GUADALUPE MARAVILLA EXHIBITS IN MoMA AND OFFERS HEALING SESSIONS

This group show curated by Rhonda Mitrani presents artworks that reflect an ethereal sensibility toward nature. During a time when we were forced to stay home, away from public spaces and other people, the relationship between humans and nature shifted, causing a Natural Transcendence, and a renewed sense of gratitude for the natural elements that surrounds us.

The outcome of photographic expeditions in Brazilian Amazonia carried out from the late 1990s onward, but mostly between the years 2013 and 2019, the exhibition Amazônia, by Sebastião Salgado, is arriving at Sesc Pompeia, in São Paulo, Brazil, in the month of February.

The Mexican Memory of the World Committee of the United Nations Educational, Scientific and Cultural Organization (UNESCO) decided to include the Photographic Archive of Mariana Yampolsky in the registry of this program, whose objectives are to recognize the importance of the documentary heritage of mankind, promote its conservation and access to it.

Sculpture Dublin announced Iván Argote as the winner of the St. Anne's Park land art commission.

The MACA (Atchugarry Museum of Contemporary Art) hosts until mid-April the great exhibition entitled Gráfica Encapsulada (Encapsulated Graphics) by the Argentine artist León Ferrari. The show features a series of works dating back to the 1980s.

From February 12 to May 29, 2022, the Fondation Cartier pour l’art contemporain presents Heliotropo 37, the first large exhibition devoted to Mexican photographer Graciela Iturbide in France, spanning works dating from the 1970s to the present day.

Popular Painters and Other Visionaries examines the practices of 35 artists working on the margins of modernism and the mainstream art world throughout the Americas around the mid-20th century.

Mexican artist, Teresa Margolles, transfers the space of death to the sphere of art, a metaphor par excellence of the border, of a limit that paradoxically is reached only when we are no longer and, therefore, we will no longer be able to tell it. An attempt to counter addiction and impotence in the face of daily tragedies such as gender violence or the exploitation of illegal immigration, caused by the inaction of governments and by a melodramatic or sensationalistic media exploitation.

This group show curated by Rhonda Mitrani presents artworks that reflect an ethereal sensibility toward nature. During a time when we were forced to stay home, away from public spaces and other people, the relationship between humans and nature shifted, causing a Natural Transcendence, and a renewed sense of gratitude for the natural elements that surrounds us.

The outcome of photographic expeditions in Brazilian Amazonia carried out from the late 1990s onward, but mostly between the years 2013 and 2019, the exhibition Amazônia, by Sebastião Salgado, is arriving at Sesc Pompeia, in São Paulo, Brazil, in the month of February.

The Mexican Memory of the World Committee of the United Nations Educational, Scientific and Cultural Organization (UNESCO) decided to include the Photographic Archive of Mariana Yampolsky in the registry of this program, whose objectives are to recognize the importance of the documentary heritage of mankind, promote its conservation and access to it.

Sculpture Dublin announced Iván Argote as the winner of the St. Anne's Park land art commission.

The MACA (Atchugarry Museum of Contemporary Art) hosts until mid-April the great exhibition entitled Gráfica Encapsulada (Encapsulated Graphics) by the Argentine artist León Ferrari. The show features a series of works dating back to the 1980s.

From February 12 to May 29, 2022, the Fondation Cartier pour l’art contemporain presents Heliotropo 37, the first large exhibition devoted to Mexican photographer Graciela Iturbide in France, spanning works dating from the 1970s to the present day.

Popular Painters and Other Visionaries examines the practices of 35 artists working on the margins of modernism and the mainstream art world throughout the Americas around the mid-20th century.

Mexican artist, Teresa Margolles, transfers the space of death to the sphere of art, a metaphor par excellence of the border, of a limit that paradoxically is reached only when we are no longer and, therefore, we will no longer be able to tell it. An attempt to counter addiction and impotence in the face of daily tragedies such as gender violence or the exploitation of illegal immigration, caused by the inaction of governments and by a melodramatic or sensationalistic media exploitation.

The outcome of photographic expeditions in Brazilian Amazonia carried out from the late 1990s onward, but mostly between the years 2013 and 2019, the exhibition Amazônia, by Sebastião Salgado, is arriving at Sesc Pompeia, in São Paulo, Brazil, in the month of February.

The Mexican Memory of the World Committee of the United Nations Educational, Scientific and Cultural Organization (UNESCO) decided to include the Photographic Archive of Mariana Yampolsky in the registry of this program, whose objectives are to recognize the importance of the documentary heritage of mankind, promote its conservation and access to it.

Sculpture Dublin announced Iván Argote as the winner of the St. Anne's Park land art commission.

The MACA (Atchugarry Museum of Contemporary Art) hosts until mid-April the great exhibition entitled Gráfica Encapsulada (Encapsulated Graphics) by the Argentine artist León Ferrari. The show features a series of works dating back to the 1980s.

From February 12 to May 29, 2022, the Fondation Cartier pour l’art contemporain presents Heliotropo 37, the first large exhibition devoted to Mexican photographer Graciela Iturbide in France, spanning works dating from the 1970s to the present day.

Popular Painters and Other Visionaries examines the practices of 35 artists working on the margins of modernism and the mainstream art world throughout the Americas around the mid-20th century.

Mexican artist, Teresa Margolles, transfers the space of death to the sphere of art, a metaphor par excellence of the border, of a limit that paradoxically is reached only when we are no longer and, therefore, we will no longer be able to tell it. An attempt to counter addiction and impotence in the face of daily tragedies such as gender violence or the exploitation of illegal immigration, caused by the inaction of governments and by a melodramatic or sensationalistic media exploitation.

This group show curated by Rhonda Mitrani presents artworks that reflect an ethereal sensibility toward nature. During a time when we were forced to stay home, away from public spaces and other people, the relationship between humans and nature shifted, causing a Natural Transcendence, and a renewed sense of gratitude for the natural elements that surrounds us.

The outcome of photographic expeditions in Brazilian Amazonia carried out from the late 1990s onward, but mostly between the years 2013 and 2019, the exhibition Amazônia, by Sebastião Salgado, is arriving at Sesc Pompeia, in São Paulo, Brazil, in the month of February.

The Mexican Memory of the World Committee of the United Nations Educational, Scientific and Cultural Organization (UNESCO) decided to include the Photographic Archive of Mariana Yampolsky in the registry of this program, whose objectives are to recognize the importance of the documentary heritage of mankind, promote its conservation and access to it.

Sculpture Dublin announced Iván Argote as the winner of the St. Anne's Park land art commission.

The MACA (Atchugarry Museum of Contemporary Art) hosts until mid-April the great exhibition entitled Gráfica Encapsulada (Encapsulated Graphics) by the Argentine artist León Ferrari. The show features a series of works dating back to the 1980s.

From February 12 to May 29, 2022, the Fondation Cartier pour l’art contemporain presents Heliotropo 37, the first large exhibition devoted to Mexican photographer Graciela Iturbide in France, spanning works dating from the 1970s to the present day.

Popular Painters and Other Visionaries examines the practices of 35 artists working on the margins of modernism and the mainstream art world throughout the Americas around the mid-20th century.

Mexican artist, Teresa Margolles, transfers the space of death to the sphere of art, a metaphor par excellence of the border, of a limit that paradoxically is reached only when we are no longer and, therefore, we will no longer be able to tell it. An attempt to counter addiction and impotence in the face of daily tragedies such as gender violence or the exploitation of illegal immigration, caused by the inaction of governments and by a melodramatic or sensationalistic media exploitation.

This group show curated by Rhonda Mitrani presents artworks that reflect an ethereal sensibility toward nature. During a time when we were forced to stay home, away from public spaces and other people, the relationship between humans and nature shifted, causing a Natural Transcendence, and a renewed sense of gratitude for the natural elements that surrounds us.

The outcome of photographic expeditions in Brazilian Amazonia carried out from the late 1990s onward, but mostly between the years 2013 and 2019, the exhibition Amazônia, by Sebastião Salgado, is arriving at Sesc Pompeia, in São Paulo, Brazil, in the month of February.

The Mexican Memory of the World Committee of the United Nations Educational, Scientific and Cultural Organization (UNESCO) decided to include the Photographic Archive of Mariana Yampolsky in the registry of this program, whose objectives are to recognize the importance of the documentary heritage of mankind, promote its conservation and access to it.

Sculpture Dublin announced Iván Argote as the winner of the St. Anne's Park land art commission.

The MACA (Atchugarry Museum of Contemporary Art) hosts until mid-April the great exhibition entitled Gráfica Encapsulada (Encapsulated Graphics) by the Argentine artist León Ferrari. The show features a series of works dating back to the 1980s.

From February 12 to May 29, 2022, the Fondation Cartier pour l’art contemporain presents Heliotropo 37, the first large exhibition devoted to Mexican photographer Graciela Iturbide in France, spanning works dating from the 1970s to the present day.

Popular Painters and Other Visionaries examines the practices of 35 artists working on the margins of modernism and the mainstream art world throughout the Americas around the mid-20th century.

Mexican artist, Teresa Margolles, transfers the space of death to the sphere of art, a metaphor par excellence of the border, of a limit that paradoxically is reached only when we are no longer and, therefore, we will no longer be able to tell it. An attempt to counter addiction and impotence in the face of daily tragedies such as gender violence or the exploitation of illegal immigration, caused by the inaction of governments and by a melodramatic or sensationalistic media exploitation.