in art, architecture, photography, design and fashion.

Popular Painters and Other Visionaries examines the practices of 35 artists working on the margins of modernism and the mainstream art world throughout the Americas around the mid-20th century.

The Institute for Studies on Latin American Art (ISLAA) announced the opening of Born of Informalismo: Marta Minujín and the Nascent Body of Performance, curated by Michaëla de Lacaze Mohrmann. The third in a series of exhibitions on Latin American modernism and its legacies, this show examines the early work of trailblazing Argentine artist Marta Minujín (b. 1943), tracing her trajectory from informalist painting and sculpture to performance.

-With an experience of more than fifteen years bringing Latin American art to the world, we unify our art and photography fairs, and our cooperation and integration programs, under the Pinta brand; renewing our purpose of highlighting and enhancing the talent of emerging and established artists linked to the region.

This Must Be the Place: Latin American Artists in New York, 1965–1975 is a group exhibition that explores the artworks, performances, and experimental practices of this generation of artists, as well as their involvement in the local art scene. Diversifying the city’s artistic life, these artists helped shape New York into the global art center it is today. The artworks presented in this exhibition are central to understanding the social and political landscape in the Americas and the tensions and bridges between north and south, exploring issues of migration, identity, politics, exile, and nostalgia.

Proyectos Ultravioleta presents Ríos de Gente (Rivers of People), the second solo show by Regina José Galindo at the gallery, dedicated to Bernardo Caal, defender of the water, the earth, and of the rights of indigenous peoples.

Arthouse Project is a hybrid and multidisciplinary platform for artistic and social development whose mission is to exhibit and bring together different disciplines in art, architecture, photography, design and fashion.

Popular Painters and Other Visionaries examines the practices of 35 artists working on the margins of modernism and the mainstream art world throughout the Americas around the mid-20th century.

The Institute for Studies on Latin American Art (ISLAA) announced the opening of Born of Informalismo: Marta Minujín and the Nascent Body of Performance, curated by Michaëla de Lacaze Mohrmann. The third in a series of exhibitions on Latin American modernism and its legacies, this show examines the early work of trailblazing Argentine artist Marta Minujín (b. 1943), tracing her trajectory from informalist painting and sculpture to performance.