MARÍA MARTÍNEZ-CAÑAS: ABSENCE REVEALED

Another Space announces Elsewhere(s), an exploration of otherworldliness. Cocurated by Estrellita B. Brodsky and José Falconi, the exhibition brings together works by over 25 artists from Latin America and its diaspora, from the 9th Century BCE to the present. Grouped around themes of cosmology, magic, and non-Western forms of knowledge, Elsewhere(s) seeks to reflect on the traditional role of artists and their potential to envision alternative societies as utopian or reclaimed territories.

The exhibition Teresa Lanceta: Weaving as Open Source traces the artist's trajectory from the 1970s through to the present day and includes a broad selection of tapestries, weavings, fabrics, drawings, photographs and videos, offering the most comprehensive overview of her work to date. The exhibition traces a narrative through various series of projects with the aim of identifying Lanceta's voice, and presents works that poetically question concepts formerly considered antagonistic. 

The exhibition Tierra Blanca Joven at the Brooklyn Museum, draws from the artist’s own experiences as an undocumented immigrant and cancer survivor to weave together themes of displacement, illness, recovery, and healing in new and existing works; objects from the Museum’s Maya art collection; and a Healing Room.

Pepe Mar is a cognoscente of materiality at the forefront of social fluency and personal obsession. Mar excavates the ritual narratives inherent in secondhand stores, science fiction, celebrity, commercial design, and social media to create abstract and anthropomorphic barometers of contemporary culture.  The artist’s work, available at the David Castillo Gallery, is committed to a personal and universal exploration of cultural alienation.

In Maluf's exhibition project, the language of three-dimensional works is combined with the installation format. With this in mind, and the characteristic spatial layout of Gallery 5 of the Emilio Caraffa Museum with its great heights, the works participate from their immanence in a dialogue with the circumstance.

Another Space announces Elsewhere(s), an exploration of otherworldliness. Cocurated by Estrellita B. Brodsky and José Falconi, the exhibition brings together works by over 25 artists from Latin America and its diaspora, from the 9th Century BCE to the present. Grouped around themes of cosmology, magic, and non-Western forms of knowledge, Elsewhere(s) seeks to reflect on the traditional role of artists and their potential to envision alternative societies as utopian or reclaimed territories.

The exhibition Teresa Lanceta: Weaving as Open Source traces the artist's trajectory from the 1970s through to the present day and includes a broad selection of tapestries, weavings, fabrics, drawings, photographs and videos, offering the most comprehensive overview of her work to date. The exhibition traces a narrative through various series of projects with the aim of identifying Lanceta's voice, and presents works that poetically question concepts formerly considered antagonistic. 

The exhibition Tierra Blanca Joven at the Brooklyn Museum, draws from the artist’s own experiences as an undocumented immigrant and cancer survivor to weave together themes of displacement, illness, recovery, and healing in new and existing works; objects from the Museum’s Maya art collection; and a Healing Room.

Pepe Mar is a cognoscente of materiality at the forefront of social fluency and personal obsession. Mar excavates the ritual narratives inherent in secondhand stores, science fiction, celebrity, commercial design, and social media to create abstract and anthropomorphic barometers of contemporary culture.  The artist’s work, available at the David Castillo Gallery, is committed to a personal and universal exploration of cultural alienation.

In Maluf's exhibition project, the language of three-dimensional works is combined with the installation format. With this in mind, and the characteristic spatial layout of Gallery 5 of the Emilio Caraffa Museum with its great heights, the works participate from their immanence in a dialogue with the circumstance.

The exhibition Teresa Lanceta: Weaving as Open Source traces the artist's trajectory from the 1970s through to the present day and includes a broad selection of tapestries, weavings, fabrics, drawings, photographs and videos, offering the most comprehensive overview of her work to date. The exhibition traces a narrative through various series of projects with the aim of identifying Lanceta's voice, and presents works that poetically question concepts formerly considered antagonistic. 

The exhibition Tierra Blanca Joven at the Brooklyn Museum, draws from the artist’s own experiences as an undocumented immigrant and cancer survivor to weave together themes of displacement, illness, recovery, and healing in new and existing works; objects from the Museum’s Maya art collection; and a Healing Room.

Pepe Mar is a cognoscente of materiality at the forefront of social fluency and personal obsession. Mar excavates the ritual narratives inherent in secondhand stores, science fiction, celebrity, commercial design, and social media to create abstract and anthropomorphic barometers of contemporary culture.  The artist’s work, available at the David Castillo Gallery, is committed to a personal and universal exploration of cultural alienation.

In Maluf's exhibition project, the language of three-dimensional works is combined with the installation format. With this in mind, and the characteristic spatial layout of Gallery 5 of the Emilio Caraffa Museum with its great heights, the works participate from their immanence in a dialogue with the circumstance.

Another Space announces Elsewhere(s), an exploration of otherworldliness. Cocurated by Estrellita B. Brodsky and José Falconi, the exhibition brings together works by over 25 artists from Latin America and its diaspora, from the 9th Century BCE to the present. Grouped around themes of cosmology, magic, and non-Western forms of knowledge, Elsewhere(s) seeks to reflect on the traditional role of artists and their potential to envision alternative societies as utopian or reclaimed territories.

The exhibition Teresa Lanceta: Weaving as Open Source traces the artist's trajectory from the 1970s through to the present day and includes a broad selection of tapestries, weavings, fabrics, drawings, photographs and videos, offering the most comprehensive overview of her work to date. The exhibition traces a narrative through various series of projects with the aim of identifying Lanceta's voice, and presents works that poetically question concepts formerly considered antagonistic. 

The exhibition Tierra Blanca Joven at the Brooklyn Museum, draws from the artist’s own experiences as an undocumented immigrant and cancer survivor to weave together themes of displacement, illness, recovery, and healing in new and existing works; objects from the Museum’s Maya art collection; and a Healing Room.

Pepe Mar is a cognoscente of materiality at the forefront of social fluency and personal obsession. Mar excavates the ritual narratives inherent in secondhand stores, science fiction, celebrity, commercial design, and social media to create abstract and anthropomorphic barometers of contemporary culture.  The artist’s work, available at the David Castillo Gallery, is committed to a personal and universal exploration of cultural alienation.

In Maluf's exhibition project, the language of three-dimensional works is combined with the installation format. With this in mind, and the characteristic spatial layout of Gallery 5 of the Emilio Caraffa Museum with its great heights, the works participate from their immanence in a dialogue with the circumstance.

Another Space announces Elsewhere(s), an exploration of otherworldliness. Cocurated by Estrellita B. Brodsky and José Falconi, the exhibition brings together works by over 25 artists from Latin America and its diaspora, from the 9th Century BCE to the present. Grouped around themes of cosmology, magic, and non-Western forms of knowledge, Elsewhere(s) seeks to reflect on the traditional role of artists and their potential to envision alternative societies as utopian or reclaimed territories.

The exhibition Teresa Lanceta: Weaving as Open Source traces the artist's trajectory from the 1970s through to the present day and includes a broad selection of tapestries, weavings, fabrics, drawings, photographs and videos, offering the most comprehensive overview of her work to date. The exhibition traces a narrative through various series of projects with the aim of identifying Lanceta's voice, and presents works that poetically question concepts formerly considered antagonistic. 

The exhibition Tierra Blanca Joven at the Brooklyn Museum, draws from the artist’s own experiences as an undocumented immigrant and cancer survivor to weave together themes of displacement, illness, recovery, and healing in new and existing works; objects from the Museum’s Maya art collection; and a Healing Room.

Pepe Mar is a cognoscente of materiality at the forefront of social fluency and personal obsession. Mar excavates the ritual narratives inherent in secondhand stores, science fiction, celebrity, commercial design, and social media to create abstract and anthropomorphic barometers of contemporary culture.  The artist’s work, available at the David Castillo Gallery, is committed to a personal and universal exploration of cultural alienation.

In Maluf's exhibition project, the language of three-dimensional works is combined with the installation format. With this in mind, and the characteristic spatial layout of Gallery 5 of the Emilio Caraffa Museum with its great heights, the works participate from their immanence in a dialogue with the circumstance.