TORONTO BIENNIAL OF ART: PRECARIOUS JOYS

Frieze New York 2024 returns to The Shed in New York with a new curator for Focus, more than 60 galleries from 25 countries and an extensive program of events and activations. This year’s edition will be held from May 1-5.

The NY spring season has concluded with the major auctions of Contemporary and Modern art. While the sales have not been a disaster, most lots have sold either below or close to the low estimate, with some last-minute withdrawals. One year ago, the May sales already marked a clear recalibration of prices. Over the past 12 months, the market has continued its slowdown, and this week's sales have confirmed the trend. It is not a brusque fall or a crash, but a slow-motion downward spiral in prices, with very few but exciting surprises.

Fondation Louis Vuitton, in collaboration with The Museum of Modern Art, New York and the SMK—Statens Museum for Kunst, Copenhagen, is hosting the exhibition Matisse: The Red Studio, focusing on the genesis and history of the 1911 masterpiece.

The Museum of Contemporary Art Chicago presented Virginia Jaramillo: Principle of Equivalence, the first major retrospective and largest monographic exhibition to date of the work of Virginia Jaramillo.

The Guggenheim Museum Bilbao presents Metahaven. Chaos Theory. This is the first exhibition of the year in the Film & Video room, a space that the Museum dedicates entirely to video art, audiovisual installation and moving image as artistic languages, and which celebrates its tenth anniversary in 2024.

The jury of the IV Mediterranean Albert Camus Prize –composed of Javier Gomá, who acts as its president, and N’Goné Fall, Miquel Molina, José Luis Pérez Pont and Anne Prouteau– decided to unanimously award Alfredo Jaar the 2024 edition prize.

The group exhibition Los gestos del trabajo (The Gestures of Work), curated by Clarisa Appendino and Benedetta Casini, at MUNTREF Centro de Arte Contemporáneo presents works that explore the relationship between bodies, technology and work.

Ojalá se derrumben las puertas (Hopefully the Doors Will Fall Down) by artist Luciana Lamothe, curated by Sofía Dourron, is the installation presented by the Argentine Pavilion at the 60th International Art Exhibition of the Venice Biennale 2024.

For the 60th Venice Biennale, the Republic of Armenia presents Echo, a multi-dimensional multi-media installation project by Paris-based Armenian artist Nina Khemchyan.

The exhibition Bastardie is built around the practices of slangs, jargons, and other language experiments as laboratories for aesthetic and social positions. The group exhibition at KADIST proposes the following question: how are ways of speaking in constant productive relationships with forms of doing as well as looking?

Ofrenda is the first large-scale exhibition of Mexican artist Tania Candiani in the Museo de Arte Moderno de Medellín. It is curated by Emiliano Valdés.

Due qui / To Hear is the project for the Italian Pavilion at the 60th Venice Biennale Curated by Luca Cerizza (with the assistance of Francesca Verga), it presents work that Massimo Bartolini has created in collaboration with several musicians (for the permanent installations) and writers (for the public program), employing the cooperative approach that is a hallmark of his practice.

Andres Serrano carries with him a sulfurous reputation that he has not tried to hide in this exhibition, where famous and forceful works are presented. Under the title “Portaits de L'Amérique” the Musée Maillol offers a survey of Serrano's “American” work from his earliest creations in the mid-1980s to his most recent.

Álbum de Casi Todos (Album of Almost Everyone) is the solo exhibition of Chilean artist Pablo Linsambarth at the Instituto Cultural Peruano Norteamericano (ICPNA). It is curated by Daniel H. Rey.

The Artist Series by American Express is an initiative that supports the development of local artists. Digital artists, illustrators and graphic designers from Peru, emerging or young career, are invited to participate. Deadline to apply: July 15, 2024.

Frieze New York 2024 returns to The Shed in New York with a new curator for Focus, more than 60 galleries from 25 countries and an extensive program of events and activations. This year’s edition will be held from May 1-5.

The NY spring season has concluded with the major auctions of Contemporary and Modern art. While the sales have not been a disaster, most lots have sold either below or close to the low estimate, with some last-minute withdrawals. One year ago, the May sales already marked a clear recalibration of prices. Over the past 12 months, the market has continued its slowdown, and this week's sales have confirmed the trend. It is not a brusque fall or a crash, but a slow-motion downward spiral in prices, with very few but exciting surprises.

Fondation Louis Vuitton, in collaboration with The Museum of Modern Art, New York and the SMK—Statens Museum for Kunst, Copenhagen, is hosting the exhibition Matisse: The Red Studio, focusing on the genesis and history of the 1911 masterpiece.

The Museum of Contemporary Art Chicago presented Virginia Jaramillo: Principle of Equivalence, the first major retrospective and largest monographic exhibition to date of the work of Virginia Jaramillo.

The Guggenheim Museum Bilbao presents Metahaven. Chaos Theory. This is the first exhibition of the year in the Film & Video room, a space that the Museum dedicates entirely to video art, audiovisual installation and moving image as artistic languages, and which celebrates its tenth anniversary in 2024.

The jury of the IV Mediterranean Albert Camus Prize –composed of Javier Gomá, who acts as its president, and N’Goné Fall, Miquel Molina, José Luis Pérez Pont and Anne Prouteau– decided to unanimously award Alfredo Jaar the 2024 edition prize.

The group exhibition Los gestos del trabajo (The Gestures of Work), curated by Clarisa Appendino and Benedetta Casini, at MUNTREF Centro de Arte Contemporáneo presents works that explore the relationship between bodies, technology and work.

Ojalá se derrumben las puertas (Hopefully the Doors Will Fall Down) by artist Luciana Lamothe, curated by Sofía Dourron, is the installation presented by the Argentine Pavilion at the 60th International Art Exhibition of the Venice Biennale 2024.

For the 60th Venice Biennale, the Republic of Armenia presents Echo, a multi-dimensional multi-media installation project by Paris-based Armenian artist Nina Khemchyan.

The exhibition Bastardie is built around the practices of slangs, jargons, and other language experiments as laboratories for aesthetic and social positions. The group exhibition at KADIST proposes the following question: how are ways of speaking in constant productive relationships with forms of doing as well as looking?

Ofrenda is the first large-scale exhibition of Mexican artist Tania Candiani in the Museo de Arte Moderno de Medellín. It is curated by Emiliano Valdés.

Due qui / To Hear is the project for the Italian Pavilion at the 60th Venice Biennale Curated by Luca Cerizza (with the assistance of Francesca Verga), it presents work that Massimo Bartolini has created in collaboration with several musicians (for the permanent installations) and writers (for the public program), employing the cooperative approach that is a hallmark of his practice.

Andres Serrano carries with him a sulfurous reputation that he has not tried to hide in this exhibition, where famous and forceful works are presented. Under the title “Portaits de L'Amérique” the Musée Maillol offers a survey of Serrano's “American” work from his earliest creations in the mid-1980s to his most recent.

Álbum de Casi Todos (Album of Almost Everyone) is the solo exhibition of Chilean artist Pablo Linsambarth at the Instituto Cultural Peruano Norteamericano (ICPNA). It is curated by Daniel H. Rey.

The Artist Series by American Express is an initiative that supports the development of local artists. Digital artists, illustrators and graphic designers from Peru, emerging or young career, are invited to participate. Deadline to apply: July 15, 2024.

The NY spring season has concluded with the major auctions of Contemporary and Modern art. While the sales have not been a disaster, most lots have sold either below or close to the low estimate, with some last-minute withdrawals. One year ago, the May sales already marked a clear recalibration of prices. Over the past 12 months, the market has continued its slowdown, and this week's sales have confirmed the trend. It is not a brusque fall or a crash, but a slow-motion downward spiral in prices, with very few but exciting surprises.

Fondation Louis Vuitton, in collaboration with The Museum of Modern Art, New York and the SMK—Statens Museum for Kunst, Copenhagen, is hosting the exhibition Matisse: The Red Studio, focusing on the genesis and history of the 1911 masterpiece.

The Museum of Contemporary Art Chicago presented Virginia Jaramillo: Principle of Equivalence, the first major retrospective and largest monographic exhibition to date of the work of Virginia Jaramillo.

The Guggenheim Museum Bilbao presents Metahaven. Chaos Theory. This is the first exhibition of the year in the Film & Video room, a space that the Museum dedicates entirely to video art, audiovisual installation and moving image as artistic languages, and which celebrates its tenth anniversary in 2024.

The jury of the IV Mediterranean Albert Camus Prize –composed of Javier Gomá, who acts as its president, and N’Goné Fall, Miquel Molina, José Luis Pérez Pont and Anne Prouteau– decided to unanimously award Alfredo Jaar the 2024 edition prize.

The group exhibition Los gestos del trabajo (The Gestures of Work), curated by Clarisa Appendino and Benedetta Casini, at MUNTREF Centro de Arte Contemporáneo presents works that explore the relationship between bodies, technology and work.

Ojalá se derrumben las puertas (Hopefully the Doors Will Fall Down) by artist Luciana Lamothe, curated by Sofía Dourron, is the installation presented by the Argentine Pavilion at the 60th International Art Exhibition of the Venice Biennale 2024.

For the 60th Venice Biennale, the Republic of Armenia presents Echo, a multi-dimensional multi-media installation project by Paris-based Armenian artist Nina Khemchyan.

The exhibition Bastardie is built around the practices of slangs, jargons, and other language experiments as laboratories for aesthetic and social positions. The group exhibition at KADIST proposes the following question: how are ways of speaking in constant productive relationships with forms of doing as well as looking?

Ofrenda is the first large-scale exhibition of Mexican artist Tania Candiani in the Museo de Arte Moderno de Medellín. It is curated by Emiliano Valdés.

Due qui / To Hear is the project for the Italian Pavilion at the 60th Venice Biennale Curated by Luca Cerizza (with the assistance of Francesca Verga), it presents work that Massimo Bartolini has created in collaboration with several musicians (for the permanent installations) and writers (for the public program), employing the cooperative approach that is a hallmark of his practice.

Andres Serrano carries with him a sulfurous reputation that he has not tried to hide in this exhibition, where famous and forceful works are presented. Under the title “Portaits de L'Amérique” the Musée Maillol offers a survey of Serrano's “American” work from his earliest creations in the mid-1980s to his most recent.

Álbum de Casi Todos (Album of Almost Everyone) is the solo exhibition of Chilean artist Pablo Linsambarth at the Instituto Cultural Peruano Norteamericano (ICPNA). It is curated by Daniel H. Rey.

The Artist Series by American Express is an initiative that supports the development of local artists. Digital artists, illustrators and graphic designers from Peru, emerging or young career, are invited to participate. Deadline to apply: July 15, 2024.

Frieze New York 2024 returns to The Shed in New York with a new curator for Focus, more than 60 galleries from 25 countries and an extensive program of events and activations. This year’s edition will be held from May 1-5.

The NY spring season has concluded with the major auctions of Contemporary and Modern art. While the sales have not been a disaster, most lots have sold either below or close to the low estimate, with some last-minute withdrawals. One year ago, the May sales already marked a clear recalibration of prices. Over the past 12 months, the market has continued its slowdown, and this week's sales have confirmed the trend. It is not a brusque fall or a crash, but a slow-motion downward spiral in prices, with very few but exciting surprises.

Fondation Louis Vuitton, in collaboration with The Museum of Modern Art, New York and the SMK—Statens Museum for Kunst, Copenhagen, is hosting the exhibition Matisse: The Red Studio, focusing on the genesis and history of the 1911 masterpiece.

The Museum of Contemporary Art Chicago presented Virginia Jaramillo: Principle of Equivalence, the first major retrospective and largest monographic exhibition to date of the work of Virginia Jaramillo.

The Guggenheim Museum Bilbao presents Metahaven. Chaos Theory. This is the first exhibition of the year in the Film & Video room, a space that the Museum dedicates entirely to video art, audiovisual installation and moving image as artistic languages, and which celebrates its tenth anniversary in 2024.

The jury of the IV Mediterranean Albert Camus Prize –composed of Javier Gomá, who acts as its president, and N’Goné Fall, Miquel Molina, José Luis Pérez Pont and Anne Prouteau– decided to unanimously award Alfredo Jaar the 2024 edition prize.

The group exhibition Los gestos del trabajo (The Gestures of Work), curated by Clarisa Appendino and Benedetta Casini, at MUNTREF Centro de Arte Contemporáneo presents works that explore the relationship between bodies, technology and work.

Ojalá se derrumben las puertas (Hopefully the Doors Will Fall Down) by artist Luciana Lamothe, curated by Sofía Dourron, is the installation presented by the Argentine Pavilion at the 60th International Art Exhibition of the Venice Biennale 2024.

For the 60th Venice Biennale, the Republic of Armenia presents Echo, a multi-dimensional multi-media installation project by Paris-based Armenian artist Nina Khemchyan.

The exhibition Bastardie is built around the practices of slangs, jargons, and other language experiments as laboratories for aesthetic and social positions. The group exhibition at KADIST proposes the following question: how are ways of speaking in constant productive relationships with forms of doing as well as looking?

Ofrenda is the first large-scale exhibition of Mexican artist Tania Candiani in the Museo de Arte Moderno de Medellín. It is curated by Emiliano Valdés.

Due qui / To Hear is the project for the Italian Pavilion at the 60th Venice Biennale Curated by Luca Cerizza (with the assistance of Francesca Verga), it presents work that Massimo Bartolini has created in collaboration with several musicians (for the permanent installations) and writers (for the public program), employing the cooperative approach that is a hallmark of his practice.

Andres Serrano carries with him a sulfurous reputation that he has not tried to hide in this exhibition, where famous and forceful works are presented. Under the title “Portaits de L'Amérique” the Musée Maillol offers a survey of Serrano's “American” work from his earliest creations in the mid-1980s to his most recent.

Álbum de Casi Todos (Album of Almost Everyone) is the solo exhibition of Chilean artist Pablo Linsambarth at the Instituto Cultural Peruano Norteamericano (ICPNA). It is curated by Daniel H. Rey.

The Artist Series by American Express is an initiative that supports the development of local artists. Digital artists, illustrators and graphic designers from Peru, emerging or young career, are invited to participate. Deadline to apply: July 15, 2024.

Frieze New York 2024 returns to The Shed in New York with a new curator for Focus, more than 60 galleries from 25 countries and an extensive program of events and activations. This year’s edition will be held from May 1-5.

The NY spring season has concluded with the major auctions of Contemporary and Modern art. While the sales have not been a disaster, most lots have sold either below or close to the low estimate, with some last-minute withdrawals. One year ago, the May sales already marked a clear recalibration of prices. Over the past 12 months, the market has continued its slowdown, and this week's sales have confirmed the trend. It is not a brusque fall or a crash, but a slow-motion downward spiral in prices, with very few but exciting surprises.

Fondation Louis Vuitton, in collaboration with The Museum of Modern Art, New York and the SMK—Statens Museum for Kunst, Copenhagen, is hosting the exhibition Matisse: The Red Studio, focusing on the genesis and history of the 1911 masterpiece.

The Museum of Contemporary Art Chicago presented Virginia Jaramillo: Principle of Equivalence, the first major retrospective and largest monographic exhibition to date of the work of Virginia Jaramillo.

The Guggenheim Museum Bilbao presents Metahaven. Chaos Theory. This is the first exhibition of the year in the Film & Video room, a space that the Museum dedicates entirely to video art, audiovisual installation and moving image as artistic languages, and which celebrates its tenth anniversary in 2024.

The jury of the IV Mediterranean Albert Camus Prize –composed of Javier Gomá, who acts as its president, and N’Goné Fall, Miquel Molina, José Luis Pérez Pont and Anne Prouteau– decided to unanimously award Alfredo Jaar the 2024 edition prize.

The group exhibition Los gestos del trabajo (The Gestures of Work), curated by Clarisa Appendino and Benedetta Casini, at MUNTREF Centro de Arte Contemporáneo presents works that explore the relationship between bodies, technology and work.

Ojalá se derrumben las puertas (Hopefully the Doors Will Fall Down) by artist Luciana Lamothe, curated by Sofía Dourron, is the installation presented by the Argentine Pavilion at the 60th International Art Exhibition of the Venice Biennale 2024.

For the 60th Venice Biennale, the Republic of Armenia presents Echo, a multi-dimensional multi-media installation project by Paris-based Armenian artist Nina Khemchyan.

The exhibition Bastardie is built around the practices of slangs, jargons, and other language experiments as laboratories for aesthetic and social positions. The group exhibition at KADIST proposes the following question: how are ways of speaking in constant productive relationships with forms of doing as well as looking?

Ofrenda is the first large-scale exhibition of Mexican artist Tania Candiani in the Museo de Arte Moderno de Medellín. It is curated by Emiliano Valdés.

Due qui / To Hear is the project for the Italian Pavilion at the 60th Venice Biennale Curated by Luca Cerizza (with the assistance of Francesca Verga), it presents work that Massimo Bartolini has created in collaboration with several musicians (for the permanent installations) and writers (for the public program), employing the cooperative approach that is a hallmark of his practice.

Andres Serrano carries with him a sulfurous reputation that he has not tried to hide in this exhibition, where famous and forceful works are presented. Under the title “Portaits de L'Amérique” the Musée Maillol offers a survey of Serrano's “American” work from his earliest creations in the mid-1980s to his most recent.

Álbum de Casi Todos (Album of Almost Everyone) is the solo exhibition of Chilean artist Pablo Linsambarth at the Instituto Cultural Peruano Norteamericano (ICPNA). It is curated by Daniel H. Rey.

The Artist Series by American Express is an initiative that supports the development of local artists. Digital artists, illustrators and graphic designers from Peru, emerging or young career, are invited to participate. Deadline to apply: July 15, 2024.