MOTHERS PLANTS AND WOMEN FIGHTERS. VISIONS FROM CANTAGALLO

Toronto Biennal of Art announced the appointment of Dominique Fontaine and Miguel A. López as co-curators to guide the exhibition’s third edition, taking place in 2024.

“We live in a world that demands of us clear meanings and pragmatic definitions of things, that wants to possess and that rejects uncertainty. Taking our focus back to poetry allows us to understand that knowing is not synonymous with dominating, but rather with being with, generating interconnectedness and bonding”.

The Ama Amoedo Foundation has announced the artists selected for its 2023 residency. The jury was formed by Miguel A. López, Solana Chehtman and Tobías Ostrander.

The project Retorno Solar (Solar Return) by Luis Enrique Zela-Koort, winner of the MAC Lima Art and Innovation Award 2022, proposes to return to the Sun as the representation of all that exists and has existed, witness and creative agent of the facts of the history of the Earth and of the fragment that, in this case, represents the history of humanity.

The exhibition proposes a review of the concepts and imaginaries with which the territories of the Amazon have been represented and covered from a perspective that sought to defend property over it, in order to assert sovereignty for the exploitation of its resources and its inhabitants.

The exhibition presented by the Madre Museum is the first retrospective after his death in late 2021, and features over 150 works, some never previously exhibited.

Curated by Miguel A. López, ICPNA inaugurates the exhibition ISHMAEL RANDALL WEEKS: 20 years. We metallize our memories.

In Pinakothek der Moderne, the Chilean-born and New York-based architect who makes art—as Alfredo Jaar refers to himself— explores complex sociopolitical issues, bringing to the fore the ethics of representation. 

The EFG Latin America Art Award ­–together with ArtNexus– presented Jean Terra, from Anita Schwartz Galeria de Arte from Rio de Janeiro (Brazil), as the SP ARTE fair selected artist for its annual acquisition award.

The first part of an essay by Adriana Herrera Téllez on the tradition and heritage of textiles in Latin America and its impact on contemporary art.

Ser Pallay is a "collaborative textile project'' that bet on an artistic praxis that critically responds to the ambivalent valuation of the extraordinary Andean textile tradition in the art narratives of Peru's cultural history.

Pinta PArC celebrates its tenth edition from April 19 to 23 in Lima, Peru, where more than 45 galleries will participate, including Argentina's Rolf Art.

In this interview, Gredna Landolt, a Peruvian graphic artist and curator, shares with us her work curating the Amazonías section of Pinta PArC 2023, a section that exhibits renowned native artists.

Toronto Biennal of Art announced the appointment of Dominique Fontaine and Miguel A. López as co-curators to guide the exhibition’s third edition, taking place in 2024.

“We live in a world that demands of us clear meanings and pragmatic definitions of things, that wants to possess and that rejects uncertainty. Taking our focus back to poetry allows us to understand that knowing is not synonymous with dominating, but rather with being with, generating interconnectedness and bonding”.

The Ama Amoedo Foundation has announced the artists selected for its 2023 residency. The jury was formed by Miguel A. López, Solana Chehtman and Tobías Ostrander.

The project Retorno Solar (Solar Return) by Luis Enrique Zela-Koort, winner of the MAC Lima Art and Innovation Award 2022, proposes to return to the Sun as the representation of all that exists and has existed, witness and creative agent of the facts of the history of the Earth and of the fragment that, in this case, represents the history of humanity.

The exhibition proposes a review of the concepts and imaginaries with which the territories of the Amazon have been represented and covered from a perspective that sought to defend property over it, in order to assert sovereignty for the exploitation of its resources and its inhabitants.

The exhibition presented by the Madre Museum is the first retrospective after his death in late 2021, and features over 150 works, some never previously exhibited.

Curated by Miguel A. López, ICPNA inaugurates the exhibition ISHMAEL RANDALL WEEKS: 20 years. We metallize our memories.

In Pinakothek der Moderne, the Chilean-born and New York-based architect who makes art—as Alfredo Jaar refers to himself— explores complex sociopolitical issues, bringing to the fore the ethics of representation. 

The EFG Latin America Art Award ­–together with ArtNexus– presented Jean Terra, from Anita Schwartz Galeria de Arte from Rio de Janeiro (Brazil), as the SP ARTE fair selected artist for its annual acquisition award.

The first part of an essay by Adriana Herrera Téllez on the tradition and heritage of textiles in Latin America and its impact on contemporary art.

Ser Pallay is a "collaborative textile project'' that bet on an artistic praxis that critically responds to the ambivalent valuation of the extraordinary Andean textile tradition in the art narratives of Peru's cultural history.

Pinta PArC celebrates its tenth edition from April 19 to 23 in Lima, Peru, where more than 45 galleries will participate, including Argentina's Rolf Art.

In this interview, Gredna Landolt, a Peruvian graphic artist and curator, shares with us her work curating the Amazonías section of Pinta PArC 2023, a section that exhibits renowned native artists.

“We live in a world that demands of us clear meanings and pragmatic definitions of things, that wants to possess and that rejects uncertainty. Taking our focus back to poetry allows us to understand that knowing is not synonymous with dominating, but rather with being with, generating interconnectedness and bonding”.

The Ama Amoedo Foundation has announced the artists selected for its 2023 residency. The jury was formed by Miguel A. López, Solana Chehtman and Tobías Ostrander.

The project Retorno Solar (Solar Return) by Luis Enrique Zela-Koort, winner of the MAC Lima Art and Innovation Award 2022, proposes to return to the Sun as the representation of all that exists and has existed, witness and creative agent of the facts of the history of the Earth and of the fragment that, in this case, represents the history of humanity.

The exhibition proposes a review of the concepts and imaginaries with which the territories of the Amazon have been represented and covered from a perspective that sought to defend property over it, in order to assert sovereignty for the exploitation of its resources and its inhabitants.

The exhibition presented by the Madre Museum is the first retrospective after his death in late 2021, and features over 150 works, some never previously exhibited.

Curated by Miguel A. López, ICPNA inaugurates the exhibition ISHMAEL RANDALL WEEKS: 20 years. We metallize our memories.

In Pinakothek der Moderne, the Chilean-born and New York-based architect who makes art—as Alfredo Jaar refers to himself— explores complex sociopolitical issues, bringing to the fore the ethics of representation. 

The EFG Latin America Art Award ­–together with ArtNexus– presented Jean Terra, from Anita Schwartz Galeria de Arte from Rio de Janeiro (Brazil), as the SP ARTE fair selected artist for its annual acquisition award.

The first part of an essay by Adriana Herrera Téllez on the tradition and heritage of textiles in Latin America and its impact on contemporary art.

Ser Pallay is a "collaborative textile project'' that bet on an artistic praxis that critically responds to the ambivalent valuation of the extraordinary Andean textile tradition in the art narratives of Peru's cultural history.

Pinta PArC celebrates its tenth edition from April 19 to 23 in Lima, Peru, where more than 45 galleries will participate, including Argentina's Rolf Art.

In this interview, Gredna Landolt, a Peruvian graphic artist and curator, shares with us her work curating the Amazonías section of Pinta PArC 2023, a section that exhibits renowned native artists.

Toronto Biennal of Art announced the appointment of Dominique Fontaine and Miguel A. López as co-curators to guide the exhibition’s third edition, taking place in 2024.

“We live in a world that demands of us clear meanings and pragmatic definitions of things, that wants to possess and that rejects uncertainty. Taking our focus back to poetry allows us to understand that knowing is not synonymous with dominating, but rather with being with, generating interconnectedness and bonding”.

The Ama Amoedo Foundation has announced the artists selected for its 2023 residency. The jury was formed by Miguel A. López, Solana Chehtman and Tobías Ostrander.

The project Retorno Solar (Solar Return) by Luis Enrique Zela-Koort, winner of the MAC Lima Art and Innovation Award 2022, proposes to return to the Sun as the representation of all that exists and has existed, witness and creative agent of the facts of the history of the Earth and of the fragment that, in this case, represents the history of humanity.

The exhibition proposes a review of the concepts and imaginaries with which the territories of the Amazon have been represented and covered from a perspective that sought to defend property over it, in order to assert sovereignty for the exploitation of its resources and its inhabitants.

The exhibition presented by the Madre Museum is the first retrospective after his death in late 2021, and features over 150 works, some never previously exhibited.

Curated by Miguel A. López, ICPNA inaugurates the exhibition ISHMAEL RANDALL WEEKS: 20 years. We metallize our memories.

In Pinakothek der Moderne, the Chilean-born and New York-based architect who makes art—as Alfredo Jaar refers to himself— explores complex sociopolitical issues, bringing to the fore the ethics of representation. 

The EFG Latin America Art Award ­–together with ArtNexus– presented Jean Terra, from Anita Schwartz Galeria de Arte from Rio de Janeiro (Brazil), as the SP ARTE fair selected artist for its annual acquisition award.

The first part of an essay by Adriana Herrera Téllez on the tradition and heritage of textiles in Latin America and its impact on contemporary art.

Ser Pallay is a "collaborative textile project'' that bet on an artistic praxis that critically responds to the ambivalent valuation of the extraordinary Andean textile tradition in the art narratives of Peru's cultural history.

Pinta PArC celebrates its tenth edition from April 19 to 23 in Lima, Peru, where more than 45 galleries will participate, including Argentina's Rolf Art.

In this interview, Gredna Landolt, a Peruvian graphic artist and curator, shares with us her work curating the Amazonías section of Pinta PArC 2023, a section that exhibits renowned native artists.

Toronto Biennal of Art announced the appointment of Dominique Fontaine and Miguel A. López as co-curators to guide the exhibition’s third edition, taking place in 2024.

“We live in a world that demands of us clear meanings and pragmatic definitions of things, that wants to possess and that rejects uncertainty. Taking our focus back to poetry allows us to understand that knowing is not synonymous with dominating, but rather with being with, generating interconnectedness and bonding”.

The Ama Amoedo Foundation has announced the artists selected for its 2023 residency. The jury was formed by Miguel A. López, Solana Chehtman and Tobías Ostrander.

The project Retorno Solar (Solar Return) by Luis Enrique Zela-Koort, winner of the MAC Lima Art and Innovation Award 2022, proposes to return to the Sun as the representation of all that exists and has existed, witness and creative agent of the facts of the history of the Earth and of the fragment that, in this case, represents the history of humanity.

The exhibition proposes a review of the concepts and imaginaries with which the territories of the Amazon have been represented and covered from a perspective that sought to defend property over it, in order to assert sovereignty for the exploitation of its resources and its inhabitants.

The exhibition presented by the Madre Museum is the first retrospective after his death in late 2021, and features over 150 works, some never previously exhibited.

Curated by Miguel A. López, ICPNA inaugurates the exhibition ISHMAEL RANDALL WEEKS: 20 years. We metallize our memories.

In Pinakothek der Moderne, the Chilean-born and New York-based architect who makes art—as Alfredo Jaar refers to himself— explores complex sociopolitical issues, bringing to the fore the ethics of representation. 

The EFG Latin America Art Award ­–together with ArtNexus– presented Jean Terra, from Anita Schwartz Galeria de Arte from Rio de Janeiro (Brazil), as the SP ARTE fair selected artist for its annual acquisition award.

The first part of an essay by Adriana Herrera Téllez on the tradition and heritage of textiles in Latin America and its impact on contemporary art.

Ser Pallay is a "collaborative textile project'' that bet on an artistic praxis that critically responds to the ambivalent valuation of the extraordinary Andean textile tradition in the art narratives of Peru's cultural history.

Pinta PArC celebrates its tenth edition from April 19 to 23 in Lima, Peru, where more than 45 galleries will participate, including Argentina's Rolf Art.

In this interview, Gredna Landolt, a Peruvian graphic artist and curator, shares with us her work curating the Amazonías section of Pinta PArC 2023, a section that exhibits renowned native artists.