ROBERTO HUARCAYA'S PHOTOGRAPHIC EXPERIMENTATION IN PINTA PArC 2023
Pinta PArC celebrates its tenth edition from April 19 to 23 in Lima, Peru, where more than 45 galleries will participate, including Argentina's Rolf Art.
With a prominent presence in multiple spaces of the fair, Rolf Art presents exclusively the work of one of the most distinguished and committed contemporary artists of Peru: Roberto Huarcaya (1959), exhibiting a selection of his monumental photograms of the Amazogramas and Danzas Andinas series, visual representations of the regions of Peru and the Andean culture.
With a site-specific project in the atrium of Casa Prado –a leading institutional space at the entrance of the fair– Rolf Art presents a colossal monumental-scale photogram from the Amazogramas series (2014- 2020). The piece, more than 15 meters long, pays homage to the Amazon rainforest through a process by which the natural environment produces a photographic representation of itself. Made at night in Bahuaja Sonene, a nature reserve in the Amazon rainforest of Peru, this piece involved unfolding a 90-meter-long photosensitive paper through the dense foliage of the jungle, whose forms were projected onto the paper with the help of a small flash and the light of the full moon. The photographic images were developed using water from a nearby river, which added mineral sediments and pigments to the surface of the work.
In the Solo/Duo Projects section –dedicated to contemporary artists who insist on rethinking modernisms under the prism of their practices– under the curatorship of Florencia Battiti, Rolf Art's proposal brings together a careful selection of unpublished medium-format pieces from the series Danzas Andinas (2018-2020), which portray a group of dancers, manually intervened by the artist with Marrón Van Dyke. Recognized by Unesco in 2010 as Intangible Cultural Heritage of Humanity, this traditional dance of Andean culture derives its name, Danza de las Tijeras, from the two polished metal blades, resembling those of a pair of scissors, that the dancers interlock in a movement of resistance against Spanish domination.
The exhibited pieces were made through a complex process of photograms emulsified with Van Dyke Brown pigment, on which the artist based pre-Columbian fabrics more than 1000 years old to transfer the texture, shape and density of the original textiles on the bodies of the dancers, as if they were dressing hundreds of years ago to go out and dance the dance against the conquest.
The proposal is completed with another site-specific project in the hall on the second floor of Casa Prado, where a photogram composed of 6 pieces of 1 x 2.10 meters each, portraying a group of Andean musicians that make up the traditional Yawarfiesta festival in Koyurqui, Abancay, will be exhibited.
Finally, within the framework of Open Files –a cycle of videos focused on artists and their works– which is part of the Media Point section produced by Verónica Santalla, a video about the Huarcaya tranajo produced especially for Pinta PArC 2023 will be presented.
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Roberto Huarcaya, Amazograma 4, 108 x 1520 cm.
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Roberto Huarcaya, Amazograma 4, 108 x 1520 cm.
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Roberto Huarcaya, Amazograma 4, 108 x 1520 cm.
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Roberto Huarcaya, Banda Koyurqui, 6,70 m x 2,10 m.
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Roberto Huarcaya, Danzantes volando, 110 x 2,45 cm.
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Roberto Huarcaya, Niños danzantes (#2), 110 x 360 cm.
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Roberto Huarcaya, Yawar fiesta Toro Condor, 220 x 250 cm cada una.
Roberto Huarcaya (1959) graduated in Psychology at the Catholic University of Peru, studied Film at the Italian Institute of Culture and Photography at the Centro del Video y la Imagen (Madrid, 1989), year in which he began to devote himself to photography. He is a professor of photography at the University of Lima (1990-1993), at the Gaudí Institute (Lima, 1993-1997) and at the Centro de la Fotografía, now Centro de la Imagen de Lima, since 1999, of which he was founder and director until July 2022.
Since his appearance on the visual arts scene, he has stood out for the ambition of his projects, in which the photographic medium has often been united with other creative media in combinations of great solvency. Huarcaya has always been interested in the real as a space for creation. His proposals have often revolved powerfully around the construction of individual and collective identity in the face of situations ranging from the banal-daily, through the erotic as a turning point of freedom, to reach the political plane.
Pinta PArC, Peru Contemporary Art.
April 19 to 23, 2023.
Casa Prado. Av. 28 de Julio 878, Miraflores, Lima, Peru.
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THE INTERCONNECTION BETWEEN ART, CULTURE AND NATURE - INTERVIEW WITH CURATOR GREDNA LANDOLT
In this interview, Gredna Landolt, a Peruvian graphic artist and curator, shares with us her work curating the Amazonías section of Pinta PArC 2023, a section that exhibits renowned native artists.
Curated by Florencia Portocarrero, the NEXT section at Pinta PArC, Peru Contemporary Art, proposes the visualization of emerging galleries that were selected for their relevance within the contemporary scene of their regions.
NEXT AT PINTA PArC: YOUNG EMERGING ARTISTS FROM LATIN AMERICA
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In this 2023 edition, Pinta PArC –the most important contemporary art fair in Peru– celebrates its 10th anniversary.
PINTA PArC: THE EPICENTER OF LATIN AMERICAN ARTISTIC IDENTITIES
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The Perú based gallery Ginsberg presents Hacer toser mi alma (Make mi soul cough) by the artist Antonio Paucar. It is curated by Miguel A. López.
Chilean gallery NAC exhibits at Pinta PArC the work of artists Diego Santa María, David Scognamiglio and Colomba Fontaine.
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In this interview, Gredna Landolt, a Peruvian graphic artist and curator, shares with us her work curating the Amazonías section of Pinta PArC 2023, a section that exhibits renowned native artists.
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In this interview, Gredna Landolt, a Peruvian graphic artist and curator, shares with us her work curating the Amazonías section of Pinta PArC 2023, a section that exhibits renowned native artists.
Curated by Florencia Portocarrero, the NEXT section at Pinta PArC, Peru Contemporary Art, proposes the visualization of emerging galleries that were selected for their relevance within the contemporary scene of their regions.
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The exhibition Río Sil, lines and geometries by Irene Kopelman at the Fundación Cerezales Antonino y Cinia, approaches the landscape of the Sil river bank reiterating a model of observation that affects the relationship between art and natural sciences.
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The exhibition Río Sil, lines and geometries by Irene Kopelman at the Fundación Cerezales Antonino y Cinia, approaches the landscape of the Sil river bank reiterating a model of observation that affects the relationship between art and natural sciences.
In this 2023 edition, Pinta PArC –the most important contemporary art fair in Peru– celebrates its 10th anniversary.
PINTA PArC: THE EPICENTER OF LATIN AMERICAN ARTISTIC IDENTITIES
In this 2023 edition, Pinta PArC –the most important contemporary art fair in Peru– celebrates its 10th anniversary.
The tenth edition of Pinta PArC ended last Sunday, held at the mythical Casa Prado, in Lima, Perú. An epicenter of artistic identities of the region in which more than 200 artists and cultural institutions participated.
PINTA PArC 2023 - CELEBRATING A DECADE OF DIFFUSION OF LATIN AMERICAN CONTEMPORARY ART IN PERU
The tenth edition of Pinta PArC ended last Sunday, held at the mythical Casa Prado, in Lima, Perú. An epicenter of artistic identities of the region in which more than 200 artists and cultural institutions participated.
Les Recontres d’Arles, the first international festival of photography, presents Traces, an exhibition by Roberto Huarcaya, a key figure in Peruvian contemporary photography.
ROBERTO HUARCAYA’S PHOTOGRAPHS AT LES RECONTRES D’ARLES
Les Recontres d’Arles, the first international festival of photography, presents Traces, an exhibition by Roberto Huarcaya, a key figure in Peruvian contemporary photography.
