MARCELO BRODSKY AT THE MUSEO JUDAICO OF SÃO PAULO
Rolf Art presented within the framework of the 35th São Paulo Biennale Choreographies of the Impossible, an anthological exhibition by Marcelo Brodsky, curated by Márcio Seligmann-Silva at the Museu Judaico de São Paulo.

Marcelo Brodsky: Exiles, Ruins, Resistances brings together a selection of Marcelo Brodsky's most iconic works and essays such as Good Memory (1996), Nexus (2001), Fields (2001), I Pray with my Feet (2014), 1968: The Fire of Ideas (2014-2018), Migrants (2016), Opening Bridges (2019-2020), Traces of Violence (2021) among others, which address sensitive themes such as memory, resistance and human rights through photographs, videos and installations.
With a wide international presence throughout his 40-year career – including exhibitions and works in collections of renowned museums– the Argentine photographer has rescued, curated and re-signified photographs, transforming the records, from anonymous to familiar (such as the portraits of his brother, disappeared during the dictatorship), into a graphic work that involves colors, marks and legends.
The exhibition has three axes, the first is the theme of Exiles, with series such as Migrants - In the Mediterranean and Opening Bridges, dealing with humanitarian problems and the refugee issue. In the second axis, Ruins, he presents the series Remains - Rubble - AMIA in reference to the terrorist attack suffered by the Asociación Mutual Israelita Argentina in 1994, which left 85 dead. In Resistances, the third axis, he opens a new perspective beyond the stories of violence captured by his lens, for example: interventions showing injustices during the dictatorship in Latin America, gender and racial issues in the United States and around the world.
In the series 1968, the fire of ideas, made between 2014 and 2018, the photographer works with dozens of archival images of the student and workers' mobilizations that took place around the world in that emblematic year. "Brodsky establishes connections between dreams and demonstrations. Resistance and struggle," says Seligmann-Silva.
The exhibition also includes his work Good Memory, from 1997, and one of his most recent series, Traces of Violence, from 2021, which shows photographs of the genocide that took place in Namibia at the beginning of the 20th century, then a German colony in Africa. From these images, the photographer works with a series of appropriations and insertions into historical records to talk about colonialism, a hot topic explored in other projects throughout his career.
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The São Paulo Biennale opened its doors for its 35th edition. Choreographies of the Impossible focuses on exploring new perspectives of the world from the urgency of the present times.
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The exhibition of the multimedia conceptual artist Alexander Apóstol opened at the PROA21 space. Curated by the theorist and historian Cuauhtemoc Medina, it brings together works produced between 2009 and 2018 closely linked to the Venezuelan reality, his country of origin.
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The exhibition of the multimedia conceptual artist Alexander Apóstol opened at the PROA21 space. Curated by the theorist and historian Cuauhtemoc Medina, it brings together works produced between 2009 and 2018 closely linked to the Venezuelan reality, his country of origin.

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La arquitectura de los peces y el perfume del error (The architecture of fish and the perfume of error) is the photography exhibition of Walter Barrios and Nicolás Trombetta at the Museo Municipal de Arte Juan Carlos Castagnino, in Mar del Plata, Argentina.
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La arquitectura de los peces y el perfume del error (The architecture of fish and the perfume of error) is the photography exhibition of Walter Barrios and Nicolás Trombetta at the Museo Municipal de Arte Juan Carlos Castagnino, in Mar del Plata, Argentina.

Assume Vivid Astro Focus (AVAF) presented Amarelo Vento Azul Floral (Yellow Wind Blue Floral) at Casa Triangulo gallery with recent work of contrasts and chromatic variations.

Umberto Costa Barros’ exhibition WHERE was presented at Marli Matsumoto Contemporary Art. The work was specifically conceived for the gallery space.
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The museum inaugurated the second of two exhibitions devoted to MASP Landmann long-term loan, with 906 pieces brought to the Museum in 2016, remaining until 2026.
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The museum inaugurated the second of two exhibitions devoted to MASP Landmann long-term loan, with 906 pieces brought to the Museum in 2016, remaining until 2026.

The São Paulo Biennale opened its doors for its 35th edition. Choreographies of the Impossible focuses on exploring new perspectives of the world from the urgency of the present times.
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The São Paulo Biennale opened its doors for its 35th edition. Choreographies of the Impossible focuses on exploring new perspectives of the world from the urgency of the present times.

The exhibition of the multimedia conceptual artist Alexander Apóstol opened at the PROA21 space. Curated by the theorist and historian Cuauhtemoc Medina, it brings together works produced between 2009 and 2018 closely linked to the Venezuelan reality, his country of origin.
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From September 1 to October 29, the city of Seoul is holding the 4th Seoul Biennale of Architecture and Urbanism, a globally recognized event organized by Seoul Metropolitan Government. The fair serves as an international network platform for exchanging ideas with cities worldwide and has already attracted accumulated 1.83 million visitors since its inception in 2017.
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Focused on Black and Indigenous women and non-binary artists, On the edge of visibility – An international Symposium will focus on photographic practices within three broad geographical zones: Latin American, the Caribbean, and the United States.
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