ES BALUARD MUSEU EXHIBITS "MOUNIR FATMI: WHILE THE STORM ARRIVES"

Es Baluard Museu d’Art Contemporani de Palma presents the exhibition program that marks the new autumn season, starting on September 17, with Miguel Ángel Campano. Acentos y diferencia(Accents and Difference) and Teresa Margolles. La Piedra (The Stone). The expositions are curated by the Director of the Museum, Imma Prieto, and point towards pictorial research within artistic practices and reflection on contemporary urgencies such as migration, feminism and human rights.

The exhibition La luz del fragmento (The Light of the Fragment) presents for the first time a selection of works by Rafael Tur Costa ranging from the 1950’S to our days. The exhibition not only recomposes the artist’s body of work, it leads us to that private space in which every detail correlates with a life experience. It is in this invisible dialogue that new meanings appear and shed light on the manner in which Tur Costa’s artistic practice is to be understood.

Es Baluard Museu d'Art Contemporani de Palma inaugurated a group exhibition that reflects on the notions of frontier and defence. The work of artists such as Tommaso Realfonso and Master of the Conquest of Mallorca dialogue with the work of contemporary artists such as Antoni Muntadas (Barcelona 1942), Mounir Fatmi (Tangier, 1970), the duo Mª Jesús González Fernández (Valencia, 1978) and Patricia Gómez Villaescusa (Valencia, 1978), and Petrit Halilaj (Kosovo, 1986).

In collaboration with the Mas Archive of the Fundació Institut Amatller d'Art Hispànic, Fundacion MAPFRE presents Adolf Mas: The Eyes of Barcelona, a journey through the work of this Catalan photographer, recognized for his major contribution to the field of heritage photography, and a figure of paramount importance for understanding the social transformation of Barcelona during the early 20th century.

Opening on February 22, 2022, Emotional Landscapes by Ragnar Kjartansson  features four monumental video installations from the TBA21 Collection, as well as some of his works on paper on loan from other collections, installed within the Museo Nacional Thyssen-Bornemisza’s foremost collections of 19th and 20th-century American Art.

The Meadows Museum, SMU, presents an exhibition by the Spanish conceptual artist Ignasi Aballí (b. 1958), ahead of his solo presentation at the Spanish Pavilion at the 59th Venice Biennale.

The Museum of Modern Art of Medellín (MAMM) exhibits María Teresa Hincapié. Si este fuera un principio de infinito (María Teresa Hincapié. If this were a principle of infinity), the first institutional exhibition dedicated to the practice of Colombian artist María Teresa Hincapié (Armenia, 1954 – Bogotá, 2008). A pioneer in Colombia and Latin America, Hincapié had a very particular definition of the performative discipline that she used to call “training” and which resisted any specific categorization; rather, it oscillated between life, creation in motion and the search for the sacred.

Internationally recognized for creating works that are thoughtful, bewildering, and play­ful, Urs Fischer works across sculpture, photography, drawing, painting, and publishing, employing a variety of materials and processes that resist easy classification.

Pérez Art Museum Miami (PAMM) presents Marisol and Warhol Take New York, an exhibition featuring iconic artworks and ephemera by artists Marisol Escobar and Andy Warhol, opening on April 15, 2022. The exhibition not only offers a glimpse into Marisol and Warhol’s close bond as friends and artistic collaborators, but chronicles the development of both artists' careers over an eight-year span from 1960–1968, while highlighting their influence on each other, their parallel rises to success, and their savvy navigation of the highly competitive 1960’s gallery world.

Located on the border between La Latina and Embajadores neighbourhoods, inside a 60’s trade complex, El Chico is one of the main spaces of the emerging scene that is occupying Madrid’s centre. Space is just a general and practical nomenclature. Founder and director Javier Aparicio (Mexico 1985) explains that the limits of this project are not that important, but if we insist on defining it: "El Chico is, for now, a Podcast with a space," he explains. "The podcast has become an approximation tool for visitors.”

Es Baluard Museu d’Art Contemporani de Palma presents the exhibition program that marks the new autumn season, starting on September 17, with Miguel Ángel Campano. Acentos y diferencia(Accents and Difference) and Teresa Margolles. La Piedra (The Stone). The expositions are curated by the Director of the Museum, Imma Prieto, and point towards pictorial research within artistic practices and reflection on contemporary urgencies such as migration, feminism and human rights.

The exhibition La luz del fragmento (The Light of the Fragment) presents for the first time a selection of works by Rafael Tur Costa ranging from the 1950’S to our days. The exhibition not only recomposes the artist’s body of work, it leads us to that private space in which every detail correlates with a life experience. It is in this invisible dialogue that new meanings appear and shed light on the manner in which Tur Costa’s artistic practice is to be understood.

Es Baluard Museu d'Art Contemporani de Palma inaugurated a group exhibition that reflects on the notions of frontier and defence. The work of artists such as Tommaso Realfonso and Master of the Conquest of Mallorca dialogue with the work of contemporary artists such as Antoni Muntadas (Barcelona 1942), Mounir Fatmi (Tangier, 1970), the duo Mª Jesús González Fernández (Valencia, 1978) and Patricia Gómez Villaescusa (Valencia, 1978), and Petrit Halilaj (Kosovo, 1986).

In collaboration with the Mas Archive of the Fundació Institut Amatller d'Art Hispànic, Fundacion MAPFRE presents Adolf Mas: The Eyes of Barcelona, a journey through the work of this Catalan photographer, recognized for his major contribution to the field of heritage photography, and a figure of paramount importance for understanding the social transformation of Barcelona during the early 20th century.

Opening on February 22, 2022, Emotional Landscapes by Ragnar Kjartansson  features four monumental video installations from the TBA21 Collection, as well as some of his works on paper on loan from other collections, installed within the Museo Nacional Thyssen-Bornemisza’s foremost collections of 19th and 20th-century American Art.

The Meadows Museum, SMU, presents an exhibition by the Spanish conceptual artist Ignasi Aballí (b. 1958), ahead of his solo presentation at the Spanish Pavilion at the 59th Venice Biennale.

The Museum of Modern Art of Medellín (MAMM) exhibits María Teresa Hincapié. Si este fuera un principio de infinito (María Teresa Hincapié. If this were a principle of infinity), the first institutional exhibition dedicated to the practice of Colombian artist María Teresa Hincapié (Armenia, 1954 – Bogotá, 2008). A pioneer in Colombia and Latin America, Hincapié had a very particular definition of the performative discipline that she used to call “training” and which resisted any specific categorization; rather, it oscillated between life, creation in motion and the search for the sacred.

Internationally recognized for creating works that are thoughtful, bewildering, and play­ful, Urs Fischer works across sculpture, photography, drawing, painting, and publishing, employing a variety of materials and processes that resist easy classification.

Pérez Art Museum Miami (PAMM) presents Marisol and Warhol Take New York, an exhibition featuring iconic artworks and ephemera by artists Marisol Escobar and Andy Warhol, opening on April 15, 2022. The exhibition not only offers a glimpse into Marisol and Warhol’s close bond as friends and artistic collaborators, but chronicles the development of both artists' careers over an eight-year span from 1960–1968, while highlighting their influence on each other, their parallel rises to success, and their savvy navigation of the highly competitive 1960’s gallery world.

Located on the border between La Latina and Embajadores neighbourhoods, inside a 60’s trade complex, El Chico is one of the main spaces of the emerging scene that is occupying Madrid’s centre. Space is just a general and practical nomenclature. Founder and director Javier Aparicio (Mexico 1985) explains that the limits of this project are not that important, but if we insist on defining it: "El Chico is, for now, a Podcast with a space," he explains. "The podcast has become an approximation tool for visitors.”

The exhibition La luz del fragmento (The Light of the Fragment) presents for the first time a selection of works by Rafael Tur Costa ranging from the 1950’S to our days. The exhibition not only recomposes the artist’s body of work, it leads us to that private space in which every detail correlates with a life experience. It is in this invisible dialogue that new meanings appear and shed light on the manner in which Tur Costa’s artistic practice is to be understood.

Es Baluard Museu d'Art Contemporani de Palma inaugurated a group exhibition that reflects on the notions of frontier and defence. The work of artists such as Tommaso Realfonso and Master of the Conquest of Mallorca dialogue with the work of contemporary artists such as Antoni Muntadas (Barcelona 1942), Mounir Fatmi (Tangier, 1970), the duo Mª Jesús González Fernández (Valencia, 1978) and Patricia Gómez Villaescusa (Valencia, 1978), and Petrit Halilaj (Kosovo, 1986).

In collaboration with the Mas Archive of the Fundació Institut Amatller d'Art Hispànic, Fundacion MAPFRE presents Adolf Mas: The Eyes of Barcelona, a journey through the work of this Catalan photographer, recognized for his major contribution to the field of heritage photography, and a figure of paramount importance for understanding the social transformation of Barcelona during the early 20th century.

Opening on February 22, 2022, Emotional Landscapes by Ragnar Kjartansson  features four monumental video installations from the TBA21 Collection, as well as some of his works on paper on loan from other collections, installed within the Museo Nacional Thyssen-Bornemisza’s foremost collections of 19th and 20th-century American Art.

The Meadows Museum, SMU, presents an exhibition by the Spanish conceptual artist Ignasi Aballí (b. 1958), ahead of his solo presentation at the Spanish Pavilion at the 59th Venice Biennale.

The Museum of Modern Art of Medellín (MAMM) exhibits María Teresa Hincapié. Si este fuera un principio de infinito (María Teresa Hincapié. If this were a principle of infinity), the first institutional exhibition dedicated to the practice of Colombian artist María Teresa Hincapié (Armenia, 1954 – Bogotá, 2008). A pioneer in Colombia and Latin America, Hincapié had a very particular definition of the performative discipline that she used to call “training” and which resisted any specific categorization; rather, it oscillated between life, creation in motion and the search for the sacred.

Internationally recognized for creating works that are thoughtful, bewildering, and play­ful, Urs Fischer works across sculpture, photography, drawing, painting, and publishing, employing a variety of materials and processes that resist easy classification.

Pérez Art Museum Miami (PAMM) presents Marisol and Warhol Take New York, an exhibition featuring iconic artworks and ephemera by artists Marisol Escobar and Andy Warhol, opening on April 15, 2022. The exhibition not only offers a glimpse into Marisol and Warhol’s close bond as friends and artistic collaborators, but chronicles the development of both artists' careers over an eight-year span from 1960–1968, while highlighting their influence on each other, their parallel rises to success, and their savvy navigation of the highly competitive 1960’s gallery world.

Located on the border between La Latina and Embajadores neighbourhoods, inside a 60’s trade complex, El Chico is one of the main spaces of the emerging scene that is occupying Madrid’s centre. Space is just a general and practical nomenclature. Founder and director Javier Aparicio (Mexico 1985) explains that the limits of this project are not that important, but if we insist on defining it: "El Chico is, for now, a Podcast with a space," he explains. "The podcast has become an approximation tool for visitors.”

Es Baluard Museu d’Art Contemporani de Palma presents the exhibition program that marks the new autumn season, starting on September 17, with Miguel Ángel Campano. Acentos y diferencia(Accents and Difference) and Teresa Margolles. La Piedra (The Stone). The expositions are curated by the Director of the Museum, Imma Prieto, and point towards pictorial research within artistic practices and reflection on contemporary urgencies such as migration, feminism and human rights.

The exhibition La luz del fragmento (The Light of the Fragment) presents for the first time a selection of works by Rafael Tur Costa ranging from the 1950’S to our days. The exhibition not only recomposes the artist’s body of work, it leads us to that private space in which every detail correlates with a life experience. It is in this invisible dialogue that new meanings appear and shed light on the manner in which Tur Costa’s artistic practice is to be understood.

Es Baluard Museu d'Art Contemporani de Palma inaugurated a group exhibition that reflects on the notions of frontier and defence. The work of artists such as Tommaso Realfonso and Master of the Conquest of Mallorca dialogue with the work of contemporary artists such as Antoni Muntadas (Barcelona 1942), Mounir Fatmi (Tangier, 1970), the duo Mª Jesús González Fernández (Valencia, 1978) and Patricia Gómez Villaescusa (Valencia, 1978), and Petrit Halilaj (Kosovo, 1986).

In collaboration with the Mas Archive of the Fundació Institut Amatller d'Art Hispànic, Fundacion MAPFRE presents Adolf Mas: The Eyes of Barcelona, a journey through the work of this Catalan photographer, recognized for his major contribution to the field of heritage photography, and a figure of paramount importance for understanding the social transformation of Barcelona during the early 20th century.

Opening on February 22, 2022, Emotional Landscapes by Ragnar Kjartansson  features four monumental video installations from the TBA21 Collection, as well as some of his works on paper on loan from other collections, installed within the Museo Nacional Thyssen-Bornemisza’s foremost collections of 19th and 20th-century American Art.

The Meadows Museum, SMU, presents an exhibition by the Spanish conceptual artist Ignasi Aballí (b. 1958), ahead of his solo presentation at the Spanish Pavilion at the 59th Venice Biennale.

The Museum of Modern Art of Medellín (MAMM) exhibits María Teresa Hincapié. Si este fuera un principio de infinito (María Teresa Hincapié. If this were a principle of infinity), the first institutional exhibition dedicated to the practice of Colombian artist María Teresa Hincapié (Armenia, 1954 – Bogotá, 2008). A pioneer in Colombia and Latin America, Hincapié had a very particular definition of the performative discipline that she used to call “training” and which resisted any specific categorization; rather, it oscillated between life, creation in motion and the search for the sacred.

Internationally recognized for creating works that are thoughtful, bewildering, and play­ful, Urs Fischer works across sculpture, photography, drawing, painting, and publishing, employing a variety of materials and processes that resist easy classification.

Pérez Art Museum Miami (PAMM) presents Marisol and Warhol Take New York, an exhibition featuring iconic artworks and ephemera by artists Marisol Escobar and Andy Warhol, opening on April 15, 2022. The exhibition not only offers a glimpse into Marisol and Warhol’s close bond as friends and artistic collaborators, but chronicles the development of both artists' careers over an eight-year span from 1960–1968, while highlighting their influence on each other, their parallel rises to success, and their savvy navigation of the highly competitive 1960’s gallery world.

Located on the border between La Latina and Embajadores neighbourhoods, inside a 60’s trade complex, El Chico is one of the main spaces of the emerging scene that is occupying Madrid’s centre. Space is just a general and practical nomenclature. Founder and director Javier Aparicio (Mexico 1985) explains that the limits of this project are not that important, but if we insist on defining it: "El Chico is, for now, a Podcast with a space," he explains. "The podcast has become an approximation tool for visitors.”

Es Baluard Museu d’Art Contemporani de Palma presents the exhibition program that marks the new autumn season, starting on September 17, with Miguel Ángel Campano. Acentos y diferencia(Accents and Difference) and Teresa Margolles. La Piedra (The Stone). The expositions are curated by the Director of the Museum, Imma Prieto, and point towards pictorial research within artistic practices and reflection on contemporary urgencies such as migration, feminism and human rights.

The exhibition La luz del fragmento (The Light of the Fragment) presents for the first time a selection of works by Rafael Tur Costa ranging from the 1950’S to our days. The exhibition not only recomposes the artist’s body of work, it leads us to that private space in which every detail correlates with a life experience. It is in this invisible dialogue that new meanings appear and shed light on the manner in which Tur Costa’s artistic practice is to be understood.

Es Baluard Museu d'Art Contemporani de Palma inaugurated a group exhibition that reflects on the notions of frontier and defence. The work of artists such as Tommaso Realfonso and Master of the Conquest of Mallorca dialogue with the work of contemporary artists such as Antoni Muntadas (Barcelona 1942), Mounir Fatmi (Tangier, 1970), the duo Mª Jesús González Fernández (Valencia, 1978) and Patricia Gómez Villaescusa (Valencia, 1978), and Petrit Halilaj (Kosovo, 1986).

In collaboration with the Mas Archive of the Fundació Institut Amatller d'Art Hispànic, Fundacion MAPFRE presents Adolf Mas: The Eyes of Barcelona, a journey through the work of this Catalan photographer, recognized for his major contribution to the field of heritage photography, and a figure of paramount importance for understanding the social transformation of Barcelona during the early 20th century.

Opening on February 22, 2022, Emotional Landscapes by Ragnar Kjartansson  features four monumental video installations from the TBA21 Collection, as well as some of his works on paper on loan from other collections, installed within the Museo Nacional Thyssen-Bornemisza’s foremost collections of 19th and 20th-century American Art.

The Meadows Museum, SMU, presents an exhibition by the Spanish conceptual artist Ignasi Aballí (b. 1958), ahead of his solo presentation at the Spanish Pavilion at the 59th Venice Biennale.

The Museum of Modern Art of Medellín (MAMM) exhibits María Teresa Hincapié. Si este fuera un principio de infinito (María Teresa Hincapié. If this were a principle of infinity), the first institutional exhibition dedicated to the practice of Colombian artist María Teresa Hincapié (Armenia, 1954 – Bogotá, 2008). A pioneer in Colombia and Latin America, Hincapié had a very particular definition of the performative discipline that she used to call “training” and which resisted any specific categorization; rather, it oscillated between life, creation in motion and the search for the sacred.

Internationally recognized for creating works that are thoughtful, bewildering, and play­ful, Urs Fischer works across sculpture, photography, drawing, painting, and publishing, employing a variety of materials and processes that resist easy classification.

Pérez Art Museum Miami (PAMM) presents Marisol and Warhol Take New York, an exhibition featuring iconic artworks and ephemera by artists Marisol Escobar and Andy Warhol, opening on April 15, 2022. The exhibition not only offers a glimpse into Marisol and Warhol’s close bond as friends and artistic collaborators, but chronicles the development of both artists' careers over an eight-year span from 1960–1968, while highlighting their influence on each other, their parallel rises to success, and their savvy navigation of the highly competitive 1960’s gallery world.

Located on the border between La Latina and Embajadores neighbourhoods, inside a 60’s trade complex, El Chico is one of the main spaces of the emerging scene that is occupying Madrid’s centre. Space is just a general and practical nomenclature. Founder and director Javier Aparicio (Mexico 1985) explains that the limits of this project are not that important, but if we insist on defining it: "El Chico is, for now, a Podcast with a space," he explains. "The podcast has become an approximation tool for visitors.”