HAUS CONSTRUCTIVE EXHIBITS JOSE DÁVILA’S SOLO SHOW IN ZÜRICH
Memory of a Telluric Movement is the title of this exhibition at Museum Haus Konstruktiv. It presents a comprehensive solo exhibition to Mexican artist Jose Dávila (b. 1974 in Guadalajara, Mexico, where he lives and works). Curated by Sabine Schaschl and on view until September 11th.

Alongside selected new paintings, a multitude of sculptural works are presented, which Dávila combines to produce surprising ensembles of works while conscientiously engaging with the museum’s architectural givens.
Jose Dávila is interested in space and mass, in mathematical laws and physical phenomena. Thus, his oeuvre characteristically plays with gravity and apparent weightlessness, with statics and dynamics, forces of tension and compression, and those precarious moments before something collapses. In addition, he incorporates natural and industrially manufactured materials; from this juxtaposition, he creates poetic works that are sensory captivating and structurally articulated.
-
Jose Dávila, The act of being together, 2022 - Installation view, Museum Haus Konstruktiv, 2022 - Steel, metal, boulders - Variable dimensions - Photo: Stefan Altenburger - Courtesy der Künstler und the artist and Sean Kelly Gallery, New York; König Galerie, Berlin/ London/Seoul; Galleri Nicolai Wallner, København; Galería OMR, Ciudad de México; Travesía Cuatro, Madrid
-
Jose Dávila, The act of being together, 2022 - Installation view, Museum Haus Konstruktiv, 2022 - Steel, metal, boulders - Variable dimensions - Photo: Stefan Altenburger - Courtesy der Künstler und the artist and Sean Kelly Gallery, New York; König Galerie, Berlin/ London/Seoul; Galleri Nicolai Wallner, København; Galería OMR, Ciudad de México; Travesía Cuatro, Madrid
-
Jose Dávila, Fundamental concern, 2022 - Concrete, rock, boulder, glass sphere, and ratchet strap - 230 x 53 x 45 cm - Photo: Agustín Arce - Courtesy der Künstler und the artist and Sean Kelly Gallery, New York
-
Jose Dávila, Memory of a telluric movement, 2020 - Vinyl paint on loomstate linen, 5 parts 242.5 x 966 x 6 cm Photo: Agustín Arce - Courtesy der Künstler und the artist and Galleri Nicolai Wallner, København
-
Jose Dávila, The fact of constantly returning to the same point or situation, 2022 - Vinyl paint on loomstate linen - 210 x 170 x 6 cm - Photo: Agustín Arce - Courtesy der Künstler und the artist and König Galerie, Berlin/London/Seoul
-
Jose Dávila, Singularity has something of the unreal, 2022 - Concrete, boulders, rocks, marble, metal, wood, enameled bricks, plaster, and bowling ball - 141 x 448 x 850 cm - Photo: Agustín Arce - Courtesy der Künstler und the artist and Travesía Cuatro, Madrid
-
Jose Dávila, Memory of a Telluric Movement, Exhibition view, Museum Haus Konstruktiv, 2022 - Photo: Stefan Altenburger
-
Jose Dávila, Acapulco chair stack, 2021 - Metal, epoxy paint, and boulders - 148.5 x 140 x 110.5 cm - Photo: Agustín Arce - Courtesy der Künstler und the artist and Sean Kelly Gallery, New York
Jose Dávila’s thoughtful calibration of mass and lightness, volume and transparency, geometric and organic forms, natural and industrial materials characterizes his distinctive objects, installations and paintings. At the same time, the exhibition at Haus Konstruktiv constitutes a reminder that any (telluric) movement, no matter how slight, can cause a static well-balanced structure to collapse. In this sense, the solo show also refers to the current global situation, which can quickly be thrown off track by sociopolitical, ecological or economic developments.
Related Topics
May interest you

The exhibition is based upon research Dávila conducted during the pandemic into the iconography of the circle and its presence throughout art history in the 20th and 21st centuries. Remarking on the phenomenon, Davila observes, “I’m interested in the circle as the most platonic of forms, it has been a constant human desire. The circle is the symbolic element of human progress.” Comprised of new paintings, sculptures, and silkscreens on cardboard, themes of circularity and the recurrent influence and circular forms throughout art history unite these three interrelated bodies of work.
JOSÉ DÁVILA EXHIBITS THE CIRCULARITY OF DESIRE AT SEAN KELLY NEW YORK
The exhibition is based upon research Dávila conducted during the pandemic into the iconography of the circle and its presence throughout art history in the 20th and 21st centuries. Remarking on the phenomenon, Davila observes, “I’m interested in the circle as the most platonic of forms, it has been a constant human desire. The circle is the symbolic element of human progress.” Comprised of new paintings, sculptures, and silkscreens on cardboard, themes of circularity and the recurrent influence and circular forms throughout art history unite these three interrelated bodies of work.

The exhibition is based upon research Dávila conducted during the pandemic into the iconography of the circle and its presence throughout art history in the 20th and 21st centuries. Remarking on the phenomenon, Davila observes, “I’m interested in the circle as the most platonic of forms, it has been a constant human desire. The circle is the symbolic element of human progress.” Comprised of new paintings, sculptures, and silkscreens on cardboard, themes of circularity and the recurrent influence and circular forms throughout art history unite these three interrelated bodies of work.
JOSÉ DÁVILA EXHIBITS THE CIRCULARITY OF DESIRE AT SEAN KELLY NEW YORK
The exhibition is based upon research Dávila conducted during the pandemic into the iconography of the circle and its presence throughout art history in the 20th and 21st centuries. Remarking on the phenomenon, Davila observes, “I’m interested in the circle as the most platonic of forms, it has been a constant human desire. The circle is the symbolic element of human progress.” Comprised of new paintings, sculptures, and silkscreens on cardboard, themes of circularity and the recurrent influence and circular forms throughout art history unite these three interrelated bodies of work.

In the midst of the health and economic crisis that has hit the world and the art industry, Silvia Ortiz opens her gallery to us to talk about the work of Travesía Cuatro during the pandemic, the new ways of conceiving the gallery as a result of it, her vision of collecting in Spain and Latin America, and the possibilities that the historic moment that we have had to experience offers a space like this one.
BETWEEN MEXICO AND SPAIN IN THE MIDST OF THE PANDEMIC | INTERVIEW WITH SILVIA ORTIZ
In the midst of the health and economic crisis that has hit the world and the art industry, Silvia Ortiz opens her gallery to us to talk about the work of Travesía Cuatro during the pandemic, the new ways of conceiving the gallery as a result of it, her vision of collecting in Spain and Latin America, and the possibilities that the historic moment that we have had to experience offers a space like this one.

The exhibition presents on several locations of the city of Lucca, 45 sculptures in marble, bronze and wood. The works in the streets, 16th century walls, churches and two interior spaces, can be visited until September 4.
“THE AWAKENING OF NATURE” - PUBLIC EXHIBITION OF PABLO ATCHUGARRY IN ITALY
The exhibition presents on several locations of the city of Lucca, 45 sculptures in marble, bronze and wood. The works in the streets, 16th century walls, churches and two interior spaces, can be visited until September 4.

The Hamburger Bahnhof is holding an exhibition entitled Under Construction, which will present the latest additions to the Nationalgalerie collection. The museum has been able to acquire these new objects over the past few years thanks in large part to funding from the Freunde der Nationalgalerie.
UNDER CONSTRUCTION: NEW ACQUISITIONS FOR THE NATIONALGALERIE’S COLLECTION
The Hamburger Bahnhof is holding an exhibition entitled Under Construction, which will present the latest additions to the Nationalgalerie collection. The museum has been able to acquire these new objects over the past few years thanks in large part to funding from the Freunde der Nationalgalerie.

This solo exhibition devoted to the work of acclaimed artist Tacita Dean, which is presented across the two galleries on the upper floor of the museum, is formed around two recent projects: a trilogy of works designed for The Dante Project (2021), a ballet inspired by The Divine Comedy, and One Hundred and Fifty Years of Painting (2021), a 16mm filmed conversation between the artists Luchita Hurtado and Julie Mehretu.
TACITA DEAN IN LUXEMBOURG
This solo exhibition devoted to the work of acclaimed artist Tacita Dean, which is presented across the two galleries on the upper floor of the museum, is formed around two recent projects: a trilogy of works designed for The Dante Project (2021), a ballet inspired by The Divine Comedy, and One Hundred and Fifty Years of Painting (2021), a 16mm filmed conversation between the artists Luchita Hurtado and Julie Mehretu.

The exhibition is based upon research Dávila conducted during the pandemic into the iconography of the circle and its presence throughout art history in the 20th and 21st centuries. Remarking on the phenomenon, Davila observes, “I’m interested in the circle as the most platonic of forms, it has been a constant human desire. The circle is the symbolic element of human progress.” Comprised of new paintings, sculptures, and silkscreens on cardboard, themes of circularity and the recurrent influence and circular forms throughout art history unite these three interrelated bodies of work.
JOSÉ DÁVILA EXHIBITS THE CIRCULARITY OF DESIRE AT SEAN KELLY NEW YORK
The exhibition is based upon research Dávila conducted during the pandemic into the iconography of the circle and its presence throughout art history in the 20th and 21st centuries. Remarking on the phenomenon, Davila observes, “I’m interested in the circle as the most platonic of forms, it has been a constant human desire. The circle is the symbolic element of human progress.” Comprised of new paintings, sculptures, and silkscreens on cardboard, themes of circularity and the recurrent influence and circular forms throughout art history unite these three interrelated bodies of work.

In the midst of the health and economic crisis that has hit the world and the art industry, Silvia Ortiz opens her gallery to us to talk about the work of Travesía Cuatro during the pandemic, the new ways of conceiving the gallery as a result of it, her vision of collecting in Spain and Latin America, and the possibilities that the historic moment that we have had to experience offers a space like this one.
BETWEEN MEXICO AND SPAIN IN THE MIDST OF THE PANDEMIC | INTERVIEW WITH SILVIA ORTIZ
In the midst of the health and economic crisis that has hit the world and the art industry, Silvia Ortiz opens her gallery to us to talk about the work of Travesía Cuatro during the pandemic, the new ways of conceiving the gallery as a result of it, her vision of collecting in Spain and Latin America, and the possibilities that the historic moment that we have had to experience offers a space like this one.

The exhibition presents on several locations of the city of Lucca, 45 sculptures in marble, bronze and wood. The works in the streets, 16th century walls, churches and two interior spaces, can be visited until September 4.
“THE AWAKENING OF NATURE” - PUBLIC EXHIBITION OF PABLO ATCHUGARRY IN ITALY
The exhibition presents on several locations of the city of Lucca, 45 sculptures in marble, bronze and wood. The works in the streets, 16th century walls, churches and two interior spaces, can be visited until September 4.

The Hamburger Bahnhof is holding an exhibition entitled Under Construction, which will present the latest additions to the Nationalgalerie collection. The museum has been able to acquire these new objects over the past few years thanks in large part to funding from the Freunde der Nationalgalerie.
UNDER CONSTRUCTION: NEW ACQUISITIONS FOR THE NATIONALGALERIE’S COLLECTION
The Hamburger Bahnhof is holding an exhibition entitled Under Construction, which will present the latest additions to the Nationalgalerie collection. The museum has been able to acquire these new objects over the past few years thanks in large part to funding from the Freunde der Nationalgalerie.

This solo exhibition devoted to the work of acclaimed artist Tacita Dean, which is presented across the two galleries on the upper floor of the museum, is formed around two recent projects: a trilogy of works designed for The Dante Project (2021), a ballet inspired by The Divine Comedy, and One Hundred and Fifty Years of Painting (2021), a 16mm filmed conversation between the artists Luchita Hurtado and Julie Mehretu.
TACITA DEAN IN LUXEMBOURG
This solo exhibition devoted to the work of acclaimed artist Tacita Dean, which is presented across the two galleries on the upper floor of the museum, is formed around two recent projects: a trilogy of works designed for The Dante Project (2021), a ballet inspired by The Divine Comedy, and One Hundred and Fifty Years of Painting (2021), a 16mm filmed conversation between the artists Luchita Hurtado and Julie Mehretu.

The exhibition is based upon research Dávila conducted during the pandemic into the iconography of the circle and its presence throughout art history in the 20th and 21st centuries. Remarking on the phenomenon, Davila observes, “I’m interested in the circle as the most platonic of forms, it has been a constant human desire. The circle is the symbolic element of human progress.” Comprised of new paintings, sculptures, and silkscreens on cardboard, themes of circularity and the recurrent influence and circular forms throughout art history unite these three interrelated bodies of work.
JOSÉ DÁVILA EXHIBITS THE CIRCULARITY OF DESIRE AT SEAN KELLY NEW YORK
The exhibition is based upon research Dávila conducted during the pandemic into the iconography of the circle and its presence throughout art history in the 20th and 21st centuries. Remarking on the phenomenon, Davila observes, “I’m interested in the circle as the most platonic of forms, it has been a constant human desire. The circle is the symbolic element of human progress.” Comprised of new paintings, sculptures, and silkscreens on cardboard, themes of circularity and the recurrent influence and circular forms throughout art history unite these three interrelated bodies of work.

In the midst of the health and economic crisis that has hit the world and the art industry, Silvia Ortiz opens her gallery to us to talk about the work of Travesía Cuatro during the pandemic, the new ways of conceiving the gallery as a result of it, her vision of collecting in Spain and Latin America, and the possibilities that the historic moment that we have had to experience offers a space like this one.
BETWEEN MEXICO AND SPAIN IN THE MIDST OF THE PANDEMIC | INTERVIEW WITH SILVIA ORTIZ
In the midst of the health and economic crisis that has hit the world and the art industry, Silvia Ortiz opens her gallery to us to talk about the work of Travesía Cuatro during the pandemic, the new ways of conceiving the gallery as a result of it, her vision of collecting in Spain and Latin America, and the possibilities that the historic moment that we have had to experience offers a space like this one.

The exhibition presents on several locations of the city of Lucca, 45 sculptures in marble, bronze and wood. The works in the streets, 16th century walls, churches and two interior spaces, can be visited until September 4.
“THE AWAKENING OF NATURE” - PUBLIC EXHIBITION OF PABLO ATCHUGARRY IN ITALY
The exhibition presents on several locations of the city of Lucca, 45 sculptures in marble, bronze and wood. The works in the streets, 16th century walls, churches and two interior spaces, can be visited until September 4.

The Hamburger Bahnhof is holding an exhibition entitled Under Construction, which will present the latest additions to the Nationalgalerie collection. The museum has been able to acquire these new objects over the past few years thanks in large part to funding from the Freunde der Nationalgalerie.
UNDER CONSTRUCTION: NEW ACQUISITIONS FOR THE NATIONALGALERIE’S COLLECTION
The Hamburger Bahnhof is holding an exhibition entitled Under Construction, which will present the latest additions to the Nationalgalerie collection. The museum has been able to acquire these new objects over the past few years thanks in large part to funding from the Freunde der Nationalgalerie.

This solo exhibition devoted to the work of acclaimed artist Tacita Dean, which is presented across the two galleries on the upper floor of the museum, is formed around two recent projects: a trilogy of works designed for The Dante Project (2021), a ballet inspired by The Divine Comedy, and One Hundred and Fifty Years of Painting (2021), a 16mm filmed conversation between the artists Luchita Hurtado and Julie Mehretu.
TACITA DEAN IN LUXEMBOURG
This solo exhibition devoted to the work of acclaimed artist Tacita Dean, which is presented across the two galleries on the upper floor of the museum, is formed around two recent projects: a trilogy of works designed for The Dante Project (2021), a ballet inspired by The Divine Comedy, and One Hundred and Fifty Years of Painting (2021), a 16mm filmed conversation between the artists Luchita Hurtado and Julie Mehretu.

The exhibition is based upon research Dávila conducted during the pandemic into the iconography of the circle and its presence throughout art history in the 20th and 21st centuries. Remarking on the phenomenon, Davila observes, “I’m interested in the circle as the most platonic of forms, it has been a constant human desire. The circle is the symbolic element of human progress.” Comprised of new paintings, sculptures, and silkscreens on cardboard, themes of circularity and the recurrent influence and circular forms throughout art history unite these three interrelated bodies of work.
JOSÉ DÁVILA EXHIBITS THE CIRCULARITY OF DESIRE AT SEAN KELLY NEW YORK
The exhibition is based upon research Dávila conducted during the pandemic into the iconography of the circle and its presence throughout art history in the 20th and 21st centuries. Remarking on the phenomenon, Davila observes, “I’m interested in the circle as the most platonic of forms, it has been a constant human desire. The circle is the symbolic element of human progress.” Comprised of new paintings, sculptures, and silkscreens on cardboard, themes of circularity and the recurrent influence and circular forms throughout art history unite these three interrelated bodies of work.

In the midst of the health and economic crisis that has hit the world and the art industry, Silvia Ortiz opens her gallery to us to talk about the work of Travesía Cuatro during the pandemic, the new ways of conceiving the gallery as a result of it, her vision of collecting in Spain and Latin America, and the possibilities that the historic moment that we have had to experience offers a space like this one.
BETWEEN MEXICO AND SPAIN IN THE MIDST OF THE PANDEMIC | INTERVIEW WITH SILVIA ORTIZ
In the midst of the health and economic crisis that has hit the world and the art industry, Silvia Ortiz opens her gallery to us to talk about the work of Travesía Cuatro during the pandemic, the new ways of conceiving the gallery as a result of it, her vision of collecting in Spain and Latin America, and the possibilities that the historic moment that we have had to experience offers a space like this one.

The exhibition presents on several locations of the city of Lucca, 45 sculptures in marble, bronze and wood. The works in the streets, 16th century walls, churches and two interior spaces, can be visited until September 4.
“THE AWAKENING OF NATURE” - PUBLIC EXHIBITION OF PABLO ATCHUGARRY IN ITALY
The exhibition presents on several locations of the city of Lucca, 45 sculptures in marble, bronze and wood. The works in the streets, 16th century walls, churches and two interior spaces, can be visited until September 4.

The Hamburger Bahnhof is holding an exhibition entitled Under Construction, which will present the latest additions to the Nationalgalerie collection. The museum has been able to acquire these new objects over the past few years thanks in large part to funding from the Freunde der Nationalgalerie.
UNDER CONSTRUCTION: NEW ACQUISITIONS FOR THE NATIONALGALERIE’S COLLECTION
The Hamburger Bahnhof is holding an exhibition entitled Under Construction, which will present the latest additions to the Nationalgalerie collection. The museum has been able to acquire these new objects over the past few years thanks in large part to funding from the Freunde der Nationalgalerie.

This solo exhibition devoted to the work of acclaimed artist Tacita Dean, which is presented across the two galleries on the upper floor of the museum, is formed around two recent projects: a trilogy of works designed for The Dante Project (2021), a ballet inspired by The Divine Comedy, and One Hundred and Fifty Years of Painting (2021), a 16mm filmed conversation between the artists Luchita Hurtado and Julie Mehretu.
TACITA DEAN IN LUXEMBOURG
This solo exhibition devoted to the work of acclaimed artist Tacita Dean, which is presented across the two galleries on the upper floor of the museum, is formed around two recent projects: a trilogy of works designed for The Dante Project (2021), a ballet inspired by The Divine Comedy, and One Hundred and Fifty Years of Painting (2021), a 16mm filmed conversation between the artists Luchita Hurtado and Julie Mehretu.

The exhibition is based upon research Dávila conducted during the pandemic into the iconography of the circle and its presence throughout art history in the 20th and 21st centuries. Remarking on the phenomenon, Davila observes, “I’m interested in the circle as the most platonic of forms, it has been a constant human desire. The circle is the symbolic element of human progress.” Comprised of new paintings, sculptures, and silkscreens on cardboard, themes of circularity and the recurrent influence and circular forms throughout art history unite these three interrelated bodies of work.
JOSÉ DÁVILA EXHIBITS THE CIRCULARITY OF DESIRE AT SEAN KELLY NEW YORK
The exhibition is based upon research Dávila conducted during the pandemic into the iconography of the circle and its presence throughout art history in the 20th and 21st centuries. Remarking on the phenomenon, Davila observes, “I’m interested in the circle as the most platonic of forms, it has been a constant human desire. The circle is the symbolic element of human progress.” Comprised of new paintings, sculptures, and silkscreens on cardboard, themes of circularity and the recurrent influence and circular forms throughout art history unite these three interrelated bodies of work.

In the midst of the health and economic crisis that has hit the world and the art industry, Silvia Ortiz opens her gallery to us to talk about the work of Travesía Cuatro during the pandemic, the new ways of conceiving the gallery as a result of it, her vision of collecting in Spain and Latin America, and the possibilities that the historic moment that we have had to experience offers a space like this one.
BETWEEN MEXICO AND SPAIN IN THE MIDST OF THE PANDEMIC | INTERVIEW WITH SILVIA ORTIZ
In the midst of the health and economic crisis that has hit the world and the art industry, Silvia Ortiz opens her gallery to us to talk about the work of Travesía Cuatro during the pandemic, the new ways of conceiving the gallery as a result of it, her vision of collecting in Spain and Latin America, and the possibilities that the historic moment that we have had to experience offers a space like this one.

The exhibition presents on several locations of the city of Lucca, 45 sculptures in marble, bronze and wood. The works in the streets, 16th century walls, churches and two interior spaces, can be visited until September 4.
“THE AWAKENING OF NATURE” - PUBLIC EXHIBITION OF PABLO ATCHUGARRY IN ITALY
The exhibition presents on several locations of the city of Lucca, 45 sculptures in marble, bronze and wood. The works in the streets, 16th century walls, churches and two interior spaces, can be visited until September 4.

The Hamburger Bahnhof is holding an exhibition entitled Under Construction, which will present the latest additions to the Nationalgalerie collection. The museum has been able to acquire these new objects over the past few years thanks in large part to funding from the Freunde der Nationalgalerie.
UNDER CONSTRUCTION: NEW ACQUISITIONS FOR THE NATIONALGALERIE’S COLLECTION
The Hamburger Bahnhof is holding an exhibition entitled Under Construction, which will present the latest additions to the Nationalgalerie collection. The museum has been able to acquire these new objects over the past few years thanks in large part to funding from the Freunde der Nationalgalerie.

This solo exhibition devoted to the work of acclaimed artist Tacita Dean, which is presented across the two galleries on the upper floor of the museum, is formed around two recent projects: a trilogy of works designed for The Dante Project (2021), a ballet inspired by The Divine Comedy, and One Hundred and Fifty Years of Painting (2021), a 16mm filmed conversation between the artists Luchita Hurtado and Julie Mehretu.
TACITA DEAN IN LUXEMBOURG
This solo exhibition devoted to the work of acclaimed artist Tacita Dean, which is presented across the two galleries on the upper floor of the museum, is formed around two recent projects: a trilogy of works designed for The Dante Project (2021), a ballet inspired by The Divine Comedy, and One Hundred and Fifty Years of Painting (2021), a 16mm filmed conversation between the artists Luchita Hurtado and Julie Mehretu.