NEW YORK - EL MUSEO DEL BARRIO EXHIBITS POPULAR PAINTERS & OTHER VISIONARIES
Popular Painters and Other Visionaries examines the practices of 35 artists working on the margins of modernism and the mainstream art world throughout the Americas around the mid-20th century.
The exhibition creates new dialogues between Latino and Latin American artists, with an emphasis on the US, the Caribbean, and South America and the African diaspora in these regions. The term “popular” painters is used to identify artists that because of their class or racial backgrounds have been marginalized from official art history and labeled with pejorative terms such as naive and primitive.
First presented as a virtual exhibition during the months of the global pandemic, this new version of the show presented in the galleries will feature over 100 works, with more than half drawn from El Museo’s Permanent Collection. The checklist is supplemented with loans from other institutional collections, including The Museum of Modern Art, the American Folk Art Museum and Museu de Arte de São Paulo, as well as works from private holdings never presented before in New York.
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Rigaud Benoît. Sans titre (Sirène) [Untitled (Mermaid)], 1962. Oil on Masonite. 24.25 x 18.25 in. Collection El Museo del Barrio, New York. Gift of Drs. Roslyn and Lloyd Siegel
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Rigaud Benoît. Sans titre (Sirène) [Untitled (Mermaid)], 1962. Oil on Masonite. 24.25 x 18.25 in. Collection El Museo del Barrio, New York. Gift of Drs. Roslyn and Lloyd Siegel
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Asilia Guillén. Heroes and Artists Come to the Pan American Union to be Consecrated [Héroes y artistas vienen a la Unión Panamericana para ser consagrada], 1962. Oil on canvas mounted on cardboard. 20 x 24 in. OAS AMA | Art Museum of the Americas
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Antoine Oleyant. Guedeh, c. 1981-1991. Beads and sequins on nylon cloth. 35 1/4 x 43 in. Collection El Museo del Barrio, New York. Gift of Margery Nathanson
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Silvia de Leon Chalreo. Gente da rua [People from the Street], 1962. Oil on Masonite. 24 x 17.75 in. Collection El Museo del Barrio, New York. Gift from Gale Simmons, Craig Duncan and Lynn Tarbox in memory of Barbara Duncan, 2007
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Mario Sanchez. The Buckeye (Beginning of the Industry in Key West) [El Buckeye (Inicio de la industria en Key West)], c. 1958. Relief sculpture of wood and oil paint. 16 1/2 x 20 1/2 x 1 1/2 in. Key West Art and Historical Society
The exhibition is grouped in four thematic sections.
“Inside/Outside” explores the hybrid influence of European genre painting and popular culture in the work of Black Modernists such as Horace Pippin, Heitor dos Prazeres, and Micius Stéphane, among others.
“Visible/Invisible” focus on the influence of spirituality and Afro-Atlantic religions, including paintings by Benoît Rigaud and Louisiane Saint Fleurant, works on paper by Minnie Evans and Consuelo González Amézcua, sculptures by Chico Tabibuia, and beadwork by Antoine Oleyant.
“Public/Private” showcases the interest for vernacular architecture and the representation of communal landscapes, including a large group of serigraphs by Manuel Hernández Acevedo and in-depth presentations by Préfète Duffaut and Asilia Guillén.
“Animal/Human” presents a mix of human and animal figurative works, focusing on Latinx pioneers such as Felipe Jesús Consalvos, Gregorio Marzán, and Eloy Blanco.
Popular Painters & Other Visionaries
Until February 27th, 2022
Curated by El Museo’s Curatorial Department
El Museo del Barrio - 1230 5th Avenue at 104th Street
New York, NY 10029
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Until November 8, 2020, this exhibition examines artists working on the margins of modernism in the Americas and the Caribbean.
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Until November 8, 2020, this exhibition examines artists working on the margins of modernism in the Americas and the Caribbean.
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Until November 8, 2020, this exhibition examines artists working on the margins of modernism in the Americas and the Caribbean.
POPULAR PAINTERS & OTHER VISIONARIES – FIRST ONLINE EXHIBITION BY EL MUSEO DEL BARRIO
Until November 8, 2020, this exhibition examines artists working on the margins of modernism in the Americas and the Caribbean.
Guadalupe Maravilla: Luz y Fuerza exhibits sculptures and other pieces by the Salvadoran artist while also hosting Healing Sound Baths for the public. “I create new mythologies that take the form of real and fictionalized rituals based on my own lived experiences,” says Guadalupe Maravilla.
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Americas Society presents the second part of This Must Be the Place: Latin American Artists in New York, 1965–1975, a group exhibition that explores the artworks, performances, and experimental practices of this generation of artists who lived in New York City in the 1960s and 1970s. Diversifying the city’s artistic life, these artists helped shape New York into the global art center it is today.
PART II: LATIN AMERICAN ARTISTS IN NEW YORK – AMERICAS SOCIETY’S EXHIBITION
Americas Society presents the second part of This Must Be the Place: Latin American Artists in New York, 1965–1975, a group exhibition that explores the artworks, performances, and experimental practices of this generation of artists who lived in New York City in the 1960s and 1970s. Diversifying the city’s artistic life, these artists helped shape New York into the global art center it is today.
The Institute for Studies on Latin American Art (ISLAA) announced the opening of Born of Informalismo: Marta Minujín and the Nascent Body of Performance, curated by Michaëla de Lacaze Mohrmann. The third in a series of exhibitions on Latin American modernism and its legacies, this show examines the early work of trailblazing Argentine artist Marta Minujín (b. 1943), tracing her trajectory from informalist painting and sculpture to performance.
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The Institute for Studies on Latin American Art (ISLAA) announced the opening of Born of Informalismo: Marta Minujín and the Nascent Body of Performance, curated by Michaëla de Lacaze Mohrmann. The third in a series of exhibitions on Latin American modernism and its legacies, this show examines the early work of trailblazing Argentine artist Marta Minujín (b. 1943), tracing her trajectory from informalist painting and sculpture to performance.
Until November 8, 2020, this exhibition examines artists working on the margins of modernism in the Americas and the Caribbean.
POPULAR PAINTERS & OTHER VISIONARIES – FIRST ONLINE EXHIBITION BY EL MUSEO DEL BARRIO
Until November 8, 2020, this exhibition examines artists working on the margins of modernism in the Americas and the Caribbean.
Guadalupe Maravilla: Luz y Fuerza exhibits sculptures and other pieces by the Salvadoran artist while also hosting Healing Sound Baths for the public. “I create new mythologies that take the form of real and fictionalized rituals based on my own lived experiences,” says Guadalupe Maravilla.
GUADALUPE MARAVILLA EXHIBITS IN MoMA AND OFFERS HEALING SESSIONS
Guadalupe Maravilla: Luz y Fuerza exhibits sculptures and other pieces by the Salvadoran artist while also hosting Healing Sound Baths for the public. “I create new mythologies that take the form of real and fictionalized rituals based on my own lived experiences,” says Guadalupe Maravilla.
Americas Society presents the second part of This Must Be the Place: Latin American Artists in New York, 1965–1975, a group exhibition that explores the artworks, performances, and experimental practices of this generation of artists who lived in New York City in the 1960s and 1970s. Diversifying the city’s artistic life, these artists helped shape New York into the global art center it is today.
PART II: LATIN AMERICAN ARTISTS IN NEW YORK – AMERICAS SOCIETY’S EXHIBITION
Americas Society presents the second part of This Must Be the Place: Latin American Artists in New York, 1965–1975, a group exhibition that explores the artworks, performances, and experimental practices of this generation of artists who lived in New York City in the 1960s and 1970s. Diversifying the city’s artistic life, these artists helped shape New York into the global art center it is today.
The Institute for Studies on Latin American Art (ISLAA) announced the opening of Born of Informalismo: Marta Minujín and the Nascent Body of Performance, curated by Michaëla de Lacaze Mohrmann. The third in a series of exhibitions on Latin American modernism and its legacies, this show examines the early work of trailblazing Argentine artist Marta Minujín (b. 1943), tracing her trajectory from informalist painting and sculpture to performance.
BORN OF INFORMALISMO: MARTA MINUJÍN AND THE NASCENT BODY OF PERFORMANCE
The Institute for Studies on Latin American Art (ISLAA) announced the opening of Born of Informalismo: Marta Minujín and the Nascent Body of Performance, curated by Michaëla de Lacaze Mohrmann. The third in a series of exhibitions on Latin American modernism and its legacies, this show examines the early work of trailblazing Argentine artist Marta Minujín (b. 1943), tracing her trajectory from informalist painting and sculpture to performance.
