TORONTO BIENNAL OF ART ANNOUNCES ITS CURATORSHIP TEAM FOR 2024 EDITION
Toronto Biennal of Art announced the appointment of Dominique Fontaine and Miguel A. López as co-curators to guide the exhibition’s third edition, taking place in 2024.
Toronto Biennial of Art Executive Director Patrizia Libralato said, “We are delighted to welcome Dominique and Miguel, thought leaders who will contribute significant scholarship, innovation, and inspiration as we shape the upcoming Biennial edition and programming. Their areas of research and ongoing commitment to supporting both emerging and established contemporary artists from Canada and around the world will deepen TBA’s connections to local communities and its place in global conversations. Together, we aim to create an event as uniquely diverse, responsive, challenging, and engaging as the city itself.”
The critically acclaimed Toronto Biennial of Art launched in 2019 and attracted over 450,526 visitors to its first two editions. The Biennial provides expanded understandings of contemporary art practices, and its free, citywide programming aims to inspire people, bridge communities, and contribute to global conversations. The Biennial has featured over 76 exhibition artists including powerful works by AA Bronson, Lawrence Abu Hamdan, Ghazaleh Avarzamani, Shezad Dawood, Judy Chicago, Jeffrey Gibson, Brian Jungen, Tanya Lukin Linklater, Kapwani Kiwanga, Joar Nango, New Red Order, Jumana Manna, Caroline Monnet, Lisa Reihana, Denyse Thomasos, and Camille Turner.
-
Judy Chicago in collaboration with Pyro Spectaculars by Souza and Maude Furtado of GFA PYRO. A Triubute to Toronto, 2022. Installation view at Sugar Beach, Toronto Biennal of Art 2022. Photo: Rebecca Tisdelle-Macias.
-
Aki Onda, Nam June’s Spirity Was Speaking to Me, 2017/2022. Installation view at 72 Perth Ave, Toronto Biennal of Art 2022. Photo: Toni Hafkenscheid.
-
Jeffrey Gibson. ALL FOR ONE, ONE FOR ALL, 2015. Installation view at Small Arms Inspectoin Building, Toronto Biennal of Art 2022. Photo: Toni Hafkenscheid.
-
Judy Chicago in collaboration with Pyro Spectaculars by Souza and Maude Furtado of GFA PYRO. A Triubute to Toronto, 2022. Installation view at Sugar Beach, Toronto Biennal of Art 2022. Photo: Rebecca Tisdelle-Macias.
Miguel A. López is a writer and curator whose practice focuses on the role of art in politics and public life, collective work and collaborative dynamics, and queer and feminist rewritings of history. He worked as chief curator, and later co-director at TEOR/éTica, San José, Costa Rica, from 2015-2020. In 2019, he curated the retrospective exhibition Cecilia Vicuña: Seehearing the Enlightened Failure at the Witte de With (now Kunstinstituut Melly), Rotterdam. The exhibition traveled to Mexico City, Madrid, and Bogota.
“I am beyond excited to work with the Toronto team and envision a meaningful 2024 Biennial for the artists, the art ecosystem, and especially for the city. I am looking forward to contributing to the local context and encouraging new collaborations with artists, activists, and cultural workers that are posing urgent questions about what forms art can take in the public sphere. I am devoted to bringing art that challenges, inspires, encourages, and connects us”, explains the designated curator.
Dominique Fontaine is a cultural leader, curator, advisor, and strategist on innovation in arts and culture. As a connector, she brings together artists, curators, and the public to enable transformative actions for diversity, equity, and inclusion in contemporary art. Fontaine is a curator and Founding Director of aposteriori, a non-profit curatorial platform – researching, documenting, developing, producing, and facilitating innovation in diverse contemporary art practices.
Related Topics
May interest you
“We live in a world that demands of us clear meanings and pragmatic definitions of things, that wants to possess and that rejects uncertainty. Taking our focus back to poetry allows us to understand that knowing is not synonymous with dominating, but rather with being with, generating interconnectedness and bonding”.
THE PHILOSOPHY BEHIND 'VEROÍR EL FRACASO ILUMINADO' - INTERVIEW WITH MIGUEL A. LÓPEZ
“We live in a world that demands of us clear meanings and pragmatic definitions of things, that wants to possess and that rejects uncertainty. Taking our focus back to poetry allows us to understand that knowing is not synonymous with dominating, but rather with being with, generating interconnectedness and bonding”.
“We live in a world that demands of us clear meanings and pragmatic definitions of things, that wants to possess and that rejects uncertainty. Taking our focus back to poetry allows us to understand that knowing is not synonymous with dominating, but rather with being with, generating interconnectedness and bonding”.
THE PHILOSOPHY BEHIND 'VEROÍR EL FRACASO ILUMINADO' - INTERVIEW WITH MIGUEL A. LÓPEZ
“We live in a world that demands of us clear meanings and pragmatic definitions of things, that wants to possess and that rejects uncertainty. Taking our focus back to poetry allows us to understand that knowing is not synonymous with dominating, but rather with being with, generating interconnectedness and bonding”.
With the curatorship of Verónica Santalla and the collaboration of Miguel López, this meeting space is proposed in a hybrid format, combining in-person talks at the Pinta PArC auditorium and audiovisual content.
MEDIA POINT IN PINTA PArC – LIVE TALKS, VIDEOS AND MORE
With the curatorship of Verónica Santalla and the collaboration of Miguel López, this meeting space is proposed in a hybrid format, combining in-person talks at the Pinta PArC auditorium and audiovisual content.
The Miguel Urrutia Art Museum of the Banco de la República presents the exhibition Veroír el fracaso iluminado (Seehearing the Enlightened Failure), a retrospective that brings together more than 100 works by the Chilean artist Cecilia Vicuña, whose work addresses issues such as the environment, feminism, human rights humans, decolonization and the relationship between art and politics. The exhibition, curated by Miguel López, one of the most outstanding curators on the current Latin American art scene, arrives in Colombia thanks to the collaboration between the Kunstinstituut Melly (Rotterdam) and the Banco de la República.
CECILIA VICUÑA. SEEHEARING THE ENLIGHTENED FAILURE
The Miguel Urrutia Art Museum of the Banco de la República presents the exhibition Veroír el fracaso iluminado (Seehearing the Enlightened Failure), a retrospective that brings together more than 100 works by the Chilean artist Cecilia Vicuña, whose work addresses issues such as the environment, feminism, human rights humans, decolonization and the relationship between art and politics. The exhibition, curated by Miguel López, one of the most outstanding curators on the current Latin American art scene, arrives in Colombia thanks to the collaboration between the Kunstinstituut Melly (Rotterdam) and the Banco de la República.
The Ama Amoedo Foundation has announced the artists selected for its 2023 residency. The jury was formed by Miguel A. López, Solana Chehtman and Tobías Ostrander.
ARTISTS SELECTED FOR THE 2023 FAARA RESIDENCY
The Ama Amoedo Foundation has announced the artists selected for its 2023 residency. The jury was formed by Miguel A. López, Solana Chehtman and Tobías Ostrander.
This exhibition at the Museo Universitario de Arte Contemporáneo de México presents graphic actions in public space carried out by activists and artists at the intersection of art/politics in Latin America.
GIRO GRÁFICO IN MUAC: AS IN THE IVY WALL
This exhibition at the Museo Universitario de Arte Contemporáneo de México presents graphic actions in public space carried out by activists and artists at the intersection of art/politics in Latin America.
This exhibition at MAC Lima is the result of an invitation to Olinda Silvano [Reshinjabe] and the women's collective Non Shinanbo (Our Inspirations) to rethink and represent the last two years of health, social and political crisis from their concerns, urgencies and desires.
MOTHERS PLANTS AND WOMEN FIGHTERS. VISIONS FROM CANTAGALLO
This exhibition at MAC Lima is the result of an invitation to Olinda Silvano [Reshinjabe] and the women's collective Non Shinanbo (Our Inspirations) to rethink and represent the last two years of health, social and political crisis from their concerns, urgencies and desires.
Curated by Miguel A. López, ICPNA inaugurates the exhibition ISHMAEL RANDALL WEEKS: 20 years. We metallize our memories.
ISHMAEL RANDALL-WEEKS’ LABORATORY OF FORMS
Curated by Miguel A. López, ICPNA inaugurates the exhibition ISHMAEL RANDALL WEEKS: 20 years. We metallize our memories.
“We live in a world that demands of us clear meanings and pragmatic definitions of things, that wants to possess and that rejects uncertainty. Taking our focus back to poetry allows us to understand that knowing is not synonymous with dominating, but rather with being with, generating interconnectedness and bonding”.
THE PHILOSOPHY BEHIND 'VEROÍR EL FRACASO ILUMINADO' - INTERVIEW WITH MIGUEL A. LÓPEZ
“We live in a world that demands of us clear meanings and pragmatic definitions of things, that wants to possess and that rejects uncertainty. Taking our focus back to poetry allows us to understand that knowing is not synonymous with dominating, but rather with being with, generating interconnectedness and bonding”.
With the curatorship of Verónica Santalla and the collaboration of Miguel López, this meeting space is proposed in a hybrid format, combining in-person talks at the Pinta PArC auditorium and audiovisual content.
MEDIA POINT IN PINTA PArC – LIVE TALKS, VIDEOS AND MORE
With the curatorship of Verónica Santalla and the collaboration of Miguel López, this meeting space is proposed in a hybrid format, combining in-person talks at the Pinta PArC auditorium and audiovisual content.
The Miguel Urrutia Art Museum of the Banco de la República presents the exhibition Veroír el fracaso iluminado (Seehearing the Enlightened Failure), a retrospective that brings together more than 100 works by the Chilean artist Cecilia Vicuña, whose work addresses issues such as the environment, feminism, human rights humans, decolonization and the relationship between art and politics. The exhibition, curated by Miguel López, one of the most outstanding curators on the current Latin American art scene, arrives in Colombia thanks to the collaboration between the Kunstinstituut Melly (Rotterdam) and the Banco de la República.
CECILIA VICUÑA. SEEHEARING THE ENLIGHTENED FAILURE
The Miguel Urrutia Art Museum of the Banco de la República presents the exhibition Veroír el fracaso iluminado (Seehearing the Enlightened Failure), a retrospective that brings together more than 100 works by the Chilean artist Cecilia Vicuña, whose work addresses issues such as the environment, feminism, human rights humans, decolonization and the relationship between art and politics. The exhibition, curated by Miguel López, one of the most outstanding curators on the current Latin American art scene, arrives in Colombia thanks to the collaboration between the Kunstinstituut Melly (Rotterdam) and the Banco de la República.
The Ama Amoedo Foundation has announced the artists selected for its 2023 residency. The jury was formed by Miguel A. López, Solana Chehtman and Tobías Ostrander.
ARTISTS SELECTED FOR THE 2023 FAARA RESIDENCY
The Ama Amoedo Foundation has announced the artists selected for its 2023 residency. The jury was formed by Miguel A. López, Solana Chehtman and Tobías Ostrander.
This exhibition at the Museo Universitario de Arte Contemporáneo de México presents graphic actions in public space carried out by activists and artists at the intersection of art/politics in Latin America.
GIRO GRÁFICO IN MUAC: AS IN THE IVY WALL
This exhibition at the Museo Universitario de Arte Contemporáneo de México presents graphic actions in public space carried out by activists and artists at the intersection of art/politics in Latin America.
This exhibition at MAC Lima is the result of an invitation to Olinda Silvano [Reshinjabe] and the women's collective Non Shinanbo (Our Inspirations) to rethink and represent the last two years of health, social and political crisis from their concerns, urgencies and desires.
MOTHERS PLANTS AND WOMEN FIGHTERS. VISIONS FROM CANTAGALLO
This exhibition at MAC Lima is the result of an invitation to Olinda Silvano [Reshinjabe] and the women's collective Non Shinanbo (Our Inspirations) to rethink and represent the last two years of health, social and political crisis from their concerns, urgencies and desires.
Curated by Miguel A. López, ICPNA inaugurates the exhibition ISHMAEL RANDALL WEEKS: 20 years. We metallize our memories.
ISHMAEL RANDALL-WEEKS’ LABORATORY OF FORMS
Curated by Miguel A. López, ICPNA inaugurates the exhibition ISHMAEL RANDALL WEEKS: 20 years. We metallize our memories.
“We live in a world that demands of us clear meanings and pragmatic definitions of things, that wants to possess and that rejects uncertainty. Taking our focus back to poetry allows us to understand that knowing is not synonymous with dominating, but rather with being with, generating interconnectedness and bonding”.
THE PHILOSOPHY BEHIND 'VEROÍR EL FRACASO ILUMINADO' - INTERVIEW WITH MIGUEL A. LÓPEZ
“We live in a world that demands of us clear meanings and pragmatic definitions of things, that wants to possess and that rejects uncertainty. Taking our focus back to poetry allows us to understand that knowing is not synonymous with dominating, but rather with being with, generating interconnectedness and bonding”.
With the curatorship of Verónica Santalla and the collaboration of Miguel López, this meeting space is proposed in a hybrid format, combining in-person talks at the Pinta PArC auditorium and audiovisual content.
MEDIA POINT IN PINTA PArC – LIVE TALKS, VIDEOS AND MORE
With the curatorship of Verónica Santalla and the collaboration of Miguel López, this meeting space is proposed in a hybrid format, combining in-person talks at the Pinta PArC auditorium and audiovisual content.
The Miguel Urrutia Art Museum of the Banco de la República presents the exhibition Veroír el fracaso iluminado (Seehearing the Enlightened Failure), a retrospective that brings together more than 100 works by the Chilean artist Cecilia Vicuña, whose work addresses issues such as the environment, feminism, human rights humans, decolonization and the relationship between art and politics. The exhibition, curated by Miguel López, one of the most outstanding curators on the current Latin American art scene, arrives in Colombia thanks to the collaboration between the Kunstinstituut Melly (Rotterdam) and the Banco de la República.
CECILIA VICUÑA. SEEHEARING THE ENLIGHTENED FAILURE
The Miguel Urrutia Art Museum of the Banco de la República presents the exhibition Veroír el fracaso iluminado (Seehearing the Enlightened Failure), a retrospective that brings together more than 100 works by the Chilean artist Cecilia Vicuña, whose work addresses issues such as the environment, feminism, human rights humans, decolonization and the relationship between art and politics. The exhibition, curated by Miguel López, one of the most outstanding curators on the current Latin American art scene, arrives in Colombia thanks to the collaboration between the Kunstinstituut Melly (Rotterdam) and the Banco de la República.
The Ama Amoedo Foundation has announced the artists selected for its 2023 residency. The jury was formed by Miguel A. López, Solana Chehtman and Tobías Ostrander.
ARTISTS SELECTED FOR THE 2023 FAARA RESIDENCY
The Ama Amoedo Foundation has announced the artists selected for its 2023 residency. The jury was formed by Miguel A. López, Solana Chehtman and Tobías Ostrander.
This exhibition at the Museo Universitario de Arte Contemporáneo de México presents graphic actions in public space carried out by activists and artists at the intersection of art/politics in Latin America.
GIRO GRÁFICO IN MUAC: AS IN THE IVY WALL
This exhibition at the Museo Universitario de Arte Contemporáneo de México presents graphic actions in public space carried out by activists and artists at the intersection of art/politics in Latin America.
This exhibition at MAC Lima is the result of an invitation to Olinda Silvano [Reshinjabe] and the women's collective Non Shinanbo (Our Inspirations) to rethink and represent the last two years of health, social and political crisis from their concerns, urgencies and desires.
MOTHERS PLANTS AND WOMEN FIGHTERS. VISIONS FROM CANTAGALLO
This exhibition at MAC Lima is the result of an invitation to Olinda Silvano [Reshinjabe] and the women's collective Non Shinanbo (Our Inspirations) to rethink and represent the last two years of health, social and political crisis from their concerns, urgencies and desires.
Curated by Miguel A. López, ICPNA inaugurates the exhibition ISHMAEL RANDALL WEEKS: 20 years. We metallize our memories.
ISHMAEL RANDALL-WEEKS’ LABORATORY OF FORMS
Curated by Miguel A. López, ICPNA inaugurates the exhibition ISHMAEL RANDALL WEEKS: 20 years. We metallize our memories.
“We live in a world that demands of us clear meanings and pragmatic definitions of things, that wants to possess and that rejects uncertainty. Taking our focus back to poetry allows us to understand that knowing is not synonymous with dominating, but rather with being with, generating interconnectedness and bonding”.
THE PHILOSOPHY BEHIND 'VEROÍR EL FRACASO ILUMINADO' - INTERVIEW WITH MIGUEL A. LÓPEZ
“We live in a world that demands of us clear meanings and pragmatic definitions of things, that wants to possess and that rejects uncertainty. Taking our focus back to poetry allows us to understand that knowing is not synonymous with dominating, but rather with being with, generating interconnectedness and bonding”.
With the curatorship of Verónica Santalla and the collaboration of Miguel López, this meeting space is proposed in a hybrid format, combining in-person talks at the Pinta PArC auditorium and audiovisual content.
MEDIA POINT IN PINTA PArC – LIVE TALKS, VIDEOS AND MORE
With the curatorship of Verónica Santalla and the collaboration of Miguel López, this meeting space is proposed in a hybrid format, combining in-person talks at the Pinta PArC auditorium and audiovisual content.
The Miguel Urrutia Art Museum of the Banco de la República presents the exhibition Veroír el fracaso iluminado (Seehearing the Enlightened Failure), a retrospective that brings together more than 100 works by the Chilean artist Cecilia Vicuña, whose work addresses issues such as the environment, feminism, human rights humans, decolonization and the relationship between art and politics. The exhibition, curated by Miguel López, one of the most outstanding curators on the current Latin American art scene, arrives in Colombia thanks to the collaboration between the Kunstinstituut Melly (Rotterdam) and the Banco de la República.
CECILIA VICUÑA. SEEHEARING THE ENLIGHTENED FAILURE
The Miguel Urrutia Art Museum of the Banco de la República presents the exhibition Veroír el fracaso iluminado (Seehearing the Enlightened Failure), a retrospective that brings together more than 100 works by the Chilean artist Cecilia Vicuña, whose work addresses issues such as the environment, feminism, human rights humans, decolonization and the relationship between art and politics. The exhibition, curated by Miguel López, one of the most outstanding curators on the current Latin American art scene, arrives in Colombia thanks to the collaboration between the Kunstinstituut Melly (Rotterdam) and the Banco de la República.
The Ama Amoedo Foundation has announced the artists selected for its 2023 residency. The jury was formed by Miguel A. López, Solana Chehtman and Tobías Ostrander.
ARTISTS SELECTED FOR THE 2023 FAARA RESIDENCY
The Ama Amoedo Foundation has announced the artists selected for its 2023 residency. The jury was formed by Miguel A. López, Solana Chehtman and Tobías Ostrander.
This exhibition at the Museo Universitario de Arte Contemporáneo de México presents graphic actions in public space carried out by activists and artists at the intersection of art/politics in Latin America.
GIRO GRÁFICO IN MUAC: AS IN THE IVY WALL
This exhibition at the Museo Universitario de Arte Contemporáneo de México presents graphic actions in public space carried out by activists and artists at the intersection of art/politics in Latin America.
This exhibition at MAC Lima is the result of an invitation to Olinda Silvano [Reshinjabe] and the women's collective Non Shinanbo (Our Inspirations) to rethink and represent the last two years of health, social and political crisis from their concerns, urgencies and desires.
MOTHERS PLANTS AND WOMEN FIGHTERS. VISIONS FROM CANTAGALLO
This exhibition at MAC Lima is the result of an invitation to Olinda Silvano [Reshinjabe] and the women's collective Non Shinanbo (Our Inspirations) to rethink and represent the last two years of health, social and political crisis from their concerns, urgencies and desires.
Curated by Miguel A. López, ICPNA inaugurates the exhibition ISHMAEL RANDALL WEEKS: 20 years. We metallize our memories.
ISHMAEL RANDALL-WEEKS’ LABORATORY OF FORMS
Curated by Miguel A. López, ICPNA inaugurates the exhibition ISHMAEL RANDALL WEEKS: 20 years. We metallize our memories.
“We live in a world that demands of us clear meanings and pragmatic definitions of things, that wants to possess and that rejects uncertainty. Taking our focus back to poetry allows us to understand that knowing is not synonymous with dominating, but rather with being with, generating interconnectedness and bonding”.
THE PHILOSOPHY BEHIND 'VEROÍR EL FRACASO ILUMINADO' - INTERVIEW WITH MIGUEL A. LÓPEZ
“We live in a world that demands of us clear meanings and pragmatic definitions of things, that wants to possess and that rejects uncertainty. Taking our focus back to poetry allows us to understand that knowing is not synonymous with dominating, but rather with being with, generating interconnectedness and bonding”.
With the curatorship of Verónica Santalla and the collaboration of Miguel López, this meeting space is proposed in a hybrid format, combining in-person talks at the Pinta PArC auditorium and audiovisual content.
MEDIA POINT IN PINTA PArC – LIVE TALKS, VIDEOS AND MORE
With the curatorship of Verónica Santalla and the collaboration of Miguel López, this meeting space is proposed in a hybrid format, combining in-person talks at the Pinta PArC auditorium and audiovisual content.
The Miguel Urrutia Art Museum of the Banco de la República presents the exhibition Veroír el fracaso iluminado (Seehearing the Enlightened Failure), a retrospective that brings together more than 100 works by the Chilean artist Cecilia Vicuña, whose work addresses issues such as the environment, feminism, human rights humans, decolonization and the relationship between art and politics. The exhibition, curated by Miguel López, one of the most outstanding curators on the current Latin American art scene, arrives in Colombia thanks to the collaboration between the Kunstinstituut Melly (Rotterdam) and the Banco de la República.
CECILIA VICUÑA. SEEHEARING THE ENLIGHTENED FAILURE
The Miguel Urrutia Art Museum of the Banco de la República presents the exhibition Veroír el fracaso iluminado (Seehearing the Enlightened Failure), a retrospective that brings together more than 100 works by the Chilean artist Cecilia Vicuña, whose work addresses issues such as the environment, feminism, human rights humans, decolonization and the relationship between art and politics. The exhibition, curated by Miguel López, one of the most outstanding curators on the current Latin American art scene, arrives in Colombia thanks to the collaboration between the Kunstinstituut Melly (Rotterdam) and the Banco de la República.
The Ama Amoedo Foundation has announced the artists selected for its 2023 residency. The jury was formed by Miguel A. López, Solana Chehtman and Tobías Ostrander.
ARTISTS SELECTED FOR THE 2023 FAARA RESIDENCY
The Ama Amoedo Foundation has announced the artists selected for its 2023 residency. The jury was formed by Miguel A. López, Solana Chehtman and Tobías Ostrander.
This exhibition at the Museo Universitario de Arte Contemporáneo de México presents graphic actions in public space carried out by activists and artists at the intersection of art/politics in Latin America.
GIRO GRÁFICO IN MUAC: AS IN THE IVY WALL
This exhibition at the Museo Universitario de Arte Contemporáneo de México presents graphic actions in public space carried out by activists and artists at the intersection of art/politics in Latin America.
This exhibition at MAC Lima is the result of an invitation to Olinda Silvano [Reshinjabe] and the women's collective Non Shinanbo (Our Inspirations) to rethink and represent the last two years of health, social and political crisis from their concerns, urgencies and desires.
MOTHERS PLANTS AND WOMEN FIGHTERS. VISIONS FROM CANTAGALLO
This exhibition at MAC Lima is the result of an invitation to Olinda Silvano [Reshinjabe] and the women's collective Non Shinanbo (Our Inspirations) to rethink and represent the last two years of health, social and political crisis from their concerns, urgencies and desires.
Curated by Miguel A. López, ICPNA inaugurates the exhibition ISHMAEL RANDALL WEEKS: 20 years. We metallize our memories.
ISHMAEL RANDALL-WEEKS’ LABORATORY OF FORMS
Curated by Miguel A. López, ICPNA inaugurates the exhibition ISHMAEL RANDALL WEEKS: 20 years. We metallize our memories.
