DESPUJOLS' EMBROIDERED GEOMETRY AT LLAMAZARES
Isabella Despujols (Barquisemeto, Venezuela, 1994), Venezuelan artist based in Brazil, uses her artistic references for the realization of her latest series of works, a set made this year where textiles and embroidery are especially relevant, as well as the formal fact that they reflect. In them is palpable the conversation that he intends to maintain with those styles and languages that were fundamental in the countries to which he circumscribes his personal experience.
The concrete, the kinetic, the optical come to the fore to be reinterpreted by Despujols, highlighting her theoretical and technical capacity, addressing the geometric lexicon and betting on a formal and chromatic balance in her final production with embroidery. His work deserves a relaxed look that allows to observe the detail of the execution and the whole holistic process, thus inciting the viewer to witness, through the final object, an almost meditative interaction.
Her proposal does not seem to give more importance to form or geometry than to color, elements that, key in the development of the artistic practices that inspire him, also end up being vital factors in Despujols, but totally balanced in their strength. Her embroidered paintings bring together this knowledge, but, above all, she revisits it in a personal way in his execution, where the colorful threads and the formal seem to be reformed to face the present.
Hilo tras hilo. Isabella Despujols can be seen until December 10 at Galería Llamazares, Instituto, 23, Gijón (Spain).
May interest you
Based on the biologicist theories on territoriality and the relationships derived from living beings with their immediate environment, the Angeles Baños gallery from Badajoz proposes an exhibition project to three Latin American artists so that, through their experiences and their personal vision, they can materialize and express those feelings of territoriality, and always from the parallelism of the human being with the rest of living beings.
THE TERRITORIAL BY THREE LATIN AMERICAN ARTISTS AT ÁNGELES BAÑOS
Based on the biologicist theories on territoriality and the relationships derived from living beings with their immediate environment, the Angeles Baños gallery from Badajoz proposes an exhibition project to three Latin American artists so that, through their experiences and their personal vision, they can materialize and express those feelings of territoriality, and always from the parallelism of the human being with the rest of living beings.
Based on the biologicist theories on territoriality and the relationships derived from living beings with their immediate environment, the Angeles Baños gallery from Badajoz proposes an exhibition project to three Latin American artists so that, through their experiences and their personal vision, they can materialize and express those feelings of territoriality, and always from the parallelism of the human being with the rest of living beings.
THE TERRITORIAL BY THREE LATIN AMERICAN ARTISTS AT ÁNGELES BAÑOS
Based on the biologicist theories on territoriality and the relationships derived from living beings with their immediate environment, the Angeles Baños gallery from Badajoz proposes an exhibition project to three Latin American artists so that, through their experiences and their personal vision, they can materialize and express those feelings of territoriality, and always from the parallelism of the human being with the rest of living beings.
The Museum of Pontevedra exhibits Vento (wind, in Galician), the proposal that the artist Alberto Baraya (Bogota, Colombia, 1968) has developed and now shows at its headquarters in the Castelao Building as part of the cycle of exhibitions Infiltracións. This program aims to carry out specific projects that have as their backbone the dialogue arising from research and work with pieces from the collection of the Galician institution to promote re-readings on it.
VENTO BY ALBERTO BARAYA – IN PONTEVEDRA
The Museum of Pontevedra exhibits Vento (wind, in Galician), the proposal that the artist Alberto Baraya (Bogota, Colombia, 1968) has developed and now shows at its headquarters in the Castelao Building as part of the cycle of exhibitions Infiltracións. This program aims to carry out specific projects that have as their backbone the dialogue arising from research and work with pieces from the collection of the Galician institution to promote re-readings on it.
Sol Calero (Caracas, Venezuela, 1982) uses the guanabana, a fruit endemic to Central America and the Caribbean, to symbolically instrumentalize the creation of a representation of the feelings of belonging, home, everyday life and stereotypes through the wide conquest of the spaces of the Museo Centro de Arte Dos de Mayo, transformed for the occasion into visual and popular references of a well-known and recognized Latin America.
IDENTITY AND HOME – ACCORDING TO SOL CALERO IN THE CA2M MUSEUM
Sol Calero (Caracas, Venezuela, 1982) uses the guanabana, a fruit endemic to Central America and the Caribbean, to symbolically instrumentalize the creation of a representation of the feelings of belonging, home, everyday life and stereotypes through the wide conquest of the spaces of the Museo Centro de Arte Dos de Mayo, transformed for the occasion into visual and popular references of a well-known and recognized Latin America.
Nebulosa de la calabaza is the title of the first solo exhibition presented in Spain by Tabita Rezaire (Paris, France, 1989), an artist living in French Guiana. Renowned for her use of new media and multidisciplinarity to explore the relationship between contemporary worlds transited from technology and their relationship with the most ancestral and spiritual environment, the Guyanese-heritage artist focuses her production on activism from the perspective of denunciation from feminism and decolonization as key points.
DENOUNCEMENT AND ORIGIN IN TABITA REZAIRE
Nebulosa de la calabaza is the title of the first solo exhibition presented in Spain by Tabita Rezaire (Paris, France, 1989), an artist living in French Guiana. Renowned for her use of new media and multidisciplinarity to explore the relationship between contemporary worlds transited from technology and their relationship with the most ancestral and spiritual environment, the Guyanese-heritage artist focuses her production on activism from the perspective of denunciation from feminism and decolonization as key points.
Fundación Casa de Mexico in Spain hosts the exhibition Modern Art of Mexico, with funds from the Blaisten Collection and curated by Daniel Garza Usabiaga, which takes an interesting look at the country's 20th century production through the eyes of Margarita Nelken (Madrid, Spain, 1894-Mexico City, Mexico, 1968).
MEXICAN MODERN ART ACCORDING TO NELKEN AND THE BLAISTEN COLLECTION
Fundación Casa de Mexico in Spain hosts the exhibition Modern Art of Mexico, with funds from the Blaisten Collection and curated by Daniel Garza Usabiaga, which takes an interesting look at the country's 20th century production through the eyes of Margarita Nelken (Madrid, Spain, 1894-Mexico City, Mexico, 1968).
Inhotim is presenting three new projects at the end of 2024, in which the protagonists are Rebeca Carapiá, Pipilotti Rist and Rivane Neuenschwander. Three very different strategies by names of different visibilities and generations, which help to forge a moment in the institution that seems more connected to the fascinating and special nature of the place, without leaving aside lively questions about the strange days we are living through.
MAGIC LIGHTS, BOILING SURFACES - REBECA CARAPIÁ, PIPILOTTI RIST AND RIVANE NEUENSCHWANDER
Inhotim is presenting three new projects at the end of 2024, in which the protagonists are Rebeca Carapiá, Pipilotti Rist and Rivane Neuenschwander. Three very different strategies by names of different visibilities and generations, which help to forge a moment in the institution that seems more connected to the fascinating and special nature of the place, without leaving aside lively questions about the strange days we are living through.
Barcelona's Center of Image La Virreina (La Virreina Centre de la Imatge) is dedicating an extensive exhibition to Regina Silveira (Porto Alegre, Brazil, 1939), one of the multimedia artists and key figures of Latin American conceptual art. Within the exhibition line of the center, which advocates the exploration of the aesthetic and ideological languages of images, this show curated by Isabella Lenzi covers a wide range of the Brazilian artist's research, experimentation and artistic production, particularly that developed with technical reproduction techniques and the circulation of images.
REGINA SILVEIRA'S DESTRUCTION OF POWER
Barcelona's Center of Image La Virreina (La Virreina Centre de la Imatge) is dedicating an extensive exhibition to Regina Silveira (Porto Alegre, Brazil, 1939), one of the multimedia artists and key figures of Latin American conceptual art. Within the exhibition line of the center, which advocates the exploration of the aesthetic and ideological languages of images, this show curated by Isabella Lenzi covers a wide range of the Brazilian artist's research, experimentation and artistic production, particularly that developed with technical reproduction techniques and the circulation of images.
Dim Corners is an evocative exhibition in Johannesburg featuring new works by Brazilian artist Leticia Ramos and South African artist Zen Marie. The exhibition takes into account the city’s frequent energy shortages, and also the recent blackouts that São Paulo had experienced since this project started, weaving a narrative that intertwines the immediate physical impact with the broader, insidious issues of climate change and environmental racism.
LETICIA RAMOS & ZEN MARIE IN A COLLABORATIVE PROJECT
Dim Corners is an evocative exhibition in Johannesburg featuring new works by Brazilian artist Leticia Ramos and South African artist Zen Marie. The exhibition takes into account the city’s frequent energy shortages, and also the recent blackouts that São Paulo had experienced since this project started, weaving a narrative that intertwines the immediate physical impact with the broader, insidious issues of climate change and environmental racism.
Based on the biologicist theories on territoriality and the relationships derived from living beings with their immediate environment, the Angeles Baños gallery from Badajoz proposes an exhibition project to three Latin American artists so that, through their experiences and their personal vision, they can materialize and express those feelings of territoriality, and always from the parallelism of the human being with the rest of living beings.
THE TERRITORIAL BY THREE LATIN AMERICAN ARTISTS AT ÁNGELES BAÑOS
Based on the biologicist theories on territoriality and the relationships derived from living beings with their immediate environment, the Angeles Baños gallery from Badajoz proposes an exhibition project to three Latin American artists so that, through their experiences and their personal vision, they can materialize and express those feelings of territoriality, and always from the parallelism of the human being with the rest of living beings.
The Museum of Pontevedra exhibits Vento (wind, in Galician), the proposal that the artist Alberto Baraya (Bogota, Colombia, 1968) has developed and now shows at its headquarters in the Castelao Building as part of the cycle of exhibitions Infiltracións. This program aims to carry out specific projects that have as their backbone the dialogue arising from research and work with pieces from the collection of the Galician institution to promote re-readings on it.
VENTO BY ALBERTO BARAYA – IN PONTEVEDRA
The Museum of Pontevedra exhibits Vento (wind, in Galician), the proposal that the artist Alberto Baraya (Bogota, Colombia, 1968) has developed and now shows at its headquarters in the Castelao Building as part of the cycle of exhibitions Infiltracións. This program aims to carry out specific projects that have as their backbone the dialogue arising from research and work with pieces from the collection of the Galician institution to promote re-readings on it.
Sol Calero (Caracas, Venezuela, 1982) uses the guanabana, a fruit endemic to Central America and the Caribbean, to symbolically instrumentalize the creation of a representation of the feelings of belonging, home, everyday life and stereotypes through the wide conquest of the spaces of the Museo Centro de Arte Dos de Mayo, transformed for the occasion into visual and popular references of a well-known and recognized Latin America.
IDENTITY AND HOME – ACCORDING TO SOL CALERO IN THE CA2M MUSEUM
Sol Calero (Caracas, Venezuela, 1982) uses the guanabana, a fruit endemic to Central America and the Caribbean, to symbolically instrumentalize the creation of a representation of the feelings of belonging, home, everyday life and stereotypes through the wide conquest of the spaces of the Museo Centro de Arte Dos de Mayo, transformed for the occasion into visual and popular references of a well-known and recognized Latin America.
Nebulosa de la calabaza is the title of the first solo exhibition presented in Spain by Tabita Rezaire (Paris, France, 1989), an artist living in French Guiana. Renowned for her use of new media and multidisciplinarity to explore the relationship between contemporary worlds transited from technology and their relationship with the most ancestral and spiritual environment, the Guyanese-heritage artist focuses her production on activism from the perspective of denunciation from feminism and decolonization as key points.
DENOUNCEMENT AND ORIGIN IN TABITA REZAIRE
Nebulosa de la calabaza is the title of the first solo exhibition presented in Spain by Tabita Rezaire (Paris, France, 1989), an artist living in French Guiana. Renowned for her use of new media and multidisciplinarity to explore the relationship between contemporary worlds transited from technology and their relationship with the most ancestral and spiritual environment, the Guyanese-heritage artist focuses her production on activism from the perspective of denunciation from feminism and decolonization as key points.
Fundación Casa de Mexico in Spain hosts the exhibition Modern Art of Mexico, with funds from the Blaisten Collection and curated by Daniel Garza Usabiaga, which takes an interesting look at the country's 20th century production through the eyes of Margarita Nelken (Madrid, Spain, 1894-Mexico City, Mexico, 1968).
MEXICAN MODERN ART ACCORDING TO NELKEN AND THE BLAISTEN COLLECTION
Fundación Casa de Mexico in Spain hosts the exhibition Modern Art of Mexico, with funds from the Blaisten Collection and curated by Daniel Garza Usabiaga, which takes an interesting look at the country's 20th century production through the eyes of Margarita Nelken (Madrid, Spain, 1894-Mexico City, Mexico, 1968).
Inhotim is presenting three new projects at the end of 2024, in which the protagonists are Rebeca Carapiá, Pipilotti Rist and Rivane Neuenschwander. Three very different strategies by names of different visibilities and generations, which help to forge a moment in the institution that seems more connected to the fascinating and special nature of the place, without leaving aside lively questions about the strange days we are living through.
MAGIC LIGHTS, BOILING SURFACES - REBECA CARAPIÁ, PIPILOTTI RIST AND RIVANE NEUENSCHWANDER
Inhotim is presenting three new projects at the end of 2024, in which the protagonists are Rebeca Carapiá, Pipilotti Rist and Rivane Neuenschwander. Three very different strategies by names of different visibilities and generations, which help to forge a moment in the institution that seems more connected to the fascinating and special nature of the place, without leaving aside lively questions about the strange days we are living through.
Barcelona's Center of Image La Virreina (La Virreina Centre de la Imatge) is dedicating an extensive exhibition to Regina Silveira (Porto Alegre, Brazil, 1939), one of the multimedia artists and key figures of Latin American conceptual art. Within the exhibition line of the center, which advocates the exploration of the aesthetic and ideological languages of images, this show curated by Isabella Lenzi covers a wide range of the Brazilian artist's research, experimentation and artistic production, particularly that developed with technical reproduction techniques and the circulation of images.
REGINA SILVEIRA'S DESTRUCTION OF POWER
Barcelona's Center of Image La Virreina (La Virreina Centre de la Imatge) is dedicating an extensive exhibition to Regina Silveira (Porto Alegre, Brazil, 1939), one of the multimedia artists and key figures of Latin American conceptual art. Within the exhibition line of the center, which advocates the exploration of the aesthetic and ideological languages of images, this show curated by Isabella Lenzi covers a wide range of the Brazilian artist's research, experimentation and artistic production, particularly that developed with technical reproduction techniques and the circulation of images.
Dim Corners is an evocative exhibition in Johannesburg featuring new works by Brazilian artist Leticia Ramos and South African artist Zen Marie. The exhibition takes into account the city’s frequent energy shortages, and also the recent blackouts that São Paulo had experienced since this project started, weaving a narrative that intertwines the immediate physical impact with the broader, insidious issues of climate change and environmental racism.
LETICIA RAMOS & ZEN MARIE IN A COLLABORATIVE PROJECT
Dim Corners is an evocative exhibition in Johannesburg featuring new works by Brazilian artist Leticia Ramos and South African artist Zen Marie. The exhibition takes into account the city’s frequent energy shortages, and also the recent blackouts that São Paulo had experienced since this project started, weaving a narrative that intertwines the immediate physical impact with the broader, insidious issues of climate change and environmental racism.
Based on the biologicist theories on territoriality and the relationships derived from living beings with their immediate environment, the Angeles Baños gallery from Badajoz proposes an exhibition project to three Latin American artists so that, through their experiences and their personal vision, they can materialize and express those feelings of territoriality, and always from the parallelism of the human being with the rest of living beings.
THE TERRITORIAL BY THREE LATIN AMERICAN ARTISTS AT ÁNGELES BAÑOS
Based on the biologicist theories on territoriality and the relationships derived from living beings with their immediate environment, the Angeles Baños gallery from Badajoz proposes an exhibition project to three Latin American artists so that, through their experiences and their personal vision, they can materialize and express those feelings of territoriality, and always from the parallelism of the human being with the rest of living beings.
The Museum of Pontevedra exhibits Vento (wind, in Galician), the proposal that the artist Alberto Baraya (Bogota, Colombia, 1968) has developed and now shows at its headquarters in the Castelao Building as part of the cycle of exhibitions Infiltracións. This program aims to carry out specific projects that have as their backbone the dialogue arising from research and work with pieces from the collection of the Galician institution to promote re-readings on it.
VENTO BY ALBERTO BARAYA – IN PONTEVEDRA
The Museum of Pontevedra exhibits Vento (wind, in Galician), the proposal that the artist Alberto Baraya (Bogota, Colombia, 1968) has developed and now shows at its headquarters in the Castelao Building as part of the cycle of exhibitions Infiltracións. This program aims to carry out specific projects that have as their backbone the dialogue arising from research and work with pieces from the collection of the Galician institution to promote re-readings on it.
Sol Calero (Caracas, Venezuela, 1982) uses the guanabana, a fruit endemic to Central America and the Caribbean, to symbolically instrumentalize the creation of a representation of the feelings of belonging, home, everyday life and stereotypes through the wide conquest of the spaces of the Museo Centro de Arte Dos de Mayo, transformed for the occasion into visual and popular references of a well-known and recognized Latin America.
IDENTITY AND HOME – ACCORDING TO SOL CALERO IN THE CA2M MUSEUM
Sol Calero (Caracas, Venezuela, 1982) uses the guanabana, a fruit endemic to Central America and the Caribbean, to symbolically instrumentalize the creation of a representation of the feelings of belonging, home, everyday life and stereotypes through the wide conquest of the spaces of the Museo Centro de Arte Dos de Mayo, transformed for the occasion into visual and popular references of a well-known and recognized Latin America.
Nebulosa de la calabaza is the title of the first solo exhibition presented in Spain by Tabita Rezaire (Paris, France, 1989), an artist living in French Guiana. Renowned for her use of new media and multidisciplinarity to explore the relationship between contemporary worlds transited from technology and their relationship with the most ancestral and spiritual environment, the Guyanese-heritage artist focuses her production on activism from the perspective of denunciation from feminism and decolonization as key points.
DENOUNCEMENT AND ORIGIN IN TABITA REZAIRE
Nebulosa de la calabaza is the title of the first solo exhibition presented in Spain by Tabita Rezaire (Paris, France, 1989), an artist living in French Guiana. Renowned for her use of new media and multidisciplinarity to explore the relationship between contemporary worlds transited from technology and their relationship with the most ancestral and spiritual environment, the Guyanese-heritage artist focuses her production on activism from the perspective of denunciation from feminism and decolonization as key points.
Fundación Casa de Mexico in Spain hosts the exhibition Modern Art of Mexico, with funds from the Blaisten Collection and curated by Daniel Garza Usabiaga, which takes an interesting look at the country's 20th century production through the eyes of Margarita Nelken (Madrid, Spain, 1894-Mexico City, Mexico, 1968).
MEXICAN MODERN ART ACCORDING TO NELKEN AND THE BLAISTEN COLLECTION
Fundación Casa de Mexico in Spain hosts the exhibition Modern Art of Mexico, with funds from the Blaisten Collection and curated by Daniel Garza Usabiaga, which takes an interesting look at the country's 20th century production through the eyes of Margarita Nelken (Madrid, Spain, 1894-Mexico City, Mexico, 1968).
Inhotim is presenting three new projects at the end of 2024, in which the protagonists are Rebeca Carapiá, Pipilotti Rist and Rivane Neuenschwander. Three very different strategies by names of different visibilities and generations, which help to forge a moment in the institution that seems more connected to the fascinating and special nature of the place, without leaving aside lively questions about the strange days we are living through.
MAGIC LIGHTS, BOILING SURFACES - REBECA CARAPIÁ, PIPILOTTI RIST AND RIVANE NEUENSCHWANDER
Inhotim is presenting three new projects at the end of 2024, in which the protagonists are Rebeca Carapiá, Pipilotti Rist and Rivane Neuenschwander. Three very different strategies by names of different visibilities and generations, which help to forge a moment in the institution that seems more connected to the fascinating and special nature of the place, without leaving aside lively questions about the strange days we are living through.
Barcelona's Center of Image La Virreina (La Virreina Centre de la Imatge) is dedicating an extensive exhibition to Regina Silveira (Porto Alegre, Brazil, 1939), one of the multimedia artists and key figures of Latin American conceptual art. Within the exhibition line of the center, which advocates the exploration of the aesthetic and ideological languages of images, this show curated by Isabella Lenzi covers a wide range of the Brazilian artist's research, experimentation and artistic production, particularly that developed with technical reproduction techniques and the circulation of images.
REGINA SILVEIRA'S DESTRUCTION OF POWER
Barcelona's Center of Image La Virreina (La Virreina Centre de la Imatge) is dedicating an extensive exhibition to Regina Silveira (Porto Alegre, Brazil, 1939), one of the multimedia artists and key figures of Latin American conceptual art. Within the exhibition line of the center, which advocates the exploration of the aesthetic and ideological languages of images, this show curated by Isabella Lenzi covers a wide range of the Brazilian artist's research, experimentation and artistic production, particularly that developed with technical reproduction techniques and the circulation of images.
Dim Corners is an evocative exhibition in Johannesburg featuring new works by Brazilian artist Leticia Ramos and South African artist Zen Marie. The exhibition takes into account the city’s frequent energy shortages, and also the recent blackouts that São Paulo had experienced since this project started, weaving a narrative that intertwines the immediate physical impact with the broader, insidious issues of climate change and environmental racism.
LETICIA RAMOS & ZEN MARIE IN A COLLABORATIVE PROJECT
Dim Corners is an evocative exhibition in Johannesburg featuring new works by Brazilian artist Leticia Ramos and South African artist Zen Marie. The exhibition takes into account the city’s frequent energy shortages, and also the recent blackouts that São Paulo had experienced since this project started, weaving a narrative that intertwines the immediate physical impact with the broader, insidious issues of climate change and environmental racism.
Based on the biologicist theories on territoriality and the relationships derived from living beings with their immediate environment, the Angeles Baños gallery from Badajoz proposes an exhibition project to three Latin American artists so that, through their experiences and their personal vision, they can materialize and express those feelings of territoriality, and always from the parallelism of the human being with the rest of living beings.
THE TERRITORIAL BY THREE LATIN AMERICAN ARTISTS AT ÁNGELES BAÑOS
Based on the biologicist theories on territoriality and the relationships derived from living beings with their immediate environment, the Angeles Baños gallery from Badajoz proposes an exhibition project to three Latin American artists so that, through their experiences and their personal vision, they can materialize and express those feelings of territoriality, and always from the parallelism of the human being with the rest of living beings.
The Museum of Pontevedra exhibits Vento (wind, in Galician), the proposal that the artist Alberto Baraya (Bogota, Colombia, 1968) has developed and now shows at its headquarters in the Castelao Building as part of the cycle of exhibitions Infiltracións. This program aims to carry out specific projects that have as their backbone the dialogue arising from research and work with pieces from the collection of the Galician institution to promote re-readings on it.
VENTO BY ALBERTO BARAYA – IN PONTEVEDRA
The Museum of Pontevedra exhibits Vento (wind, in Galician), the proposal that the artist Alberto Baraya (Bogota, Colombia, 1968) has developed and now shows at its headquarters in the Castelao Building as part of the cycle of exhibitions Infiltracións. This program aims to carry out specific projects that have as their backbone the dialogue arising from research and work with pieces from the collection of the Galician institution to promote re-readings on it.
Sol Calero (Caracas, Venezuela, 1982) uses the guanabana, a fruit endemic to Central America and the Caribbean, to symbolically instrumentalize the creation of a representation of the feelings of belonging, home, everyday life and stereotypes through the wide conquest of the spaces of the Museo Centro de Arte Dos de Mayo, transformed for the occasion into visual and popular references of a well-known and recognized Latin America.
IDENTITY AND HOME – ACCORDING TO SOL CALERO IN THE CA2M MUSEUM
Sol Calero (Caracas, Venezuela, 1982) uses the guanabana, a fruit endemic to Central America and the Caribbean, to symbolically instrumentalize the creation of a representation of the feelings of belonging, home, everyday life and stereotypes through the wide conquest of the spaces of the Museo Centro de Arte Dos de Mayo, transformed for the occasion into visual and popular references of a well-known and recognized Latin America.
Nebulosa de la calabaza is the title of the first solo exhibition presented in Spain by Tabita Rezaire (Paris, France, 1989), an artist living in French Guiana. Renowned for her use of new media and multidisciplinarity to explore the relationship between contemporary worlds transited from technology and their relationship with the most ancestral and spiritual environment, the Guyanese-heritage artist focuses her production on activism from the perspective of denunciation from feminism and decolonization as key points.
DENOUNCEMENT AND ORIGIN IN TABITA REZAIRE
Nebulosa de la calabaza is the title of the first solo exhibition presented in Spain by Tabita Rezaire (Paris, France, 1989), an artist living in French Guiana. Renowned for her use of new media and multidisciplinarity to explore the relationship between contemporary worlds transited from technology and their relationship with the most ancestral and spiritual environment, the Guyanese-heritage artist focuses her production on activism from the perspective of denunciation from feminism and decolonization as key points.
Fundación Casa de Mexico in Spain hosts the exhibition Modern Art of Mexico, with funds from the Blaisten Collection and curated by Daniel Garza Usabiaga, which takes an interesting look at the country's 20th century production through the eyes of Margarita Nelken (Madrid, Spain, 1894-Mexico City, Mexico, 1968).
MEXICAN MODERN ART ACCORDING TO NELKEN AND THE BLAISTEN COLLECTION
Fundación Casa de Mexico in Spain hosts the exhibition Modern Art of Mexico, with funds from the Blaisten Collection and curated by Daniel Garza Usabiaga, which takes an interesting look at the country's 20th century production through the eyes of Margarita Nelken (Madrid, Spain, 1894-Mexico City, Mexico, 1968).
Inhotim is presenting three new projects at the end of 2024, in which the protagonists are Rebeca Carapiá, Pipilotti Rist and Rivane Neuenschwander. Three very different strategies by names of different visibilities and generations, which help to forge a moment in the institution that seems more connected to the fascinating and special nature of the place, without leaving aside lively questions about the strange days we are living through.
MAGIC LIGHTS, BOILING SURFACES - REBECA CARAPIÁ, PIPILOTTI RIST AND RIVANE NEUENSCHWANDER
Inhotim is presenting three new projects at the end of 2024, in which the protagonists are Rebeca Carapiá, Pipilotti Rist and Rivane Neuenschwander. Three very different strategies by names of different visibilities and generations, which help to forge a moment in the institution that seems more connected to the fascinating and special nature of the place, without leaving aside lively questions about the strange days we are living through.
Barcelona's Center of Image La Virreina (La Virreina Centre de la Imatge) is dedicating an extensive exhibition to Regina Silveira (Porto Alegre, Brazil, 1939), one of the multimedia artists and key figures of Latin American conceptual art. Within the exhibition line of the center, which advocates the exploration of the aesthetic and ideological languages of images, this show curated by Isabella Lenzi covers a wide range of the Brazilian artist's research, experimentation and artistic production, particularly that developed with technical reproduction techniques and the circulation of images.
REGINA SILVEIRA'S DESTRUCTION OF POWER
Barcelona's Center of Image La Virreina (La Virreina Centre de la Imatge) is dedicating an extensive exhibition to Regina Silveira (Porto Alegre, Brazil, 1939), one of the multimedia artists and key figures of Latin American conceptual art. Within the exhibition line of the center, which advocates the exploration of the aesthetic and ideological languages of images, this show curated by Isabella Lenzi covers a wide range of the Brazilian artist's research, experimentation and artistic production, particularly that developed with technical reproduction techniques and the circulation of images.
Dim Corners is an evocative exhibition in Johannesburg featuring new works by Brazilian artist Leticia Ramos and South African artist Zen Marie. The exhibition takes into account the city’s frequent energy shortages, and also the recent blackouts that São Paulo had experienced since this project started, weaving a narrative that intertwines the immediate physical impact with the broader, insidious issues of climate change and environmental racism.
LETICIA RAMOS & ZEN MARIE IN A COLLABORATIVE PROJECT
Dim Corners is an evocative exhibition in Johannesburg featuring new works by Brazilian artist Leticia Ramos and South African artist Zen Marie. The exhibition takes into account the city’s frequent energy shortages, and also the recent blackouts that São Paulo had experienced since this project started, weaving a narrative that intertwines the immediate physical impact with the broader, insidious issues of climate change and environmental racism.
Based on the biologicist theories on territoriality and the relationships derived from living beings with their immediate environment, the Angeles Baños gallery from Badajoz proposes an exhibition project to three Latin American artists so that, through their experiences and their personal vision, they can materialize and express those feelings of territoriality, and always from the parallelism of the human being with the rest of living beings.
THE TERRITORIAL BY THREE LATIN AMERICAN ARTISTS AT ÁNGELES BAÑOS
Based on the biologicist theories on territoriality and the relationships derived from living beings with their immediate environment, the Angeles Baños gallery from Badajoz proposes an exhibition project to three Latin American artists so that, through their experiences and their personal vision, they can materialize and express those feelings of territoriality, and always from the parallelism of the human being with the rest of living beings.
The Museum of Pontevedra exhibits Vento (wind, in Galician), the proposal that the artist Alberto Baraya (Bogota, Colombia, 1968) has developed and now shows at its headquarters in the Castelao Building as part of the cycle of exhibitions Infiltracións. This program aims to carry out specific projects that have as their backbone the dialogue arising from research and work with pieces from the collection of the Galician institution to promote re-readings on it.
VENTO BY ALBERTO BARAYA – IN PONTEVEDRA
The Museum of Pontevedra exhibits Vento (wind, in Galician), the proposal that the artist Alberto Baraya (Bogota, Colombia, 1968) has developed and now shows at its headquarters in the Castelao Building as part of the cycle of exhibitions Infiltracións. This program aims to carry out specific projects that have as their backbone the dialogue arising from research and work with pieces from the collection of the Galician institution to promote re-readings on it.
Sol Calero (Caracas, Venezuela, 1982) uses the guanabana, a fruit endemic to Central America and the Caribbean, to symbolically instrumentalize the creation of a representation of the feelings of belonging, home, everyday life and stereotypes through the wide conquest of the spaces of the Museo Centro de Arte Dos de Mayo, transformed for the occasion into visual and popular references of a well-known and recognized Latin America.
IDENTITY AND HOME – ACCORDING TO SOL CALERO IN THE CA2M MUSEUM
Sol Calero (Caracas, Venezuela, 1982) uses the guanabana, a fruit endemic to Central America and the Caribbean, to symbolically instrumentalize the creation of a representation of the feelings of belonging, home, everyday life and stereotypes through the wide conquest of the spaces of the Museo Centro de Arte Dos de Mayo, transformed for the occasion into visual and popular references of a well-known and recognized Latin America.
Nebulosa de la calabaza is the title of the first solo exhibition presented in Spain by Tabita Rezaire (Paris, France, 1989), an artist living in French Guiana. Renowned for her use of new media and multidisciplinarity to explore the relationship between contemporary worlds transited from technology and their relationship with the most ancestral and spiritual environment, the Guyanese-heritage artist focuses her production on activism from the perspective of denunciation from feminism and decolonization as key points.
DENOUNCEMENT AND ORIGIN IN TABITA REZAIRE
Nebulosa de la calabaza is the title of the first solo exhibition presented in Spain by Tabita Rezaire (Paris, France, 1989), an artist living in French Guiana. Renowned for her use of new media and multidisciplinarity to explore the relationship between contemporary worlds transited from technology and their relationship with the most ancestral and spiritual environment, the Guyanese-heritage artist focuses her production on activism from the perspective of denunciation from feminism and decolonization as key points.
Fundación Casa de Mexico in Spain hosts the exhibition Modern Art of Mexico, with funds from the Blaisten Collection and curated by Daniel Garza Usabiaga, which takes an interesting look at the country's 20th century production through the eyes of Margarita Nelken (Madrid, Spain, 1894-Mexico City, Mexico, 1968).
MEXICAN MODERN ART ACCORDING TO NELKEN AND THE BLAISTEN COLLECTION
Fundación Casa de Mexico in Spain hosts the exhibition Modern Art of Mexico, with funds from the Blaisten Collection and curated by Daniel Garza Usabiaga, which takes an interesting look at the country's 20th century production through the eyes of Margarita Nelken (Madrid, Spain, 1894-Mexico City, Mexico, 1968).
Inhotim is presenting three new projects at the end of 2024, in which the protagonists are Rebeca Carapiá, Pipilotti Rist and Rivane Neuenschwander. Three very different strategies by names of different visibilities and generations, which help to forge a moment in the institution that seems more connected to the fascinating and special nature of the place, without leaving aside lively questions about the strange days we are living through.
MAGIC LIGHTS, BOILING SURFACES - REBECA CARAPIÁ, PIPILOTTI RIST AND RIVANE NEUENSCHWANDER
Inhotim is presenting three new projects at the end of 2024, in which the protagonists are Rebeca Carapiá, Pipilotti Rist and Rivane Neuenschwander. Three very different strategies by names of different visibilities and generations, which help to forge a moment in the institution that seems more connected to the fascinating and special nature of the place, without leaving aside lively questions about the strange days we are living through.
Barcelona's Center of Image La Virreina (La Virreina Centre de la Imatge) is dedicating an extensive exhibition to Regina Silveira (Porto Alegre, Brazil, 1939), one of the multimedia artists and key figures of Latin American conceptual art. Within the exhibition line of the center, which advocates the exploration of the aesthetic and ideological languages of images, this show curated by Isabella Lenzi covers a wide range of the Brazilian artist's research, experimentation and artistic production, particularly that developed with technical reproduction techniques and the circulation of images.
REGINA SILVEIRA'S DESTRUCTION OF POWER
Barcelona's Center of Image La Virreina (La Virreina Centre de la Imatge) is dedicating an extensive exhibition to Regina Silveira (Porto Alegre, Brazil, 1939), one of the multimedia artists and key figures of Latin American conceptual art. Within the exhibition line of the center, which advocates the exploration of the aesthetic and ideological languages of images, this show curated by Isabella Lenzi covers a wide range of the Brazilian artist's research, experimentation and artistic production, particularly that developed with technical reproduction techniques and the circulation of images.
Dim Corners is an evocative exhibition in Johannesburg featuring new works by Brazilian artist Leticia Ramos and South African artist Zen Marie. The exhibition takes into account the city’s frequent energy shortages, and also the recent blackouts that São Paulo had experienced since this project started, weaving a narrative that intertwines the immediate physical impact with the broader, insidious issues of climate change and environmental racism.
LETICIA RAMOS & ZEN MARIE IN A COLLABORATIVE PROJECT
Dim Corners is an evocative exhibition in Johannesburg featuring new works by Brazilian artist Leticia Ramos and South African artist Zen Marie. The exhibition takes into account the city’s frequent energy shortages, and also the recent blackouts that São Paulo had experienced since this project started, weaving a narrative that intertwines the immediate physical impact with the broader, insidious issues of climate change and environmental racism.
