GERARDO GOLDWASSER: REPRESENTING URUGUAY AT THE VENICE BIENNALE
Goldwasser (Montevideo, 1961) will be representing Uruguay in the 59th Venice Biennale 2022 with his project Persona. Curated by Laura Malosetti Costa and Pablo Uribe, Persona disputes uniformity and disputes the idea itself of persona. Goldwasser's project was chosen by the National Visual Arts Commission in an open competition declared by the Uruguayan Ministry of Education and Culture. The Uruguay pavilion occupies a privileged spot in the Gardens of the Biennale, flanked by those of France and the United States.

Ever since his earliest works, Goldwasser has evolved a line of reflection connected with the profession of tailoring: as a trade, as drawing that is bound to precise rules, as repetition and as the institution of norms, and all of this linked to memory, beginning with the history of his family of émigrés from Germany to Uruguay in 1938.
Persona offers a critical reflection that stages one aspect, as basic as it is complex, of human societies: their ways of covering and exhibiting bodies, of disciplining them and also of distinguishing them. The question he takes up here refers to the manners in which every human being is perceived as a person by constructing his or her appearance, his or her way of entering onto the scene every day of his or her life. The etymology of the concept goes back to the classical theatre: the persona is "the actor's mask," and this mask lies at the origin of the culture of dress.
In the new setting of post-pandemic world crisis, of the danger of extinction of our species -the only one capable of extinguishing all others, and all else- this strongly humanistic exhibition confronts us with projects, past and present, which seeks to transform human beings into infallible machines, precision-timed, well-ordered, obedient, constructive, and at the same time destroyers of all that cannot be put to use or regimented.
Goldwasser's Persona invites and urges us to make history. To look and think about the representation of bodies and their metamorphoses, about the doubts that beleaguer the sciences, the arts, and the myths of our time, in black and white, like the anonymous and undated sartorial manual he inherited from his grandfather.
Gerardo Goldwasser (Montevideo, 1961) studied at the Centro de Expresión Artística, under the direction of Nelson Ramos, papermaking with Laurence Baker and metal engraving with David Finkbeiner. He is an adjunct professor in the undergraduate program in Visual Communication in the Department of Architecture, Design and City Planning at the Universidad de la República.
He was awarded a Pollock-Krasner Foundation fellowship, New York (2001), Second Prize in the Second Biennial in Printmaking of Mercosur, a grant from the Fondo Nacional de las Artes, Buenos Aires, (2000), the Paul Cézanne Prize (1997) the Third Bienarte Grand Prize, and a grant from the Uruguay-United States Cultural Alliance (1990-1992).
He represented Uruguay in various visual arts biennials, most notable among them: First International Art Biennial, Panama (2013); Ninth Cuenca International Biennial (2007), Second Mercosur Printmaking Biennial, Buenos Aires (2000), Sixth Havanna Biennial (1997), and First Mercosur Visual Arts Biennial, Porto Alegre (1997).
Since 1985 he has been in solo and group exhibitions in Uruguay, Argentina, Colombia, Brazil, Cuba, France, the United States, Spain, Panama, and Ecuador.
*cover artwork: El saludo (detail), 2010-2022. 85 black fabric sleeves pinned to the wall. Dimensions variable.
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In this position within The Museum of Contemporary Art of the Basque Country, Lozano will work closely with the Collection Department and the Museum's director.
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In this position within The Museum of Contemporary Art of the Basque Country, Lozano will work closely with the Collection Department and the Museum's director.

The MACA (Atchugarry Museum of Contemporary Art) hosts until mid-April the great exhibition entitled Gráfica Encapsulada (Encapsulated Graphics) by the Argentine artist León Ferrari. The show features a series of works dating back to the 1980s.
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The MACA (Atchugarry Museum of Contemporary Art) hosts until mid-April the great exhibition entitled Gráfica Encapsulada (Encapsulated Graphics) by the Argentine artist León Ferrari. The show features a series of works dating back to the 1980s.

Heller's proposal has been selected from more than 30 preliminary projects presented in an open call through the Argentine Foreign Ministry and consists of a multi-channel 3D animation video installation. The curator of the exhibition is Alejo Ponce de León.
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Herbert Rodríguez (Lima, 1959), artist from Herlitzka + Faria, will participate in the 59 International Art Exhibition in the Venice Biennale: The Milk of Dreams. The exhibition at the Peruvian pavilion La paz es una promesa corrosiva (Peace is a corrosive promise) gathers 30 works and a projection of handcrafted slides. Among the works, there will be pieces of agit-prop (a mixture of photomontage, collage, stencil, silkscreen, and painting) and his mural newspapers Arte – Vida (Art – Life) made in 1989.
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GERMAN PAVILION AT THE 59TH VENICE BIENNALE: A QUESTION ON PAVILIONS THEMSELVES
The German Pavilion at the 59th International Art Exhibition—la Biennale di Venezia in 2022 will feature the artist Maria Eichhorn. By choosing Eichhorn, who was born in Bamberg in 1962 and lives in Berlin, the curator Yilmaz Dziewior has decided in favor of an internationally highly recognized artist known as much for her conceptual approach as for her subtle sense of humor. With her visually minimal gestures, spatial interventions, and process-based works, Eichhorn critically examines institutional power structures and political and economic interrelationships.

The Chilean pavilion that will represent Chile at the upcoming 59th Venice Art Biennale will host the collective and interdisciplinary project Turba Tol, curated by Camila Marambio and with the participation of Ariel Bustamante, sound artist, Dominga Sotomayor, filmmaker, Carla Macchiavello, art historian and Alfredo Thiermann, architect. The management is in charge of Juan Pablo Vergara and also includes scientists, indigenous activists and other collaborators from the creative field.
CHILE AT THE VENICE BIENNALE – “TURBA TOL” BY CAMILA MARAMBIO
The Chilean pavilion that will represent Chile at the upcoming 59th Venice Art Biennale will host the collective and interdisciplinary project Turba Tol, curated by Camila Marambio and with the participation of Ariel Bustamante, sound artist, Dominga Sotomayor, filmmaker, Carla Macchiavello, art historian and Alfredo Thiermann, architect. The management is in charge of Juan Pablo Vergara and also includes scientists, indigenous activists and other collaborators from the creative field.

Under the curatorship of Catalina Lozano and Mauricio Marcin, this proposal offers a collective approach, from a decolonial perspective, reflecting on worldviews, technologies, territories, and the reconfiguration of gender subjectivities. The artists Mariana Castillo Deball, Naomi Rincón Gallardo, Fernando Palma Rodríguez and Santiago Borja Charles offer allegories to imagine a coexistence based on complex relationships of reciprocity and respect. To construct a paradigm that addresses the mystery of regenerative coexistence of the most heterogeneous cultures, and not that of the exclusion of other living beings, both human and non-human.
UNTIL THE SONGS SPRING - MEXICO AT THE VENICE BIENNALE 2022
Under the curatorship of Catalina Lozano and Mauricio Marcin, this proposal offers a collective approach, from a decolonial perspective, reflecting on worldviews, technologies, territories, and the reconfiguration of gender subjectivities. The artists Mariana Castillo Deball, Naomi Rincón Gallardo, Fernando Palma Rodríguez and Santiago Borja Charles offer allegories to imagine a coexistence based on complex relationships of reciprocity and respect. To construct a paradigm that addresses the mystery of regenerative coexistence of the most heterogeneous cultures, and not that of the exclusion of other living beings, both human and non-human.

Following its highly acclaimed debut at the 2019 Biennale, Ghana will present the exhibition Black Star—The Museum as Freedom for the Ghana Pavilion at the 59th International Art Exhibition—la Biennale di Venezia in 2022. With the patronage of Ghana’s President Nana Addo Dankwa Akufo-Addo and curatorship by Nana Oforiatta Ayim, the featured artists are Na Chainkua Reindorf, Afroscope and Diego Araúja.
BLACK STAR – GHANA PAVILION AT THE VENICE BIENNALE
Following its highly acclaimed debut at the 2019 Biennale, Ghana will present the exhibition Black Star—The Museum as Freedom for the Ghana Pavilion at the 59th International Art Exhibition—la Biennale di Venezia in 2022. With the patronage of Ghana’s President Nana Addo Dankwa Akufo-Addo and curatorship by Nana Oforiatta Ayim, the featured artists are Na Chainkua Reindorf, Afroscope and Diego Araúja.

In this 59th International Art Exhibition – La Biennale di Venezia, the largest contemporary art event in the world, the artist selected to represent Argentina is Mónica Heller, who will show in the Argentine pavilion the video installation entitled The Origin of Substance Will Matter the Importance of Origin. The project, which has the curatorship of Alejo Ponce de León, was chosen among the 40 proposals that were presented in a public and open call.
THE IMPORTANCE OF THE ORIGIN WILL BE IMPORTED BY THE ORIGIN OF THE SUBSTANCE – ARGENTINE PAVILION AT THE VENICE BIENNALE
In this 59th International Art Exhibition – La Biennale di Venezia, the largest contemporary art event in the world, the artist selected to represent Argentina is Mónica Heller, who will show in the Argentine pavilion the video installation entitled The Origin of Substance Will Matter the Importance of Origin. The project, which has the curatorship of Alejo Ponce de León, was chosen among the 40 proposals that were presented in a public and open call.

Gomide & Co announces the participation of Brazilian artist Leonora de Barros at the 59th International Art Exhibition of La Biennale di Venezia, curated by Cecilia Alemani and scheduled to open on April 23, 2022.
BIENNALE DI VENEZIA - LEONORA DE BARROS FOR BRAZIL
Gomide & Co announces the participation of Brazilian artist Leonora de Barros at the 59th International Art Exhibition of La Biennale di Venezia, curated by Cecilia Alemani and scheduled to open on April 23, 2022.

The exhibition will include “gender non-conforming artists who are challenging the figure of man as centre of the universe”. The artistic director of the 2022 Venice Biennale, Cecilia Alemani, outlined her curatorial plans for the 59th International Art Exhibition, which opens this spring (23 April-27 November). Alemani revealed that the show, The Milk of Dreams, will include 213 artists from 58 countries with more than 180 artists participating for the first time.
BIENNALE DI VENEZIA – THE MILK OF DREAMS, BY CECILIA ALEMANI
The exhibition will include “gender non-conforming artists who are challenging the figure of man as centre of the universe”. The artistic director of the 2022 Venice Biennale, Cecilia Alemani, outlined her curatorial plans for the 59th International Art Exhibition, which opens this spring (23 April-27 November). Alemani revealed that the show, The Milk of Dreams, will include 213 artists from 58 countries with more than 180 artists participating for the first time.

Uruguay will have its first Night of Ideas on Thursday, January 27th, thanks to a collaboration between the Atchugarry Foundation and the French Embassy in Uruguay.
URURUGUAY JOINS LA NUIT DES IDÉES (THE NIGHT OF IDEAS)
Uruguay will have its first Night of Ideas on Thursday, January 27th, thanks to a collaboration between the Atchugarry Foundation and the French Embassy in Uruguay.

Located on km 4.5 of Route 104 in Manantiales, where today the Pablo Atchugarry Foundation is located, the new MACA - Atchugarry Contemporary Art Museum - will seek to position Uruguay on the map of major international exhibitions. In a building project of more than 5,000 sq meters designed by the Uruguayan architect Carlos Ott, the MACA and the Sculpture Park that surrounds it will be an attractive tourist and cultural destination throughout the year.
MACA - MUSEO DE ARTE CONTEMPORÁNEO ATCHUGARRY INAUGURATED IN URUGUAY
Located on km 4.5 of Route 104 in Manantiales, where today the Pablo Atchugarry Foundation is located, the new MACA - Atchugarry Contemporary Art Museum - will seek to position Uruguay on the map of major international exhibitions. In a building project of more than 5,000 sq meters designed by the Uruguayan architect Carlos Ott, the MACA and the Sculpture Park that surrounds it will be an attractive tourist and cultural destination throughout the year.

In this position within The Museum of Contemporary Art of the Basque Country, Lozano will work closely with the Collection Department and the Museum's director.
CATALINA LOZANO APPOINTED CHIEF CURATOR OF THE ARTIUM MUSEOA
In this position within The Museum of Contemporary Art of the Basque Country, Lozano will work closely with the Collection Department and the Museum's director.

The MACA (Atchugarry Museum of Contemporary Art) hosts until mid-April the great exhibition entitled Gráfica Encapsulada (Encapsulated Graphics) by the Argentine artist León Ferrari. The show features a series of works dating back to the 1980s.
THE MACA IN MANANTIALES EXHIBITS LEÓN FERRARI: ENCAPSULATED GRAPHICS
The MACA (Atchugarry Museum of Contemporary Art) hosts until mid-April the great exhibition entitled Gráfica Encapsulada (Encapsulated Graphics) by the Argentine artist León Ferrari. The show features a series of works dating back to the 1980s.

Heller's proposal has been selected from more than 30 preliminary projects presented in an open call through the Argentine Foreign Ministry and consists of a multi-channel 3D animation video installation. The curator of the exhibition is Alejo Ponce de León.
MÓNICA HELLER FOR THE ARGENTINE PAVILION AT THE 2022 VENICE BIENNIAL
Heller's proposal has been selected from more than 30 preliminary projects presented in an open call through the Argentine Foreign Ministry and consists of a multi-channel 3D animation video installation. The curator of the exhibition is Alejo Ponce de León.

Herbert Rodríguez (Lima, 1959), artist from Herlitzka + Faria, will participate in the 59 International Art Exhibition in the Venice Biennale: The Milk of Dreams. The exhibition at the Peruvian pavilion La paz es una promesa corrosiva (Peace is a corrosive promise) gathers 30 works and a projection of handcrafted slides. Among the works, there will be pieces of agit-prop (a mixture of photomontage, collage, stencil, silkscreen, and painting) and his mural newspapers Arte – Vida (Art – Life) made in 1989.
PERU AT THE VENICE BIENNALE – “PEACE IS A CORROSIVE PROMISE” BY HERBERT RODRÍGUEZ
Herbert Rodríguez (Lima, 1959), artist from Herlitzka + Faria, will participate in the 59 International Art Exhibition in the Venice Biennale: The Milk of Dreams. The exhibition at the Peruvian pavilion La paz es una promesa corrosiva (Peace is a corrosive promise) gathers 30 works and a projection of handcrafted slides. Among the works, there will be pieces of agit-prop (a mixture of photomontage, collage, stencil, silkscreen, and painting) and his mural newspapers Arte – Vida (Art – Life) made in 1989.

The German Pavilion at the 59th International Art Exhibition—la Biennale di Venezia in 2022 will feature the artist Maria Eichhorn. By choosing Eichhorn, who was born in Bamberg in 1962 and lives in Berlin, the curator Yilmaz Dziewior has decided in favor of an internationally highly recognized artist known as much for her conceptual approach as for her subtle sense of humor. With her visually minimal gestures, spatial interventions, and process-based works, Eichhorn critically examines institutional power structures and political and economic interrelationships.
GERMAN PAVILION AT THE 59TH VENICE BIENNALE: A QUESTION ON PAVILIONS THEMSELVES
The German Pavilion at the 59th International Art Exhibition—la Biennale di Venezia in 2022 will feature the artist Maria Eichhorn. By choosing Eichhorn, who was born in Bamberg in 1962 and lives in Berlin, the curator Yilmaz Dziewior has decided in favor of an internationally highly recognized artist known as much for her conceptual approach as for her subtle sense of humor. With her visually minimal gestures, spatial interventions, and process-based works, Eichhorn critically examines institutional power structures and political and economic interrelationships.

The Chilean pavilion that will represent Chile at the upcoming 59th Venice Art Biennale will host the collective and interdisciplinary project Turba Tol, curated by Camila Marambio and with the participation of Ariel Bustamante, sound artist, Dominga Sotomayor, filmmaker, Carla Macchiavello, art historian and Alfredo Thiermann, architect. The management is in charge of Juan Pablo Vergara and also includes scientists, indigenous activists and other collaborators from the creative field.
CHILE AT THE VENICE BIENNALE – “TURBA TOL” BY CAMILA MARAMBIO
The Chilean pavilion that will represent Chile at the upcoming 59th Venice Art Biennale will host the collective and interdisciplinary project Turba Tol, curated by Camila Marambio and with the participation of Ariel Bustamante, sound artist, Dominga Sotomayor, filmmaker, Carla Macchiavello, art historian and Alfredo Thiermann, architect. The management is in charge of Juan Pablo Vergara and also includes scientists, indigenous activists and other collaborators from the creative field.

Under the curatorship of Catalina Lozano and Mauricio Marcin, this proposal offers a collective approach, from a decolonial perspective, reflecting on worldviews, technologies, territories, and the reconfiguration of gender subjectivities. The artists Mariana Castillo Deball, Naomi Rincón Gallardo, Fernando Palma Rodríguez and Santiago Borja Charles offer allegories to imagine a coexistence based on complex relationships of reciprocity and respect. To construct a paradigm that addresses the mystery of regenerative coexistence of the most heterogeneous cultures, and not that of the exclusion of other living beings, both human and non-human.
UNTIL THE SONGS SPRING - MEXICO AT THE VENICE BIENNALE 2022
Under the curatorship of Catalina Lozano and Mauricio Marcin, this proposal offers a collective approach, from a decolonial perspective, reflecting on worldviews, technologies, territories, and the reconfiguration of gender subjectivities. The artists Mariana Castillo Deball, Naomi Rincón Gallardo, Fernando Palma Rodríguez and Santiago Borja Charles offer allegories to imagine a coexistence based on complex relationships of reciprocity and respect. To construct a paradigm that addresses the mystery of regenerative coexistence of the most heterogeneous cultures, and not that of the exclusion of other living beings, both human and non-human.

Following its highly acclaimed debut at the 2019 Biennale, Ghana will present the exhibition Black Star—The Museum as Freedom for the Ghana Pavilion at the 59th International Art Exhibition—la Biennale di Venezia in 2022. With the patronage of Ghana’s President Nana Addo Dankwa Akufo-Addo and curatorship by Nana Oforiatta Ayim, the featured artists are Na Chainkua Reindorf, Afroscope and Diego Araúja.
BLACK STAR – GHANA PAVILION AT THE VENICE BIENNALE
Following its highly acclaimed debut at the 2019 Biennale, Ghana will present the exhibition Black Star—The Museum as Freedom for the Ghana Pavilion at the 59th International Art Exhibition—la Biennale di Venezia in 2022. With the patronage of Ghana’s President Nana Addo Dankwa Akufo-Addo and curatorship by Nana Oforiatta Ayim, the featured artists are Na Chainkua Reindorf, Afroscope and Diego Araúja.

In this 59th International Art Exhibition – La Biennale di Venezia, the largest contemporary art event in the world, the artist selected to represent Argentina is Mónica Heller, who will show in the Argentine pavilion the video installation entitled The Origin of Substance Will Matter the Importance of Origin. The project, which has the curatorship of Alejo Ponce de León, was chosen among the 40 proposals that were presented in a public and open call.
THE IMPORTANCE OF THE ORIGIN WILL BE IMPORTED BY THE ORIGIN OF THE SUBSTANCE – ARGENTINE PAVILION AT THE VENICE BIENNALE
In this 59th International Art Exhibition – La Biennale di Venezia, the largest contemporary art event in the world, the artist selected to represent Argentina is Mónica Heller, who will show in the Argentine pavilion the video installation entitled The Origin of Substance Will Matter the Importance of Origin. The project, which has the curatorship of Alejo Ponce de León, was chosen among the 40 proposals that were presented in a public and open call.

Gomide & Co announces the participation of Brazilian artist Leonora de Barros at the 59th International Art Exhibition of La Biennale di Venezia, curated by Cecilia Alemani and scheduled to open on April 23, 2022.
BIENNALE DI VENEZIA - LEONORA DE BARROS FOR BRAZIL
Gomide & Co announces the participation of Brazilian artist Leonora de Barros at the 59th International Art Exhibition of La Biennale di Venezia, curated by Cecilia Alemani and scheduled to open on April 23, 2022.

The exhibition will include “gender non-conforming artists who are challenging the figure of man as centre of the universe”. The artistic director of the 2022 Venice Biennale, Cecilia Alemani, outlined her curatorial plans for the 59th International Art Exhibition, which opens this spring (23 April-27 November). Alemani revealed that the show, The Milk of Dreams, will include 213 artists from 58 countries with more than 180 artists participating for the first time.
BIENNALE DI VENEZIA – THE MILK OF DREAMS, BY CECILIA ALEMANI
The exhibition will include “gender non-conforming artists who are challenging the figure of man as centre of the universe”. The artistic director of the 2022 Venice Biennale, Cecilia Alemani, outlined her curatorial plans for the 59th International Art Exhibition, which opens this spring (23 April-27 November). Alemani revealed that the show, The Milk of Dreams, will include 213 artists from 58 countries with more than 180 artists participating for the first time.

Uruguay will have its first Night of Ideas on Thursday, January 27th, thanks to a collaboration between the Atchugarry Foundation and the French Embassy in Uruguay.
URURUGUAY JOINS LA NUIT DES IDÉES (THE NIGHT OF IDEAS)
Uruguay will have its first Night of Ideas on Thursday, January 27th, thanks to a collaboration between the Atchugarry Foundation and the French Embassy in Uruguay.

Located on km 4.5 of Route 104 in Manantiales, where today the Pablo Atchugarry Foundation is located, the new MACA - Atchugarry Contemporary Art Museum - will seek to position Uruguay on the map of major international exhibitions. In a building project of more than 5,000 sq meters designed by the Uruguayan architect Carlos Ott, the MACA and the Sculpture Park that surrounds it will be an attractive tourist and cultural destination throughout the year.
MACA - MUSEO DE ARTE CONTEMPORÁNEO ATCHUGARRY INAUGURATED IN URUGUAY
Located on km 4.5 of Route 104 in Manantiales, where today the Pablo Atchugarry Foundation is located, the new MACA - Atchugarry Contemporary Art Museum - will seek to position Uruguay on the map of major international exhibitions. In a building project of more than 5,000 sq meters designed by the Uruguayan architect Carlos Ott, the MACA and the Sculpture Park that surrounds it will be an attractive tourist and cultural destination throughout the year.

In this position within The Museum of Contemporary Art of the Basque Country, Lozano will work closely with the Collection Department and the Museum's director.
CATALINA LOZANO APPOINTED CHIEF CURATOR OF THE ARTIUM MUSEOA
In this position within The Museum of Contemporary Art of the Basque Country, Lozano will work closely with the Collection Department and the Museum's director.

The MACA (Atchugarry Museum of Contemporary Art) hosts until mid-April the great exhibition entitled Gráfica Encapsulada (Encapsulated Graphics) by the Argentine artist León Ferrari. The show features a series of works dating back to the 1980s.
THE MACA IN MANANTIALES EXHIBITS LEÓN FERRARI: ENCAPSULATED GRAPHICS
The MACA (Atchugarry Museum of Contemporary Art) hosts until mid-April the great exhibition entitled Gráfica Encapsulada (Encapsulated Graphics) by the Argentine artist León Ferrari. The show features a series of works dating back to the 1980s.

Heller's proposal has been selected from more than 30 preliminary projects presented in an open call through the Argentine Foreign Ministry and consists of a multi-channel 3D animation video installation. The curator of the exhibition is Alejo Ponce de León.
MÓNICA HELLER FOR THE ARGENTINE PAVILION AT THE 2022 VENICE BIENNIAL
Heller's proposal has been selected from more than 30 preliminary projects presented in an open call through the Argentine Foreign Ministry and consists of a multi-channel 3D animation video installation. The curator of the exhibition is Alejo Ponce de León.

Herbert Rodríguez (Lima, 1959), artist from Herlitzka + Faria, will participate in the 59 International Art Exhibition in the Venice Biennale: The Milk of Dreams. The exhibition at the Peruvian pavilion La paz es una promesa corrosiva (Peace is a corrosive promise) gathers 30 works and a projection of handcrafted slides. Among the works, there will be pieces of agit-prop (a mixture of photomontage, collage, stencil, silkscreen, and painting) and his mural newspapers Arte – Vida (Art – Life) made in 1989.
PERU AT THE VENICE BIENNALE – “PEACE IS A CORROSIVE PROMISE” BY HERBERT RODRÍGUEZ
Herbert Rodríguez (Lima, 1959), artist from Herlitzka + Faria, will participate in the 59 International Art Exhibition in the Venice Biennale: The Milk of Dreams. The exhibition at the Peruvian pavilion La paz es una promesa corrosiva (Peace is a corrosive promise) gathers 30 works and a projection of handcrafted slides. Among the works, there will be pieces of agit-prop (a mixture of photomontage, collage, stencil, silkscreen, and painting) and his mural newspapers Arte – Vida (Art – Life) made in 1989.

The German Pavilion at the 59th International Art Exhibition—la Biennale di Venezia in 2022 will feature the artist Maria Eichhorn. By choosing Eichhorn, who was born in Bamberg in 1962 and lives in Berlin, the curator Yilmaz Dziewior has decided in favor of an internationally highly recognized artist known as much for her conceptual approach as for her subtle sense of humor. With her visually minimal gestures, spatial interventions, and process-based works, Eichhorn critically examines institutional power structures and political and economic interrelationships.
GERMAN PAVILION AT THE 59TH VENICE BIENNALE: A QUESTION ON PAVILIONS THEMSELVES
The German Pavilion at the 59th International Art Exhibition—la Biennale di Venezia in 2022 will feature the artist Maria Eichhorn. By choosing Eichhorn, who was born in Bamberg in 1962 and lives in Berlin, the curator Yilmaz Dziewior has decided in favor of an internationally highly recognized artist known as much for her conceptual approach as for her subtle sense of humor. With her visually minimal gestures, spatial interventions, and process-based works, Eichhorn critically examines institutional power structures and political and economic interrelationships.

The Chilean pavilion that will represent Chile at the upcoming 59th Venice Art Biennale will host the collective and interdisciplinary project Turba Tol, curated by Camila Marambio and with the participation of Ariel Bustamante, sound artist, Dominga Sotomayor, filmmaker, Carla Macchiavello, art historian and Alfredo Thiermann, architect. The management is in charge of Juan Pablo Vergara and also includes scientists, indigenous activists and other collaborators from the creative field.
CHILE AT THE VENICE BIENNALE – “TURBA TOL” BY CAMILA MARAMBIO
The Chilean pavilion that will represent Chile at the upcoming 59th Venice Art Biennale will host the collective and interdisciplinary project Turba Tol, curated by Camila Marambio and with the participation of Ariel Bustamante, sound artist, Dominga Sotomayor, filmmaker, Carla Macchiavello, art historian and Alfredo Thiermann, architect. The management is in charge of Juan Pablo Vergara and also includes scientists, indigenous activists and other collaborators from the creative field.

Under the curatorship of Catalina Lozano and Mauricio Marcin, this proposal offers a collective approach, from a decolonial perspective, reflecting on worldviews, technologies, territories, and the reconfiguration of gender subjectivities. The artists Mariana Castillo Deball, Naomi Rincón Gallardo, Fernando Palma Rodríguez and Santiago Borja Charles offer allegories to imagine a coexistence based on complex relationships of reciprocity and respect. To construct a paradigm that addresses the mystery of regenerative coexistence of the most heterogeneous cultures, and not that of the exclusion of other living beings, both human and non-human.
UNTIL THE SONGS SPRING - MEXICO AT THE VENICE BIENNALE 2022
Under the curatorship of Catalina Lozano and Mauricio Marcin, this proposal offers a collective approach, from a decolonial perspective, reflecting on worldviews, technologies, territories, and the reconfiguration of gender subjectivities. The artists Mariana Castillo Deball, Naomi Rincón Gallardo, Fernando Palma Rodríguez and Santiago Borja Charles offer allegories to imagine a coexistence based on complex relationships of reciprocity and respect. To construct a paradigm that addresses the mystery of regenerative coexistence of the most heterogeneous cultures, and not that of the exclusion of other living beings, both human and non-human.

Following its highly acclaimed debut at the 2019 Biennale, Ghana will present the exhibition Black Star—The Museum as Freedom for the Ghana Pavilion at the 59th International Art Exhibition—la Biennale di Venezia in 2022. With the patronage of Ghana’s President Nana Addo Dankwa Akufo-Addo and curatorship by Nana Oforiatta Ayim, the featured artists are Na Chainkua Reindorf, Afroscope and Diego Araúja.
BLACK STAR – GHANA PAVILION AT THE VENICE BIENNALE
Following its highly acclaimed debut at the 2019 Biennale, Ghana will present the exhibition Black Star—The Museum as Freedom for the Ghana Pavilion at the 59th International Art Exhibition—la Biennale di Venezia in 2022. With the patronage of Ghana’s President Nana Addo Dankwa Akufo-Addo and curatorship by Nana Oforiatta Ayim, the featured artists are Na Chainkua Reindorf, Afroscope and Diego Araúja.

In this 59th International Art Exhibition – La Biennale di Venezia, the largest contemporary art event in the world, the artist selected to represent Argentina is Mónica Heller, who will show in the Argentine pavilion the video installation entitled The Origin of Substance Will Matter the Importance of Origin. The project, which has the curatorship of Alejo Ponce de León, was chosen among the 40 proposals that were presented in a public and open call.
THE IMPORTANCE OF THE ORIGIN WILL BE IMPORTED BY THE ORIGIN OF THE SUBSTANCE – ARGENTINE PAVILION AT THE VENICE BIENNALE
In this 59th International Art Exhibition – La Biennale di Venezia, the largest contemporary art event in the world, the artist selected to represent Argentina is Mónica Heller, who will show in the Argentine pavilion the video installation entitled The Origin of Substance Will Matter the Importance of Origin. The project, which has the curatorship of Alejo Ponce de León, was chosen among the 40 proposals that were presented in a public and open call.