MASP LANDMANN LONG-TERM LOAN – PRE-COLUMBIAN CERAMICS AND METALS
The museum inaugurated the second of two exhibitions devoted to MASP Landmann long-term loan, with 906 pieces brought to the Museum in 2016, remaining until 2026.

Over more than five decades, Oscar and Edith Landmann have gathered one of the most significant collections of pre-Columbian art in Brazil. Encompassing objects produced between 1600 BC and the sixteenth century, attributed to 35 “archaeological cultures,” the loan preserves Chavin, Vicus, Nazca, Moche, Recuay, Chimu, Inca, and other pieces from the present-day territories of Ecuador, Peru, Colombia, Venezuela, Panama, Mexico, Brazil, and Caribbean countries. The first show was devoted to fabrics, and this one feature 718 samples made of ceramics, metal, wood, stone, bone, and shell, as well as feathers, fibers, and vegetal or mineral pigments.
The pieces were grouped based on the similarity of their stylistic characteristics. If there is no possibility to determine a direct relation between these material sets and the identity of a people or ethnic group, the visual and technological traits of the objects allow us to assume certain historical and temporal limits, which reflect processes of interaction, disputes, and exchanges among the ancient Amerindians, whose histories are barely known by the Brazilian public.
The dissemination of knowledge about Amerindian populations has been growing through initiatives of museums and other institutions in the arts field, interested in including Indigenous perspectives in their narratives. In this sense, by revealing the potential of the archaeological collections for scientific research and the acknowledgment of the American continent’s ancestry, the exhibition incorporates the careful view of the collectors, who were attentive to the selected objects and their stories, a remarkable feature of MASP Landmann Long-Term Loan.
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With the third act dedicated to the memory of Abdias Nascimento (1914-2011), an exhibition focused on the work of Mestre Didi (1917-2013) and a large installation by the emerging Mônica Ventura, Inhotim is consolidating an important change in the profile of its collection and in the commissioning of new works.
3RD ACT – ABDIAS NASCIMENTO AND THE MUSEUM OF BLACK ART, MESTRE DIDI AND MÔNICA VENTURA – MYSTERIES TO EMERGE
With the third act dedicated to the memory of Abdias Nascimento (1914-2011), an exhibition focused on the work of Mestre Didi (1917-2013) and a large installation by the emerging Mônica Ventura, Inhotim is consolidating an important change in the profile of its collection and in the commissioning of new works.

The memories of a community narrated by the individuals who live in it. This is what visitors will discover at the exhibition Retratistas do Morro (Portraitists of the Hill), running at Sesc Pinheiros.
RETRATISTAS DO MORRO (PORTRAITISTS OF THE HILL) AT SESC SÃO PAULO
The memories of a community narrated by the individuals who live in it. This is what visitors will discover at the exhibition Retratistas do Morro (Portraitists of the Hill), running at Sesc Pinheiros.

The exhibition All this is us by Yanomami artist Sheroanawe Hakihiiwe at MASP presented 48 works with the mission to preserve his community’s cultural value.
SHEROANAWE HAKIHIIWE: YANOMAMI COSMOLOGY AT MASP
The exhibition All this is us by Yanomami artist Sheroanawe Hakihiiwe at MASP presented 48 works with the mission to preserve his community’s cultural value.

The Blackwood Gallery at University of Toronto Mississauga presented GUT_BRAIN, an exhibition series inspired by the primary movements of the digestive system: ingestion, propulsion, mechanical breakdown, chemical digestion, absorption, and elimination.
GUT_BRAIN 1: DESTRUCTIVE DESIRES AND OTHER DESTINITIES OF EXCESS
The Blackwood Gallery at University of Toronto Mississauga presented GUT_BRAIN, an exhibition series inspired by the primary movements of the digestive system: ingestion, propulsion, mechanical breakdown, chemical digestion, absorption, and elimination.

The São Paulo Biennale opened its doors for its 35th edition. Choreographies of the Impossible focuses on exploring new perspectives of the world from the urgency of the present times.
DIVERSITY AND FLUIDITY. THE 2023 SÃO PAULO BIENNALE
The São Paulo Biennale opened its doors for its 35th edition. Choreographies of the Impossible focuses on exploring new perspectives of the world from the urgency of the present times.

Rolf Art presented within the framework of the 35th São Paulo Biennale Choreographies of the Impossible, an anthological exhibition by Marcelo Brodsky, curated by Márcio Seligmann-Silva at the Museu Judaico de São Paulo.
MARCELO BRODSKY AT THE MUSEO JUDAICO OF SÃO PAULO
Rolf Art presented within the framework of the 35th São Paulo Biennale Choreographies of the Impossible, an anthological exhibition by Marcelo Brodsky, curated by Márcio Seligmann-Silva at the Museu Judaico de São Paulo.

Renowned artist Fernando Botero died on Friday, September 15, at the age of 91 at his residence in the Principality of Monaco.
FERNANDO BOTERO: THE END OF A LIFE OF GREAT ARTISTIC LEGACY
Renowned artist Fernando Botero died on Friday, September 15, at the age of 91 at his residence in the Principality of Monaco.

The exhibition Marta Minujín: Vive at the Pinacoteca de São Paulo is the first panoramic exhibition in Brazil of one of the most important Latin American artists of her generation.
ART, ART AND MORE ART! MARTA MINUJÍN AT THE PINACOTECA OF SÃO PAULO
The exhibition Marta Minujín: Vive at the Pinacoteca de São Paulo is the first panoramic exhibition in Brazil of one of the most important Latin American artists of her generation.

The 35th São Paulo Biennale, Choreographies of the Impossible, gathered more than 1100 works by 121 participants focused on exploring new perspectives of the world.
DISSIDENCE AND NEW REPRESENTATIONS. THE SÃO PAULO BIENNIAL 2023
The 35th São Paulo Biennale, Choreographies of the Impossible, gathered more than 1100 works by 121 participants focused on exploring new perspectives of the world.

On November 18, the iconic auction of the Museo de Arte de Lima (MALI) celebrates its 30th edition. This year, the auction will be held at Hotel B. with more than 60 pieces of art by some of the most outstanding artists in the history of Peruvian art.
THE MALI AUCTION CELEBRATES ITS 30TH EDITION
On November 18, the iconic auction of the Museo de Arte de Lima (MALI) celebrates its 30th edition. This year, the auction will be held at Hotel B. with more than 60 pieces of art by some of the most outstanding artists in the history of Peruvian art.

Montenegro Art Projects (MAP) presented the group exhibition La Fibra del Tiempo (The Fiber of Time), with the participation of Adriana Barrio, Yuli Cadavid, Laura Reneé Maier, Aimé García, Melany Valdés, Ana Milena Gómez and Erika Díaz.
THE FIBER OF TIME: A GROUP EXHIBITION AT MAP
Montenegro Art Projects (MAP) presented the group exhibition La Fibra del Tiempo (The Fiber of Time), with the participation of Adriana Barrio, Yuli Cadavid, Laura Reneé Maier, Aimé García, Melany Valdés, Ana Milena Gómez and Erika Díaz.