GUADALUPE MARAVILLA: TIERRA BLANCA JOVEN
The exhibition Tierra Blanca Joven at the Brooklyn Museum, draws from the artist’s own experiences as an undocumented immigrant and cancer survivor to weave together themes of displacement, illness, recovery, and healing in new and existing works; objects from the Museum’s Maya art collection; and a Healing Room.

In the 1980s, eight-year-old Guadalupe Maravilla fled the violence of El Salvador’s civil war and made a perilous, unaccompanied journey through Central America to the United States, where he reunited with undocumented family members. Nearly two decades later, while preparing for his M.F.A. thesis exhibition at Hunter College in New York City, he learned that he had stage-three cancer and began a grueling course of treatments. To combat residual pain from the treatment, he was introduced to many types of ancient healing practices including a form of sound-as-medicine, which employs the vibrations and frequencies of gongs to release toxins in the body. Following his recovery, Maravilla devoted his artistic practice—which includes sculptures, drawings, paintings, choreography, sound, and performance—to healing. In his work, the artist engages particularly with the cancer and the undocumented communities of which he is a part, and whose collective trauma has given rise to a great need for care.
Maravilla titled the exhibition Tierra Blanca Joven to evoke an intergenerational experience of displacement from El Salvador: from the fifth century C.E., when an enormous eruption of the Tierra Blanca Joven volcano (now Lake Ilopango) forced the Maya people out of the region by depositing a thick layer of ash over the land, to the artist’s own displacement as a result of the 1979–92 civil war and that of undocumented, unaccompanied child refugees who have fled the country’s growing violence and are currently being held in detention centers in the United States.
Guadalupe Maravilla is deeply inspired by the art and rituals of his Maya ancestors. For this exhibition, he selected twenty-three artifacts from the Museum’s collection of Maya art that exemplify this connection, as well as the cultural and physical displacement of Maya objects and people (much of which he learned about through books and magazines in the United States, and playing among neglected Maya ruins as a child). Many of the selected works are powerful healing instruments and showcase the Maya belief in rebirth and transcendence as well as the legacy of Maya artistry.
“Tierra Blanca Joven addresses displacement of my people and our ancestors from the same land across several different points in history; the civil war, gang violence and government corruption, cataclysmic natural disasters, and the trade of cultural artifacts have all exiled Salvadoran and Maya peoples from present-day El Salvador,” says Maravilla. “The exhibition brings together representations of past, present, and future into one room—where the latest sculpture from my Disease Thrower series will meet ancient terracotta healers from the Museum’s collection, for example—as a reflection on intergenerational communal healing. Together, they share our history of displacement, while creating new visual narratives for the entangled genealogies of other border crossing communities.”
Guadalupe Maravilla: Tierra Blanca Joven
Until September 18, 2022
Robert E. Blum Gallery, first floor
Brooklyn Museum
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The New York based photography foundation Penumbra exhibits OCÉANOS by Roberto Huarcaya (Lima, Perú, 1959) until July 22nd. The show presents the first-ever exhibition of this Peruvian artist’ large-scale photograms of the Pacific Ocean. In what could be described as a "photogrammatic performance," Huarcaya immerses himself into the waters of the sea to record its virulent nature and traces of contamination.

The Jan Mulder Collection, in collaboration with the Foto Colectania Foundation in Barcelona, presents for the first time in Europe "Martín Chambi and his Contemporaries. The Andes Photographed", an exhibition with original photographs by Martín Chambi and 15 other Peruvian and foreign photographers who have traveled through the southern Peruvian Andes during the period of Chambi's activity.
JAN MULDER COLLECTION EXHIBITS ‘MARTÍN CHAMBI AND HIS CONTEMPORARIES’
The Jan Mulder Collection, in collaboration with the Foto Colectania Foundation in Barcelona, presents for the first time in Europe "Martín Chambi and his Contemporaries. The Andes Photographed", an exhibition with original photographs by Martín Chambi and 15 other Peruvian and foreign photographers who have traveled through the southern Peruvian Andes during the period of Chambi's activity.

The artist has created a full-fledged maritime museum within the walls of the Brooklyn Museum, debuting approximately 250 new and recent works made entirely out of discarded plastic found in New York waterways. DEATH TO THE LIVING, Long Live Trash, a critical, provocative look at the ecological impact of capitalism across centuries, connects the history of American maritime art to current themes of environmental justice.
THE BROOKLYN MUSEUM PRESENTS “DEATH TO THE LIVING, LONG LIVE TRASH” BY DUKE RILEY
The artist has created a full-fledged maritime museum within the walls of the Brooklyn Museum, debuting approximately 250 new and recent works made entirely out of discarded plastic found in New York waterways. DEATH TO THE LIVING, Long Live Trash, a critical, provocative look at the ecological impact of capitalism across centuries, connects the history of American maritime art to current themes of environmental justice.

As a novelty, this year Pinta PArC presents a new space with a leading role marked by the textile art of Tiodoro Pacco. Institutionally and with the curatorship of Jerson Ramirez, the aim is to recover, highlight and celebrate the traditional techniques and artistic work of the region. The space is thus dedicated to the exploration of memory, the transmission of cultural valuesand the examination of the processes and formats that are interwoven in the Peruvian artistic identity.
CONTEMPORARY TRADITION - TEXTILE ART AT PINTA PARC 2022
As a novelty, this year Pinta PArC presents a new space with a leading role marked by the textile art of Tiodoro Pacco. Institutionally and with the curatorship of Jerson Ramirez, the aim is to recover, highlight and celebrate the traditional techniques and artistic work of the region. The space is thus dedicated to the exploration of memory, the transmission of cultural valuesand the examination of the processes and formats that are interwoven in the Peruvian artistic identity.

El Museo del Barrio presents Raphael Montañez Ortiz: A Contextual Retrospective, from April 14th to September 11th, 2022, the first large-scale exhibition dedicated to the artist, activist, educator and founder of El Museo del Barrio, since 1988. Curated by El Museo’s chief curator, Rodrigo Moura, and guest curator Julieta González, the exhibition spans several decades of his production, from the 1950s to the early 2020s, in different media such as film, painting, photography, video installations, documents, and assemblages. This is the largest exhibition-to-date dedicated to the artist.
RAPHAEL MONTAÑEZ ORTIZ AT MUSEO DEL BARRIO
El Museo del Barrio presents Raphael Montañez Ortiz: A Contextual Retrospective, from April 14th to September 11th, 2022, the first large-scale exhibition dedicated to the artist, activist, educator and founder of El Museo del Barrio, since 1988. Curated by El Museo’s chief curator, Rodrigo Moura, and guest curator Julieta González, the exhibition spans several decades of his production, from the 1950s to the early 2020s, in different media such as film, painting, photography, video installations, documents, and assemblages. This is the largest exhibition-to-date dedicated to the artist.

The exhibition Teresa Lanceta: Weaving as Open Source traces the artist's trajectory from the 1970s through to the present day and includes a broad selection of tapestries, weavings, fabrics, drawings, photographs and videos, offering the most comprehensive overview of her work to date. The exhibition traces a narrative through various series of projects with the aim of identifying Lanceta's voice, and presents works that poetically question concepts formerly considered antagonistic.
TERESA LANCETA: WEAVING AS OPEN SOURCE
The exhibition Teresa Lanceta: Weaving as Open Source traces the artist's trajectory from the 1970s through to the present day and includes a broad selection of tapestries, weavings, fabrics, drawings, photographs and videos, offering the most comprehensive overview of her work to date. The exhibition traces a narrative through various series of projects with the aim of identifying Lanceta's voice, and presents works that poetically question concepts formerly considered antagonistic.

Pinacoteca de São Paulo presents Adriana Varejão: Sutures, Fissures, Ruins, a retrospective exhibition by Adriana Varejão (Rio de Janeiro, 1964). Curated by Jochen Volz, the museum’s general director, the show proposes a narrative that highlights the diversity and complexity of her production.
ADRIANA VAREJÃO: SUTURES, FISSURES, RUINS
Pinacoteca de São Paulo presents Adriana Varejão: Sutures, Fissures, Ruins, a retrospective exhibition by Adriana Varejão (Rio de Janeiro, 1964). Curated by Jochen Volz, the museum’s general director, the show proposes a narrative that highlights the diversity and complexity of her production.

Another Space announces Elsewhere(s), an exploration of otherworldliness. Cocurated by Estrellita B. Brodsky and José Falconi, the exhibition brings together works by over 25 artists from Latin America and its diaspora, from the 9th Century BCE to the present. Grouped around themes of cosmology, magic, and non-Western forms of knowledge, Elsewhere(s) seeks to reflect on the traditional role of artists and their potential to envision alternative societies as utopian or reclaimed territories.
ELSEWHERE(S): OTHER WORLDS, OTHER TIMES, OTHER TERRITORIES
Another Space announces Elsewhere(s), an exploration of otherworldliness. Cocurated by Estrellita B. Brodsky and José Falconi, the exhibition brings together works by over 25 artists from Latin America and its diaspora, from the 9th Century BCE to the present. Grouped around themes of cosmology, magic, and non-Western forms of knowledge, Elsewhere(s) seeks to reflect on the traditional role of artists and their potential to envision alternative societies as utopian or reclaimed territories.

The Bass presents AbsenceRevealed, an exhibition featuring a new series of works by experimental photo-based artist Maria Martínez-Cañas on view through October 23, 2022.
MARÍA MARTÍNEZ-CAÑAS: ABSENCE REVEALED
The Bass presents AbsenceRevealed, an exhibition featuring a new series of works by experimental photo-based artist Maria Martínez-Cañas on view through October 23, 2022.

The New York based photography foundation Penumbra exhibits OCÉANOS by Roberto Huarcaya (Lima, Perú, 1959) until July 22nd. The show presents the first-ever exhibition of this Peruvian artist’ large-scale photograms of the Pacific Ocean. In what could be described as a "photogrammatic performance," Huarcaya immerses himself into the waters of the sea to record its virulent nature and traces of contamination.
PLASTIC PRINTS IN ‘OCÉANOS’ – PENUMBRA FOUNDATION
The New York based photography foundation Penumbra exhibits OCÉANOS by Roberto Huarcaya (Lima, Perú, 1959) until July 22nd. The show presents the first-ever exhibition of this Peruvian artist’ large-scale photograms of the Pacific Ocean. In what could be described as a "photogrammatic performance," Huarcaya immerses himself into the waters of the sea to record its virulent nature and traces of contamination.

The Jan Mulder Collection, in collaboration with the Foto Colectania Foundation in Barcelona, presents for the first time in Europe "Martín Chambi and his Contemporaries. The Andes Photographed", an exhibition with original photographs by Martín Chambi and 15 other Peruvian and foreign photographers who have traveled through the southern Peruvian Andes during the period of Chambi's activity.
JAN MULDER COLLECTION EXHIBITS ‘MARTÍN CHAMBI AND HIS CONTEMPORARIES’
The Jan Mulder Collection, in collaboration with the Foto Colectania Foundation in Barcelona, presents for the first time in Europe "Martín Chambi and his Contemporaries. The Andes Photographed", an exhibition with original photographs by Martín Chambi and 15 other Peruvian and foreign photographers who have traveled through the southern Peruvian Andes during the period of Chambi's activity.

The artist has created a full-fledged maritime museum within the walls of the Brooklyn Museum, debuting approximately 250 new and recent works made entirely out of discarded plastic found in New York waterways. DEATH TO THE LIVING, Long Live Trash, a critical, provocative look at the ecological impact of capitalism across centuries, connects the history of American maritime art to current themes of environmental justice.
THE BROOKLYN MUSEUM PRESENTS “DEATH TO THE LIVING, LONG LIVE TRASH” BY DUKE RILEY
The artist has created a full-fledged maritime museum within the walls of the Brooklyn Museum, debuting approximately 250 new and recent works made entirely out of discarded plastic found in New York waterways. DEATH TO THE LIVING, Long Live Trash, a critical, provocative look at the ecological impact of capitalism across centuries, connects the history of American maritime art to current themes of environmental justice.