THE SHAPES OF COLOR AS PRESENTED BY FEDERICO HERRERO

The Art Museum of the Americas presents Geandy Pavón: Quarantine: 40 Days and 40 Nights, a timely and imaginative photographic exploration of life under quarantine. Initially presented as an online exhibition during the early days of the COVID-19 pandemic, this long-awaited exhibition is now open for visitors in person at the museum.

This exhibition, curated by Vanessa K. Davidson, Ph.D. and co-organized by the Phoenix Art Museum and the Blanton Museum of Art, is the first retrospective of Colombian artist Oscar Muñoz's work in the United States

Fantastic Interior is made up of four scenes, interventions that take place throughout the year by four different artists, whose common thread is issues such as intimacy, self-care and the construction of subjectivity. Through the practice of these artists -Ad Minoliti, Marina González Guerreiro, Eva Kot'átková and Korakrit Arunanondchai-, the curator Rafa Barber Cortell invites us to think about the imaginary that has been created around the "inner world".

Organized by Human Rights Art Initiative and art+château, this photographic exhibition in Zurich features artist and human rights activist Marcelo Brodsky (b. 1954, Buenos Aires, Argentina) along with video works and a performance by Ko Latt, Yadanar Win, Lily and Zoncy, who represent the new generation of Burmese artists and whose work reveal elements of Myanmar’s social, political, and cultural narrative. Curated by Giulia Busetti and Dr. Valentina Locatelli.

The Meadows Museum, SMU, presents an exhibition by the Spanish conceptual artist Ignasi Aballí (b. 1958), ahead of his solo presentation at the Spanish Pavilion at the 59th Venice Biennale.

The Museum of Modern Art of Medellín (MAMM) exhibits María Teresa Hincapié. Si este fuera un principio de infinito (María Teresa Hincapié. If this were a principle of infinity), the first institutional exhibition dedicated to the practice of Colombian artist María Teresa Hincapié (Armenia, 1954 – Bogotá, 2008). A pioneer in Colombia and Latin America, Hincapié had a very particular definition of the performative discipline that she used to call “training” and which resisted any specific categorization; rather, it oscillated between life, creation in motion and the search for the sacred.

Internationally recognized for creating works that are thoughtful, bewildering, and play­ful, Urs Fischer works across sculpture, photography, drawing, painting, and publishing, employing a variety of materials and processes that resist easy classification.

The Sala Alcalá 31 of the Community of Madrid presents the exhibition "A bridge to stay" in which the artist Guillermo Mora dialogues with the architecture of the room and influences how this space is perceived and transited. A questioning of hierarchies and pre-established orders that leads to new ways of traveling, looking at and experiencing space and painting.

The Art Museum of the Americas presents Geandy Pavón: Quarantine: 40 Days and 40 Nights, a timely and imaginative photographic exploration of life under quarantine. Initially presented as an online exhibition during the early days of the COVID-19 pandemic, this long-awaited exhibition is now open for visitors in person at the museum.

This exhibition, curated by Vanessa K. Davidson, Ph.D. and co-organized by the Phoenix Art Museum and the Blanton Museum of Art, is the first retrospective of Colombian artist Oscar Muñoz's work in the United States

Fantastic Interior is made up of four scenes, interventions that take place throughout the year by four different artists, whose common thread is issues such as intimacy, self-care and the construction of subjectivity. Through the practice of these artists -Ad Minoliti, Marina González Guerreiro, Eva Kot'átková and Korakrit Arunanondchai-, the curator Rafa Barber Cortell invites us to think about the imaginary that has been created around the "inner world".

Organized by Human Rights Art Initiative and art+château, this photographic exhibition in Zurich features artist and human rights activist Marcelo Brodsky (b. 1954, Buenos Aires, Argentina) along with video works and a performance by Ko Latt, Yadanar Win, Lily and Zoncy, who represent the new generation of Burmese artists and whose work reveal elements of Myanmar’s social, political, and cultural narrative. Curated by Giulia Busetti and Dr. Valentina Locatelli.

The Meadows Museum, SMU, presents an exhibition by the Spanish conceptual artist Ignasi Aballí (b. 1958), ahead of his solo presentation at the Spanish Pavilion at the 59th Venice Biennale.

The Museum of Modern Art of Medellín (MAMM) exhibits María Teresa Hincapié. Si este fuera un principio de infinito (María Teresa Hincapié. If this were a principle of infinity), the first institutional exhibition dedicated to the practice of Colombian artist María Teresa Hincapié (Armenia, 1954 – Bogotá, 2008). A pioneer in Colombia and Latin America, Hincapié had a very particular definition of the performative discipline that she used to call “training” and which resisted any specific categorization; rather, it oscillated between life, creation in motion and the search for the sacred.

Internationally recognized for creating works that are thoughtful, bewildering, and play­ful, Urs Fischer works across sculpture, photography, drawing, painting, and publishing, employing a variety of materials and processes that resist easy classification.

The Sala Alcalá 31 of the Community of Madrid presents the exhibition "A bridge to stay" in which the artist Guillermo Mora dialogues with the architecture of the room and influences how this space is perceived and transited. A questioning of hierarchies and pre-established orders that leads to new ways of traveling, looking at and experiencing space and painting.

This exhibition, curated by Vanessa K. Davidson, Ph.D. and co-organized by the Phoenix Art Museum and the Blanton Museum of Art, is the first retrospective of Colombian artist Oscar Muñoz's work in the United States

Fantastic Interior is made up of four scenes, interventions that take place throughout the year by four different artists, whose common thread is issues such as intimacy, self-care and the construction of subjectivity. Through the practice of these artists -Ad Minoliti, Marina González Guerreiro, Eva Kot'átková and Korakrit Arunanondchai-, the curator Rafa Barber Cortell invites us to think about the imaginary that has been created around the "inner world".

Organized by Human Rights Art Initiative and art+château, this photographic exhibition in Zurich features artist and human rights activist Marcelo Brodsky (b. 1954, Buenos Aires, Argentina) along with video works and a performance by Ko Latt, Yadanar Win, Lily and Zoncy, who represent the new generation of Burmese artists and whose work reveal elements of Myanmar’s social, political, and cultural narrative. Curated by Giulia Busetti and Dr. Valentina Locatelli.

The Meadows Museum, SMU, presents an exhibition by the Spanish conceptual artist Ignasi Aballí (b. 1958), ahead of his solo presentation at the Spanish Pavilion at the 59th Venice Biennale.

The Museum of Modern Art of Medellín (MAMM) exhibits María Teresa Hincapié. Si este fuera un principio de infinito (María Teresa Hincapié. If this were a principle of infinity), the first institutional exhibition dedicated to the practice of Colombian artist María Teresa Hincapié (Armenia, 1954 – Bogotá, 2008). A pioneer in Colombia and Latin America, Hincapié had a very particular definition of the performative discipline that she used to call “training” and which resisted any specific categorization; rather, it oscillated between life, creation in motion and the search for the sacred.

Internationally recognized for creating works that are thoughtful, bewildering, and play­ful, Urs Fischer works across sculpture, photography, drawing, painting, and publishing, employing a variety of materials and processes that resist easy classification.

The Sala Alcalá 31 of the Community of Madrid presents the exhibition "A bridge to stay" in which the artist Guillermo Mora dialogues with the architecture of the room and influences how this space is perceived and transited. A questioning of hierarchies and pre-established orders that leads to new ways of traveling, looking at and experiencing space and painting.

The Art Museum of the Americas presents Geandy Pavón: Quarantine: 40 Days and 40 Nights, a timely and imaginative photographic exploration of life under quarantine. Initially presented as an online exhibition during the early days of the COVID-19 pandemic, this long-awaited exhibition is now open for visitors in person at the museum.

This exhibition, curated by Vanessa K. Davidson, Ph.D. and co-organized by the Phoenix Art Museum and the Blanton Museum of Art, is the first retrospective of Colombian artist Oscar Muñoz's work in the United States

Fantastic Interior is made up of four scenes, interventions that take place throughout the year by four different artists, whose common thread is issues such as intimacy, self-care and the construction of subjectivity. Through the practice of these artists -Ad Minoliti, Marina González Guerreiro, Eva Kot'átková and Korakrit Arunanondchai-, the curator Rafa Barber Cortell invites us to think about the imaginary that has been created around the "inner world".

Organized by Human Rights Art Initiative and art+château, this photographic exhibition in Zurich features artist and human rights activist Marcelo Brodsky (b. 1954, Buenos Aires, Argentina) along with video works and a performance by Ko Latt, Yadanar Win, Lily and Zoncy, who represent the new generation of Burmese artists and whose work reveal elements of Myanmar’s social, political, and cultural narrative. Curated by Giulia Busetti and Dr. Valentina Locatelli.

The Meadows Museum, SMU, presents an exhibition by the Spanish conceptual artist Ignasi Aballí (b. 1958), ahead of his solo presentation at the Spanish Pavilion at the 59th Venice Biennale.

The Museum of Modern Art of Medellín (MAMM) exhibits María Teresa Hincapié. Si este fuera un principio de infinito (María Teresa Hincapié. If this were a principle of infinity), the first institutional exhibition dedicated to the practice of Colombian artist María Teresa Hincapié (Armenia, 1954 – Bogotá, 2008). A pioneer in Colombia and Latin America, Hincapié had a very particular definition of the performative discipline that she used to call “training” and which resisted any specific categorization; rather, it oscillated between life, creation in motion and the search for the sacred.

Internationally recognized for creating works that are thoughtful, bewildering, and play­ful, Urs Fischer works across sculpture, photography, drawing, painting, and publishing, employing a variety of materials and processes that resist easy classification.

The Sala Alcalá 31 of the Community of Madrid presents the exhibition "A bridge to stay" in which the artist Guillermo Mora dialogues with the architecture of the room and influences how this space is perceived and transited. A questioning of hierarchies and pre-established orders that leads to new ways of traveling, looking at and experiencing space and painting.

The Art Museum of the Americas presents Geandy Pavón: Quarantine: 40 Days and 40 Nights, a timely and imaginative photographic exploration of life under quarantine. Initially presented as an online exhibition during the early days of the COVID-19 pandemic, this long-awaited exhibition is now open for visitors in person at the museum.

This exhibition, curated by Vanessa K. Davidson, Ph.D. and co-organized by the Phoenix Art Museum and the Blanton Museum of Art, is the first retrospective of Colombian artist Oscar Muñoz's work in the United States

Fantastic Interior is made up of four scenes, interventions that take place throughout the year by four different artists, whose common thread is issues such as intimacy, self-care and the construction of subjectivity. Through the practice of these artists -Ad Minoliti, Marina González Guerreiro, Eva Kot'átková and Korakrit Arunanondchai-, the curator Rafa Barber Cortell invites us to think about the imaginary that has been created around the "inner world".

Organized by Human Rights Art Initiative and art+château, this photographic exhibition in Zurich features artist and human rights activist Marcelo Brodsky (b. 1954, Buenos Aires, Argentina) along with video works and a performance by Ko Latt, Yadanar Win, Lily and Zoncy, who represent the new generation of Burmese artists and whose work reveal elements of Myanmar’s social, political, and cultural narrative. Curated by Giulia Busetti and Dr. Valentina Locatelli.

The Meadows Museum, SMU, presents an exhibition by the Spanish conceptual artist Ignasi Aballí (b. 1958), ahead of his solo presentation at the Spanish Pavilion at the 59th Venice Biennale.

The Museum of Modern Art of Medellín (MAMM) exhibits María Teresa Hincapié. Si este fuera un principio de infinito (María Teresa Hincapié. If this were a principle of infinity), the first institutional exhibition dedicated to the practice of Colombian artist María Teresa Hincapié (Armenia, 1954 – Bogotá, 2008). A pioneer in Colombia and Latin America, Hincapié had a very particular definition of the performative discipline that she used to call “training” and which resisted any specific categorization; rather, it oscillated between life, creation in motion and the search for the sacred.

Internationally recognized for creating works that are thoughtful, bewildering, and play­ful, Urs Fischer works across sculpture, photography, drawing, painting, and publishing, employing a variety of materials and processes that resist easy classification.

The Sala Alcalá 31 of the Community of Madrid presents the exhibition "A bridge to stay" in which the artist Guillermo Mora dialogues with the architecture of the room and influences how this space is perceived and transited. A questioning of hierarchies and pre-established orders that leads to new ways of traveling, looking at and experiencing space and painting.