MÓNICA HELLER FOR THE ARGENTINE PAVILION AT THE 2022 VENICE BIENNIAL

Goldwasser (Montevideo, 1961) will be representing Uruguay in the 59th Venice Biennale 2022 with his project Persona. Curated by Laura Malosetti Costa and Pablo Uribe, Persona disputes uniformity and disputes the idea itself of persona. Goldwasser's project was chosen by the National Visual Arts Commission in an open competition declared by the Uruguayan Ministry of Education and Culture. The Uruguay pavilion occupies a privileged spot in the Gardens of the Biennale, flanked by those of France and the United States.

Gomide & Co announces the participation of Brazilian artist Leonora de Barros at the 59^th International Art Exhibition of La Biennale di Venezia, curated by Cecilia Alemani and scheduled to open on April 23, 2022.

The exhibition will include “gender non-conforming artists who are challenging the figure of man as centre of the universe”. The artistic director of the 2022 Venice Biennale, Cecilia Alemani, outlined her curatorial plans for the 59th International Art Exhibition, which opens this spring (23 April-27 November). Alemani revealed that the show, The Milk of Dreams, will include 213 artists from 58 countries with more than 180 artists participating for the first time.

On February 16^th, the exhibition "Una colección, dos cartas y un meteoro" (A Collection, Two Letters and a Meteor) was inaugurated at the Museo Nacional de Bellas Artes (Buenos Aires) with the work of artist Cristian Segura and curatorship by art historian María Guadalupe Suasnábar. The exhibition revalues ​​the sculpture Météore (1981) by Alicia Penalba (San Pedro, 1913-París, 1982) through an installation by Segura (Tandil, 1976) about the letters exchanged between Penalba and those responsible for the Torcuato Di Tella Institute between 1961 and 1962.

Herbert Rodríguez (Lima, 1959), artist from Herlitzka + Faria, will participate in the 59 International Art Exhibition in the Venice Biennale: The Milk of Dreams. The exhibition at the Peruvian pavilion La paz es una promesa corrosiva (Peace is a corrosive promise) gathers 30 works and a projection of handcrafted slides. Among the works, there will be pieces of agit-prop (a mixture of photomontage, collage, stencil, silkscreen, and painting) and his mural newspapers Arte – Vida (Art – Life) made in 1989.

The German Pavilion at the 59th International Art Exhibition—la Biennale di Venezia in 2022 will feature the artist Maria Eichhorn. By choosing Eichhorn, who was born in Bamberg in 1962 and lives in Berlin, the curator Yilmaz Dziewior has decided in favor of an internationally highly recognized artist known as much for her conceptual approach as for her subtle sense of humor. With her visually minimal gestures, spatial interventions, and process-based works, Eichhorn critically examines institutional power structures and political and economic interrelationships.

The Chilean pavilion that will represent Chile at the upcoming 59th Venice Art Biennale will host the collective and interdisciplinary project Turba Tol, curated by Camila Marambio and with the participation of Ariel Bustamante, sound artist, Dominga Sotomayor, filmmaker, Carla Macchiavello, art historian and Alfredo Thiermann, architect. The management is in charge of Juan Pablo Vergara and also includes scientists, indigenous activists and other collaborators from the creative field.

Under the curatorship of Catalina Lozano and Mauricio Marcin, this proposal offers a collective approach, from a decolonial perspective, reflecting on worldviews, technologies, territories, and the reconfiguration of gender subjectivities. The artists Mariana Castillo Deball, Naomi Rincón Gallardo, Fernando Palma Rodríguez and Santiago Borja Charles offer allegories to imagine a coexistence based on complex relationships of reciprocity and respect. To construct a paradigm that addresses the mystery of regenerative coexistence of the most heterogeneous cultures, and not that of the exclusion of other living beings, both human and non-human.

Following its highly acclaimed debut at the 2019 Biennale, Ghana will present the exhibition Black Star—The Museum as Freedom for the Ghana Pavilion at the 59^th International Art Exhibition—la Biennale di Venezia in 2022. With the patronage of Ghana’s President Nana Addo Dankwa Akufo-Addo and curatorship by Nana Oforiatta Ayim, the featured artists are Na Chainkua Reindorf, Afroscope and Diego Araúja.

In this 59th International Art Exhibition – La Biennale di Venezia, the largest contemporary art event in the world, the artist selected to represent Argentina is Mónica Heller, who will show in the Argentine pavilion the video installation entitled The Origin of Substance Will Matter the Importance of Origin. The project, which has the curatorship of Alejo Ponce de León, was chosen among the 40 proposals that were presented in a public and open call.

Goldwasser (Montevideo, 1961) will be representing Uruguay in the 59th Venice Biennale 2022 with his project Persona. Curated by Laura Malosetti Costa and Pablo Uribe, Persona disputes uniformity and disputes the idea itself of persona. Goldwasser's project was chosen by the National Visual Arts Commission in an open competition declared by the Uruguayan Ministry of Education and Culture. The Uruguay pavilion occupies a privileged spot in the Gardens of the Biennale, flanked by those of France and the United States.

Gomide & Co announces the participation of Brazilian artist Leonora de Barros at the 59^th International Art Exhibition of La Biennale di Venezia, curated by Cecilia Alemani and scheduled to open on April 23, 2022.

The exhibition will include “gender non-conforming artists who are challenging the figure of man as centre of the universe”. The artistic director of the 2022 Venice Biennale, Cecilia Alemani, outlined her curatorial plans for the 59th International Art Exhibition, which opens this spring (23 April-27 November). Alemani revealed that the show, The Milk of Dreams, will include 213 artists from 58 countries with more than 180 artists participating for the first time.

On February 16^th, the exhibition "Una colección, dos cartas y un meteoro" (A Collection, Two Letters and a Meteor) was inaugurated at the Museo Nacional de Bellas Artes (Buenos Aires) with the work of artist Cristian Segura and curatorship by art historian María Guadalupe Suasnábar. The exhibition revalues ​​the sculpture Météore (1981) by Alicia Penalba (San Pedro, 1913-París, 1982) through an installation by Segura (Tandil, 1976) about the letters exchanged between Penalba and those responsible for the Torcuato Di Tella Institute between 1961 and 1962.

Herbert Rodríguez (Lima, 1959), artist from Herlitzka + Faria, will participate in the 59 International Art Exhibition in the Venice Biennale: The Milk of Dreams. The exhibition at the Peruvian pavilion La paz es una promesa corrosiva (Peace is a corrosive promise) gathers 30 works and a projection of handcrafted slides. Among the works, there will be pieces of agit-prop (a mixture of photomontage, collage, stencil, silkscreen, and painting) and his mural newspapers Arte – Vida (Art – Life) made in 1989.

The German Pavilion at the 59th International Art Exhibition—la Biennale di Venezia in 2022 will feature the artist Maria Eichhorn. By choosing Eichhorn, who was born in Bamberg in 1962 and lives in Berlin, the curator Yilmaz Dziewior has decided in favor of an internationally highly recognized artist known as much for her conceptual approach as for her subtle sense of humor. With her visually minimal gestures, spatial interventions, and process-based works, Eichhorn critically examines institutional power structures and political and economic interrelationships.

The Chilean pavilion that will represent Chile at the upcoming 59th Venice Art Biennale will host the collective and interdisciplinary project Turba Tol, curated by Camila Marambio and with the participation of Ariel Bustamante, sound artist, Dominga Sotomayor, filmmaker, Carla Macchiavello, art historian and Alfredo Thiermann, architect. The management is in charge of Juan Pablo Vergara and also includes scientists, indigenous activists and other collaborators from the creative field.

Under the curatorship of Catalina Lozano and Mauricio Marcin, this proposal offers a collective approach, from a decolonial perspective, reflecting on worldviews, technologies, territories, and the reconfiguration of gender subjectivities. The artists Mariana Castillo Deball, Naomi Rincón Gallardo, Fernando Palma Rodríguez and Santiago Borja Charles offer allegories to imagine a coexistence based on complex relationships of reciprocity and respect. To construct a paradigm that addresses the mystery of regenerative coexistence of the most heterogeneous cultures, and not that of the exclusion of other living beings, both human and non-human.

Following its highly acclaimed debut at the 2019 Biennale, Ghana will present the exhibition Black Star—The Museum as Freedom for the Ghana Pavilion at the 59^th International Art Exhibition—la Biennale di Venezia in 2022. With the patronage of Ghana’s President Nana Addo Dankwa Akufo-Addo and curatorship by Nana Oforiatta Ayim, the featured artists are Na Chainkua Reindorf, Afroscope and Diego Araúja.

In this 59th International Art Exhibition – La Biennale di Venezia, the largest contemporary art event in the world, the artist selected to represent Argentina is Mónica Heller, who will show in the Argentine pavilion the video installation entitled The Origin of Substance Will Matter the Importance of Origin. The project, which has the curatorship of Alejo Ponce de León, was chosen among the 40 proposals that were presented in a public and open call.

Gomide & Co announces the participation of Brazilian artist Leonora de Barros at the 59^th International Art Exhibition of La Biennale di Venezia, curated by Cecilia Alemani and scheduled to open on April 23, 2022.

The exhibition will include “gender non-conforming artists who are challenging the figure of man as centre of the universe”. The artistic director of the 2022 Venice Biennale, Cecilia Alemani, outlined her curatorial plans for the 59th International Art Exhibition, which opens this spring (23 April-27 November). Alemani revealed that the show, The Milk of Dreams, will include 213 artists from 58 countries with more than 180 artists participating for the first time.

On February 16^th, the exhibition "Una colección, dos cartas y un meteoro" (A Collection, Two Letters and a Meteor) was inaugurated at the Museo Nacional de Bellas Artes (Buenos Aires) with the work of artist Cristian Segura and curatorship by art historian María Guadalupe Suasnábar. The exhibition revalues ​​the sculpture Météore (1981) by Alicia Penalba (San Pedro, 1913-París, 1982) through an installation by Segura (Tandil, 1976) about the letters exchanged between Penalba and those responsible for the Torcuato Di Tella Institute between 1961 and 1962.

Herbert Rodríguez (Lima, 1959), artist from Herlitzka + Faria, will participate in the 59 International Art Exhibition in the Venice Biennale: The Milk of Dreams. The exhibition at the Peruvian pavilion La paz es una promesa corrosiva (Peace is a corrosive promise) gathers 30 works and a projection of handcrafted slides. Among the works, there will be pieces of agit-prop (a mixture of photomontage, collage, stencil, silkscreen, and painting) and his mural newspapers Arte – Vida (Art – Life) made in 1989.

The German Pavilion at the 59th International Art Exhibition—la Biennale di Venezia in 2022 will feature the artist Maria Eichhorn. By choosing Eichhorn, who was born in Bamberg in 1962 and lives in Berlin, the curator Yilmaz Dziewior has decided in favor of an internationally highly recognized artist known as much for her conceptual approach as for her subtle sense of humor. With her visually minimal gestures, spatial interventions, and process-based works, Eichhorn critically examines institutional power structures and political and economic interrelationships.

The Chilean pavilion that will represent Chile at the upcoming 59th Venice Art Biennale will host the collective and interdisciplinary project Turba Tol, curated by Camila Marambio and with the participation of Ariel Bustamante, sound artist, Dominga Sotomayor, filmmaker, Carla Macchiavello, art historian and Alfredo Thiermann, architect. The management is in charge of Juan Pablo Vergara and also includes scientists, indigenous activists and other collaborators from the creative field.

Under the curatorship of Catalina Lozano and Mauricio Marcin, this proposal offers a collective approach, from a decolonial perspective, reflecting on worldviews, technologies, territories, and the reconfiguration of gender subjectivities. The artists Mariana Castillo Deball, Naomi Rincón Gallardo, Fernando Palma Rodríguez and Santiago Borja Charles offer allegories to imagine a coexistence based on complex relationships of reciprocity and respect. To construct a paradigm that addresses the mystery of regenerative coexistence of the most heterogeneous cultures, and not that of the exclusion of other living beings, both human and non-human.

Following its highly acclaimed debut at the 2019 Biennale, Ghana will present the exhibition Black Star—The Museum as Freedom for the Ghana Pavilion at the 59^th International Art Exhibition—la Biennale di Venezia in 2022. With the patronage of Ghana’s President Nana Addo Dankwa Akufo-Addo and curatorship by Nana Oforiatta Ayim, the featured artists are Na Chainkua Reindorf, Afroscope and Diego Araúja.

In this 59th International Art Exhibition – La Biennale di Venezia, the largest contemporary art event in the world, the artist selected to represent Argentina is Mónica Heller, who will show in the Argentine pavilion the video installation entitled The Origin of Substance Will Matter the Importance of Origin. The project, which has the curatorship of Alejo Ponce de León, was chosen among the 40 proposals that were presented in a public and open call.

Goldwasser (Montevideo, 1961) will be representing Uruguay in the 59th Venice Biennale 2022 with his project Persona. Curated by Laura Malosetti Costa and Pablo Uribe, Persona disputes uniformity and disputes the idea itself of persona. Goldwasser's project was chosen by the National Visual Arts Commission in an open competition declared by the Uruguayan Ministry of Education and Culture. The Uruguay pavilion occupies a privileged spot in the Gardens of the Biennale, flanked by those of France and the United States.

Gomide & Co announces the participation of Brazilian artist Leonora de Barros at the 59^th International Art Exhibition of La Biennale di Venezia, curated by Cecilia Alemani and scheduled to open on April 23, 2022.

The exhibition will include “gender non-conforming artists who are challenging the figure of man as centre of the universe”. The artistic director of the 2022 Venice Biennale, Cecilia Alemani, outlined her curatorial plans for the 59th International Art Exhibition, which opens this spring (23 April-27 November). Alemani revealed that the show, The Milk of Dreams, will include 213 artists from 58 countries with more than 180 artists participating for the first time.

On February 16^th, the exhibition "Una colección, dos cartas y un meteoro" (A Collection, Two Letters and a Meteor) was inaugurated at the Museo Nacional de Bellas Artes (Buenos Aires) with the work of artist Cristian Segura and curatorship by art historian María Guadalupe Suasnábar. The exhibition revalues ​​the sculpture Météore (1981) by Alicia Penalba (San Pedro, 1913-París, 1982) through an installation by Segura (Tandil, 1976) about the letters exchanged between Penalba and those responsible for the Torcuato Di Tella Institute between 1961 and 1962.

Herbert Rodríguez (Lima, 1959), artist from Herlitzka + Faria, will participate in the 59 International Art Exhibition in the Venice Biennale: The Milk of Dreams. The exhibition at the Peruvian pavilion La paz es una promesa corrosiva (Peace is a corrosive promise) gathers 30 works and a projection of handcrafted slides. Among the works, there will be pieces of agit-prop (a mixture of photomontage, collage, stencil, silkscreen, and painting) and his mural newspapers Arte – Vida (Art – Life) made in 1989.

The German Pavilion at the 59th International Art Exhibition—la Biennale di Venezia in 2022 will feature the artist Maria Eichhorn. By choosing Eichhorn, who was born in Bamberg in 1962 and lives in Berlin, the curator Yilmaz Dziewior has decided in favor of an internationally highly recognized artist known as much for her conceptual approach as for her subtle sense of humor. With her visually minimal gestures, spatial interventions, and process-based works, Eichhorn critically examines institutional power structures and political and economic interrelationships.

The Chilean pavilion that will represent Chile at the upcoming 59th Venice Art Biennale will host the collective and interdisciplinary project Turba Tol, curated by Camila Marambio and with the participation of Ariel Bustamante, sound artist, Dominga Sotomayor, filmmaker, Carla Macchiavello, art historian and Alfredo Thiermann, architect. The management is in charge of Juan Pablo Vergara and also includes scientists, indigenous activists and other collaborators from the creative field.

Under the curatorship of Catalina Lozano and Mauricio Marcin, this proposal offers a collective approach, from a decolonial perspective, reflecting on worldviews, technologies, territories, and the reconfiguration of gender subjectivities. The artists Mariana Castillo Deball, Naomi Rincón Gallardo, Fernando Palma Rodríguez and Santiago Borja Charles offer allegories to imagine a coexistence based on complex relationships of reciprocity and respect. To construct a paradigm that addresses the mystery of regenerative coexistence of the most heterogeneous cultures, and not that of the exclusion of other living beings, both human and non-human.

Following its highly acclaimed debut at the 2019 Biennale, Ghana will present the exhibition Black Star—The Museum as Freedom for the Ghana Pavilion at the 59^th International Art Exhibition—la Biennale di Venezia in 2022. With the patronage of Ghana’s President Nana Addo Dankwa Akufo-Addo and curatorship by Nana Oforiatta Ayim, the featured artists are Na Chainkua Reindorf, Afroscope and Diego Araúja.

In this 59th International Art Exhibition – La Biennale di Venezia, the largest contemporary art event in the world, the artist selected to represent Argentina is Mónica Heller, who will show in the Argentine pavilion the video installation entitled The Origin of Substance Will Matter the Importance of Origin. The project, which has the curatorship of Alejo Ponce de León, was chosen among the 40 proposals that were presented in a public and open call.

Goldwasser (Montevideo, 1961) will be representing Uruguay in the 59th Venice Biennale 2022 with his project Persona. Curated by Laura Malosetti Costa and Pablo Uribe, Persona disputes uniformity and disputes the idea itself of persona. Goldwasser's project was chosen by the National Visual Arts Commission in an open competition declared by the Uruguayan Ministry of Education and Culture. The Uruguay pavilion occupies a privileged spot in the Gardens of the Biennale, flanked by those of France and the United States.

Gomide & Co announces the participation of Brazilian artist Leonora de Barros at the 59^th International Art Exhibition of La Biennale di Venezia, curated by Cecilia Alemani and scheduled to open on April 23, 2022.

The exhibition will include “gender non-conforming artists who are challenging the figure of man as centre of the universe”. The artistic director of the 2022 Venice Biennale, Cecilia Alemani, outlined her curatorial plans for the 59th International Art Exhibition, which opens this spring (23 April-27 November). Alemani revealed that the show, The Milk of Dreams, will include 213 artists from 58 countries with more than 180 artists participating for the first time.

On February 16^th, the exhibition "Una colección, dos cartas y un meteoro" (A Collection, Two Letters and a Meteor) was inaugurated at the Museo Nacional de Bellas Artes (Buenos Aires) with the work of artist Cristian Segura and curatorship by art historian María Guadalupe Suasnábar. The exhibition revalues ​​the sculpture Météore (1981) by Alicia Penalba (San Pedro, 1913-París, 1982) through an installation by Segura (Tandil, 1976) about the letters exchanged between Penalba and those responsible for the Torcuato Di Tella Institute between 1961 and 1962.

Herbert Rodríguez (Lima, 1959), artist from Herlitzka + Faria, will participate in the 59 International Art Exhibition in the Venice Biennale: The Milk of Dreams. The exhibition at the Peruvian pavilion La paz es una promesa corrosiva (Peace is a corrosive promise) gathers 30 works and a projection of handcrafted slides. Among the works, there will be pieces of agit-prop (a mixture of photomontage, collage, stencil, silkscreen, and painting) and his mural newspapers Arte – Vida (Art – Life) made in 1989.

The German Pavilion at the 59th International Art Exhibition—la Biennale di Venezia in 2022 will feature the artist Maria Eichhorn. By choosing Eichhorn, who was born in Bamberg in 1962 and lives in Berlin, the curator Yilmaz Dziewior has decided in favor of an internationally highly recognized artist known as much for her conceptual approach as for her subtle sense of humor. With her visually minimal gestures, spatial interventions, and process-based works, Eichhorn critically examines institutional power structures and political and economic interrelationships.

The Chilean pavilion that will represent Chile at the upcoming 59th Venice Art Biennale will host the collective and interdisciplinary project Turba Tol, curated by Camila Marambio and with the participation of Ariel Bustamante, sound artist, Dominga Sotomayor, filmmaker, Carla Macchiavello, art historian and Alfredo Thiermann, architect. The management is in charge of Juan Pablo Vergara and also includes scientists, indigenous activists and other collaborators from the creative field.

Under the curatorship of Catalina Lozano and Mauricio Marcin, this proposal offers a collective approach, from a decolonial perspective, reflecting on worldviews, technologies, territories, and the reconfiguration of gender subjectivities. The artists Mariana Castillo Deball, Naomi Rincón Gallardo, Fernando Palma Rodríguez and Santiago Borja Charles offer allegories to imagine a coexistence based on complex relationships of reciprocity and respect. To construct a paradigm that addresses the mystery of regenerative coexistence of the most heterogeneous cultures, and not that of the exclusion of other living beings, both human and non-human.

Following its highly acclaimed debut at the 2019 Biennale, Ghana will present the exhibition Black Star—The Museum as Freedom for the Ghana Pavilion at the 59^th International Art Exhibition—la Biennale di Venezia in 2022. With the patronage of Ghana’s President Nana Addo Dankwa Akufo-Addo and curatorship by Nana Oforiatta Ayim, the featured artists are Na Chainkua Reindorf, Afroscope and Diego Araúja.

In this 59th International Art Exhibition – La Biennale di Venezia, the largest contemporary art event in the world, the artist selected to represent Argentina is Mónica Heller, who will show in the Argentine pavilion the video installation entitled The Origin of Substance Will Matter the Importance of Origin. The project, which has the curatorship of Alejo Ponce de León, was chosen among the 40 proposals that were presented in a public and open call.