FUNDACIÓ MIES VAN DER ROHE AND CREATIVE EUROPE PRESENT THE YOUNG TALENTS ARCHITECTURE AWARD WINNERS OF 2020
The Award has selected 4 recipients which will be shown in an exhibition as a Collateral Event of the 17th International Architecture Exhibition – La Biennale di Venezia, opening on May 22nd.
The exhibition will take place in Palazzo Mora (European Cultural Centre) and will show all the projects participating in the award with models and publications of the winning projects as well as photos, drawings, videos and images of all the shortlisted, finalist and winner works.
“We were all very much impressed by the level and scope of the submissions and not least by how the students were not afraid to tackle the big issues of climate change migration, not only through long-term projects such as nuclear waste sites but also through sensitive briefs for burial sites and religious worship. Other more straightforward proposals were also decently tackled and robustly researched, beautifully illustrated, showcasing considered solutions” said Martine de Maeseneer, MDMA, YTAA 2020 chairwoman.
The 4 Winners of YTAA 2020 are:
OASI: The renaturalization of a strongly transformed area caused by the patrimonial past, which allows the approach to the river through the strategy of topographic forms that concern floods and the plantation of autochthonous species. A real landscape transformation with natural logics that enables fluvial resilience of the territory along time. By Álvaro Alcázar Del Águila, Eduard Llargués, Roser Garcia, Sergio Sangalli from the Vallès School of Architecture of the Universitat Politècnica de Catalunya - Barcelona Tech in Sant Cugat del Vallés, Barcelona (ES).
Off the Grid: The project rethinks the relation between water management, urbanisation and the role of self-steering local communities in times of climate change compromising the water supply for the city of Ayacucho, Peru. It detects leftover spaces in the urban fabric and activates them as water recycling infrastructures generating generous public space. By Willem Hubrechts from the Faculty of Engineering Science of the University of Leuven (BE).
Stage for the City: The project is an approach for the regeneration of Stoke, an epitome of Britain’s post-insustrial towns. Challenging its architectural language of monumentality and democratising the image of public institutions, a venue for celebration and protest is proposed, allowing integration and acceptance between institutions and society. By Monika Marinova from The Sir John Cass School of Art Architecture & Design of the London Metropolitan University in London (UK).
Three places to inhabit the mountain range in the Maule region: Three small-scale projects that work as site-specific interventions, linked with the cultural and natural landscape of the Chilean-Argentine Andes. By Pía Montero, Maria Jesús Molina, Antonia Ossa from the School of Architecture of the University of Talca in Talca (Chile).
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OASI. Renaturalization of Llobregat river in its passage through Sallent
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OASI. Renaturalization of Llobregat river in its passage through Sallent
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Off the Grid. Re/ defining the urban Andes through Ayacucho's water urbanism
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Stage for the City. Defining a Language of Contemporary Civic Use
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Three Places to Inhabit the Mountain Range in the Maule Region. Site-specific interventions linked with the cultural and natural landscape.
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Three Places to Inhabit the Mountain Range in the Maule Region. Site-specific interventions linked with the cultural and natural landscape.
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Three Places to Inhabit the Mountain Range in the Maule Region. Site-specific interventions linked with the cultural and natural landscape.
The jury of the YTAA 2020 is composed of renowned specialists representing diverse schools and trends in the fields of architecture and architectural critique: chairwoman Martine de Maeseneer (Brussels); Oleg Drozdov (Kharkiv); Rosario Talevi (Berlin); Juliet Leach (London); and Bet Capdeferro (Girona).
The YTAA (Young Talents Architecture Award) aims to support the talent of recently graduated Architects, Urban Planners and Landscape Architects, who will be responsible for transforming the environment in the future. To support their professional development, Europe’s youngest architecture talents receive: a diploma, 5.000€ for each project, a profile in World-Architects.com, visibility through the YTAA 2020 exhibition in Venice and universities worldwide, participation in events such as the Awards ceremony and the Future Architecture Platform and USM furniture to design their workspace.
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The renowned art contest, again organized in partnership with the Museum of Modern Art of Buenos Aires, will select and award $1,200,000 to an unpublished work to permanently inhabit one of the company's developments. Application deadline: August 26, 2021
Like every year, MEXTRÓPOLI is an idea detonator that seeks to include voices that come from various disciplines and practices. Architects, urban planners, designers, but also writers, artists, and public officials are invited to a reflection that becomes much more necessary in current conditions. Cities are still inhabited and designed: the construction of culture through architecture cannot stop.
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The exhibition is based upon research Dávila conducted during the pandemic into the iconography of the circle and its presence throughout art history in the 20th and 21st centuries. Remarking on the phenomenon, Davila observes, “I’m interested in the circle as the most platonic of forms, it has been a constant human desire. The circle is the symbolic element of human progress.” Comprised of new paintings, sculptures, and silkscreens on cardboard, themes of circularity and the recurrent influence and circular forms throughout art history unite these three interrelated bodies of work.
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The exhibition is based upon research Dávila conducted during the pandemic into the iconography of the circle and its presence throughout art history in the 20th and 21st centuries. Remarking on the phenomenon, Davila observes, “I’m interested in the circle as the most platonic of forms, it has been a constant human desire. The circle is the symbolic element of human progress.” Comprised of new paintings, sculptures, and silkscreens on cardboard, themes of circularity and the recurrent influence and circular forms throughout art history unite these three interrelated bodies of work.
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The renowned art contest, again organized in partnership with the Museum of Modern Art of Buenos Aires, will select and award $1,200,000 to an unpublished work to permanently inhabit one of the company's developments. Application deadline: August 26, 2021
Like every year, MEXTRÓPOLI is an idea detonator that seeks to include voices that come from various disciplines and practices. Architects, urban planners, designers, but also writers, artists, and public officials are invited to a reflection that becomes much more necessary in current conditions. Cities are still inhabited and designed: the construction of culture through architecture cannot stop.
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Like every year, MEXTRÓPOLI is an idea detonator that seeks to include voices that come from various disciplines and practices. Architects, urban planners, designers, but also writers, artists, and public officials are invited to a reflection that becomes much more necessary in current conditions. Cities are still inhabited and designed: the construction of culture through architecture cannot stop.
The exhibition is based upon research Dávila conducted during the pandemic into the iconography of the circle and its presence throughout art history in the 20th and 21st centuries. Remarking on the phenomenon, Davila observes, “I’m interested in the circle as the most platonic of forms, it has been a constant human desire. The circle is the symbolic element of human progress.” Comprised of new paintings, sculptures, and silkscreens on cardboard, themes of circularity and the recurrent influence and circular forms throughout art history unite these three interrelated bodies of work.
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The exhibition is based upon research Dávila conducted during the pandemic into the iconography of the circle and its presence throughout art history in the 20th and 21st centuries. Remarking on the phenomenon, Davila observes, “I’m interested in the circle as the most platonic of forms, it has been a constant human desire. The circle is the symbolic element of human progress.” Comprised of new paintings, sculptures, and silkscreens on cardboard, themes of circularity and the recurrent influence and circular forms throughout art history unite these three interrelated bodies of work.
After one year in lockdown, literally "at home," Garagem Sul announces At Home, a pre-pandemic exhibition which demonstrates that architects have been long debating and experimenting with how and where we live. Curated by Margherita Guccione, Pippo Ciorra, André Tavares and Sérgio Catumba
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After one year in lockdown, literally "at home," Garagem Sul announces At Home, a pre-pandemic exhibition which demonstrates that architects have been long debating and experimenting with how and where we live. Curated by Margherita Guccione, Pippo Ciorra, André Tavares and Sérgio Catumba
Described by Peter Fischli as “a kaleidoscope of repudiated gestures”, the project explores a series of specific ruptures within the history of painting in the last 150 years, intertwined with the emergence of new social factors and cultural values. The exhibition also intends to understand if the current digital revolution can also cause a new crisis of painting or, on the contrary, contribute to its renewal. Stop Painting is conceived by artist Peter Fischli with more than 110 artworks by international artists on view at the historic palazzo of Ca’ Corner della Regina, Fondazione Prada’s Venetian venue, from 22 May to 21 November 2021.
“STOP PAINTING” - PETER FISCHLI EXHIBITS A PANORAMA ABOUT RUPTURE AT FONDAZIONE PRADA VENICE
Described by Peter Fischli as “a kaleidoscope of repudiated gestures”, the project explores a series of specific ruptures within the history of painting in the last 150 years, intertwined with the emergence of new social factors and cultural values. The exhibition also intends to understand if the current digital revolution can also cause a new crisis of painting or, on the contrary, contribute to its renewal. Stop Painting is conceived by artist Peter Fischli with more than 110 artworks by international artists on view at the historic palazzo of Ca’ Corner della Regina, Fondazione Prada’s Venetian venue, from 22 May to 21 November 2021.
The renowned art contest, again organized in partnership with the Museum of Modern Art of Buenos Aires, will select and award $1,200,000 to an unpublished work to permanently inhabit one of the company's developments. Application deadline: August 26, 2021
ARGENTINA - OPEN CALL FOR AZCUY AWARD’S 3rd EDITION
The renowned art contest, again organized in partnership with the Museum of Modern Art of Buenos Aires, will select and award $1,200,000 to an unpublished work to permanently inhabit one of the company's developments. Application deadline: August 26, 2021
Like every year, MEXTRÓPOLI is an idea detonator that seeks to include voices that come from various disciplines and practices. Architects, urban planners, designers, but also writers, artists, and public officials are invited to a reflection that becomes much more necessary in current conditions. Cities are still inhabited and designed: the construction of culture through architecture cannot stop.
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Like every year, MEXTRÓPOLI is an idea detonator that seeks to include voices that come from various disciplines and practices. Architects, urban planners, designers, but also writers, artists, and public officials are invited to a reflection that becomes much more necessary in current conditions. Cities are still inhabited and designed: the construction of culture through architecture cannot stop.
The exhibition is based upon research Dávila conducted during the pandemic into the iconography of the circle and its presence throughout art history in the 20th and 21st centuries. Remarking on the phenomenon, Davila observes, “I’m interested in the circle as the most platonic of forms, it has been a constant human desire. The circle is the symbolic element of human progress.” Comprised of new paintings, sculptures, and silkscreens on cardboard, themes of circularity and the recurrent influence and circular forms throughout art history unite these three interrelated bodies of work.
JOSÉ DÁVILA EXHIBITS THE CIRCULARITY OF DESIRE AT SEAN KELLY NEW YORK
The exhibition is based upon research Dávila conducted during the pandemic into the iconography of the circle and its presence throughout art history in the 20th and 21st centuries. Remarking on the phenomenon, Davila observes, “I’m interested in the circle as the most platonic of forms, it has been a constant human desire. The circle is the symbolic element of human progress.” Comprised of new paintings, sculptures, and silkscreens on cardboard, themes of circularity and the recurrent influence and circular forms throughout art history unite these three interrelated bodies of work.
After one year in lockdown, literally "at home," Garagem Sul announces At Home, a pre-pandemic exhibition which demonstrates that architects have been long debating and experimenting with how and where we live. Curated by Margherita Guccione, Pippo Ciorra, André Tavares and Sérgio Catumba
LISBON – AT HOME PRESENTS PROJECTS FOR CONTEMPORARY LIVING
After one year in lockdown, literally "at home," Garagem Sul announces At Home, a pre-pandemic exhibition which demonstrates that architects have been long debating and experimenting with how and where we live. Curated by Margherita Guccione, Pippo Ciorra, André Tavares and Sérgio Catumba
Described by Peter Fischli as “a kaleidoscope of repudiated gestures”, the project explores a series of specific ruptures within the history of painting in the last 150 years, intertwined with the emergence of new social factors and cultural values. The exhibition also intends to understand if the current digital revolution can also cause a new crisis of painting or, on the contrary, contribute to its renewal. Stop Painting is conceived by artist Peter Fischli with more than 110 artworks by international artists on view at the historic palazzo of Ca’ Corner della Regina, Fondazione Prada’s Venetian venue, from 22 May to 21 November 2021.
“STOP PAINTING” - PETER FISCHLI EXHIBITS A PANORAMA ABOUT RUPTURE AT FONDAZIONE PRADA VENICE
Described by Peter Fischli as “a kaleidoscope of repudiated gestures”, the project explores a series of specific ruptures within the history of painting in the last 150 years, intertwined with the emergence of new social factors and cultural values. The exhibition also intends to understand if the current digital revolution can also cause a new crisis of painting or, on the contrary, contribute to its renewal. Stop Painting is conceived by artist Peter Fischli with more than 110 artworks by international artists on view at the historic palazzo of Ca’ Corner della Regina, Fondazione Prada’s Venetian venue, from 22 May to 21 November 2021.
The renowned art contest, again organized in partnership with the Museum of Modern Art of Buenos Aires, will select and award $1,200,000 to an unpublished work to permanently inhabit one of the company's developments. Application deadline: August 26, 2021
ARGENTINA - OPEN CALL FOR AZCUY AWARD’S 3rd EDITION
The renowned art contest, again organized in partnership with the Museum of Modern Art of Buenos Aires, will select and award $1,200,000 to an unpublished work to permanently inhabit one of the company's developments. Application deadline: August 26, 2021
Like every year, MEXTRÓPOLI is an idea detonator that seeks to include voices that come from various disciplines and practices. Architects, urban planners, designers, but also writers, artists, and public officials are invited to a reflection that becomes much more necessary in current conditions. Cities are still inhabited and designed: the construction of culture through architecture cannot stop.
MEXTRÓPOLI 2021 – MAY ACTIVITIES
Like every year, MEXTRÓPOLI is an idea detonator that seeks to include voices that come from various disciplines and practices. Architects, urban planners, designers, but also writers, artists, and public officials are invited to a reflection that becomes much more necessary in current conditions. Cities are still inhabited and designed: the construction of culture through architecture cannot stop.
The exhibition is based upon research Dávila conducted during the pandemic into the iconography of the circle and its presence throughout art history in the 20th and 21st centuries. Remarking on the phenomenon, Davila observes, “I’m interested in the circle as the most platonic of forms, it has been a constant human desire. The circle is the symbolic element of human progress.” Comprised of new paintings, sculptures, and silkscreens on cardboard, themes of circularity and the recurrent influence and circular forms throughout art history unite these three interrelated bodies of work.
JOSÉ DÁVILA EXHIBITS THE CIRCULARITY OF DESIRE AT SEAN KELLY NEW YORK
The exhibition is based upon research Dávila conducted during the pandemic into the iconography of the circle and its presence throughout art history in the 20th and 21st centuries. Remarking on the phenomenon, Davila observes, “I’m interested in the circle as the most platonic of forms, it has been a constant human desire. The circle is the symbolic element of human progress.” Comprised of new paintings, sculptures, and silkscreens on cardboard, themes of circularity and the recurrent influence and circular forms throughout art history unite these three interrelated bodies of work.
After one year in lockdown, literally "at home," Garagem Sul announces At Home, a pre-pandemic exhibition which demonstrates that architects have been long debating and experimenting with how and where we live. Curated by Margherita Guccione, Pippo Ciorra, André Tavares and Sérgio Catumba
LISBON – AT HOME PRESENTS PROJECTS FOR CONTEMPORARY LIVING
After one year in lockdown, literally "at home," Garagem Sul announces At Home, a pre-pandemic exhibition which demonstrates that architects have been long debating and experimenting with how and where we live. Curated by Margherita Guccione, Pippo Ciorra, André Tavares and Sérgio Catumba
Described by Peter Fischli as “a kaleidoscope of repudiated gestures”, the project explores a series of specific ruptures within the history of painting in the last 150 years, intertwined with the emergence of new social factors and cultural values. The exhibition also intends to understand if the current digital revolution can also cause a new crisis of painting or, on the contrary, contribute to its renewal. Stop Painting is conceived by artist Peter Fischli with more than 110 artworks by international artists on view at the historic palazzo of Ca’ Corner della Regina, Fondazione Prada’s Venetian venue, from 22 May to 21 November 2021.
“STOP PAINTING” - PETER FISCHLI EXHIBITS A PANORAMA ABOUT RUPTURE AT FONDAZIONE PRADA VENICE
Described by Peter Fischli as “a kaleidoscope of repudiated gestures”, the project explores a series of specific ruptures within the history of painting in the last 150 years, intertwined with the emergence of new social factors and cultural values. The exhibition also intends to understand if the current digital revolution can also cause a new crisis of painting or, on the contrary, contribute to its renewal. Stop Painting is conceived by artist Peter Fischli with more than 110 artworks by international artists on view at the historic palazzo of Ca’ Corner della Regina, Fondazione Prada’s Venetian venue, from 22 May to 21 November 2021.
The renowned art contest, again organized in partnership with the Museum of Modern Art of Buenos Aires, will select and award $1,200,000 to an unpublished work to permanently inhabit one of the company's developments. Application deadline: August 26, 2021
ARGENTINA - OPEN CALL FOR AZCUY AWARD’S 3rd EDITION
The renowned art contest, again organized in partnership with the Museum of Modern Art of Buenos Aires, will select and award $1,200,000 to an unpublished work to permanently inhabit one of the company's developments. Application deadline: August 26, 2021
