TANIA CANDIANI'S OFFERING AT MAMM
Ofrenda is the first large-scale exhibition of Mexican artist Tania Candiani in the Museo de Arte Moderno de Medellín. It is curated by Emiliano Valdés.
It brings together a series of works revolving around sound, artisanal processes and rivers, which speak of different latitudes, but also and above all, of Medellin. Some of her works lead through paths that merge the Earth with its human and non-human inhabitants, bringing them closer, and also questioning the meaning that each one gives to his or her brief passage through this planet. Loosely structured around Preludio cuántico, a two-channel octophonic video that connects mystical, scientific and aesthetic visions of the universe, Ofrenda poses -from sound and matter- a series of reflections on what is primordial, both audible and palpable.
Sound is at the core of the artistic practice of Tania Candiani (Mexico City, 1974), who in the last fifteen years has investigated it as a material, as a medium and tool for measuring and understanding the corporeal world. Her work, which is organically multidisciplinary, focuses her interest on the processes of translation between languages and techniques, which is why she uses sound fields to understand the conception of the world in different cultures, to establish a channel of communication with other species and even to question the processes of industrialization and a supposed progress whose profound consequences we are experiencing today. The artist has come to think of sound as an instrument to measure the passage of time, the time of craftsmanship, of traditions and their material manifestations.
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The curatorial team of the Toronto Biennial of Art (the Biennial/TBA) and its curatorial team of Dominique Fontaine and Miguel A. López announced the title, full artist list and venues for its third edition.
Rosana Paulino. Amefricana is the most complete exhibition outside Brazil of this artist born in Sao Paulo in 1967. The exhibition at Malba brings together a group of works made during 30 years, between 1994 and 2024, from the perspective that the Atlantic inscribes in the Afro-descendant America.
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Delcy Morelos (Tierralta, Colombia, 1967) lands at the Centro Andaluz de Arte Contemporáneo (CAAC) in Seville with Profundis, an exhibition that gathers the spectacular intervention she has made ex profeso in the monumental areas of the Sevillian institution and that focuses on revitalizing the ancestral link of man with the earth, as well as capturing, through botany, the symbolism of the relations between Europe and America.
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