MEXTRÓPOLI 2021 – MAY ACTIVITIES
Like every year, MEXTRÓPOLI is an idea detonator that seeks to include voices that come from various disciplines and practices. Architects, urban planners, designers, but also writers, artists, and public officials are invited to a reflection that becomes much more necessary in current conditions. Cities are still inhabited and designed: the construction of culture through architecture cannot stop.
The celebration of the international festival MEXTRÓPOLI aims to expand the coverage and cultural and citizen use of public space in cities, encouraging the community to exercise their creative, critical and participatory capacity. From the knowledge and interaction with experiences from different parts of the world that turn their gaze to the Mexican metropolis, this, in turn, returns it generating an enriching dialogue. For a certain time, Mexico City becomes a powerful cultural, tourist and citizen attraction, positioning the country's capital at the head of initiatives that are committed to the generation of new spaces that promote the construction of urban culture.
This year, the activities will be held mostly online.
May 13, 5pm CDT: “Contemporary Chilean Architecture” [virtual panel]
Within the framework of the exhibition Winter: Images of Chilean Architecture, presented at the Museum of Mexico City in partnership with the Chilean Ministry of Arts, Culture and Heritage. The architects Mathias Klotz, Cecilia Puga, and Sofía von Ellrichausen will talk about the practices of women in Chile, one of the most relevant sites of contemporary architecture. The panel will be moderated by Miquel Adrià.
May 20, 1pm CDT: Flores & Pratts Conference [virtual]
The Catalan office Flores & Prats will give a tour of its most relevant projects, such as the Sala Beckett, and the lines that direct its work, among which are the exhaustive documentation of each project and the restoration.
May 28, 7pm CDT: Teodoro en Concreto [streaming]
Urban planner and architect, Teodoro González de León played an important role in the construction of Mexico City, with a work that ranges from the first modernity in Mexico to projects made in the 21st century. The documentary Teodoro en Concreto captures his life and work in an intimate and rigorous way.
*All activities will be in Spanish.
Cover photo: Teodoro González de León. Photo by Miquel Adrià.
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Frieze, the first in-person fair in New York since the pandemic, will take place until May 9 at The Shed (Manhattan). It brings together more than 100 world-leading galleries from the US and abroad, in addition to Online Viewing Rooms and other digital programs and projects.
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Frieze, the first in-person fair in New York since the pandemic, will take place until May 9 at The Shed (Manhattan). It brings together more than 100 world-leading galleries from the US and abroad, in addition to Online Viewing Rooms and other digital programs and projects.
From March 27, the Museum exhibits a thematic survey of contemporary art in Mexico over the past 20 years, a period during which Mexico has become a nexus of the global art scene. Drawing from the Colección Jumex and including invited artists and organizations, Normal Exceptions considers undercurrents in artistic practices that connect with life and its material traces. The exhibition will fill the entire museum with more than 60 works by artists based in Mexico, including those of international origin, and Mexican artists living and working abroad.
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The personal legacy of Pritzker Prize winning Mexican architect Luis Barragán (1902–1988) is mostly in Mexico, while his professional legacy is owned by a Swiss corporation. Magin’s endeavor flirts with copyright, exclusivity and heritage to question these very notions. Seven are the works within her investigative project that are now part of Centre Pompidou’s permanent collection. These include sculpture, installation, photography and drawing.
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The personal legacy of Pritzker Prize winning Mexican architect Luis Barragán (1902–1988) is mostly in Mexico, while his professional legacy is owned by a Swiss corporation. Magin’s endeavor flirts with copyright, exclusivity and heritage to question these very notions. Seven are the works within her investigative project that are now part of Centre Pompidou’s permanent collection. These include sculpture, installation, photography and drawing.
The Award has selected 4 recipients which will be shown in an exhibition as a Collateral Event of the 17th International Architecture Exhibition – La Biennale di Venezia, opening on May 22nd.
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Frieze, the first in-person fair in New York since the pandemic, will take place until May 9 at The Shed (Manhattan). It brings together more than 100 world-leading galleries from the US and abroad, in addition to Online Viewing Rooms and other digital programs and projects.
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MUSEO JUMEX TURNS 20 YEARS AND PRESENTS NORMAL EXCEPTIONS: CONTEMPORARY ART IN MEXICO
From March 27, the Museum exhibits a thematic survey of contemporary art in Mexico over the past 20 years, a period during which Mexico has become a nexus of the global art scene. Drawing from the Colección Jumex and including invited artists and organizations, Normal Exceptions considers undercurrents in artistic practices that connect with life and its material traces. The exhibition will fill the entire museum with more than 60 works by artists based in Mexico, including those of international origin, and Mexican artists living and working abroad.
The personal legacy of Pritzker Prize winning Mexican architect Luis Barragán (1902–1988) is mostly in Mexico, while his professional legacy is owned by a Swiss corporation. Magin’s endeavor flirts with copyright, exclusivity and heritage to question these very notions. Seven are the works within her investigative project that are now part of Centre Pompidou’s permanent collection. These include sculpture, installation, photography and drawing.
CENTRE POMPIDOU ACQUIRES “THE BARRAGÁN ARCHIVES” BY JILL MAGID AND AWAKENS QUESTIONS ABOUT OWNERSHIP AND IDENTITY
The personal legacy of Pritzker Prize winning Mexican architect Luis Barragán (1902–1988) is mostly in Mexico, while his professional legacy is owned by a Swiss corporation. Magin’s endeavor flirts with copyright, exclusivity and heritage to question these very notions. Seven are the works within her investigative project that are now part of Centre Pompidou’s permanent collection. These include sculpture, installation, photography and drawing.
The Award has selected 4 recipients which will be shown in an exhibition as a Collateral Event of the 17th International Architecture Exhibition – La Biennale di Venezia, opening on May 22nd.
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Frieze, the first in-person fair in New York since the pandemic, will take place until May 9 at The Shed (Manhattan). It brings together more than 100 world-leading galleries from the US and abroad, in addition to Online Viewing Rooms and other digital programs and projects.
FRIEZE NEW YORK RENEWS HOPES AND STRENGTHENS OPTIMISM IN THE ARTISTIC CIRCUIT
Frieze, the first in-person fair in New York since the pandemic, will take place until May 9 at The Shed (Manhattan). It brings together more than 100 world-leading galleries from the US and abroad, in addition to Online Viewing Rooms and other digital programs and projects.
From March 27, the Museum exhibits a thematic survey of contemporary art in Mexico over the past 20 years, a period during which Mexico has become a nexus of the global art scene. Drawing from the Colección Jumex and including invited artists and organizations, Normal Exceptions considers undercurrents in artistic practices that connect with life and its material traces. The exhibition will fill the entire museum with more than 60 works by artists based in Mexico, including those of international origin, and Mexican artists living and working abroad.
MUSEO JUMEX TURNS 20 YEARS AND PRESENTS NORMAL EXCEPTIONS: CONTEMPORARY ART IN MEXICO
From March 27, the Museum exhibits a thematic survey of contemporary art in Mexico over the past 20 years, a period during which Mexico has become a nexus of the global art scene. Drawing from the Colección Jumex and including invited artists and organizations, Normal Exceptions considers undercurrents in artistic practices that connect with life and its material traces. The exhibition will fill the entire museum with more than 60 works by artists based in Mexico, including those of international origin, and Mexican artists living and working abroad.
The personal legacy of Pritzker Prize winning Mexican architect Luis Barragán (1902–1988) is mostly in Mexico, while his professional legacy is owned by a Swiss corporation. Magin’s endeavor flirts with copyright, exclusivity and heritage to question these very notions. Seven are the works within her investigative project that are now part of Centre Pompidou’s permanent collection. These include sculpture, installation, photography and drawing.
CENTRE POMPIDOU ACQUIRES “THE BARRAGÁN ARCHIVES” BY JILL MAGID AND AWAKENS QUESTIONS ABOUT OWNERSHIP AND IDENTITY
The personal legacy of Pritzker Prize winning Mexican architect Luis Barragán (1902–1988) is mostly in Mexico, while his professional legacy is owned by a Swiss corporation. Magin’s endeavor flirts with copyright, exclusivity and heritage to question these very notions. Seven are the works within her investigative project that are now part of Centre Pompidou’s permanent collection. These include sculpture, installation, photography and drawing.
The Award has selected 4 recipients which will be shown in an exhibition as a Collateral Event of the 17th International Architecture Exhibition – La Biennale di Venezia, opening on May 22nd.
FUNDACIÓ MIES VAN DER ROHE AND CREATIVE EUROPE PRESENT THE YOUNG TALENTS ARCHITECTURE AWARD WINNERS OF 2020
The Award has selected 4 recipients which will be shown in an exhibition as a Collateral Event of the 17th International Architecture Exhibition – La Biennale di Venezia, opening on May 22nd.
Frieze, the first in-person fair in New York since the pandemic, will take place until May 9 at The Shed (Manhattan). It brings together more than 100 world-leading galleries from the US and abroad, in addition to Online Viewing Rooms and other digital programs and projects.
FRIEZE NEW YORK RENEWS HOPES AND STRENGTHENS OPTIMISM IN THE ARTISTIC CIRCUIT
Frieze, the first in-person fair in New York since the pandemic, will take place until May 9 at The Shed (Manhattan). It brings together more than 100 world-leading galleries from the US and abroad, in addition to Online Viewing Rooms and other digital programs and projects.
From March 27, the Museum exhibits a thematic survey of contemporary art in Mexico over the past 20 years, a period during which Mexico has become a nexus of the global art scene. Drawing from the Colección Jumex and including invited artists and organizations, Normal Exceptions considers undercurrents in artistic practices that connect with life and its material traces. The exhibition will fill the entire museum with more than 60 works by artists based in Mexico, including those of international origin, and Mexican artists living and working abroad.
MUSEO JUMEX TURNS 20 YEARS AND PRESENTS NORMAL EXCEPTIONS: CONTEMPORARY ART IN MEXICO
From March 27, the Museum exhibits a thematic survey of contemporary art in Mexico over the past 20 years, a period during which Mexico has become a nexus of the global art scene. Drawing from the Colección Jumex and including invited artists and organizations, Normal Exceptions considers undercurrents in artistic practices that connect with life and its material traces. The exhibition will fill the entire museum with more than 60 works by artists based in Mexico, including those of international origin, and Mexican artists living and working abroad.
The personal legacy of Pritzker Prize winning Mexican architect Luis Barragán (1902–1988) is mostly in Mexico, while his professional legacy is owned by a Swiss corporation. Magin’s endeavor flirts with copyright, exclusivity and heritage to question these very notions. Seven are the works within her investigative project that are now part of Centre Pompidou’s permanent collection. These include sculpture, installation, photography and drawing.
CENTRE POMPIDOU ACQUIRES “THE BARRAGÁN ARCHIVES” BY JILL MAGID AND AWAKENS QUESTIONS ABOUT OWNERSHIP AND IDENTITY
The personal legacy of Pritzker Prize winning Mexican architect Luis Barragán (1902–1988) is mostly in Mexico, while his professional legacy is owned by a Swiss corporation. Magin’s endeavor flirts with copyright, exclusivity and heritage to question these very notions. Seven are the works within her investigative project that are now part of Centre Pompidou’s permanent collection. These include sculpture, installation, photography and drawing.
The Award has selected 4 recipients which will be shown in an exhibition as a Collateral Event of the 17th International Architecture Exhibition – La Biennale di Venezia, opening on May 22nd.
FUNDACIÓ MIES VAN DER ROHE AND CREATIVE EUROPE PRESENT THE YOUNG TALENTS ARCHITECTURE AWARD WINNERS OF 2020
The Award has selected 4 recipients which will be shown in an exhibition as a Collateral Event of the 17th International Architecture Exhibition – La Biennale di Venezia, opening on May 22nd.
