JO-HS PRESENTS NYC EXHIBITION FEATURING LATIN AMERICAN ARTISTS

The jury of the IV Mediterranean Albert Camus Prize –composed of Javier Gomá, who acts as its president, and N’Goné Fall, Miquel Molina, José Luis Pérez Pont and Anne Prouteau– decided to unanimously award Alfredo Jaar the 2024 edition prize.

The NY spring season has concluded with the major auctions of Contemporary and Modern art. While the sales have not been a disaster, most lots have sold either below or close to the low estimate, with some last-minute withdrawals. One year ago, the May sales already marked a clear recalibration of prices. Over the past 12 months, the market has continued its slowdown, and this week's sales have confirmed the trend. It is not a brusque fall or a crash, but a slow-motion downward spiral in prices, with very few but exciting surprises.

Fondation Louis Vuitton, in collaboration with The Museum of Modern Art, New York and the SMK—Statens Museum for Kunst, Copenhagen, is hosting the exhibition Matisse: The Red Studio, focusing on the genesis and history of the 1911 masterpiece.

The Museum of Contemporary Art Chicago presented Virginia Jaramillo: Principle of Equivalence, the first major retrospective and largest monographic exhibition to date of the work of Virginia Jaramillo.

With the opening of Frieze NY last Wednesday, the NY Contemporary sales season has kicked off (if it ever truly stops!). From now until mid-May, it's a whirlwind of fairs and gallery openings, culminating in the grand auctions. May is a crucial time for the US art market calendar and the results will have global repercussion for the remainder of the year.

Last week's New York auctions, dubbed "Giga Week," saw art sales soar to an impressive $1.4 billion. This significant figure follows numerous sales at bustling art fairs over the past two weeks. While this amount represents a 22% decrease from the same week in 2023, and 55% less from 2022, auction houses performed admirably given the current challenging economic and political climate.

The Institute for Studies on Latin American Art (ISLAA) presents the exhibition Threads to the South, curated by Anna Burckhardt Pérez. The group exhibition features works by over twenty artists from ten countries, including videos, photographs, paintings, works on paper, and textiles developed between 1967 and 2023.

Ofrenda is the first large-scale exhibition of Mexican artist Tania Candiani in the Museo de Arte Moderno de Medellín. It is curated by Emiliano Valdés.

Art at Americas Society is presenting Interior with Landscapes, the first solo exhibition and mid-career survey of the Argentine artist Alejandra Seeber in New York. Many of Seeber's paintings explore the tension between representation and abstraction.

The exhibition in Jordan Schnitzer Mueum of Art Necroarchivos de las Américas: an unrelenting search for justice, examines artistic responses to violence instigated by state regimes across the Americas to disclose censored narratives, argue for the importance of artmaking as an act of memory and witnessing, advocate research, and seek justice.

The jury of the IV Mediterranean Albert Camus Prize –composed of Javier Gomá, who acts as its president, and N’Goné Fall, Miquel Molina, José Luis Pérez Pont and Anne Prouteau– decided to unanimously award Alfredo Jaar the 2024 edition prize.

The NY spring season has concluded with the major auctions of Contemporary and Modern art. While the sales have not been a disaster, most lots have sold either below or close to the low estimate, with some last-minute withdrawals. One year ago, the May sales already marked a clear recalibration of prices. Over the past 12 months, the market has continued its slowdown, and this week's sales have confirmed the trend. It is not a brusque fall or a crash, but a slow-motion downward spiral in prices, with very few but exciting surprises.

Fondation Louis Vuitton, in collaboration with The Museum of Modern Art, New York and the SMK—Statens Museum for Kunst, Copenhagen, is hosting the exhibition Matisse: The Red Studio, focusing on the genesis and history of the 1911 masterpiece.

The Museum of Contemporary Art Chicago presented Virginia Jaramillo: Principle of Equivalence, the first major retrospective and largest monographic exhibition to date of the work of Virginia Jaramillo.

With the opening of Frieze NY last Wednesday, the NY Contemporary sales season has kicked off (if it ever truly stops!). From now until mid-May, it's a whirlwind of fairs and gallery openings, culminating in the grand auctions. May is a crucial time for the US art market calendar and the results will have global repercussion for the remainder of the year.

Last week's New York auctions, dubbed "Giga Week," saw art sales soar to an impressive $1.4 billion. This significant figure follows numerous sales at bustling art fairs over the past two weeks. While this amount represents a 22% decrease from the same week in 2023, and 55% less from 2022, auction houses performed admirably given the current challenging economic and political climate.

The Institute for Studies on Latin American Art (ISLAA) presents the exhibition Threads to the South, curated by Anna Burckhardt Pérez. The group exhibition features works by over twenty artists from ten countries, including videos, photographs, paintings, works on paper, and textiles developed between 1967 and 2023.

Ofrenda is the first large-scale exhibition of Mexican artist Tania Candiani in the Museo de Arte Moderno de Medellín. It is curated by Emiliano Valdés.

Art at Americas Society is presenting Interior with Landscapes, the first solo exhibition and mid-career survey of the Argentine artist Alejandra Seeber in New York. Many of Seeber's paintings explore the tension between representation and abstraction.

The exhibition in Jordan Schnitzer Mueum of Art Necroarchivos de las Américas: an unrelenting search for justice, examines artistic responses to violence instigated by state regimes across the Americas to disclose censored narratives, argue for the importance of artmaking as an act of memory and witnessing, advocate research, and seek justice.

The NY spring season has concluded with the major auctions of Contemporary and Modern art. While the sales have not been a disaster, most lots have sold either below or close to the low estimate, with some last-minute withdrawals. One year ago, the May sales already marked a clear recalibration of prices. Over the past 12 months, the market has continued its slowdown, and this week's sales have confirmed the trend. It is not a brusque fall or a crash, but a slow-motion downward spiral in prices, with very few but exciting surprises.

Fondation Louis Vuitton, in collaboration with The Museum of Modern Art, New York and the SMK—Statens Museum for Kunst, Copenhagen, is hosting the exhibition Matisse: The Red Studio, focusing on the genesis and history of the 1911 masterpiece.

The Museum of Contemporary Art Chicago presented Virginia Jaramillo: Principle of Equivalence, the first major retrospective and largest monographic exhibition to date of the work of Virginia Jaramillo.

With the opening of Frieze NY last Wednesday, the NY Contemporary sales season has kicked off (if it ever truly stops!). From now until mid-May, it's a whirlwind of fairs and gallery openings, culminating in the grand auctions. May is a crucial time for the US art market calendar and the results will have global repercussion for the remainder of the year.

Last week's New York auctions, dubbed "Giga Week," saw art sales soar to an impressive $1.4 billion. This significant figure follows numerous sales at bustling art fairs over the past two weeks. While this amount represents a 22% decrease from the same week in 2023, and 55% less from 2022, auction houses performed admirably given the current challenging economic and political climate.

The Institute for Studies on Latin American Art (ISLAA) presents the exhibition Threads to the South, curated by Anna Burckhardt Pérez. The group exhibition features works by over twenty artists from ten countries, including videos, photographs, paintings, works on paper, and textiles developed between 1967 and 2023.

Ofrenda is the first large-scale exhibition of Mexican artist Tania Candiani in the Museo de Arte Moderno de Medellín. It is curated by Emiliano Valdés.

Art at Americas Society is presenting Interior with Landscapes, the first solo exhibition and mid-career survey of the Argentine artist Alejandra Seeber in New York. Many of Seeber's paintings explore the tension between representation and abstraction.

The exhibition in Jordan Schnitzer Mueum of Art Necroarchivos de las Américas: an unrelenting search for justice, examines artistic responses to violence instigated by state regimes across the Americas to disclose censored narratives, argue for the importance of artmaking as an act of memory and witnessing, advocate research, and seek justice.

The jury of the IV Mediterranean Albert Camus Prize –composed of Javier Gomá, who acts as its president, and N’Goné Fall, Miquel Molina, José Luis Pérez Pont and Anne Prouteau– decided to unanimously award Alfredo Jaar the 2024 edition prize.

The NY spring season has concluded with the major auctions of Contemporary and Modern art. While the sales have not been a disaster, most lots have sold either below or close to the low estimate, with some last-minute withdrawals. One year ago, the May sales already marked a clear recalibration of prices. Over the past 12 months, the market has continued its slowdown, and this week's sales have confirmed the trend. It is not a brusque fall or a crash, but a slow-motion downward spiral in prices, with very few but exciting surprises.

Fondation Louis Vuitton, in collaboration with The Museum of Modern Art, New York and the SMK—Statens Museum for Kunst, Copenhagen, is hosting the exhibition Matisse: The Red Studio, focusing on the genesis and history of the 1911 masterpiece.

The Museum of Contemporary Art Chicago presented Virginia Jaramillo: Principle of Equivalence, the first major retrospective and largest monographic exhibition to date of the work of Virginia Jaramillo.

With the opening of Frieze NY last Wednesday, the NY Contemporary sales season has kicked off (if it ever truly stops!). From now until mid-May, it's a whirlwind of fairs and gallery openings, culminating in the grand auctions. May is a crucial time for the US art market calendar and the results will have global repercussion for the remainder of the year.

Last week's New York auctions, dubbed "Giga Week," saw art sales soar to an impressive $1.4 billion. This significant figure follows numerous sales at bustling art fairs over the past two weeks. While this amount represents a 22% decrease from the same week in 2023, and 55% less from 2022, auction houses performed admirably given the current challenging economic and political climate.

The Institute for Studies on Latin American Art (ISLAA) presents the exhibition Threads to the South, curated by Anna Burckhardt Pérez. The group exhibition features works by over twenty artists from ten countries, including videos, photographs, paintings, works on paper, and textiles developed between 1967 and 2023.

Ofrenda is the first large-scale exhibition of Mexican artist Tania Candiani in the Museo de Arte Moderno de Medellín. It is curated by Emiliano Valdés.

Art at Americas Society is presenting Interior with Landscapes, the first solo exhibition and mid-career survey of the Argentine artist Alejandra Seeber in New York. Many of Seeber's paintings explore the tension between representation and abstraction.

The exhibition in Jordan Schnitzer Mueum of Art Necroarchivos de las Américas: an unrelenting search for justice, examines artistic responses to violence instigated by state regimes across the Americas to disclose censored narratives, argue for the importance of artmaking as an act of memory and witnessing, advocate research, and seek justice.

The jury of the IV Mediterranean Albert Camus Prize –composed of Javier Gomá, who acts as its president, and N’Goné Fall, Miquel Molina, José Luis Pérez Pont and Anne Prouteau– decided to unanimously award Alfredo Jaar the 2024 edition prize.

The NY spring season has concluded with the major auctions of Contemporary and Modern art. While the sales have not been a disaster, most lots have sold either below or close to the low estimate, with some last-minute withdrawals. One year ago, the May sales already marked a clear recalibration of prices. Over the past 12 months, the market has continued its slowdown, and this week's sales have confirmed the trend. It is not a brusque fall or a crash, but a slow-motion downward spiral in prices, with very few but exciting surprises.

Fondation Louis Vuitton, in collaboration with The Museum of Modern Art, New York and the SMK—Statens Museum for Kunst, Copenhagen, is hosting the exhibition Matisse: The Red Studio, focusing on the genesis and history of the 1911 masterpiece.

The Museum of Contemporary Art Chicago presented Virginia Jaramillo: Principle of Equivalence, the first major retrospective and largest monographic exhibition to date of the work of Virginia Jaramillo.

With the opening of Frieze NY last Wednesday, the NY Contemporary sales season has kicked off (if it ever truly stops!). From now until mid-May, it's a whirlwind of fairs and gallery openings, culminating in the grand auctions. May is a crucial time for the US art market calendar and the results will have global repercussion for the remainder of the year.

Last week's New York auctions, dubbed "Giga Week," saw art sales soar to an impressive $1.4 billion. This significant figure follows numerous sales at bustling art fairs over the past two weeks. While this amount represents a 22% decrease from the same week in 2023, and 55% less from 2022, auction houses performed admirably given the current challenging economic and political climate.

The Institute for Studies on Latin American Art (ISLAA) presents the exhibition Threads to the South, curated by Anna Burckhardt Pérez. The group exhibition features works by over twenty artists from ten countries, including videos, photographs, paintings, works on paper, and textiles developed between 1967 and 2023.

Ofrenda is the first large-scale exhibition of Mexican artist Tania Candiani in the Museo de Arte Moderno de Medellín. It is curated by Emiliano Valdés.

Art at Americas Society is presenting Interior with Landscapes, the first solo exhibition and mid-career survey of the Argentine artist Alejandra Seeber in New York. Many of Seeber's paintings explore the tension between representation and abstraction.

The exhibition in Jordan Schnitzer Mueum of Art Necroarchivos de las Américas: an unrelenting search for justice, examines artistic responses to violence instigated by state regimes across the Americas to disclose censored narratives, argue for the importance of artmaking as an act of memory and witnessing, advocate research, and seek justice.