CAPACETE PROJECT ON MARLI MATSUMOTO
Marli Matsumoto Arte Contemporânea presents Mestre de obras (literally: master of works, or an overseer of construction work) an exhibition/event that will celebrate 25 years of CAPACETE's manifold activities.

The CAPACETE Project is the largest artistic residency in Latin America that during its trajectory, among its activities, brought to Brazil relevant names from the international context of art. The exhibition will present objects designed by curators, artists, designers, beekeepers, architects, choreographers and even masters of works.
The exhibited pieces constitute a joint project, a platform dedicated to the fate of objects as thought, as well as their uses in contemporary culture and experience. The space of the Gallery is also that of a house, to which the objects conform or disconform.
Mestre de obras features works by Alexandre Vogler, Arte de obra , Andre Bergen & Yael Davids, Camilla Felicitas, Daragh Reeves, Eduardo Azevedo, Eli Sudbrack, Eliana Otta, Fabiana Faleiros, Fred Gelli, Greg Bousquet, Helmut Batista, Ivan Navarro, Jean Pascal Flavien, Jarbas Lopes, Julien Bismuth, Julia Retz, Laura Lima, Marcos Chaves Mariana Lanari & Remco van Bladel, Marssares, Marcos Martins, Pedro Vitor, Roberto Somlo, Roosevelt, Raquel Garbelotti Regina DabDab, Santiago Garcia Navarro, Ricardo Siri, Vitor Cesar and X-tudo. They are all artists, curators, architects, writers, poets, designers, people –who participated in, or in some ways were close to the CAPACETE program during all these years.
These contributors designed objects with an ‘everyday or daily’ use function, but not necessarily ordinary objects; perhaps they are even extraordinary. The objects are not immediately identified as works of art, but neither exactly or directly as design or as products. They are not ready-mades (readily-made, indifferent), because the exhibited pieces are to some degree hand-made; or if we just use an adjective, they could be ‘heady’.
Mestre de obras is not intended as an articulation that is only related to art concepts, especially those that keep the world of objects in check, as the historical vanguards proposed. Objects increasingly have other, new complexities. More than ever, they are inexorably and symbolically affected by the environments and contexts in which they are (re)presented, (re)enacted. Everything is exposed, either as a fetish or as symbolic capital once again fetishized.
Mestre de obras. Group exhibition.
Until August 12, 2023.
Marli Matsumoto Arte Contemporânea. R. João Alberto Moreira, 128 – Sumarezinho, São Paulo, Brazil.
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The memories of a community narrated by the individuals who live in it. This is what visitors will discover at the exhibition Retratistas do Morro (Portraitists of the Hill), running at Sesc Pinheiros.
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The Depth of Things is a series of 24 photographs created from a stellar planisphere. For the exhibition at Galeria Vermelho, Nicolás Bacal isolated and separated the galactic plane (the Milky Way) into fragments that he used as precise guides to compose his images.

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For the first time ever in Brazil, the installation Eu, Você e a Lua (2015) (Me, You and the Moon) –one of the last major works completed by the artist– will be presented at the Museu de Arte Moderna de São Paulo (Museum of Modern Art of São Paulo).
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For the first time ever in Brazil, the installation Eu, Você e a Lua (2015) (Me, You and the Moon) –one of the last major works completed by the artist– will be presented at the Museu de Arte Moderna de São Paulo (Museum of Modern Art of São Paulo).

The museum inaugurated the second of two exhibitions devoted to MASP Landmann long-term loan, with 906 pieces brought to the Museum in 2016, remaining until 2026.
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The museum inaugurated the second of two exhibitions devoted to MASP Landmann long-term loan, with 906 pieces brought to the Museum in 2016, remaining until 2026.

The results of the first edition of the Ama Amoedo Foundation Grants were announced. Among approximately 2,000 applications, 10 projects were selected in the following categories: Artists, Art and Social Commitment, Organizations and Publications.
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The results of the first edition of the Ama Amoedo Foundation Grants were announced. Among approximately 2,000 applications, 10 projects were selected in the following categories: Artists, Art and Social Commitment, Organizations and Publications.

With the third act dedicated to the memory of Abdias Nascimento (1914-2011), an exhibition focused on the work of Mestre Didi (1917-2013) and a large installation by the emerging Mônica Ventura, Inhotim is consolidating an important change in the profile of its collection and in the commissioning of new works.
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The memories of a community narrated by the individuals who live in it. This is what visitors will discover at the exhibition Retratistas do Morro (Portraitists of the Hill), running at Sesc Pinheiros.
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The memories of a community narrated by the individuals who live in it. This is what visitors will discover at the exhibition Retratistas do Morro (Portraitists of the Hill), running at Sesc Pinheiros.

The Depth of Things is a series of 24 photographs created from a stellar planisphere. For the exhibition at Galeria Vermelho, Nicolás Bacal isolated and separated the galactic plane (the Milky Way) into fragments that he used as precise guides to compose his images.

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THE AMAZONAS AND SOUTHEAST ASIA: A CULTURAL EXCHANGE
The exhibition How many worlds are we? Presented in The Jim Thompson Art Center explores the notion of East and West in traditional and contemporary cultural practices between Amazonas and Southeast Asia.

For the first time ever in Brazil, the installation Eu, Você e a Lua (2015) (Me, You and the Moon) –one of the last major works completed by the artist– will be presented at the Museu de Arte Moderna de São Paulo (Museum of Modern Art of São Paulo).
ME, YOU AND THE MOON. TUNGA AT MAM SÃO PAULO
For the first time ever in Brazil, the installation Eu, Você e a Lua (2015) (Me, You and the Moon) –one of the last major works completed by the artist– will be presented at the Museu de Arte Moderna de São Paulo (Museum of Modern Art of São Paulo).

The museum inaugurated the second of two exhibitions devoted to MASP Landmann long-term loan, with 906 pieces brought to the Museum in 2016, remaining until 2026.
MASP LANDMANN LONG-TERM LOAN – PRE-COLUMBIAN CERAMICS AND METALS
The museum inaugurated the second of two exhibitions devoted to MASP Landmann long-term loan, with 906 pieces brought to the Museum in 2016, remaining until 2026.

The results of the first edition of the Ama Amoedo Foundation Grants were announced. Among approximately 2,000 applications, 10 projects were selected in the following categories: Artists, Art and Social Commitment, Organizations and Publications.
AMA AMOEDO FOUNDATION ANNOUNCED 2023 SCHOLARSHIPS AWARD WINNERS
The results of the first edition of the Ama Amoedo Foundation Grants were announced. Among approximately 2,000 applications, 10 projects were selected in the following categories: Artists, Art and Social Commitment, Organizations and Publications.

With the third act dedicated to the memory of Abdias Nascimento (1914-2011), an exhibition focused on the work of Mestre Didi (1917-2013) and a large installation by the emerging Mônica Ventura, Inhotim is consolidating an important change in the profile of its collection and in the commissioning of new works.
3RD ACT – ABDIAS NASCIMENTO AND THE MUSEUM OF BLACK ART, MESTRE DIDI AND MÔNICA VENTURA – MYSTERIES TO EMERGE
With the third act dedicated to the memory of Abdias Nascimento (1914-2011), an exhibition focused on the work of Mestre Didi (1917-2013) and a large installation by the emerging Mônica Ventura, Inhotim is consolidating an important change in the profile of its collection and in the commissioning of new works.

The memories of a community narrated by the individuals who live in it. This is what visitors will discover at the exhibition Retratistas do Morro (Portraitists of the Hill), running at Sesc Pinheiros.
RETRATISTAS DO MORRO (PORTRAITISTS OF THE HILL) AT SESC SÃO PAULO
The memories of a community narrated by the individuals who live in it. This is what visitors will discover at the exhibition Retratistas do Morro (Portraitists of the Hill), running at Sesc Pinheiros.

The Depth of Things is a series of 24 photographs created from a stellar planisphere. For the exhibition at Galeria Vermelho, Nicolás Bacal isolated and separated the galactic plane (the Milky Way) into fragments that he used as precise guides to compose his images.

Four years after de donation of Paulo Mendes da Rocha’s entire archive to Casa da Architectura, the Portuguese Center for Architecture presented two simultaneous exhibtions, a book and a ten-month parallel program of activities around the artist’s principles, aesthetics and ethics.
CASA DA ARQUITECTURA PRESENTS TWO EXHIBITIONS BY PAULO MENDES DA ROCHA
Four years after de donation of Paulo Mendes da Rocha’s entire archive to Casa da Architectura, the Portuguese Center for Architecture presented two simultaneous exhibtions, a book and a ten-month parallel program of activities around the artist’s principles, aesthetics and ethics.

The exhibition How many worlds are we? Presented in The Jim Thompson Art Center explores the notion of East and West in traditional and contemporary cultural practices between Amazonas and Southeast Asia.
THE AMAZONAS AND SOUTHEAST ASIA: A CULTURAL EXCHANGE
The exhibition How many worlds are we? Presented in The Jim Thompson Art Center explores the notion of East and West in traditional and contemporary cultural practices between Amazonas and Southeast Asia.

For the first time ever in Brazil, the installation Eu, Você e a Lua (2015) (Me, You and the Moon) –one of the last major works completed by the artist– will be presented at the Museu de Arte Moderna de São Paulo (Museum of Modern Art of São Paulo).
ME, YOU AND THE MOON. TUNGA AT MAM SÃO PAULO
For the first time ever in Brazil, the installation Eu, Você e a Lua (2015) (Me, You and the Moon) –one of the last major works completed by the artist– will be presented at the Museu de Arte Moderna de São Paulo (Museum of Modern Art of São Paulo).

The museum inaugurated the second of two exhibitions devoted to MASP Landmann long-term loan, with 906 pieces brought to the Museum in 2016, remaining until 2026.
MASP LANDMANN LONG-TERM LOAN – PRE-COLUMBIAN CERAMICS AND METALS
The museum inaugurated the second of two exhibitions devoted to MASP Landmann long-term loan, with 906 pieces brought to the Museum in 2016, remaining until 2026.

The results of the first edition of the Ama Amoedo Foundation Grants were announced. Among approximately 2,000 applications, 10 projects were selected in the following categories: Artists, Art and Social Commitment, Organizations and Publications.
AMA AMOEDO FOUNDATION ANNOUNCED 2023 SCHOLARSHIPS AWARD WINNERS
The results of the first edition of the Ama Amoedo Foundation Grants were announced. Among approximately 2,000 applications, 10 projects were selected in the following categories: Artists, Art and Social Commitment, Organizations and Publications.

With the third act dedicated to the memory of Abdias Nascimento (1914-2011), an exhibition focused on the work of Mestre Didi (1917-2013) and a large installation by the emerging Mônica Ventura, Inhotim is consolidating an important change in the profile of its collection and in the commissioning of new works.
3RD ACT – ABDIAS NASCIMENTO AND THE MUSEUM OF BLACK ART, MESTRE DIDI AND MÔNICA VENTURA – MYSTERIES TO EMERGE
With the third act dedicated to the memory of Abdias Nascimento (1914-2011), an exhibition focused on the work of Mestre Didi (1917-2013) and a large installation by the emerging Mônica Ventura, Inhotim is consolidating an important change in the profile of its collection and in the commissioning of new works.

The memories of a community narrated by the individuals who live in it. This is what visitors will discover at the exhibition Retratistas do Morro (Portraitists of the Hill), running at Sesc Pinheiros.
RETRATISTAS DO MORRO (PORTRAITISTS OF THE HILL) AT SESC SÃO PAULO
The memories of a community narrated by the individuals who live in it. This is what visitors will discover at the exhibition Retratistas do Morro (Portraitists of the Hill), running at Sesc Pinheiros.

The Depth of Things is a series of 24 photographs created from a stellar planisphere. For the exhibition at Galeria Vermelho, Nicolás Bacal isolated and separated the galactic plane (the Milky Way) into fragments that he used as precise guides to compose his images.

Four years after de donation of Paulo Mendes da Rocha’s entire archive to Casa da Architectura, the Portuguese Center for Architecture presented two simultaneous exhibtions, a book and a ten-month parallel program of activities around the artist’s principles, aesthetics and ethics.
CASA DA ARQUITECTURA PRESENTS TWO EXHIBITIONS BY PAULO MENDES DA ROCHA
Four years after de donation of Paulo Mendes da Rocha’s entire archive to Casa da Architectura, the Portuguese Center for Architecture presented two simultaneous exhibtions, a book and a ten-month parallel program of activities around the artist’s principles, aesthetics and ethics.

The exhibition How many worlds are we? Presented in The Jim Thompson Art Center explores the notion of East and West in traditional and contemporary cultural practices between Amazonas and Southeast Asia.
THE AMAZONAS AND SOUTHEAST ASIA: A CULTURAL EXCHANGE
The exhibition How many worlds are we? Presented in The Jim Thompson Art Center explores the notion of East and West in traditional and contemporary cultural practices between Amazonas and Southeast Asia.

For the first time ever in Brazil, the installation Eu, Você e a Lua (2015) (Me, You and the Moon) –one of the last major works completed by the artist– will be presented at the Museu de Arte Moderna de São Paulo (Museum of Modern Art of São Paulo).
ME, YOU AND THE MOON. TUNGA AT MAM SÃO PAULO
For the first time ever in Brazil, the installation Eu, Você e a Lua (2015) (Me, You and the Moon) –one of the last major works completed by the artist– will be presented at the Museu de Arte Moderna de São Paulo (Museum of Modern Art of São Paulo).

The museum inaugurated the second of two exhibitions devoted to MASP Landmann long-term loan, with 906 pieces brought to the Museum in 2016, remaining until 2026.
MASP LANDMANN LONG-TERM LOAN – PRE-COLUMBIAN CERAMICS AND METALS
The museum inaugurated the second of two exhibitions devoted to MASP Landmann long-term loan, with 906 pieces brought to the Museum in 2016, remaining until 2026.