THE PLANET’S GUARDIANS AT PAMM
Spirit in the Land at Pérez Art Museum Miami (PAMM) is a contemporary art exhibition that examines today’s urgent ecological concerns from a cultural perspective, demonstrating how intricately our identities and natural environments are intertwined.
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Through their works, thirty artists show us how rooted in the earth our most cherished cultural traditions are, how our relationship to land and water shapes us as individuals and communities. The works reflect the restorative potential of our connection to nature and exemplify how essential both biodiversity and cultural diversity are to our survival.
These artists explore the ways in which our inner spaces mirror our outer ones in works that both celebrate the profound beauty of our world and mourn its loss, and with it, the vanishing histories of people and places.
As the battles against climate change are often most critical for marginalized communities—environmental justice is social and racial justice—the exhibition and catalogue center the voices of artists who approach ecological awareness through a close attention to the communities most negatively affected. Acting as environmental stewards, the artists reclaim and revitalize our understanding of nature as a repository of cultural memory, a place of sanctuary, a site of resistance, and a source of spiritual nourishment and healing. As land and water provide a sense of belonging and community, the exhibition illustrates human’s interdependence with all life on Earth.
Spirit in the Land has its roots in North America, with shoots reaching into the Caribbean. While these artists investigate natural environments under stress, the exhibition presents a belief in the possibility of transformation and regeneration. The desire to live in harmony with nature is ultimately what will determine the future.
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Peter Williams, Birdland, 2020. Oil and graphite on canvas, 60 x 72 inches (152.4 x 182.9 cm). Collection of the Nasher Museum of Art at Duke University, Durham, North Carolina. Museum purchase with funds provided by Stefanie and Douglas Kahn, 2020.17.1. © Estate of Peter Williams. Courtesy of Luis De Jesus, Los Angeles. Photo by Peter Paul Geoffion.
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Allison Janae Hamilton, Floridawater II, 2019. Archival pigment print, edition 5/5, 24 x 36 inches (61 x 91.4 cm). Collection of the Nasher Museum of Art at Duke University, Durham, North Carolina. Museum purchase with funds provided by The Durham (NC) Chapter of The Links, Incorporated; 2021.13.1. © Allison Janae Hamilton. Courtesy of the artist and Marianne Boesky Gallery, New York and Aspen.
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Hew Locke, Mosquito Hall, 2013. Acrylic on chromogenic print, 83 7/8 x 49 3/4 inches (213 x 126.4 cm). Courtesy of the artist, Hales Gallery, and P•P•O•W. © Hew Locke. All Rights Reserved, DACS 2023.
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Maia Cruz Palileo, The Way Back, 2018. Oil on canvas, 59 1/2 x 47 1/2 inches (151.1 x 120.7 cm). Collection of the Nasher Museum of Art at Duke University, Durham, North Carolina. Gift of Jennifer McCracken New (A.B.’90, J.D.’94) and Jason G. New (J.D.’94), 2019.6.1. © Maia Cruz Palileo. Photo by Peter Paul Geoffrion.
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Renée Stout, Botanical illustration #3 (the Herbmaster, James Luna), 2020. Oil, acrylic, and mixed media on handmade paper; 12 5/16 x 11 13/16 inches (31.3 x 30 cm). Collection of the Nasher Museum of Art at Duke University, Durham, North Carolina. Museum purchase, 2021.23.1. © Renée Stout. Photo by Peter Paul Geoffion.
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Monique Verdin, Burial Grounds, 2000. Inkjet print on paper, 12 x 18 inches (30.5 x 45.7 cm). Courtesy of the artist. © Monique Verdin.
Artists: Terry Adkins, Firelei Báez, Radcliffe Bailey, Rina Banerjee, Christi Belcourt, María Berrío, Mel Chin, Andrea Chung, Sonya Clark, Maia Cruz Palileo, Annalee Davis, Tamika Galanis, Allison Janae Hamilton, Barkley L. Hendricks, Alexa Kleinbard, Hung Liu, Hew Locke, Meryl McMaster, Wangechi Mutu, Dario Robleto, Jim Roche, Kathleen Ryan, Sheldon Scott, Renée Stout, Monique Verdin, Stacy Lynn Waddell, Charmaine Watkiss, Marie Watt, Carrie Mae Weems, and Peter Williams.