AMERICAS SOCIETY EXHIBITS SCULPTURES BY MEXICAN ARTIST GELES CABRERA

The first exhibition of the Guatemalan composer’s útiles sonoros (sound tools) in the United States. The exhibition, a collaboration between Visual Arts at Americas Society and Music of the Americas, presents these innovative instruments alongside the work of contemporary artists. On view through March 5, the exhibition is curated by Diana Flatto and Sebastián Zubieta.

El Museo del Barrio is the first and leading museum in the country dedicated to preserving and presenting Latino art and culture. ESTAMOS BIEN - LA TRIENAL 20/21 is the Museum’s first large-scale national survey of Latinx art. Curated by El Museo del Barrio’s Chief Curator, Rodrigo Moura, Curator Susanna V. Temkin, and Guest Curator and Artist Elia Alba, the exhibition is on view to the public from March 13 to September 26.

Today, Live on Instagram, Aimé Iglesias Lukin, director and chief curator of Americas Society Visual Arts, will host a conversation with the contemporary artist.

The Good Neighbour, the Canadian artist’s solo show in Americas Society, is focused on his relationship with Mexico since the early 1990s. The exhibition offers an overview of his work from his arrival in Mexico City in 1993 to his involvement with the city’s bustling international art scene, dubbed the “multinational Mexican underground” by Olivier Debroise.

This Must Be the Place: Latin American Artists in New York, 1965–1975 is a group exhibition that explores the artworks, performances, and experimental practices of this generation of artists, as well as their involvement in the local art scene. Diversifying the city’s artistic life, these artists helped shape New York into the global art center it is today. The artworks presented in this exhibition are central to understanding the social and political landscape in the Americas and the tensions and bridges between north and south, exploring issues of migration, identity, politics, exile, and nostalgia.

The exhibition includes this piece by Argentine artist Minujín which exposes a meta-narrative of the art world and other spheres, their different agents and interrelations.

Exhibited at the Spcrates Sculpture Park, in collaboration with Projeto Hélio Oiticica and Americas Society. Titled Subterranean Tropicália Projects: PN15 1971/2022, this immersive environment is the first realization of a never-before-executed idea by the late Brazilian artist.

Radical Conventions is presented in collaboration with the Cuban Heritage Collection of the University of Miami Libraries. Curated by Elizabeth Cerejido, PhD., the exhibition will be on view until June 12^th.

[NAME] Publications inaugurated their new space in West Miami with the exhibition Rafael Domenech: An Oracle on a Tomato, Ubiquitous Rectangles. The exhibition includes a series of newly-commissioned objects that activate the hidden potentials in the traditional book form by unfolding it as multi-media painting-like structures.

Exhibited by The Institute for Studies on Latin American Art (ISLAA) and curated by Mariano López Seoane and Bernardo Mosqueira, Eros Rising presents drawings, paintings, and photographs by Artur Barrio, Oscar Bony, Carmelo Carrá, Feliciano Centurión, David Lamelas, Castiel Vitorino Brasileiro, Carlos Motta, Wynnie Mynerva, La Chola Poblete, and Tadáskía that seek to give form to the intangible experience of eroticism.

The first exhibition of the Guatemalan composer’s útiles sonoros (sound tools) in the United States. The exhibition, a collaboration between Visual Arts at Americas Society and Music of the Americas, presents these innovative instruments alongside the work of contemporary artists. On view through March 5, the exhibition is curated by Diana Flatto and Sebastián Zubieta.

El Museo del Barrio is the first and leading museum in the country dedicated to preserving and presenting Latino art and culture. ESTAMOS BIEN - LA TRIENAL 20/21 is the Museum’s first large-scale national survey of Latinx art. Curated by El Museo del Barrio’s Chief Curator, Rodrigo Moura, Curator Susanna V. Temkin, and Guest Curator and Artist Elia Alba, the exhibition is on view to the public from March 13 to September 26.

Today, Live on Instagram, Aimé Iglesias Lukin, director and chief curator of Americas Society Visual Arts, will host a conversation with the contemporary artist.

The Good Neighbour, the Canadian artist’s solo show in Americas Society, is focused on his relationship with Mexico since the early 1990s. The exhibition offers an overview of his work from his arrival in Mexico City in 1993 to his involvement with the city’s bustling international art scene, dubbed the “multinational Mexican underground” by Olivier Debroise.

This Must Be the Place: Latin American Artists in New York, 1965–1975 is a group exhibition that explores the artworks, performances, and experimental practices of this generation of artists, as well as their involvement in the local art scene. Diversifying the city’s artistic life, these artists helped shape New York into the global art center it is today. The artworks presented in this exhibition are central to understanding the social and political landscape in the Americas and the tensions and bridges between north and south, exploring issues of migration, identity, politics, exile, and nostalgia.

The exhibition includes this piece by Argentine artist Minujín which exposes a meta-narrative of the art world and other spheres, their different agents and interrelations.

Exhibited at the Spcrates Sculpture Park, in collaboration with Projeto Hélio Oiticica and Americas Society. Titled Subterranean Tropicália Projects: PN15 1971/2022, this immersive environment is the first realization of a never-before-executed idea by the late Brazilian artist.

Radical Conventions is presented in collaboration with the Cuban Heritage Collection of the University of Miami Libraries. Curated by Elizabeth Cerejido, PhD., the exhibition will be on view until June 12^th.

[NAME] Publications inaugurated their new space in West Miami with the exhibition Rafael Domenech: An Oracle on a Tomato, Ubiquitous Rectangles. The exhibition includes a series of newly-commissioned objects that activate the hidden potentials in the traditional book form by unfolding it as multi-media painting-like structures.

Exhibited by The Institute for Studies on Latin American Art (ISLAA) and curated by Mariano López Seoane and Bernardo Mosqueira, Eros Rising presents drawings, paintings, and photographs by Artur Barrio, Oscar Bony, Carmelo Carrá, Feliciano Centurión, David Lamelas, Castiel Vitorino Brasileiro, Carlos Motta, Wynnie Mynerva, La Chola Poblete, and Tadáskía that seek to give form to the intangible experience of eroticism.

El Museo del Barrio is the first and leading museum in the country dedicated to preserving and presenting Latino art and culture. ESTAMOS BIEN - LA TRIENAL 20/21 is the Museum’s first large-scale national survey of Latinx art. Curated by El Museo del Barrio’s Chief Curator, Rodrigo Moura, Curator Susanna V. Temkin, and Guest Curator and Artist Elia Alba, the exhibition is on view to the public from March 13 to September 26.

Today, Live on Instagram, Aimé Iglesias Lukin, director and chief curator of Americas Society Visual Arts, will host a conversation with the contemporary artist.

The Good Neighbour, the Canadian artist’s solo show in Americas Society, is focused on his relationship with Mexico since the early 1990s. The exhibition offers an overview of his work from his arrival in Mexico City in 1993 to his involvement with the city’s bustling international art scene, dubbed the “multinational Mexican underground” by Olivier Debroise.

This Must Be the Place: Latin American Artists in New York, 1965–1975 is a group exhibition that explores the artworks, performances, and experimental practices of this generation of artists, as well as their involvement in the local art scene. Diversifying the city’s artistic life, these artists helped shape New York into the global art center it is today. The artworks presented in this exhibition are central to understanding the social and political landscape in the Americas and the tensions and bridges between north and south, exploring issues of migration, identity, politics, exile, and nostalgia.

The exhibition includes this piece by Argentine artist Minujín which exposes a meta-narrative of the art world and other spheres, their different agents and interrelations.

Exhibited at the Spcrates Sculpture Park, in collaboration with Projeto Hélio Oiticica and Americas Society. Titled Subterranean Tropicália Projects: PN15 1971/2022, this immersive environment is the first realization of a never-before-executed idea by the late Brazilian artist.

Radical Conventions is presented in collaboration with the Cuban Heritage Collection of the University of Miami Libraries. Curated by Elizabeth Cerejido, PhD., the exhibition will be on view until June 12^th.

[NAME] Publications inaugurated their new space in West Miami with the exhibition Rafael Domenech: An Oracle on a Tomato, Ubiquitous Rectangles. The exhibition includes a series of newly-commissioned objects that activate the hidden potentials in the traditional book form by unfolding it as multi-media painting-like structures.

Exhibited by The Institute for Studies on Latin American Art (ISLAA) and curated by Mariano López Seoane and Bernardo Mosqueira, Eros Rising presents drawings, paintings, and photographs by Artur Barrio, Oscar Bony, Carmelo Carrá, Feliciano Centurión, David Lamelas, Castiel Vitorino Brasileiro, Carlos Motta, Wynnie Mynerva, La Chola Poblete, and Tadáskía that seek to give form to the intangible experience of eroticism.

The first exhibition of the Guatemalan composer’s útiles sonoros (sound tools) in the United States. The exhibition, a collaboration between Visual Arts at Americas Society and Music of the Americas, presents these innovative instruments alongside the work of contemporary artists. On view through March 5, the exhibition is curated by Diana Flatto and Sebastián Zubieta.

El Museo del Barrio is the first and leading museum in the country dedicated to preserving and presenting Latino art and culture. ESTAMOS BIEN - LA TRIENAL 20/21 is the Museum’s first large-scale national survey of Latinx art. Curated by El Museo del Barrio’s Chief Curator, Rodrigo Moura, Curator Susanna V. Temkin, and Guest Curator and Artist Elia Alba, the exhibition is on view to the public from March 13 to September 26.

Today, Live on Instagram, Aimé Iglesias Lukin, director and chief curator of Americas Society Visual Arts, will host a conversation with the contemporary artist.

The Good Neighbour, the Canadian artist’s solo show in Americas Society, is focused on his relationship with Mexico since the early 1990s. The exhibition offers an overview of his work from his arrival in Mexico City in 1993 to his involvement with the city’s bustling international art scene, dubbed the “multinational Mexican underground” by Olivier Debroise.

This Must Be the Place: Latin American Artists in New York, 1965–1975 is a group exhibition that explores the artworks, performances, and experimental practices of this generation of artists, as well as their involvement in the local art scene. Diversifying the city’s artistic life, these artists helped shape New York into the global art center it is today. The artworks presented in this exhibition are central to understanding the social and political landscape in the Americas and the tensions and bridges between north and south, exploring issues of migration, identity, politics, exile, and nostalgia.

The exhibition includes this piece by Argentine artist Minujín which exposes a meta-narrative of the art world and other spheres, their different agents and interrelations.

Exhibited at the Spcrates Sculpture Park, in collaboration with Projeto Hélio Oiticica and Americas Society. Titled Subterranean Tropicália Projects: PN15 1971/2022, this immersive environment is the first realization of a never-before-executed idea by the late Brazilian artist.

Radical Conventions is presented in collaboration with the Cuban Heritage Collection of the University of Miami Libraries. Curated by Elizabeth Cerejido, PhD., the exhibition will be on view until June 12^th.

[NAME] Publications inaugurated their new space in West Miami with the exhibition Rafael Domenech: An Oracle on a Tomato, Ubiquitous Rectangles. The exhibition includes a series of newly-commissioned objects that activate the hidden potentials in the traditional book form by unfolding it as multi-media painting-like structures.

Exhibited by The Institute for Studies on Latin American Art (ISLAA) and curated by Mariano López Seoane and Bernardo Mosqueira, Eros Rising presents drawings, paintings, and photographs by Artur Barrio, Oscar Bony, Carmelo Carrá, Feliciano Centurión, David Lamelas, Castiel Vitorino Brasileiro, Carlos Motta, Wynnie Mynerva, La Chola Poblete, and Tadáskía that seek to give form to the intangible experience of eroticism.

The first exhibition of the Guatemalan composer’s útiles sonoros (sound tools) in the United States. The exhibition, a collaboration between Visual Arts at Americas Society and Music of the Americas, presents these innovative instruments alongside the work of contemporary artists. On view through March 5, the exhibition is curated by Diana Flatto and Sebastián Zubieta.

El Museo del Barrio is the first and leading museum in the country dedicated to preserving and presenting Latino art and culture. ESTAMOS BIEN - LA TRIENAL 20/21 is the Museum’s first large-scale national survey of Latinx art. Curated by El Museo del Barrio’s Chief Curator, Rodrigo Moura, Curator Susanna V. Temkin, and Guest Curator and Artist Elia Alba, the exhibition is on view to the public from March 13 to September 26.

Today, Live on Instagram, Aimé Iglesias Lukin, director and chief curator of Americas Society Visual Arts, will host a conversation with the contemporary artist.

The Good Neighbour, the Canadian artist’s solo show in Americas Society, is focused on his relationship with Mexico since the early 1990s. The exhibition offers an overview of his work from his arrival in Mexico City in 1993 to his involvement with the city’s bustling international art scene, dubbed the “multinational Mexican underground” by Olivier Debroise.

This Must Be the Place: Latin American Artists in New York, 1965–1975 is a group exhibition that explores the artworks, performances, and experimental practices of this generation of artists, as well as their involvement in the local art scene. Diversifying the city’s artistic life, these artists helped shape New York into the global art center it is today. The artworks presented in this exhibition are central to understanding the social and political landscape in the Americas and the tensions and bridges between north and south, exploring issues of migration, identity, politics, exile, and nostalgia.

The exhibition includes this piece by Argentine artist Minujín which exposes a meta-narrative of the art world and other spheres, their different agents and interrelations.

Exhibited at the Spcrates Sculpture Park, in collaboration with Projeto Hélio Oiticica and Americas Society. Titled Subterranean Tropicália Projects: PN15 1971/2022, this immersive environment is the first realization of a never-before-executed idea by the late Brazilian artist.

Radical Conventions is presented in collaboration with the Cuban Heritage Collection of the University of Miami Libraries. Curated by Elizabeth Cerejido, PhD., the exhibition will be on view until June 12^th.

[NAME] Publications inaugurated their new space in West Miami with the exhibition Rafael Domenech: An Oracle on a Tomato, Ubiquitous Rectangles. The exhibition includes a series of newly-commissioned objects that activate the hidden potentials in the traditional book form by unfolding it as multi-media painting-like structures.

Exhibited by The Institute for Studies on Latin American Art (ISLAA) and curated by Mariano López Seoane and Bernardo Mosqueira, Eros Rising presents drawings, paintings, and photographs by Artur Barrio, Oscar Bony, Carmelo Carrá, Feliciano Centurión, David Lamelas, Castiel Vitorino Brasileiro, Carlos Motta, Wynnie Mynerva, La Chola Poblete, and Tadáskía that seek to give form to the intangible experience of eroticism.