TOMÁS SARACENO IN COLLABORATION: WEB(S) OF LIFE IN SERPENTINE SOUTH GALLERY

Lehmann Maupin presents Cecilia Vicuña in London, 1972 and Today, an exhibition of new and historical work by the artist following her 2022—2023 Turbine Hall commission at Tate Modern.

The Blanton Museum of Art at The University of Texas at Austin announces the appointment of Dr. Claudia Zapata as the museum's first Associate Curator of Latino Art.

Our Side is the third solo exhibition of artist Wendy Red Star at Sargent’s Daughters.

The exhibition Río Sil, lines and geometries by Irene Kopelman at the Fundación Cerezales Antonino y Cinia, approaches the landscape of the Sil river bank reiterating a model of observation that affects the relationship between art and natural sciences.

The call for the Chomer Award together with Meridiano opened. An unpublished work will be selected to be part of the Selene building in La Lucila. Deadline to apply: June 30.

During Art Basel 2023, US galleries are representing Latin American artists such as Tomás Saraceno, Ernesto Neto, Belkis Ayón, Lucas Arruda, Óscar Murillo and Félix González-Torres.

As a celebration of the aniversary of artist Pablo Atchugarry's first exhibition in Italy, which took place in Lecco in 1978, the municipal administration of the city pays tribute to the artist who, throughout his career, transformed the material into work of opens and brought prestige to the capital of Como.

In line with the Carbon Neutral 2050 Plan that brings together the main cities of the world –including Buenos Aires– the Museo de Arte Moderno measured its carbon footprint as a first step to know its environmental impact and begin to take measures to reduce it.

After 40 years of uninterrupted democracy in Argentina, the Kirchner Cultural Center presents Sistema de representación. Fotografía y democracia 1983-2023 (Representation System. Photography and Democracy 1983-2023), an exhibition of photographic projects that revisit Argentina's recent past and provide a better understanding of the present time. It is curated by Francisco Medail.

The Villa Datris Foundation for Contemporary Sculpture, created by Danièle Marcovici and Tristan Fourtine, presents each year a thematic exhibition that offers an original and committed reading of the creation of its time.

The Colección Patricia Phelps de Cisneros announced the long-term loan of Jesús Rafael Soto's interactive sculpture Penetrable (1990) to The Hispanic Society Museum & Library (HSM&L).

The 12th edition of Liverpool Biennial ‘uMoya: The sacred Return of Lost Things’ addresses the history and temperament of the city of Liverpool and is a call for ancestral and indigenous forms of knowledge, wisdom and healing. In the isiZulu language, ‘uMoya’ means spirit, breath, air, climate and wind.

Under the title Nature of Hope, the eleventh edition of the International Architecture Biennale Rotterdam (IABR) examines nature, culture and hope from the perspective of architectural thought and action, as a driving force for social change.

Lehmann Maupin presents Cecilia Vicuña in London, 1972 and Today, an exhibition of new and historical work by the artist following her 2022—2023 Turbine Hall commission at Tate Modern.

The Blanton Museum of Art at The University of Texas at Austin announces the appointment of Dr. Claudia Zapata as the museum's first Associate Curator of Latino Art.

Our Side is the third solo exhibition of artist Wendy Red Star at Sargent’s Daughters.

The exhibition Río Sil, lines and geometries by Irene Kopelman at the Fundación Cerezales Antonino y Cinia, approaches the landscape of the Sil river bank reiterating a model of observation that affects the relationship between art and natural sciences.

The call for the Chomer Award together with Meridiano opened. An unpublished work will be selected to be part of the Selene building in La Lucila. Deadline to apply: June 30.

During Art Basel 2023, US galleries are representing Latin American artists such as Tomás Saraceno, Ernesto Neto, Belkis Ayón, Lucas Arruda, Óscar Murillo and Félix González-Torres.

As a celebration of the aniversary of artist Pablo Atchugarry's first exhibition in Italy, which took place in Lecco in 1978, the municipal administration of the city pays tribute to the artist who, throughout his career, transformed the material into work of opens and brought prestige to the capital of Como.

In line with the Carbon Neutral 2050 Plan that brings together the main cities of the world –including Buenos Aires– the Museo de Arte Moderno measured its carbon footprint as a first step to know its environmental impact and begin to take measures to reduce it.

After 40 years of uninterrupted democracy in Argentina, the Kirchner Cultural Center presents Sistema de representación. Fotografía y democracia 1983-2023 (Representation System. Photography and Democracy 1983-2023), an exhibition of photographic projects that revisit Argentina's recent past and provide a better understanding of the present time. It is curated by Francisco Medail.

The Villa Datris Foundation for Contemporary Sculpture, created by Danièle Marcovici and Tristan Fourtine, presents each year a thematic exhibition that offers an original and committed reading of the creation of its time.

The Colección Patricia Phelps de Cisneros announced the long-term loan of Jesús Rafael Soto's interactive sculpture Penetrable (1990) to The Hispanic Society Museum & Library (HSM&L).

The 12th edition of Liverpool Biennial ‘uMoya: The sacred Return of Lost Things’ addresses the history and temperament of the city of Liverpool and is a call for ancestral and indigenous forms of knowledge, wisdom and healing. In the isiZulu language, ‘uMoya’ means spirit, breath, air, climate and wind.

Under the title Nature of Hope, the eleventh edition of the International Architecture Biennale Rotterdam (IABR) examines nature, culture and hope from the perspective of architectural thought and action, as a driving force for social change.

The Blanton Museum of Art at The University of Texas at Austin announces the appointment of Dr. Claudia Zapata as the museum's first Associate Curator of Latino Art.

Our Side is the third solo exhibition of artist Wendy Red Star at Sargent’s Daughters.

The exhibition Río Sil, lines and geometries by Irene Kopelman at the Fundación Cerezales Antonino y Cinia, approaches the landscape of the Sil river bank reiterating a model of observation that affects the relationship between art and natural sciences.

The call for the Chomer Award together with Meridiano opened. An unpublished work will be selected to be part of the Selene building in La Lucila. Deadline to apply: June 30.

During Art Basel 2023, US galleries are representing Latin American artists such as Tomás Saraceno, Ernesto Neto, Belkis Ayón, Lucas Arruda, Óscar Murillo and Félix González-Torres.

As a celebration of the aniversary of artist Pablo Atchugarry's first exhibition in Italy, which took place in Lecco in 1978, the municipal administration of the city pays tribute to the artist who, throughout his career, transformed the material into work of opens and brought prestige to the capital of Como.

In line with the Carbon Neutral 2050 Plan that brings together the main cities of the world –including Buenos Aires– the Museo de Arte Moderno measured its carbon footprint as a first step to know its environmental impact and begin to take measures to reduce it.

After 40 years of uninterrupted democracy in Argentina, the Kirchner Cultural Center presents Sistema de representación. Fotografía y democracia 1983-2023 (Representation System. Photography and Democracy 1983-2023), an exhibition of photographic projects that revisit Argentina's recent past and provide a better understanding of the present time. It is curated by Francisco Medail.

The Villa Datris Foundation for Contemporary Sculpture, created by Danièle Marcovici and Tristan Fourtine, presents each year a thematic exhibition that offers an original and committed reading of the creation of its time.

The Colección Patricia Phelps de Cisneros announced the long-term loan of Jesús Rafael Soto's interactive sculpture Penetrable (1990) to The Hispanic Society Museum & Library (HSM&L).

The 12th edition of Liverpool Biennial ‘uMoya: The sacred Return of Lost Things’ addresses the history and temperament of the city of Liverpool and is a call for ancestral and indigenous forms of knowledge, wisdom and healing. In the isiZulu language, ‘uMoya’ means spirit, breath, air, climate and wind.

Under the title Nature of Hope, the eleventh edition of the International Architecture Biennale Rotterdam (IABR) examines nature, culture and hope from the perspective of architectural thought and action, as a driving force for social change.

Lehmann Maupin presents Cecilia Vicuña in London, 1972 and Today, an exhibition of new and historical work by the artist following her 2022—2023 Turbine Hall commission at Tate Modern.

The Blanton Museum of Art at The University of Texas at Austin announces the appointment of Dr. Claudia Zapata as the museum's first Associate Curator of Latino Art.

Our Side is the third solo exhibition of artist Wendy Red Star at Sargent’s Daughters.

The exhibition Río Sil, lines and geometries by Irene Kopelman at the Fundación Cerezales Antonino y Cinia, approaches the landscape of the Sil river bank reiterating a model of observation that affects the relationship between art and natural sciences.

The call for the Chomer Award together with Meridiano opened. An unpublished work will be selected to be part of the Selene building in La Lucila. Deadline to apply: June 30.

During Art Basel 2023, US galleries are representing Latin American artists such as Tomás Saraceno, Ernesto Neto, Belkis Ayón, Lucas Arruda, Óscar Murillo and Félix González-Torres.

As a celebration of the aniversary of artist Pablo Atchugarry's first exhibition in Italy, which took place in Lecco in 1978, the municipal administration of the city pays tribute to the artist who, throughout his career, transformed the material into work of opens and brought prestige to the capital of Como.

In line with the Carbon Neutral 2050 Plan that brings together the main cities of the world –including Buenos Aires– the Museo de Arte Moderno measured its carbon footprint as a first step to know its environmental impact and begin to take measures to reduce it.

After 40 years of uninterrupted democracy in Argentina, the Kirchner Cultural Center presents Sistema de representación. Fotografía y democracia 1983-2023 (Representation System. Photography and Democracy 1983-2023), an exhibition of photographic projects that revisit Argentina's recent past and provide a better understanding of the present time. It is curated by Francisco Medail.

The Villa Datris Foundation for Contemporary Sculpture, created by Danièle Marcovici and Tristan Fourtine, presents each year a thematic exhibition that offers an original and committed reading of the creation of its time.

The Colección Patricia Phelps de Cisneros announced the long-term loan of Jesús Rafael Soto's interactive sculpture Penetrable (1990) to The Hispanic Society Museum & Library (HSM&L).

The 12th edition of Liverpool Biennial ‘uMoya: The sacred Return of Lost Things’ addresses the history and temperament of the city of Liverpool and is a call for ancestral and indigenous forms of knowledge, wisdom and healing. In the isiZulu language, ‘uMoya’ means spirit, breath, air, climate and wind.

Under the title Nature of Hope, the eleventh edition of the International Architecture Biennale Rotterdam (IABR) examines nature, culture and hope from the perspective of architectural thought and action, as a driving force for social change.

Lehmann Maupin presents Cecilia Vicuña in London, 1972 and Today, an exhibition of new and historical work by the artist following her 2022—2023 Turbine Hall commission at Tate Modern.

The Blanton Museum of Art at The University of Texas at Austin announces the appointment of Dr. Claudia Zapata as the museum's first Associate Curator of Latino Art.

Our Side is the third solo exhibition of artist Wendy Red Star at Sargent’s Daughters.

The exhibition Río Sil, lines and geometries by Irene Kopelman at the Fundación Cerezales Antonino y Cinia, approaches the landscape of the Sil river bank reiterating a model of observation that affects the relationship between art and natural sciences.

The call for the Chomer Award together with Meridiano opened. An unpublished work will be selected to be part of the Selene building in La Lucila. Deadline to apply: June 30.

During Art Basel 2023, US galleries are representing Latin American artists such as Tomás Saraceno, Ernesto Neto, Belkis Ayón, Lucas Arruda, Óscar Murillo and Félix González-Torres.

As a celebration of the aniversary of artist Pablo Atchugarry's first exhibition in Italy, which took place in Lecco in 1978, the municipal administration of the city pays tribute to the artist who, throughout his career, transformed the material into work of opens and brought prestige to the capital of Como.

In line with the Carbon Neutral 2050 Plan that brings together the main cities of the world –including Buenos Aires– the Museo de Arte Moderno measured its carbon footprint as a first step to know its environmental impact and begin to take measures to reduce it.

After 40 years of uninterrupted democracy in Argentina, the Kirchner Cultural Center presents Sistema de representación. Fotografía y democracia 1983-2023 (Representation System. Photography and Democracy 1983-2023), an exhibition of photographic projects that revisit Argentina's recent past and provide a better understanding of the present time. It is curated by Francisco Medail.

The Villa Datris Foundation for Contemporary Sculpture, created by Danièle Marcovici and Tristan Fourtine, presents each year a thematic exhibition that offers an original and committed reading of the creation of its time.

The Colección Patricia Phelps de Cisneros announced the long-term loan of Jesús Rafael Soto's interactive sculpture Penetrable (1990) to The Hispanic Society Museum & Library (HSM&L).

The 12th edition of Liverpool Biennial ‘uMoya: The sacred Return of Lost Things’ addresses the history and temperament of the city of Liverpool and is a call for ancestral and indigenous forms of knowledge, wisdom and healing. In the isiZulu language, ‘uMoya’ means spirit, breath, air, climate and wind.

Under the title Nature of Hope, the eleventh edition of the International Architecture Biennale Rotterdam (IABR) examines nature, culture and hope from the perspective of architectural thought and action, as a driving force for social change.