13th SEOUL MEDIACITY BIENNALE CALLS FOR ARTISTIC DIRECTOR
The Seoul Museum of Art is announcing an open call for the position of artistic director of the 13th Seoul Mediacity Biennale. Deadline to apply: July 28th, 2024.
Since its inauguration in 2000 as an initiative of the Seoul Metropolitan Government, Seoul Mediacity Biennale has earned international recognition for its experimental engagement with "contemporaneity and the changes of media in the city." The Biennale has shared conceptual experiences on media from its precursor exhibition SEOUL in MEDIA, which was held three times between 1996 and 1999. Since then, the Biennale has presented twelve editions, each embodying varying ideas and activities that resonate with its respective time. In order to continue the pursuit of novel modes of interpreting the Biennale's identity and extending the project's historical continuum, Seoul Museum of Art seeks to appoint the artistic director for the forthcoming 13th Seoul Mediacity Biennale through an open call process.
The organization is looking for experienced art curators whose proposals are experimental and convincingly reflect issues of the present in order to lead this project in its next iteration.
The 13th Seoul Mediacity Biennale (SMB13)
–Exhibition period (tentative): August 26–November 30, 2025
–Exhibition venue: All exhibition spaces and annex galleries of Seoul Museum of Art, including the Seosomun Main Building
–Project budget: approximately 2.1 billion KRW (based on 12th edition)
–Host and organizer: Seoul Museum of Art (SeMA)
Open recruitment information
–Application period: June 17–July 28, 2024
–Open position: artistic director (individual or team) for the SMB13
–Time commitment: Part-time (flexible to full-time, depending on project schedule)
–Position period: until December, 2025 (contract duration: 15 months)
–Compensation: approximately 60 million KRW (individual) / 80 million KRW (team)
Requirements
–Expertise related to contemporary art and similar planning experience within the past 5 years
–Contribute to the Biennale's and Seoul Museum of Art's domestic and international networking initiatives
–Successfully produce the Biennale exhibition and manage communications related to public relations for Seoul's representative biennale
–Visit and stay in Seoul for a sufficient period of time
–Generate detailed plans that correspond with the systems and requirements of SeMA
–Unconditionally support human rights and reject sexual harassment and discrimination
Major roles and responsibility
–Establish exhibition theme, develop exhibition plan, select artists and artworks, install exhibited works, produce related texts and adhere to budget management policies for the SMB13
–Plan related programs, publication and events of the SMB13
–Coordinate all tasks related to public relations and sponsorship objectives of the SMB13
–Cooperate with Biennale team and other departments of SeMA including participation in related events
–Submit reports throughout the process of completing each task
–Fullfill additional requirements as determined by SeMA
Selection criteria
–Dedication to contemporary art and media art landscape based on the identity of the Biennale
–A future-oriented exhibition model that connects Seoul's history, culture and locality to the Biennale's experimental nature
–An exhibition plan that has not been previously realized and is distinct from other biennales.
Required documents and submission
–Announcement of selected candidates for interviews (tentative): August 30, 2024
–Announcement of final selection (tentative): September 20, 2024
–Required documents: Application Form, Cover Letter (less than 1500 words), Exhibition Proposal, Consent for Collection and Use of Personal Information
–Application forms. Submit the completed form via email to apply. Email subject line and attachment must include applicant's name.
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For the 60th Venice Biennale, the Republic of Armenia presents Echo, a multi-dimensional multi-media installation project by Paris-based Armenian artist Nina Khemchyan.
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The heart of a giraffe in captivity is twelve kilos lighter tells the story of Lenka the giraffe, drawing on the history of Czechoslovakia’s acquisition of animals from the Global South. Interpreted through contemporary ecological and decolonial perspectives, Eva Kotátková’s project of the Czech and Slovak Republic Pavilion at the Venice Biennale builds a space for imagining a different way of relating to nature.
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The heart of a giraffe in captivity is twelve kilos lighter tells the story of Lenka the giraffe, drawing on the history of Czechoslovakia’s acquisition of animals from the Global South. Interpreted through contemporary ecological and decolonial perspectives, Eva Kotátková’s project of the Czech and Slovak Republic Pavilion at the Venice Biennale builds a space for imagining a different way of relating to nature.
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Commissioned by Facundo de Almeida and curated by Elisa Valerio, the national pavilion of Uruguay presents the work of Eduardo Cardozo with the project Latent.
THE PAVILION OF URUGUAY AT THE 60TH VENICE BIENNALE
Commissioned by Facundo de Almeida and curated by Elisa Valerio, the national pavilion of Uruguay presents the work of Eduardo Cardozo with the project Latent.
The Venice Bienanale’s Swiss Pavilion presents Super Superior Civilizations: an exhibition with the sixth and seventh chapters of Guerreiro do Divino Amor’s monumental “Superfictional World Atlas” saga: The Miracle of Helvetia and Roma Talismano. Curated by: Andrea Bellini.
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Maria Madeira is the artist representing Timor-Leste at the 60th International Venice Biennale. Timor-Leste’s inaugural pavilion coincides with the country’s 25th anniversary of independence. Commissioned by the Ministry of Youth, Sports, Arts and Culture, Democratic Republic of Timor-Leste and curated by Professor Natalie King OAM.
KISS AND DON’T TELL: TIMOR-LESTE IN THE VENICE BIENNALE
Maria Madeira is the artist representing Timor-Leste at the 60th International Venice Biennale. Timor-Leste’s inaugural pavilion coincides with the country’s 25th anniversary of independence. Commissioned by the Ministry of Youth, Sports, Arts and Culture, Democratic Republic of Timor-Leste and curated by Professor Natalie King OAM.
For the 60th Venice Biennale, the Republic of Armenia presents Echo, a multi-dimensional multi-media installation project by Paris-based Armenian artist Nina Khemchyan.
“ECHO” BY NINCA KHEMCHYAN: ARMENIAN PAVILION IN THE VENICE BIENNALE
For the 60th Venice Biennale, the Republic of Armenia presents Echo, a multi-dimensional multi-media installation project by Paris-based Armenian artist Nina Khemchyan.
Ojalá se derrumben las puertas (Hopefully the Doors Will Fall Down) by artist Luciana Lamothe, curated by Sofía Dourron, is the installation presented by the Argentine Pavilion at the 60th International Art Exhibition of the Venice Biennale 2024.
THE ARGENTINE PAVILION IN THE VENICE BIENNALE
Ojalá se derrumben las puertas (Hopefully the Doors Will Fall Down) by artist Luciana Lamothe, curated by Sofía Dourron, is the installation presented by the Argentine Pavilion at the 60th International Art Exhibition of the Venice Biennale 2024.
The heart of a giraffe in captivity is twelve kilos lighter tells the story of Lenka the giraffe, drawing on the history of Czechoslovakia’s acquisition of animals from the Global South. Interpreted through contemporary ecological and decolonial perspectives, Eva Kotátková’s project of the Czech and Slovak Republic Pavilion at the Venice Biennale builds a space for imagining a different way of relating to nature.
THE VENICE BIENNALE: CZECH AND SLOVAK REPUBLIC PAVILION
The heart of a giraffe in captivity is twelve kilos lighter tells the story of Lenka the giraffe, drawing on the history of Czechoslovakia’s acquisition of animals from the Global South. Interpreted through contemporary ecological and decolonial perspectives, Eva Kotátková’s project of the Czech and Slovak Republic Pavilion at the Venice Biennale builds a space for imagining a different way of relating to nature.
The Japan Foundation, the commissioner of the Japan Pavilion presents Compose, a solo exhibition created by Yuko Mohri and curated by Sook-Kyung Lee at the 60th International Venice Biennale.
COMPOSE: JAPAN PAVILION AT THE VENICE BIENNALE
The Japan Foundation, the commissioner of the Japan Pavilion presents Compose, a solo exhibition created by Yuko Mohri and curated by Sook-Kyung Lee at the 60th International Venice Biennale.
Commissioned by Facundo de Almeida and curated by Elisa Valerio, the national pavilion of Uruguay presents the work of Eduardo Cardozo with the project Latent.
THE PAVILION OF URUGUAY AT THE 60TH VENICE BIENNALE
Commissioned by Facundo de Almeida and curated by Elisa Valerio, the national pavilion of Uruguay presents the work of Eduardo Cardozo with the project Latent.
The Venice Bienanale’s Swiss Pavilion presents Super Superior Civilizations: an exhibition with the sixth and seventh chapters of Guerreiro do Divino Amor’s monumental “Superfictional World Atlas” saga: The Miracle of Helvetia and Roma Talismano. Curated by: Andrea Bellini.
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The Venice Bienanale’s Swiss Pavilion presents Super Superior Civilizations: an exhibition with the sixth and seventh chapters of Guerreiro do Divino Amor’s monumental “Superfictional World Atlas” saga: The Miracle of Helvetia and Roma Talismano. Curated by: Andrea Bellini.
Maria Madeira is the artist representing Timor-Leste at the 60th International Venice Biennale. Timor-Leste’s inaugural pavilion coincides with the country’s 25th anniversary of independence. Commissioned by the Ministry of Youth, Sports, Arts and Culture, Democratic Republic of Timor-Leste and curated by Professor Natalie King OAM.
KISS AND DON’T TELL: TIMOR-LESTE IN THE VENICE BIENNALE
Maria Madeira is the artist representing Timor-Leste at the 60th International Venice Biennale. Timor-Leste’s inaugural pavilion coincides with the country’s 25th anniversary of independence. Commissioned by the Ministry of Youth, Sports, Arts and Culture, Democratic Republic of Timor-Leste and curated by Professor Natalie King OAM.
For the 60th Venice Biennale, the Republic of Armenia presents Echo, a multi-dimensional multi-media installation project by Paris-based Armenian artist Nina Khemchyan.
“ECHO” BY NINCA KHEMCHYAN: ARMENIAN PAVILION IN THE VENICE BIENNALE
For the 60th Venice Biennale, the Republic of Armenia presents Echo, a multi-dimensional multi-media installation project by Paris-based Armenian artist Nina Khemchyan.
Ojalá se derrumben las puertas (Hopefully the Doors Will Fall Down) by artist Luciana Lamothe, curated by Sofía Dourron, is the installation presented by the Argentine Pavilion at the 60th International Art Exhibition of the Venice Biennale 2024.
THE ARGENTINE PAVILION IN THE VENICE BIENNALE
Ojalá se derrumben las puertas (Hopefully the Doors Will Fall Down) by artist Luciana Lamothe, curated by Sofía Dourron, is the installation presented by the Argentine Pavilion at the 60th International Art Exhibition of the Venice Biennale 2024.
The heart of a giraffe in captivity is twelve kilos lighter tells the story of Lenka the giraffe, drawing on the history of Czechoslovakia’s acquisition of animals from the Global South. Interpreted through contemporary ecological and decolonial perspectives, Eva Kotátková’s project of the Czech and Slovak Republic Pavilion at the Venice Biennale builds a space for imagining a different way of relating to nature.
THE VENICE BIENNALE: CZECH AND SLOVAK REPUBLIC PAVILION
The heart of a giraffe in captivity is twelve kilos lighter tells the story of Lenka the giraffe, drawing on the history of Czechoslovakia’s acquisition of animals from the Global South. Interpreted through contemporary ecological and decolonial perspectives, Eva Kotátková’s project of the Czech and Slovak Republic Pavilion at the Venice Biennale builds a space for imagining a different way of relating to nature.
The Japan Foundation, the commissioner of the Japan Pavilion presents Compose, a solo exhibition created by Yuko Mohri and curated by Sook-Kyung Lee at the 60th International Venice Biennale.
COMPOSE: JAPAN PAVILION AT THE VENICE BIENNALE
The Japan Foundation, the commissioner of the Japan Pavilion presents Compose, a solo exhibition created by Yuko Mohri and curated by Sook-Kyung Lee at the 60th International Venice Biennale.
Commissioned by Facundo de Almeida and curated by Elisa Valerio, the national pavilion of Uruguay presents the work of Eduardo Cardozo with the project Latent.
THE PAVILION OF URUGUAY AT THE 60TH VENICE BIENNALE
Commissioned by Facundo de Almeida and curated by Elisa Valerio, the national pavilion of Uruguay presents the work of Eduardo Cardozo with the project Latent.
The Venice Bienanale’s Swiss Pavilion presents Super Superior Civilizations: an exhibition with the sixth and seventh chapters of Guerreiro do Divino Amor’s monumental “Superfictional World Atlas” saga: The Miracle of Helvetia and Roma Talismano. Curated by: Andrea Bellini.
THE SWISS PAVILION’S VENICE BIENNALE EXHIBITION BY GUERREIRO DO DIVINO AMOR
The Venice Bienanale’s Swiss Pavilion presents Super Superior Civilizations: an exhibition with the sixth and seventh chapters of Guerreiro do Divino Amor’s monumental “Superfictional World Atlas” saga: The Miracle of Helvetia and Roma Talismano. Curated by: Andrea Bellini.
Maria Madeira is the artist representing Timor-Leste at the 60th International Venice Biennale. Timor-Leste’s inaugural pavilion coincides with the country’s 25th anniversary of independence. Commissioned by the Ministry of Youth, Sports, Arts and Culture, Democratic Republic of Timor-Leste and curated by Professor Natalie King OAM.
KISS AND DON’T TELL: TIMOR-LESTE IN THE VENICE BIENNALE
Maria Madeira is the artist representing Timor-Leste at the 60th International Venice Biennale. Timor-Leste’s inaugural pavilion coincides with the country’s 25th anniversary of independence. Commissioned by the Ministry of Youth, Sports, Arts and Culture, Democratic Republic of Timor-Leste and curated by Professor Natalie King OAM.
For the 60th Venice Biennale, the Republic of Armenia presents Echo, a multi-dimensional multi-media installation project by Paris-based Armenian artist Nina Khemchyan.
“ECHO” BY NINCA KHEMCHYAN: ARMENIAN PAVILION IN THE VENICE BIENNALE
For the 60th Venice Biennale, the Republic of Armenia presents Echo, a multi-dimensional multi-media installation project by Paris-based Armenian artist Nina Khemchyan.
Ojalá se derrumben las puertas (Hopefully the Doors Will Fall Down) by artist Luciana Lamothe, curated by Sofía Dourron, is the installation presented by the Argentine Pavilion at the 60th International Art Exhibition of the Venice Biennale 2024.
THE ARGENTINE PAVILION IN THE VENICE BIENNALE
Ojalá se derrumben las puertas (Hopefully the Doors Will Fall Down) by artist Luciana Lamothe, curated by Sofía Dourron, is the installation presented by the Argentine Pavilion at the 60th International Art Exhibition of the Venice Biennale 2024.
The heart of a giraffe in captivity is twelve kilos lighter tells the story of Lenka the giraffe, drawing on the history of Czechoslovakia’s acquisition of animals from the Global South. Interpreted through contemporary ecological and decolonial perspectives, Eva Kotátková’s project of the Czech and Slovak Republic Pavilion at the Venice Biennale builds a space for imagining a different way of relating to nature.
THE VENICE BIENNALE: CZECH AND SLOVAK REPUBLIC PAVILION
The heart of a giraffe in captivity is twelve kilos lighter tells the story of Lenka the giraffe, drawing on the history of Czechoslovakia’s acquisition of animals from the Global South. Interpreted through contemporary ecological and decolonial perspectives, Eva Kotátková’s project of the Czech and Slovak Republic Pavilion at the Venice Biennale builds a space for imagining a different way of relating to nature.
The Japan Foundation, the commissioner of the Japan Pavilion presents Compose, a solo exhibition created by Yuko Mohri and curated by Sook-Kyung Lee at the 60th International Venice Biennale.
COMPOSE: JAPAN PAVILION AT THE VENICE BIENNALE
The Japan Foundation, the commissioner of the Japan Pavilion presents Compose, a solo exhibition created by Yuko Mohri and curated by Sook-Kyung Lee at the 60th International Venice Biennale.
Commissioned by Facundo de Almeida and curated by Elisa Valerio, the national pavilion of Uruguay presents the work of Eduardo Cardozo with the project Latent.
THE PAVILION OF URUGUAY AT THE 60TH VENICE BIENNALE
Commissioned by Facundo de Almeida and curated by Elisa Valerio, the national pavilion of Uruguay presents the work of Eduardo Cardozo with the project Latent.
The Venice Bienanale’s Swiss Pavilion presents Super Superior Civilizations: an exhibition with the sixth and seventh chapters of Guerreiro do Divino Amor’s monumental “Superfictional World Atlas” saga: The Miracle of Helvetia and Roma Talismano. Curated by: Andrea Bellini.
THE SWISS PAVILION’S VENICE BIENNALE EXHIBITION BY GUERREIRO DO DIVINO AMOR
The Venice Bienanale’s Swiss Pavilion presents Super Superior Civilizations: an exhibition with the sixth and seventh chapters of Guerreiro do Divino Amor’s monumental “Superfictional World Atlas” saga: The Miracle of Helvetia and Roma Talismano. Curated by: Andrea Bellini.
Maria Madeira is the artist representing Timor-Leste at the 60th International Venice Biennale. Timor-Leste’s inaugural pavilion coincides with the country’s 25th anniversary of independence. Commissioned by the Ministry of Youth, Sports, Arts and Culture, Democratic Republic of Timor-Leste and curated by Professor Natalie King OAM.
KISS AND DON’T TELL: TIMOR-LESTE IN THE VENICE BIENNALE
Maria Madeira is the artist representing Timor-Leste at the 60th International Venice Biennale. Timor-Leste’s inaugural pavilion coincides with the country’s 25th anniversary of independence. Commissioned by the Ministry of Youth, Sports, Arts and Culture, Democratic Republic of Timor-Leste and curated by Professor Natalie King OAM.
For the 60th Venice Biennale, the Republic of Armenia presents Echo, a multi-dimensional multi-media installation project by Paris-based Armenian artist Nina Khemchyan.
“ECHO” BY NINCA KHEMCHYAN: ARMENIAN PAVILION IN THE VENICE BIENNALE
For the 60th Venice Biennale, the Republic of Armenia presents Echo, a multi-dimensional multi-media installation project by Paris-based Armenian artist Nina Khemchyan.
Ojalá se derrumben las puertas (Hopefully the Doors Will Fall Down) by artist Luciana Lamothe, curated by Sofía Dourron, is the installation presented by the Argentine Pavilion at the 60th International Art Exhibition of the Venice Biennale 2024.
THE ARGENTINE PAVILION IN THE VENICE BIENNALE
Ojalá se derrumben las puertas (Hopefully the Doors Will Fall Down) by artist Luciana Lamothe, curated by Sofía Dourron, is the installation presented by the Argentine Pavilion at the 60th International Art Exhibition of the Venice Biennale 2024.
The heart of a giraffe in captivity is twelve kilos lighter tells the story of Lenka the giraffe, drawing on the history of Czechoslovakia’s acquisition of animals from the Global South. Interpreted through contemporary ecological and decolonial perspectives, Eva Kotátková’s project of the Czech and Slovak Republic Pavilion at the Venice Biennale builds a space for imagining a different way of relating to nature.
THE VENICE BIENNALE: CZECH AND SLOVAK REPUBLIC PAVILION
The heart of a giraffe in captivity is twelve kilos lighter tells the story of Lenka the giraffe, drawing on the history of Czechoslovakia’s acquisition of animals from the Global South. Interpreted through contemporary ecological and decolonial perspectives, Eva Kotátková’s project of the Czech and Slovak Republic Pavilion at the Venice Biennale builds a space for imagining a different way of relating to nature.
The Japan Foundation, the commissioner of the Japan Pavilion presents Compose, a solo exhibition created by Yuko Mohri and curated by Sook-Kyung Lee at the 60th International Venice Biennale.
COMPOSE: JAPAN PAVILION AT THE VENICE BIENNALE
The Japan Foundation, the commissioner of the Japan Pavilion presents Compose, a solo exhibition created by Yuko Mohri and curated by Sook-Kyung Lee at the 60th International Venice Biennale.
Commissioned by Facundo de Almeida and curated by Elisa Valerio, the national pavilion of Uruguay presents the work of Eduardo Cardozo with the project Latent.
THE PAVILION OF URUGUAY AT THE 60TH VENICE BIENNALE
Commissioned by Facundo de Almeida and curated by Elisa Valerio, the national pavilion of Uruguay presents the work of Eduardo Cardozo with the project Latent.
The Venice Bienanale’s Swiss Pavilion presents Super Superior Civilizations: an exhibition with the sixth and seventh chapters of Guerreiro do Divino Amor’s monumental “Superfictional World Atlas” saga: The Miracle of Helvetia and Roma Talismano. Curated by: Andrea Bellini.
THE SWISS PAVILION’S VENICE BIENNALE EXHIBITION BY GUERREIRO DO DIVINO AMOR
The Venice Bienanale’s Swiss Pavilion presents Super Superior Civilizations: an exhibition with the sixth and seventh chapters of Guerreiro do Divino Amor’s monumental “Superfictional World Atlas” saga: The Miracle of Helvetia and Roma Talismano. Curated by: Andrea Bellini.
Maria Madeira is the artist representing Timor-Leste at the 60th International Venice Biennale. Timor-Leste’s inaugural pavilion coincides with the country’s 25th anniversary of independence. Commissioned by the Ministry of Youth, Sports, Arts and Culture, Democratic Republic of Timor-Leste and curated by Professor Natalie King OAM.
KISS AND DON’T TELL: TIMOR-LESTE IN THE VENICE BIENNALE
Maria Madeira is the artist representing Timor-Leste at the 60th International Venice Biennale. Timor-Leste’s inaugural pavilion coincides with the country’s 25th anniversary of independence. Commissioned by the Ministry of Youth, Sports, Arts and Culture, Democratic Republic of Timor-Leste and curated by Professor Natalie King OAM.
