ALFREDO JAAR WINS 2024 MEDITERRANEAN ALBERT CAMUS PRIZE
The jury of the IV Mediterranean Albert Camus Prize –composed of Javier Gomá, who acts as its president, and N’Goné Fall, Miquel Molina, José Luis Pérez Pont and Anne Prouteau– decided to unanimously award Alfredo Jaar the 2024 edition prize.
Alfredo Jaar is a universal artist who transcends territories and cultures. A creator whose work, in constant resonance with the convulsions of the world, opens the doors to possible futures. Always respecting others, in a commitment to the service of social justice, his poetic work reaches all audiences, sparks dialogue and provides keys to understanding the world.
Like Camus, Alfredo Jaar does not conceive of art as “a solitary pleasure, but as a means to move the greatest number of people”. He also stands out for his fidelity to his vocation as an artist, to his convictions, so to speak, “to his work as a human being.”
The Mediterranean Albert Camus Prize is awarded every two years, alternating with the Trobades, to honor the career of a person whose work engages with contemporary Mediterranean challenges. It recognizes the career and work of a creator or thinker who is a witness to and participant in their times, in the tradition of Albert Camus.
To this end, the Mediterranean Albert Camus Prize recognizes an important figure, whatever their practice area, for their entire career, valuing the impact of their work and person on contemporary Mediterranean society.
The Mediterranean Albert Camus Prize is a unique award, awarded to a single person whose work belongs to one of the following disciplines: Journalism, Literature, Music, Plastic arts, Thought and Visual arts.
The international jury of the IV Mediterranean Albert Camus Prize chaired by Javier Gomá, director of the Juan March Foundation, is composed of N’Goné Fall, independent curator; Miquel Molina, writer and journalist; José Luis Pérez Pont, critic and museum director, and Anne Prouteau, president of the Society of Camusian Studies.
In this fourth season of the prize the jury had to select the winner from the following finalists: visual artists Kader Attia and Alfredo Jaar, writer and poet Najwan Darwich, philosopher Achille Mbembe, singer Silvia Pérez Cruz, and writer and journalist Samar Yazbek.
The winner Alfredo Jaar join previous honorees Mona Hatoum (2018), Edgar Morin (2020) and Mathias Énard (2022).
Alfredo Jaar is an artist, architect and filmmaker who lives and works in New York. His work has been shown extensively around the world. He has participated in the Biennales of Venice (1986, 2007, 2009, 2013), Sao Paulo (1987, 1989, 2010, 2021) as well as Documenta in Kassel (1987, 2002). He has realized more than seventy public interventions around the world. Over sixty monographic publications have been published about his work. He became a Guggenheim Fellow in 1985 and a MacArthur Fellow in 2000. He received the Hiroshima Art Prize in 2018 and the Hasselblad Award in 2020.
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Art at Americas Society is presenting Interior with Landscapes, the first solo exhibition and mid-career survey of the Argentine artist Alejandra Seeber in New York. Many of Seeber's paintings explore the tension between representation and abstraction.
The curatorial team of the Toronto Biennial of Art (the Biennial/TBA) and its curatorial team of Dominique Fontaine and Miguel A. López announced the title, full artist list and venues for its third edition.
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The curatorial team of the Toronto Biennial of Art (the Biennial/TBA) and its curatorial team of Dominique Fontaine and Miguel A. López announced the title, full artist list and venues for its third edition.
Commissioned by Facundo de Almeida and curated by Elisa Valerio, the national pavilion of Uruguay presents the work of Eduardo Cardozo with the project Latent.
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Commissioned by Facundo de Almeida and curated by Elisa Valerio, the national pavilion of Uruguay presents the work of Eduardo Cardozo with the project Latent.
A week away from its official opening, the 60th edition of the Venice Biennale has generated press urbi et orbi. While some articles celebrated the irruption of the Global South in the Arsenale and the Giardini, others -truly devastating- reported on the disturbance and discomfort that the proposal of Adriano Pedrosa -the first Latin American to cure La Biennale in more than a century of existence- has awakened in the Western art system.
JULIA ISÍDREZ AND THE GLOBAL SOUTH AT THE 60TH VENICE BIENNIAL
A week away from its official opening, the 60th edition of the Venice Biennale has generated press urbi et orbi. While some articles celebrated the irruption of the Global South in the Arsenale and the Giardini, others -truly devastating- reported on the disturbance and discomfort that the proposal of Adriano Pedrosa -the first Latin American to cure La Biennale in more than a century of existence- has awakened in the Western art system.
Pies bajo fuego: sobre el espejo (Feet under fire: on the mirror) is the two-part exhibition at MAC Panama. Curated by Miguel A. López, it explores the multivalent notion of dispossession and its forms of representation through a group of video works from the last decade.
EXPLORING THE MULTIVALENT NOTION OF DISPOSSESSION AT THE MAC PANAMÁ
Pies bajo fuego: sobre el espejo (Feet under fire: on the mirror) is the two-part exhibition at MAC Panama. Curated by Miguel A. López, it explores the multivalent notion of dispossession and its forms of representation through a group of video works from the last decade.
The Institute for Studies on Latin American Art (ISLAA) presents the exhibition Threads to the South, curated by Anna Burckhardt Pérez. The group exhibition features works by over twenty artists from ten countries, including videos, photographs, paintings, works on paper, and textiles developed between 1967 and 2023.
BELONGING, IDENTITY AND TERRITORY: ISLAA’S GROUP EXHIBITION
The Institute for Studies on Latin American Art (ISLAA) presents the exhibition Threads to the South, curated by Anna Burckhardt Pérez. The group exhibition features works by over twenty artists from ten countries, including videos, photographs, paintings, works on paper, and textiles developed between 1967 and 2023.
Art at Americas Society is presenting Interior with Landscapes, the first solo exhibition and mid-career survey of the Argentine artist Alejandra Seeber in New York. Many of Seeber's paintings explore the tension between representation and abstraction.
ALEJANDRA SEEBER: INTERIOR WITH LANDSCAPES
Art at Americas Society is presenting Interior with Landscapes, the first solo exhibition and mid-career survey of the Argentine artist Alejandra Seeber in New York. Many of Seeber's paintings explore the tension between representation and abstraction.
The curatorial team of the Toronto Biennial of Art (the Biennial/TBA) and its curatorial team of Dominique Fontaine and Miguel A. López announced the title, full artist list and venues for its third edition.
TORONTO BIENNIAL OF ART: PRECARIOUS JOYS
The curatorial team of the Toronto Biennial of Art (the Biennial/TBA) and its curatorial team of Dominique Fontaine and Miguel A. López announced the title, full artist list and venues for its third edition.
Commissioned by Facundo de Almeida and curated by Elisa Valerio, the national pavilion of Uruguay presents the work of Eduardo Cardozo with the project Latent.
THE PAVILION OF URUGUAY AT THE 60TH VENICE BIENNALE
Commissioned by Facundo de Almeida and curated by Elisa Valerio, the national pavilion of Uruguay presents the work of Eduardo Cardozo with the project Latent.
A week away from its official opening, the 60th edition of the Venice Biennale has generated press urbi et orbi. While some articles celebrated the irruption of the Global South in the Arsenale and the Giardini, others -truly devastating- reported on the disturbance and discomfort that the proposal of Adriano Pedrosa -the first Latin American to cure La Biennale in more than a century of existence- has awakened in the Western art system.
JULIA ISÍDREZ AND THE GLOBAL SOUTH AT THE 60TH VENICE BIENNIAL
A week away from its official opening, the 60th edition of the Venice Biennale has generated press urbi et orbi. While some articles celebrated the irruption of the Global South in the Arsenale and the Giardini, others -truly devastating- reported on the disturbance and discomfort that the proposal of Adriano Pedrosa -the first Latin American to cure La Biennale in more than a century of existence- has awakened in the Western art system.
Pies bajo fuego: sobre el espejo (Feet under fire: on the mirror) is the two-part exhibition at MAC Panama. Curated by Miguel A. López, it explores the multivalent notion of dispossession and its forms of representation through a group of video works from the last decade.
EXPLORING THE MULTIVALENT NOTION OF DISPOSSESSION AT THE MAC PANAMÁ
Pies bajo fuego: sobre el espejo (Feet under fire: on the mirror) is the two-part exhibition at MAC Panama. Curated by Miguel A. López, it explores the multivalent notion of dispossession and its forms of representation through a group of video works from the last decade.
The Institute for Studies on Latin American Art (ISLAA) presents the exhibition Threads to the South, curated by Anna Burckhardt Pérez. The group exhibition features works by over twenty artists from ten countries, including videos, photographs, paintings, works on paper, and textiles developed between 1967 and 2023.
BELONGING, IDENTITY AND TERRITORY: ISLAA’S GROUP EXHIBITION
The Institute for Studies on Latin American Art (ISLAA) presents the exhibition Threads to the South, curated by Anna Burckhardt Pérez. The group exhibition features works by over twenty artists from ten countries, including videos, photographs, paintings, works on paper, and textiles developed between 1967 and 2023.
Art at Americas Society is presenting Interior with Landscapes, the first solo exhibition and mid-career survey of the Argentine artist Alejandra Seeber in New York. Many of Seeber's paintings explore the tension between representation and abstraction.
ALEJANDRA SEEBER: INTERIOR WITH LANDSCAPES
Art at Americas Society is presenting Interior with Landscapes, the first solo exhibition and mid-career survey of the Argentine artist Alejandra Seeber in New York. Many of Seeber's paintings explore the tension between representation and abstraction.
