LATIN AMERICAN ARTISTS IN NEW YORK – AMERICAS SOCIETY’S EXHIBITION

The New York premiere of the exhibition Christian Dior: Designer of Dreams traces the groundbreaking history and legacy of the House of Dior. The exhibition brings to life Dior's many sources of inspiration—from the splendor of flowers and other natural forms to classical and contemporary art.

To the question proposed by Hashim Sarkis (curator of the 17^th International Architecture Exhibition) How will we live together?, the United States project team alludes to the democratic nature of wood framing.

This is the first mid-career survey of Colombian artist Oscar Muñoz’s work in the United States. Although he has had large-scale retrospectives throughout Europe and Latin America, this exhibition will introduce U.S. audiences to a broad scope of his evolving practice.

The exhibition comprises fourteen key works from major collections, including most of Larraz’ notorious themes.

High Line Art presents Insectageddon, a free day-long festival conceived by artist and poet Cecilia Vicuña. As a celebration of insects and call to action to address global insect die-off, Insectageddon will consist of interdisciplinary and interactive performances, poetry readings, workshops, and more throughout the High Line. Taking place on September 25, 2021.

Presented by Hutchinson Modern & Contemporary, the exhibition features a selection of the artist’s work from the 1960s to the present. Over the course of a seventy-year-long career, New York-based Argentinian-American artist Raquel Rabinovich (b. 1929, Buenos Aires) has been concerned with the paradox of making the invisible visible. Her interest in mythology, existence, poetry, nature, and transcendence is reflected in her monochromatic paintings and drawings, as well as in her sculptural practice that encompasses large-scale glass environments and site-specific stone installations along the shores of the Hudson River.

The memorial of the Cuban artist Arturo Cuenca Sigarreta (1955-2021), held on the same September 21 as his birth, in the American Museum of the Cuban Diaspora, was a symbolic event, surely the first of many that, after his early death, will finally allow the artistic institutions to recognize the visionary character in the work of this unruly and complex creator, who, like few others, embodied a way of criticizing power, both institutional and political, that did not compromise with convenience.

Es Baluard Museu d'Art Contemporani de Palma exhibits “The Archive of Dust: An Ongoing Project”, an exhaustive overview of the fundamental lines that characterize Elena del Rivero’s (Valencia, 1949) work gravitating around the attacks of the World Trade Center on September 11th, 2001, in New York. The project deals with loss, the collective memory and pain, as well as with the construction of the existential pillars that make up the beliefs and values ​​of society to rethink the future.

Americas Society presents the second part of This Must Be the Place: Latin American Artists in New York, 1965–1975, a group exhibition that explores the artworks, performances, and experimental practices of this generation of artists who lived in New York City in the 1960s and 1970s. Diversifying the city’s artistic life, these artists helped shape New York into the global art center it is today.

This is the first solo exhibition in the United States dedicated to Geles Cabrera, who is one of the most prominent female sculptors of her country. Geles Cabrera: Museo Escultórico will feature artwork created over 40 years of her career and will be on view from June 8 through July 30, 2022.

The New York premiere of the exhibition Christian Dior: Designer of Dreams traces the groundbreaking history and legacy of the House of Dior. The exhibition brings to life Dior's many sources of inspiration—from the splendor of flowers and other natural forms to classical and contemporary art.

To the question proposed by Hashim Sarkis (curator of the 17^th International Architecture Exhibition) How will we live together?, the United States project team alludes to the democratic nature of wood framing.

This is the first mid-career survey of Colombian artist Oscar Muñoz’s work in the United States. Although he has had large-scale retrospectives throughout Europe and Latin America, this exhibition will introduce U.S. audiences to a broad scope of his evolving practice.

The exhibition comprises fourteen key works from major collections, including most of Larraz’ notorious themes.

High Line Art presents Insectageddon, a free day-long festival conceived by artist and poet Cecilia Vicuña. As a celebration of insects and call to action to address global insect die-off, Insectageddon will consist of interdisciplinary and interactive performances, poetry readings, workshops, and more throughout the High Line. Taking place on September 25, 2021.

Presented by Hutchinson Modern & Contemporary, the exhibition features a selection of the artist’s work from the 1960s to the present. Over the course of a seventy-year-long career, New York-based Argentinian-American artist Raquel Rabinovich (b. 1929, Buenos Aires) has been concerned with the paradox of making the invisible visible. Her interest in mythology, existence, poetry, nature, and transcendence is reflected in her monochromatic paintings and drawings, as well as in her sculptural practice that encompasses large-scale glass environments and site-specific stone installations along the shores of the Hudson River.

The memorial of the Cuban artist Arturo Cuenca Sigarreta (1955-2021), held on the same September 21 as his birth, in the American Museum of the Cuban Diaspora, was a symbolic event, surely the first of many that, after his early death, will finally allow the artistic institutions to recognize the visionary character in the work of this unruly and complex creator, who, like few others, embodied a way of criticizing power, both institutional and political, that did not compromise with convenience.

Es Baluard Museu d'Art Contemporani de Palma exhibits “The Archive of Dust: An Ongoing Project”, an exhaustive overview of the fundamental lines that characterize Elena del Rivero’s (Valencia, 1949) work gravitating around the attacks of the World Trade Center on September 11th, 2001, in New York. The project deals with loss, the collective memory and pain, as well as with the construction of the existential pillars that make up the beliefs and values ​​of society to rethink the future.

Americas Society presents the second part of This Must Be the Place: Latin American Artists in New York, 1965–1975, a group exhibition that explores the artworks, performances, and experimental practices of this generation of artists who lived in New York City in the 1960s and 1970s. Diversifying the city’s artistic life, these artists helped shape New York into the global art center it is today.

This is the first solo exhibition in the United States dedicated to Geles Cabrera, who is one of the most prominent female sculptors of her country. Geles Cabrera: Museo Escultórico will feature artwork created over 40 years of her career and will be on view from June 8 through July 30, 2022.

To the question proposed by Hashim Sarkis (curator of the 17^th International Architecture Exhibition) How will we live together?, the United States project team alludes to the democratic nature of wood framing.

This is the first mid-career survey of Colombian artist Oscar Muñoz’s work in the United States. Although he has had large-scale retrospectives throughout Europe and Latin America, this exhibition will introduce U.S. audiences to a broad scope of his evolving practice.

The exhibition comprises fourteen key works from major collections, including most of Larraz’ notorious themes.

High Line Art presents Insectageddon, a free day-long festival conceived by artist and poet Cecilia Vicuña. As a celebration of insects and call to action to address global insect die-off, Insectageddon will consist of interdisciplinary and interactive performances, poetry readings, workshops, and more throughout the High Line. Taking place on September 25, 2021.

Presented by Hutchinson Modern & Contemporary, the exhibition features a selection of the artist’s work from the 1960s to the present. Over the course of a seventy-year-long career, New York-based Argentinian-American artist Raquel Rabinovich (b. 1929, Buenos Aires) has been concerned with the paradox of making the invisible visible. Her interest in mythology, existence, poetry, nature, and transcendence is reflected in her monochromatic paintings and drawings, as well as in her sculptural practice that encompasses large-scale glass environments and site-specific stone installations along the shores of the Hudson River.

The memorial of the Cuban artist Arturo Cuenca Sigarreta (1955-2021), held on the same September 21 as his birth, in the American Museum of the Cuban Diaspora, was a symbolic event, surely the first of many that, after his early death, will finally allow the artistic institutions to recognize the visionary character in the work of this unruly and complex creator, who, like few others, embodied a way of criticizing power, both institutional and political, that did not compromise with convenience.

Es Baluard Museu d'Art Contemporani de Palma exhibits “The Archive of Dust: An Ongoing Project”, an exhaustive overview of the fundamental lines that characterize Elena del Rivero’s (Valencia, 1949) work gravitating around the attacks of the World Trade Center on September 11th, 2001, in New York. The project deals with loss, the collective memory and pain, as well as with the construction of the existential pillars that make up the beliefs and values ​​of society to rethink the future.

Americas Society presents the second part of This Must Be the Place: Latin American Artists in New York, 1965–1975, a group exhibition that explores the artworks, performances, and experimental practices of this generation of artists who lived in New York City in the 1960s and 1970s. Diversifying the city’s artistic life, these artists helped shape New York into the global art center it is today.

This is the first solo exhibition in the United States dedicated to Geles Cabrera, who is one of the most prominent female sculptors of her country. Geles Cabrera: Museo Escultórico will feature artwork created over 40 years of her career and will be on view from June 8 through July 30, 2022.

The New York premiere of the exhibition Christian Dior: Designer of Dreams traces the groundbreaking history and legacy of the House of Dior. The exhibition brings to life Dior's many sources of inspiration—from the splendor of flowers and other natural forms to classical and contemporary art.

To the question proposed by Hashim Sarkis (curator of the 17^th International Architecture Exhibition) How will we live together?, the United States project team alludes to the democratic nature of wood framing.

This is the first mid-career survey of Colombian artist Oscar Muñoz’s work in the United States. Although he has had large-scale retrospectives throughout Europe and Latin America, this exhibition will introduce U.S. audiences to a broad scope of his evolving practice.

The exhibition comprises fourteen key works from major collections, including most of Larraz’ notorious themes.

High Line Art presents Insectageddon, a free day-long festival conceived by artist and poet Cecilia Vicuña. As a celebration of insects and call to action to address global insect die-off, Insectageddon will consist of interdisciplinary and interactive performances, poetry readings, workshops, and more throughout the High Line. Taking place on September 25, 2021.

Presented by Hutchinson Modern & Contemporary, the exhibition features a selection of the artist’s work from the 1960s to the present. Over the course of a seventy-year-long career, New York-based Argentinian-American artist Raquel Rabinovich (b. 1929, Buenos Aires) has been concerned with the paradox of making the invisible visible. Her interest in mythology, existence, poetry, nature, and transcendence is reflected in her monochromatic paintings and drawings, as well as in her sculptural practice that encompasses large-scale glass environments and site-specific stone installations along the shores of the Hudson River.

The memorial of the Cuban artist Arturo Cuenca Sigarreta (1955-2021), held on the same September 21 as his birth, in the American Museum of the Cuban Diaspora, was a symbolic event, surely the first of many that, after his early death, will finally allow the artistic institutions to recognize the visionary character in the work of this unruly and complex creator, who, like few others, embodied a way of criticizing power, both institutional and political, that did not compromise with convenience.

Es Baluard Museu d'Art Contemporani de Palma exhibits “The Archive of Dust: An Ongoing Project”, an exhaustive overview of the fundamental lines that characterize Elena del Rivero’s (Valencia, 1949) work gravitating around the attacks of the World Trade Center on September 11th, 2001, in New York. The project deals with loss, the collective memory and pain, as well as with the construction of the existential pillars that make up the beliefs and values ​​of society to rethink the future.

Americas Society presents the second part of This Must Be the Place: Latin American Artists in New York, 1965–1975, a group exhibition that explores the artworks, performances, and experimental practices of this generation of artists who lived in New York City in the 1960s and 1970s. Diversifying the city’s artistic life, these artists helped shape New York into the global art center it is today.

This is the first solo exhibition in the United States dedicated to Geles Cabrera, who is one of the most prominent female sculptors of her country. Geles Cabrera: Museo Escultórico will feature artwork created over 40 years of her career and will be on view from June 8 through July 30, 2022.

The New York premiere of the exhibition Christian Dior: Designer of Dreams traces the groundbreaking history and legacy of the House of Dior. The exhibition brings to life Dior's many sources of inspiration—from the splendor of flowers and other natural forms to classical and contemporary art.

To the question proposed by Hashim Sarkis (curator of the 17^th International Architecture Exhibition) How will we live together?, the United States project team alludes to the democratic nature of wood framing.

This is the first mid-career survey of Colombian artist Oscar Muñoz’s work in the United States. Although he has had large-scale retrospectives throughout Europe and Latin America, this exhibition will introduce U.S. audiences to a broad scope of his evolving practice.

The exhibition comprises fourteen key works from major collections, including most of Larraz’ notorious themes.

High Line Art presents Insectageddon, a free day-long festival conceived by artist and poet Cecilia Vicuña. As a celebration of insects and call to action to address global insect die-off, Insectageddon will consist of interdisciplinary and interactive performances, poetry readings, workshops, and more throughout the High Line. Taking place on September 25, 2021.

Presented by Hutchinson Modern & Contemporary, the exhibition features a selection of the artist’s work from the 1960s to the present. Over the course of a seventy-year-long career, New York-based Argentinian-American artist Raquel Rabinovich (b. 1929, Buenos Aires) has been concerned with the paradox of making the invisible visible. Her interest in mythology, existence, poetry, nature, and transcendence is reflected in her monochromatic paintings and drawings, as well as in her sculptural practice that encompasses large-scale glass environments and site-specific stone installations along the shores of the Hudson River.

The memorial of the Cuban artist Arturo Cuenca Sigarreta (1955-2021), held on the same September 21 as his birth, in the American Museum of the Cuban Diaspora, was a symbolic event, surely the first of many that, after his early death, will finally allow the artistic institutions to recognize the visionary character in the work of this unruly and complex creator, who, like few others, embodied a way of criticizing power, both institutional and political, that did not compromise with convenience.

Es Baluard Museu d'Art Contemporani de Palma exhibits “The Archive of Dust: An Ongoing Project”, an exhaustive overview of the fundamental lines that characterize Elena del Rivero’s (Valencia, 1949) work gravitating around the attacks of the World Trade Center on September 11th, 2001, in New York. The project deals with loss, the collective memory and pain, as well as with the construction of the existential pillars that make up the beliefs and values ​​of society to rethink the future.

Americas Society presents the second part of This Must Be the Place: Latin American Artists in New York, 1965–1975, a group exhibition that explores the artworks, performances, and experimental practices of this generation of artists who lived in New York City in the 1960s and 1970s. Diversifying the city’s artistic life, these artists helped shape New York into the global art center it is today.

This is the first solo exhibition in the United States dedicated to Geles Cabrera, who is one of the most prominent female sculptors of her country. Geles Cabrera: Museo Escultórico will feature artwork created over 40 years of her career and will be on view from June 8 through July 30, 2022.