THE BLANTON MUSEUM EXHIBITS “INVISIBILIA” BY OSCAR MUÑOZ

Fantastic Interior is made up of four scenes, interventions that take place throughout the year by four different artists, whose common thread is issues such as intimacy, self-care and the construction of subjectivity. Through the practice of these artists -Ad Minoliti, Marina González Guerreiro, Eva Kot'átková and Korakrit Arunanondchai-, the curator Rafa Barber Cortell invites us to think about the imaginary that has been created around the "inner world".

Organized by Human Rights Art Initiative and art+château, this photographic exhibition in Zurich features artist and human rights activist Marcelo Brodsky (b. 1954, Buenos Aires, Argentina) along with video works and a performance by Ko Latt, Yadanar Win, Lily and Zoncy, who represent the new generation of Burmese artists and whose work reveal elements of Myanmar’s social, political, and cultural narrative. Curated by Giulia Busetti and Dr. Valentina Locatelli.

Mexican artist, Teresa Margolles, transfers the space of death to the sphere of art, a metaphor par excellence of the border, of a limit that paradoxically is reached only when we are no longer and, therefore, we will no longer be able to tell it. An attempt to counter addiction and impotence in the face of daily tragedies such as gender violence or the exploitation of illegal immigration, caused by the inaction of governments and by a melodramatic or sensationalistic media exploitation.

Stockholm syndrome occurs when a victim establishes an emotional bond with their captors. With motherhood many women feel like this: their life is no longer theirs and escaping is impossible. However, the kidnappers are not the daughters or the sons. The perpetrator is the patriarchal system that, under the story of love, hides the tasks that sustain life while exploiting them. The works exhibited here reveal motherhood as a disputed concept. On one side is the violence of labor and legal demands; on the other, the struggles that intertwine like a tide around the need for reproductive rights and care strategies that escape capitalist accumulation. This is an example of the enormous political power of motherhood.

The Art Museum of the Americas presents Geandy Pavón: Quarantine: 40 Days and 40 Nights, a timely and imaginative photographic exploration of life under quarantine. Initially presented as an online exhibition during the early days of the COVID-19 pandemic, this long-awaited exhibition is now open for visitors in person at the museum.

Kunsthalle Lissabon presents Tactiles, the first solo show in Portugal by the Costa Rican artist Federico Herrero.

Opening on February 22, 2022, Emotional Landscapes by Ragnar Kjartansson  features four monumental video installations from the TBA21 Collection, as well as some of his works on paper on loan from other collections, installed within the Museo Nacional Thyssen-Bornemisza’s foremost collections of 19th and 20th-century American Art.

The National Gallery of Art announced Maria Bonta de la Pezuela as new Deputy Director of Development, within the division of External Affairs and Audience Engagement. Maria brings deep expertise in Latin American and Contemporary Art as well as strong professional relationships throughout the Americas to the position.

Fantastic Interior is made up of four scenes, interventions that take place throughout the year by four different artists, whose common thread is issues such as intimacy, self-care and the construction of subjectivity. Through the practice of these artists -Ad Minoliti, Marina González Guerreiro, Eva Kot'átková and Korakrit Arunanondchai-, the curator Rafa Barber Cortell invites us to think about the imaginary that has been created around the "inner world".

Organized by Human Rights Art Initiative and art+château, this photographic exhibition in Zurich features artist and human rights activist Marcelo Brodsky (b. 1954, Buenos Aires, Argentina) along with video works and a performance by Ko Latt, Yadanar Win, Lily and Zoncy, who represent the new generation of Burmese artists and whose work reveal elements of Myanmar’s social, political, and cultural narrative. Curated by Giulia Busetti and Dr. Valentina Locatelli.

Mexican artist, Teresa Margolles, transfers the space of death to the sphere of art, a metaphor par excellence of the border, of a limit that paradoxically is reached only when we are no longer and, therefore, we will no longer be able to tell it. An attempt to counter addiction and impotence in the face of daily tragedies such as gender violence or the exploitation of illegal immigration, caused by the inaction of governments and by a melodramatic or sensationalistic media exploitation.

Stockholm syndrome occurs when a victim establishes an emotional bond with their captors. With motherhood many women feel like this: their life is no longer theirs and escaping is impossible. However, the kidnappers are not the daughters or the sons. The perpetrator is the patriarchal system that, under the story of love, hides the tasks that sustain life while exploiting them. The works exhibited here reveal motherhood as a disputed concept. On one side is the violence of labor and legal demands; on the other, the struggles that intertwine like a tide around the need for reproductive rights and care strategies that escape capitalist accumulation. This is an example of the enormous political power of motherhood.

The Art Museum of the Americas presents Geandy Pavón: Quarantine: 40 Days and 40 Nights, a timely and imaginative photographic exploration of life under quarantine. Initially presented as an online exhibition during the early days of the COVID-19 pandemic, this long-awaited exhibition is now open for visitors in person at the museum.

Kunsthalle Lissabon presents Tactiles, the first solo show in Portugal by the Costa Rican artist Federico Herrero.

Opening on February 22, 2022, Emotional Landscapes by Ragnar Kjartansson  features four monumental video installations from the TBA21 Collection, as well as some of his works on paper on loan from other collections, installed within the Museo Nacional Thyssen-Bornemisza’s foremost collections of 19th and 20th-century American Art.

The National Gallery of Art announced Maria Bonta de la Pezuela as new Deputy Director of Development, within the division of External Affairs and Audience Engagement. Maria brings deep expertise in Latin American and Contemporary Art as well as strong professional relationships throughout the Americas to the position.

Organized by Human Rights Art Initiative and art+château, this photographic exhibition in Zurich features artist and human rights activist Marcelo Brodsky (b. 1954, Buenos Aires, Argentina) along with video works and a performance by Ko Latt, Yadanar Win, Lily and Zoncy, who represent the new generation of Burmese artists and whose work reveal elements of Myanmar’s social, political, and cultural narrative. Curated by Giulia Busetti and Dr. Valentina Locatelli.

Mexican artist, Teresa Margolles, transfers the space of death to the sphere of art, a metaphor par excellence of the border, of a limit that paradoxically is reached only when we are no longer and, therefore, we will no longer be able to tell it. An attempt to counter addiction and impotence in the face of daily tragedies such as gender violence or the exploitation of illegal immigration, caused by the inaction of governments and by a melodramatic or sensationalistic media exploitation.

Stockholm syndrome occurs when a victim establishes an emotional bond with their captors. With motherhood many women feel like this: their life is no longer theirs and escaping is impossible. However, the kidnappers are not the daughters or the sons. The perpetrator is the patriarchal system that, under the story of love, hides the tasks that sustain life while exploiting them. The works exhibited here reveal motherhood as a disputed concept. On one side is the violence of labor and legal demands; on the other, the struggles that intertwine like a tide around the need for reproductive rights and care strategies that escape capitalist accumulation. This is an example of the enormous political power of motherhood.

The Art Museum of the Americas presents Geandy Pavón: Quarantine: 40 Days and 40 Nights, a timely and imaginative photographic exploration of life under quarantine. Initially presented as an online exhibition during the early days of the COVID-19 pandemic, this long-awaited exhibition is now open for visitors in person at the museum.

Kunsthalle Lissabon presents Tactiles, the first solo show in Portugal by the Costa Rican artist Federico Herrero.

Opening on February 22, 2022, Emotional Landscapes by Ragnar Kjartansson  features four monumental video installations from the TBA21 Collection, as well as some of his works on paper on loan from other collections, installed within the Museo Nacional Thyssen-Bornemisza’s foremost collections of 19th and 20th-century American Art.

The National Gallery of Art announced Maria Bonta de la Pezuela as new Deputy Director of Development, within the division of External Affairs and Audience Engagement. Maria brings deep expertise in Latin American and Contemporary Art as well as strong professional relationships throughout the Americas to the position.

Fantastic Interior is made up of four scenes, interventions that take place throughout the year by four different artists, whose common thread is issues such as intimacy, self-care and the construction of subjectivity. Through the practice of these artists -Ad Minoliti, Marina González Guerreiro, Eva Kot'átková and Korakrit Arunanondchai-, the curator Rafa Barber Cortell invites us to think about the imaginary that has been created around the "inner world".

Organized by Human Rights Art Initiative and art+château, this photographic exhibition in Zurich features artist and human rights activist Marcelo Brodsky (b. 1954, Buenos Aires, Argentina) along with video works and a performance by Ko Latt, Yadanar Win, Lily and Zoncy, who represent the new generation of Burmese artists and whose work reveal elements of Myanmar’s social, political, and cultural narrative. Curated by Giulia Busetti and Dr. Valentina Locatelli.

Mexican artist, Teresa Margolles, transfers the space of death to the sphere of art, a metaphor par excellence of the border, of a limit that paradoxically is reached only when we are no longer and, therefore, we will no longer be able to tell it. An attempt to counter addiction and impotence in the face of daily tragedies such as gender violence or the exploitation of illegal immigration, caused by the inaction of governments and by a melodramatic or sensationalistic media exploitation.

Stockholm syndrome occurs when a victim establishes an emotional bond with their captors. With motherhood many women feel like this: their life is no longer theirs and escaping is impossible. However, the kidnappers are not the daughters or the sons. The perpetrator is the patriarchal system that, under the story of love, hides the tasks that sustain life while exploiting them. The works exhibited here reveal motherhood as a disputed concept. On one side is the violence of labor and legal demands; on the other, the struggles that intertwine like a tide around the need for reproductive rights and care strategies that escape capitalist accumulation. This is an example of the enormous political power of motherhood.

The Art Museum of the Americas presents Geandy Pavón: Quarantine: 40 Days and 40 Nights, a timely and imaginative photographic exploration of life under quarantine. Initially presented as an online exhibition during the early days of the COVID-19 pandemic, this long-awaited exhibition is now open for visitors in person at the museum.

Kunsthalle Lissabon presents Tactiles, the first solo show in Portugal by the Costa Rican artist Federico Herrero.

Opening on February 22, 2022, Emotional Landscapes by Ragnar Kjartansson  features four monumental video installations from the TBA21 Collection, as well as some of his works on paper on loan from other collections, installed within the Museo Nacional Thyssen-Bornemisza’s foremost collections of 19th and 20th-century American Art.

The National Gallery of Art announced Maria Bonta de la Pezuela as new Deputy Director of Development, within the division of External Affairs and Audience Engagement. Maria brings deep expertise in Latin American and Contemporary Art as well as strong professional relationships throughout the Americas to the position.

Fantastic Interior is made up of four scenes, interventions that take place throughout the year by four different artists, whose common thread is issues such as intimacy, self-care and the construction of subjectivity. Through the practice of these artists -Ad Minoliti, Marina González Guerreiro, Eva Kot'átková and Korakrit Arunanondchai-, the curator Rafa Barber Cortell invites us to think about the imaginary that has been created around the "inner world".

Organized by Human Rights Art Initiative and art+château, this photographic exhibition in Zurich features artist and human rights activist Marcelo Brodsky (b. 1954, Buenos Aires, Argentina) along with video works and a performance by Ko Latt, Yadanar Win, Lily and Zoncy, who represent the new generation of Burmese artists and whose work reveal elements of Myanmar’s social, political, and cultural narrative. Curated by Giulia Busetti and Dr. Valentina Locatelli.

Mexican artist, Teresa Margolles, transfers the space of death to the sphere of art, a metaphor par excellence of the border, of a limit that paradoxically is reached only when we are no longer and, therefore, we will no longer be able to tell it. An attempt to counter addiction and impotence in the face of daily tragedies such as gender violence or the exploitation of illegal immigration, caused by the inaction of governments and by a melodramatic or sensationalistic media exploitation.

Stockholm syndrome occurs when a victim establishes an emotional bond with their captors. With motherhood many women feel like this: their life is no longer theirs and escaping is impossible. However, the kidnappers are not the daughters or the sons. The perpetrator is the patriarchal system that, under the story of love, hides the tasks that sustain life while exploiting them. The works exhibited here reveal motherhood as a disputed concept. On one side is the violence of labor and legal demands; on the other, the struggles that intertwine like a tide around the need for reproductive rights and care strategies that escape capitalist accumulation. This is an example of the enormous political power of motherhood.

The Art Museum of the Americas presents Geandy Pavón: Quarantine: 40 Days and 40 Nights, a timely and imaginative photographic exploration of life under quarantine. Initially presented as an online exhibition during the early days of the COVID-19 pandemic, this long-awaited exhibition is now open for visitors in person at the museum.

Kunsthalle Lissabon presents Tactiles, the first solo show in Portugal by the Costa Rican artist Federico Herrero.

Opening on February 22, 2022, Emotional Landscapes by Ragnar Kjartansson  features four monumental video installations from the TBA21 Collection, as well as some of his works on paper on loan from other collections, installed within the Museo Nacional Thyssen-Bornemisza’s foremost collections of 19th and 20th-century American Art.

The National Gallery of Art announced Maria Bonta de la Pezuela as new Deputy Director of Development, within the division of External Affairs and Audience Engagement. Maria brings deep expertise in Latin American and Contemporary Art as well as strong professional relationships throughout the Americas to the position.