“ECHO” BY NINCA KHEMCHYAN: ARMENIAN PAVILION IN THE VENICE BIENNALE

Ojalá se derrumben las puertas (Hopefully the Doors Will Fall Down) by artist Luciana Lamothe, curated by Sofía Dourron, is the installation presented by the Argentine Pavilion at the 60th International Art Exhibition of the Venice Biennale 2024.

The heart of a giraffe in captivity is twelve kilos lighter tells the story of Lenka the giraffe, drawing on the history of Czechoslovakia’s acquisition of animals from the Global South. Interpreted through contemporary ecological and decolonial perspectives, Eva Kotátková’s project of the Czech and Slovak Republic Pavilion at the Venice Biennale builds a space for imagining a different way of relating to nature.

The Japan Foundation, the commissioner of the Japan Pavilion presents Compose, a solo exhibition created by Yuko Mohri and curated by Sook-Kyung Lee at the 60^th International Venice Biennale.

Commissioned by Facundo de Almeida and curated by Elisa Valerio, the national pavilion of Uruguay presents the work of Eduardo Cardozo with the project Latent.

The curatorial team of the Toronto Biennial of Art (the Biennial/TBA) and its curatorial team of Dominique Fontaine and Miguel A. López announced the title, full artist list and venues for its third edition.

The Seoul Museum of Art is announcing an open call for the position of artistic director of the 13^th Seoul Mediacity Biennale. Deadline to apply: July 28^th, 2024.

The Venice Bienanale’s Swiss Pavilion presents Super Superior Civilizations: an exhibition with the sixth and seventh chapters of Guerreiro do Divino Amor’s monumental “Superfictional World Atlas” saga: The Miracle of Helvetia and Roma Talismano. Curated by: Andrea Bellini.

Maria Madeira is the artist representing Timor-Leste at the 60th International Venice Biennale. Timor-Leste’s inaugural pavilion coincides with the country’s 25th anniversary of independence. Commissioned by the Ministry of Youth, Sports, Arts and Culture, Democratic Republic of Timor-Leste and curated by Professor Natalie King OAM.

The exhibition Bastardie is built around the practices of slangs, jargons, and other language experiments as laboratories for aesthetic and social positions. The group exhibition at KADIST proposes the following question: how are ways of speaking in constant productive relationships with forms of doing as well as looking?

Due qui / To Hear is the project for the Italian Pavilion at the 60th Venice Biennale Curated by Luca Cerizza (with the assistance of Francesca Verga), it presents work that Massimo Bartolini has created in collaboration with several musicians (for the permanent installations) and writers (for the public program), employing the cooperative approach that is a hallmark of his practice.

Andres Serrano carries with him a sulfurous reputation that he has not tried to hide in this exhibition, where famous and forceful works are presented. Under the title “Portaits de L'Amérique” the Musée Maillol offers a survey of Serrano's “American” work from his earliest creations in the mid-1980s to his most recent.

The Georgian Pavilion in the 60^th Venice Biennale presented The Art of Seeing– States of Astronomy, a collaborative project presented by a team of Georgian and French curators and artists.

The International Celebration of Blasphemy and The Sacred is a presentation by Congolese artist collective Cercle d’Art des Travailleurs de Plantation Congolaise (CATPC) for the Dutch Pavilion at the 60th Venice Biennale.

For the 60th International Exhibition of la Biennale di Venezia Stranieri Ovunque (Foregneirs Everywhere), artist Claudia Alarcón and art-collective Silät are presenting their reflections on being treated as foreigners in their own country.

Ojalá se derrumben las puertas (Hopefully the Doors Will Fall Down) by artist Luciana Lamothe, curated by Sofía Dourron, is the installation presented by the Argentine Pavilion at the 60th International Art Exhibition of the Venice Biennale 2024.

The heart of a giraffe in captivity is twelve kilos lighter tells the story of Lenka the giraffe, drawing on the history of Czechoslovakia’s acquisition of animals from the Global South. Interpreted through contemporary ecological and decolonial perspectives, Eva Kotátková’s project of the Czech and Slovak Republic Pavilion at the Venice Biennale builds a space for imagining a different way of relating to nature.

The Japan Foundation, the commissioner of the Japan Pavilion presents Compose, a solo exhibition created by Yuko Mohri and curated by Sook-Kyung Lee at the 60^th International Venice Biennale.

Commissioned by Facundo de Almeida and curated by Elisa Valerio, the national pavilion of Uruguay presents the work of Eduardo Cardozo with the project Latent.

The curatorial team of the Toronto Biennial of Art (the Biennial/TBA) and its curatorial team of Dominique Fontaine and Miguel A. López announced the title, full artist list and venues for its third edition.

The Seoul Museum of Art is announcing an open call for the position of artistic director of the 13^th Seoul Mediacity Biennale. Deadline to apply: July 28^th, 2024.

The Venice Bienanale’s Swiss Pavilion presents Super Superior Civilizations: an exhibition with the sixth and seventh chapters of Guerreiro do Divino Amor’s monumental “Superfictional World Atlas” saga: The Miracle of Helvetia and Roma Talismano. Curated by: Andrea Bellini.

Maria Madeira is the artist representing Timor-Leste at the 60th International Venice Biennale. Timor-Leste’s inaugural pavilion coincides with the country’s 25th anniversary of independence. Commissioned by the Ministry of Youth, Sports, Arts and Culture, Democratic Republic of Timor-Leste and curated by Professor Natalie King OAM.

The exhibition Bastardie is built around the practices of slangs, jargons, and other language experiments as laboratories for aesthetic and social positions. The group exhibition at KADIST proposes the following question: how are ways of speaking in constant productive relationships with forms of doing as well as looking?

Due qui / To Hear is the project for the Italian Pavilion at the 60th Venice Biennale Curated by Luca Cerizza (with the assistance of Francesca Verga), it presents work that Massimo Bartolini has created in collaboration with several musicians (for the permanent installations) and writers (for the public program), employing the cooperative approach that is a hallmark of his practice.

Andres Serrano carries with him a sulfurous reputation that he has not tried to hide in this exhibition, where famous and forceful works are presented. Under the title “Portaits de L'Amérique” the Musée Maillol offers a survey of Serrano's “American” work from his earliest creations in the mid-1980s to his most recent.

The Georgian Pavilion in the 60^th Venice Biennale presented The Art of Seeing– States of Astronomy, a collaborative project presented by a team of Georgian and French curators and artists.

The International Celebration of Blasphemy and The Sacred is a presentation by Congolese artist collective Cercle d’Art des Travailleurs de Plantation Congolaise (CATPC) for the Dutch Pavilion at the 60th Venice Biennale.

For the 60th International Exhibition of la Biennale di Venezia Stranieri Ovunque (Foregneirs Everywhere), artist Claudia Alarcón and art-collective Silät are presenting their reflections on being treated as foreigners in their own country.

The heart of a giraffe in captivity is twelve kilos lighter tells the story of Lenka the giraffe, drawing on the history of Czechoslovakia’s acquisition of animals from the Global South. Interpreted through contemporary ecological and decolonial perspectives, Eva Kotátková’s project of the Czech and Slovak Republic Pavilion at the Venice Biennale builds a space for imagining a different way of relating to nature.

The Japan Foundation, the commissioner of the Japan Pavilion presents Compose, a solo exhibition created by Yuko Mohri and curated by Sook-Kyung Lee at the 60^th International Venice Biennale.

Commissioned by Facundo de Almeida and curated by Elisa Valerio, the national pavilion of Uruguay presents the work of Eduardo Cardozo with the project Latent.

The curatorial team of the Toronto Biennial of Art (the Biennial/TBA) and its curatorial team of Dominique Fontaine and Miguel A. López announced the title, full artist list and venues for its third edition.

The Seoul Museum of Art is announcing an open call for the position of artistic director of the 13^th Seoul Mediacity Biennale. Deadline to apply: July 28^th, 2024.

The Venice Bienanale’s Swiss Pavilion presents Super Superior Civilizations: an exhibition with the sixth and seventh chapters of Guerreiro do Divino Amor’s monumental “Superfictional World Atlas” saga: The Miracle of Helvetia and Roma Talismano. Curated by: Andrea Bellini.

Maria Madeira is the artist representing Timor-Leste at the 60th International Venice Biennale. Timor-Leste’s inaugural pavilion coincides with the country’s 25th anniversary of independence. Commissioned by the Ministry of Youth, Sports, Arts and Culture, Democratic Republic of Timor-Leste and curated by Professor Natalie King OAM.

The exhibition Bastardie is built around the practices of slangs, jargons, and other language experiments as laboratories for aesthetic and social positions. The group exhibition at KADIST proposes the following question: how are ways of speaking in constant productive relationships with forms of doing as well as looking?

Due qui / To Hear is the project for the Italian Pavilion at the 60th Venice Biennale Curated by Luca Cerizza (with the assistance of Francesca Verga), it presents work that Massimo Bartolini has created in collaboration with several musicians (for the permanent installations) and writers (for the public program), employing the cooperative approach that is a hallmark of his practice.

Andres Serrano carries with him a sulfurous reputation that he has not tried to hide in this exhibition, where famous and forceful works are presented. Under the title “Portaits de L'Amérique” the Musée Maillol offers a survey of Serrano's “American” work from his earliest creations in the mid-1980s to his most recent.

The Georgian Pavilion in the 60^th Venice Biennale presented The Art of Seeing– States of Astronomy, a collaborative project presented by a team of Georgian and French curators and artists.

The International Celebration of Blasphemy and The Sacred is a presentation by Congolese artist collective Cercle d’Art des Travailleurs de Plantation Congolaise (CATPC) for the Dutch Pavilion at the 60th Venice Biennale.

For the 60th International Exhibition of la Biennale di Venezia Stranieri Ovunque (Foregneirs Everywhere), artist Claudia Alarcón and art-collective Silät are presenting their reflections on being treated as foreigners in their own country.

Ojalá se derrumben las puertas (Hopefully the Doors Will Fall Down) by artist Luciana Lamothe, curated by Sofía Dourron, is the installation presented by the Argentine Pavilion at the 60th International Art Exhibition of the Venice Biennale 2024.

The heart of a giraffe in captivity is twelve kilos lighter tells the story of Lenka the giraffe, drawing on the history of Czechoslovakia’s acquisition of animals from the Global South. Interpreted through contemporary ecological and decolonial perspectives, Eva Kotátková’s project of the Czech and Slovak Republic Pavilion at the Venice Biennale builds a space for imagining a different way of relating to nature.

The Japan Foundation, the commissioner of the Japan Pavilion presents Compose, a solo exhibition created by Yuko Mohri and curated by Sook-Kyung Lee at the 60^th International Venice Biennale.

Commissioned by Facundo de Almeida and curated by Elisa Valerio, the national pavilion of Uruguay presents the work of Eduardo Cardozo with the project Latent.

The curatorial team of the Toronto Biennial of Art (the Biennial/TBA) and its curatorial team of Dominique Fontaine and Miguel A. López announced the title, full artist list and venues for its third edition.

The Seoul Museum of Art is announcing an open call for the position of artistic director of the 13^th Seoul Mediacity Biennale. Deadline to apply: July 28^th, 2024.

The Venice Bienanale’s Swiss Pavilion presents Super Superior Civilizations: an exhibition with the sixth and seventh chapters of Guerreiro do Divino Amor’s monumental “Superfictional World Atlas” saga: The Miracle of Helvetia and Roma Talismano. Curated by: Andrea Bellini.

Maria Madeira is the artist representing Timor-Leste at the 60th International Venice Biennale. Timor-Leste’s inaugural pavilion coincides with the country’s 25th anniversary of independence. Commissioned by the Ministry of Youth, Sports, Arts and Culture, Democratic Republic of Timor-Leste and curated by Professor Natalie King OAM.

The exhibition Bastardie is built around the practices of slangs, jargons, and other language experiments as laboratories for aesthetic and social positions. The group exhibition at KADIST proposes the following question: how are ways of speaking in constant productive relationships with forms of doing as well as looking?

Due qui / To Hear is the project for the Italian Pavilion at the 60th Venice Biennale Curated by Luca Cerizza (with the assistance of Francesca Verga), it presents work that Massimo Bartolini has created in collaboration with several musicians (for the permanent installations) and writers (for the public program), employing the cooperative approach that is a hallmark of his practice.

Andres Serrano carries with him a sulfurous reputation that he has not tried to hide in this exhibition, where famous and forceful works are presented. Under the title “Portaits de L'Amérique” the Musée Maillol offers a survey of Serrano's “American” work from his earliest creations in the mid-1980s to his most recent.

The Georgian Pavilion in the 60^th Venice Biennale presented The Art of Seeing– States of Astronomy, a collaborative project presented by a team of Georgian and French curators and artists.

The International Celebration of Blasphemy and The Sacred is a presentation by Congolese artist collective Cercle d’Art des Travailleurs de Plantation Congolaise (CATPC) for the Dutch Pavilion at the 60th Venice Biennale.

For the 60th International Exhibition of la Biennale di Venezia Stranieri Ovunque (Foregneirs Everywhere), artist Claudia Alarcón and art-collective Silät are presenting their reflections on being treated as foreigners in their own country.

Ojalá se derrumben las puertas (Hopefully the Doors Will Fall Down) by artist Luciana Lamothe, curated by Sofía Dourron, is the installation presented by the Argentine Pavilion at the 60th International Art Exhibition of the Venice Biennale 2024.

The heart of a giraffe in captivity is twelve kilos lighter tells the story of Lenka the giraffe, drawing on the history of Czechoslovakia’s acquisition of animals from the Global South. Interpreted through contemporary ecological and decolonial perspectives, Eva Kotátková’s project of the Czech and Slovak Republic Pavilion at the Venice Biennale builds a space for imagining a different way of relating to nature.

The Japan Foundation, the commissioner of the Japan Pavilion presents Compose, a solo exhibition created by Yuko Mohri and curated by Sook-Kyung Lee at the 60^th International Venice Biennale.

Commissioned by Facundo de Almeida and curated by Elisa Valerio, the national pavilion of Uruguay presents the work of Eduardo Cardozo with the project Latent.

The curatorial team of the Toronto Biennial of Art (the Biennial/TBA) and its curatorial team of Dominique Fontaine and Miguel A. López announced the title, full artist list and venues for its third edition.

The Seoul Museum of Art is announcing an open call for the position of artistic director of the 13^th Seoul Mediacity Biennale. Deadline to apply: July 28^th, 2024.

The Venice Bienanale’s Swiss Pavilion presents Super Superior Civilizations: an exhibition with the sixth and seventh chapters of Guerreiro do Divino Amor’s monumental “Superfictional World Atlas” saga: The Miracle of Helvetia and Roma Talismano. Curated by: Andrea Bellini.

Maria Madeira is the artist representing Timor-Leste at the 60th International Venice Biennale. Timor-Leste’s inaugural pavilion coincides with the country’s 25th anniversary of independence. Commissioned by the Ministry of Youth, Sports, Arts and Culture, Democratic Republic of Timor-Leste and curated by Professor Natalie King OAM.

The exhibition Bastardie is built around the practices of slangs, jargons, and other language experiments as laboratories for aesthetic and social positions. The group exhibition at KADIST proposes the following question: how are ways of speaking in constant productive relationships with forms of doing as well as looking?

Due qui / To Hear is the project for the Italian Pavilion at the 60th Venice Biennale Curated by Luca Cerizza (with the assistance of Francesca Verga), it presents work that Massimo Bartolini has created in collaboration with several musicians (for the permanent installations) and writers (for the public program), employing the cooperative approach that is a hallmark of his practice.

Andres Serrano carries with him a sulfurous reputation that he has not tried to hide in this exhibition, where famous and forceful works are presented. Under the title “Portaits de L'Amérique” the Musée Maillol offers a survey of Serrano's “American” work from his earliest creations in the mid-1980s to his most recent.

The Georgian Pavilion in the 60^th Venice Biennale presented The Art of Seeing– States of Astronomy, a collaborative project presented by a team of Georgian and French curators and artists.

The International Celebration of Blasphemy and The Sacred is a presentation by Congolese artist collective Cercle d’Art des Travailleurs de Plantation Congolaise (CATPC) for the Dutch Pavilion at the 60th Venice Biennale.

For the 60th International Exhibition of la Biennale di Venezia Stranieri Ovunque (Foregneirs Everywhere), artist Claudia Alarcón and art-collective Silät are presenting their reflections on being treated as foreigners in their own country.