ARTISTS SELECTED FOR THE 2023 FAARA RESIDENCY
The Ama Amoedo Foundation has announced the artists selected for its 2023 residency. The jury was formed by Miguel A. López, Solana Chehtman and Tobías Ostrander.

The FAARA residency is designed to allow artists from Latin America to deepen their practices in a natural environment that provides them with concentration and support. The residency seeks to stimulate artistic research through a personalized plan of activities and visits for each resident artist.
Through a rigorous process carried out by a Selection Committee of curators and art professionals who rotate in each edition, six artists are invited each year to participate in the FAARA residency for six weeks. FAARA receives two artists simultaneously during three annual cycles. In each period, the artists share a work and living space at Casa Neptuna, a house commissioned to the Argentine artist Edgardo Giménez, located meters from the ocean, in the native forest of José Ignacio, Uruguay.
The selected artists are Seba Calfuqueo, Rita Ponce, Marilyn Boror Bor, Florencia Sadir, Paola Monzillo and Lizania Cruz.
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Seba Calfuqueo (Santiago, Chile, 1991); Marilyn Boror Bor (San Juan Sacatepéquez, Guatemala, 1984); Rita Ponce de León (Lima, Perú, 1982); Paola Monzillo (Montevideo, Uruguay, 1986); Lizania Cruz (Santo Domingo, República Dominicana, 1983); Florencia Sadir (San Miguel de Tucumán, Argentina, 1991).
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Seba Calfuqueo (Santiago, Chile, 1991); Marilyn Boror Bor (San Juan Sacatepéquez, Guatemala, 1984); Rita Ponce de León (Lima, Perú, 1982); Paola Monzillo (Montevideo, Uruguay, 1986); Lizania Cruz (Santo Domingo, República Dominicana, 1983); Florencia Sadir (San Miguel de Tucumán, Argentina, 1991).
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Casa Neptuna. Ph. Cristobal Palm. Cortesía Fundación Ama Amoedo.
The jury in charge of selecting the participating artists is formed by Miguel A. López, Solana Chehtman and Tobías Ostrander.
Miguel A. López is a writer, researcher and curator who lives and works in Lima, Peru. Between 2015 and 2020, he worked at TEOR/éTica (Costa Rica) as Chief Curator and, since 2018, as Co-Director and Chief Curator. His curatorial projects include Sila Chanto & Belkis Ramírez: Aquí me quedo / Here I Stay, at ICA-VCU (Richmond , 2022); ¿Y si dedicara mi vida a una de sus plumas, at Kunsthalle Wien (Vienna, 2021), Cecilia Vicuña. Veroir the illuminated failure, at Witte de With (Rotterdam, 2019), which traveled to MUAC-UNAM, (Mexico City, 2020), CA2M (Madrid, 2021) and Banco de la República (Bogotá, 2022).
Solana Chehtman is an Argentine curator and cultural producer based in New York. She is Director of Artist Programs at the Joan Mitchell Foundation. She was the inaugural Director of Creative Practice and Social Impact at The Shed, where she directed the Open Call and Up-Close artist development programs. Also, she was Vice President of Public Engagement at Friends of the High Line, where she created, curated and produced experimental performance series and social engagement projects. In recent years, she co-curated A panorama of this world, with Daniel Birnbaum of Acute Art at Fundación Proa (Buenos Aires) and was Virtual Curator of NYC & Co. She has collaborated with cultural institutions such as Creative Time, the New Museum and the Queens Museum. Chehtman holds a master's degree in education policy from Columbia University.
Tobias Ostrander is Estrellita B. Brodsky Associate Curator of Latin American Art at Tate Modern. In 2022, he served as Curatorial Advisor for the Aichi Triennale 2022 (Japan). He was Chief Curator and Deputy Director of Curatorial Affairs at Pérez Art Museum (Miami, 2011-2019), and a founding member of Tilting Axis, a platform for artists, curators, and creatives from the Greater Caribbean region, from 2014-2019.
In addition, Laura Hakel joined the curatorial team as Curator of the Ama Amoedo Collection and Artistic Projects at the Ama Amoedo Foundation. Hakel will continue to build the Amoedo Collection and expand its reach into contemporary Latin American art. Hakel comes to the Ama Amoedo Foundation after receiving her M.A. in Curatorial Studies from the Center for Curatorial Studies (CCS) at Bard College. Previously, she held positions at the Museo de Arte Moderno in Buenos Aires.
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Laura Hakel. Ph. Rosana Schoijett. Cortesía Fundación Ama Amoedo.
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Laura Hakel. Ph. Rosana Schoijett. Cortesía Fundación Ama Amoedo.
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Toronto Biennal of Art announced the appointment of Dominique Fontaine and Miguel A. López as co-curators to guide the exhibition’s third edition, taking place in 2024.
TORONTO BIENNAL OF ART ANNOUNCES ITS CURATORSHIP TEAM FOR 2024 EDITION
Toronto Biennal of Art announced the appointment of Dominique Fontaine and Miguel A. López as co-curators to guide the exhibition’s third edition, taking place in 2024.

“We live in a world that demands of us clear meanings and pragmatic definitions of things, that wants to possess and that rejects uncertainty. Taking our focus back to poetry allows us to understand that knowing is not synonymous with dominating, but rather with being with, generating interconnectedness and bonding”.
THE PHILOSOPHY BEHIND 'VEROÍR EL FRACASO ILUMINADO' - INTERVIEW WITH MIGUEL A. LÓPEZ
“We live in a world that demands of us clear meanings and pragmatic definitions of things, that wants to possess and that rejects uncertainty. Taking our focus back to poetry allows us to understand that knowing is not synonymous with dominating, but rather with being with, generating interconnectedness and bonding”.

The Miguel Urrutia Art Museum of the Banco de la República presents the exhibition Veroír el fracaso iluminado (Seehearing the Enlightened Failure), a retrospective that brings together more than 100 works by the Chilean artist Cecilia Vicuña, whose work addresses issues such as the environment, feminism, human rights humans, decolonization and the relationship between art and politics. The exhibition, curated by Miguel López, one of the most outstanding curators on the current Latin American art scene, arrives in Colombia thanks to the collaboration between the Kunstinstituut Melly (Rotterdam) and the Banco de la República.
CECILIA VICUÑA. SEEHEARING THE ENLIGHTENED FAILURE
The Miguel Urrutia Art Museum of the Banco de la República presents the exhibition Veroír el fracaso iluminado (Seehearing the Enlightened Failure), a retrospective that brings together more than 100 works by the Chilean artist Cecilia Vicuña, whose work addresses issues such as the environment, feminism, human rights humans, decolonization and the relationship between art and politics. The exhibition, curated by Miguel López, one of the most outstanding curators on the current Latin American art scene, arrives in Colombia thanks to the collaboration between the Kunstinstituut Melly (Rotterdam) and the Banco de la República.

The project Retorno Solar (Solar Return) by Luis Enrique Zela-Koort, winner of the MAC Lima Art and Innovation Award 2022, proposes to return to the Sun as the representation of all that exists and has existed, witness and creative agent of the facts of the history of the Earth and of the fragment that, in this case, represents the history of humanity.
RETORNO SOLAR. THE MAC LIMA ART AND INNOVATION AWARD 2022
The project Retorno Solar (Solar Return) by Luis Enrique Zela-Koort, winner of the MAC Lima Art and Innovation Award 2022, proposes to return to the Sun as the representation of all that exists and has existed, witness and creative agent of the facts of the history of the Earth and of the fragment that, in this case, represents the history of humanity.

The Museum of Contemporary Art of Buenos Aires presents Habitat, a selection of works by artist Luciana Levinton that includes large canvases and unusual supports.
HABITAT BY LUCIANA LEVINTON. THE SHOW AT MACBA
The Museum of Contemporary Art of Buenos Aires presents Habitat, a selection of works by artist Luciana Levinton that includes large canvases and unusual supports.

The 2023 edition of the Bauhaus Lab takes the London Penguin Pool as the starting point for a multidisciplinary investigation of the international ecological discourses in which the project and its reception were situated. Deadline to apply January 22nd, 2023.
OPEN CALL FOR THE 2023 BAUHAUS LAB 2023 EDITION
The 2023 edition of the Bauhaus Lab takes the London Penguin Pool as the starting point for a multidisciplinary investigation of the international ecological discourses in which the project and its reception were situated. Deadline to apply January 22nd, 2023.

This exhibition at the Museo Universitario de Arte Contemporáneo de México presents graphic actions in public space carried out by activists and artists at the intersection of art/politics in Latin America.
GIRO GRÁFICO IN MUAC: AS IN THE IVY WALL
This exhibition at the Museo Universitario de Arte Contemporáneo de México presents graphic actions in public space carried out by activists and artists at the intersection of art/politics in Latin America.

The three selected artists chosen for the Artpace San Antonio Spring 2023 International Artist-in-residence program are Yuliya Lanina, Reynier Leyva Novo and Nohemí Pérez.
SELECTED ARTISTS FOR THE ARTPACE 2023 RESIDENCY
The three selected artists chosen for the Artpace San Antonio Spring 2023 International Artist-in-residence program are Yuliya Lanina, Reynier Leyva Novo and Nohemí Pérez.

This exhibition at MAC Lima is the result of an invitation to Olinda Silvano [Reshinjabe] and the women's collective Non Shinanbo (Our Inspirations) to rethink and represent the last two years of health, social and political crisis from their concerns, urgencies and desires.
MOTHERS PLANTS AND WOMEN FIGHTERS. VISIONS FROM CANTAGALLO
This exhibition at MAC Lima is the result of an invitation to Olinda Silvano [Reshinjabe] and the women's collective Non Shinanbo (Our Inspirations) to rethink and represent the last two years of health, social and political crisis from their concerns, urgencies and desires.

Curated by Miguel A. López, ICPNA inaugurates the exhibition ISHMAEL RANDALL WEEKS: 20 years. We metallize our memories.
ISHMAEL RANDALL-WEEKS’ LABORATORY OF FORMS
Curated by Miguel A. López, ICPNA inaugurates the exhibition ISHMAEL RANDALL WEEKS: 20 years. We metallize our memories.

The results of the first edition of the Ama Amoedo Foundation Grants were announced. Among approximately 2,000 applications, 10 projects were selected in the following categories: Artists, Art and Social Commitment, Organizations and Publications.
AMA AMOEDO FOUNDATION ANNOUNCED 2023 SCHOLARSHIPS AWARD WINNERS
The results of the first edition of the Ama Amoedo Foundation Grants were announced. Among approximately 2,000 applications, 10 projects were selected in the following categories: Artists, Art and Social Commitment, Organizations and Publications.