FRIEZE NEW YORK 2024: CELEBRATING ART AND THE CITY

Pinta PArC closed its 14th edition with more than 200 artists and 44 galleries. From April 24 to 28, 2024 at Casa Prado, the fair brought together curators, gallery owners, artists, collectors and art lovers.

Sargent’s Daughters is presenting the exhibition Inverso Mundus: Chimeras, the New York debut exhibition of internationally acclaimed Russian artist collective AES+F. 

In the next edition of Pinta PArC 2024, Herlitzka & Co. (Buenos Aires) and Henrique Faria (New York) join forces to present a booth proposal that challenges conventional notions of contemporaneity and ancestry in Latin American art.

Exhibited for the first time since entering the collection of The Museum of Modern Art, Regina José Galindo’s Tierra (2013) explores connections between the exploitation of labor, resources, and human life in Guatemala.

The exhibition Ver por contacto (Seeing by Contact). Fotogramas 2014-2024 brings together the work produced over the last ten years by Peruvian photographer and visual artist Roberto Huarcaya.

The Fund for Park Avenue and its Sculpture Committee have invited two artists, Betsabeé Romero and Jorge Otero-Pailos to exhibit their sculptures on Park Avenue from March through October 2024. Their eight works are presented in conjunction with New York City (NYC) Parks’ Art in the Parks program.

A week away from its official opening, the 60th edition of the Venice Biennale has generated press urbi et orbi. While some articles celebrated the irruption of the Global South in the Arsenale and the Giardini, others -truly devastating- reported on the disturbance and discomfort that the proposal of Adriano Pedrosa -the first Latin American to cure La Biennale in more than a century of existence- has awakened in the Western art system.

Delfina Foundation announced an international open call for its upcoming winter 2025 residency season (January 6^th–March 30^th) under its recurring thematic program science technology society. Deadline to apply: May 19^th, 2024.

La Chola Poblete, Argentine artist and LGBTQ+ rights activist, draws confrontation between historical stereotypes and contemporary visual languages. Her colourful works in diverse media disrupt prevailing power structures and celebrate the rich culture of South American Indigenous peoples. Titled after her hometown, Guaymallén is La Chola’s solo exhibition at PalaisPopulaire, curated by Britta Färber, head of Deutsche Bank’s international art and culture program.

The curatorial team of the Toronto Biennial of Art (the Biennial/TBA) and its curatorial team of Dominique Fontaine and Miguel A. López announced the title, full artist list and venues for its third edition.

Pinta PArC closed its 14th edition with more than 200 artists and 44 galleries. From April 24 to 28, 2024 at Casa Prado, the fair brought together curators, gallery owners, artists, collectors and art lovers.

Sargent’s Daughters is presenting the exhibition Inverso Mundus: Chimeras, the New York debut exhibition of internationally acclaimed Russian artist collective AES+F. 

In the next edition of Pinta PArC 2024, Herlitzka & Co. (Buenos Aires) and Henrique Faria (New York) join forces to present a booth proposal that challenges conventional notions of contemporaneity and ancestry in Latin American art.

Exhibited for the first time since entering the collection of The Museum of Modern Art, Regina José Galindo’s Tierra (2013) explores connections between the exploitation of labor, resources, and human life in Guatemala.

The exhibition Ver por contacto (Seeing by Contact). Fotogramas 2014-2024 brings together the work produced over the last ten years by Peruvian photographer and visual artist Roberto Huarcaya.

The Fund for Park Avenue and its Sculpture Committee have invited two artists, Betsabeé Romero and Jorge Otero-Pailos to exhibit their sculptures on Park Avenue from March through October 2024. Their eight works are presented in conjunction with New York City (NYC) Parks’ Art in the Parks program.

A week away from its official opening, the 60th edition of the Venice Biennale has generated press urbi et orbi. While some articles celebrated the irruption of the Global South in the Arsenale and the Giardini, others -truly devastating- reported on the disturbance and discomfort that the proposal of Adriano Pedrosa -the first Latin American to cure La Biennale in more than a century of existence- has awakened in the Western art system.

Delfina Foundation announced an international open call for its upcoming winter 2025 residency season (January 6^th–March 30^th) under its recurring thematic program science technology society. Deadline to apply: May 19^th, 2024.

La Chola Poblete, Argentine artist and LGBTQ+ rights activist, draws confrontation between historical stereotypes and contemporary visual languages. Her colourful works in diverse media disrupt prevailing power structures and celebrate the rich culture of South American Indigenous peoples. Titled after her hometown, Guaymallén is La Chola’s solo exhibition at PalaisPopulaire, curated by Britta Färber, head of Deutsche Bank’s international art and culture program.

The curatorial team of the Toronto Biennial of Art (the Biennial/TBA) and its curatorial team of Dominique Fontaine and Miguel A. López announced the title, full artist list and venues for its third edition.

Sargent’s Daughters is presenting the exhibition Inverso Mundus: Chimeras, the New York debut exhibition of internationally acclaimed Russian artist collective AES+F. 

In the next edition of Pinta PArC 2024, Herlitzka & Co. (Buenos Aires) and Henrique Faria (New York) join forces to present a booth proposal that challenges conventional notions of contemporaneity and ancestry in Latin American art.

Exhibited for the first time since entering the collection of The Museum of Modern Art, Regina José Galindo’s Tierra (2013) explores connections between the exploitation of labor, resources, and human life in Guatemala.

The exhibition Ver por contacto (Seeing by Contact). Fotogramas 2014-2024 brings together the work produced over the last ten years by Peruvian photographer and visual artist Roberto Huarcaya.

The Fund for Park Avenue and its Sculpture Committee have invited two artists, Betsabeé Romero and Jorge Otero-Pailos to exhibit their sculptures on Park Avenue from March through October 2024. Their eight works are presented in conjunction with New York City (NYC) Parks’ Art in the Parks program.

A week away from its official opening, the 60th edition of the Venice Biennale has generated press urbi et orbi. While some articles celebrated the irruption of the Global South in the Arsenale and the Giardini, others -truly devastating- reported on the disturbance and discomfort that the proposal of Adriano Pedrosa -the first Latin American to cure La Biennale in more than a century of existence- has awakened in the Western art system.

Delfina Foundation announced an international open call for its upcoming winter 2025 residency season (January 6^th–March 30^th) under its recurring thematic program science technology society. Deadline to apply: May 19^th, 2024.

La Chola Poblete, Argentine artist and LGBTQ+ rights activist, draws confrontation between historical stereotypes and contemporary visual languages. Her colourful works in diverse media disrupt prevailing power structures and celebrate the rich culture of South American Indigenous peoples. Titled after her hometown, Guaymallén is La Chola’s solo exhibition at PalaisPopulaire, curated by Britta Färber, head of Deutsche Bank’s international art and culture program.

The curatorial team of the Toronto Biennial of Art (the Biennial/TBA) and its curatorial team of Dominique Fontaine and Miguel A. López announced the title, full artist list and venues for its third edition.

Pinta PArC closed its 14th edition with more than 200 artists and 44 galleries. From April 24 to 28, 2024 at Casa Prado, the fair brought together curators, gallery owners, artists, collectors and art lovers.

Sargent’s Daughters is presenting the exhibition Inverso Mundus: Chimeras, the New York debut exhibition of internationally acclaimed Russian artist collective AES+F. 

In the next edition of Pinta PArC 2024, Herlitzka & Co. (Buenos Aires) and Henrique Faria (New York) join forces to present a booth proposal that challenges conventional notions of contemporaneity and ancestry in Latin American art.

Exhibited for the first time since entering the collection of The Museum of Modern Art, Regina José Galindo’s Tierra (2013) explores connections between the exploitation of labor, resources, and human life in Guatemala.

The exhibition Ver por contacto (Seeing by Contact). Fotogramas 2014-2024 brings together the work produced over the last ten years by Peruvian photographer and visual artist Roberto Huarcaya.

The Fund for Park Avenue and its Sculpture Committee have invited two artists, Betsabeé Romero and Jorge Otero-Pailos to exhibit their sculptures on Park Avenue from March through October 2024. Their eight works are presented in conjunction with New York City (NYC) Parks’ Art in the Parks program.

A week away from its official opening, the 60th edition of the Venice Biennale has generated press urbi et orbi. While some articles celebrated the irruption of the Global South in the Arsenale and the Giardini, others -truly devastating- reported on the disturbance and discomfort that the proposal of Adriano Pedrosa -the first Latin American to cure La Biennale in more than a century of existence- has awakened in the Western art system.

Delfina Foundation announced an international open call for its upcoming winter 2025 residency season (January 6^th–March 30^th) under its recurring thematic program science technology society. Deadline to apply: May 19^th, 2024.

La Chola Poblete, Argentine artist and LGBTQ+ rights activist, draws confrontation between historical stereotypes and contemporary visual languages. Her colourful works in diverse media disrupt prevailing power structures and celebrate the rich culture of South American Indigenous peoples. Titled after her hometown, Guaymallén is La Chola’s solo exhibition at PalaisPopulaire, curated by Britta Färber, head of Deutsche Bank’s international art and culture program.

The curatorial team of the Toronto Biennial of Art (the Biennial/TBA) and its curatorial team of Dominique Fontaine and Miguel A. López announced the title, full artist list and venues for its third edition.

Pinta PArC closed its 14th edition with more than 200 artists and 44 galleries. From April 24 to 28, 2024 at Casa Prado, the fair brought together curators, gallery owners, artists, collectors and art lovers.

Sargent’s Daughters is presenting the exhibition Inverso Mundus: Chimeras, the New York debut exhibition of internationally acclaimed Russian artist collective AES+F. 

In the next edition of Pinta PArC 2024, Herlitzka & Co. (Buenos Aires) and Henrique Faria (New York) join forces to present a booth proposal that challenges conventional notions of contemporaneity and ancestry in Latin American art.

Exhibited for the first time since entering the collection of The Museum of Modern Art, Regina José Galindo’s Tierra (2013) explores connections between the exploitation of labor, resources, and human life in Guatemala.

The exhibition Ver por contacto (Seeing by Contact). Fotogramas 2014-2024 brings together the work produced over the last ten years by Peruvian photographer and visual artist Roberto Huarcaya.

The Fund for Park Avenue and its Sculpture Committee have invited two artists, Betsabeé Romero and Jorge Otero-Pailos to exhibit their sculptures on Park Avenue from March through October 2024. Their eight works are presented in conjunction with New York City (NYC) Parks’ Art in the Parks program.

A week away from its official opening, the 60th edition of the Venice Biennale has generated press urbi et orbi. While some articles celebrated the irruption of the Global South in the Arsenale and the Giardini, others -truly devastating- reported on the disturbance and discomfort that the proposal of Adriano Pedrosa -the first Latin American to cure La Biennale in more than a century of existence- has awakened in the Western art system.

Delfina Foundation announced an international open call for its upcoming winter 2025 residency season (January 6^th–March 30^th) under its recurring thematic program science technology society. Deadline to apply: May 19^th, 2024.

La Chola Poblete, Argentine artist and LGBTQ+ rights activist, draws confrontation between historical stereotypes and contemporary visual languages. Her colourful works in diverse media disrupt prevailing power structures and celebrate the rich culture of South American Indigenous peoples. Titled after her hometown, Guaymallén is La Chola’s solo exhibition at PalaisPopulaire, curated by Britta Färber, head of Deutsche Bank’s international art and culture program.

The curatorial team of the Toronto Biennial of Art (the Biennial/TBA) and its curatorial team of Dominique Fontaine and Miguel A. López announced the title, full artist list and venues for its third edition.