MATISSE: THE RED STUDIO AT FONDATION LOUIS VUITTON

Leonora Carrington’s painting "Les Distractions de Dagobert" (1945), valued between $12 to $18 million, is generating considerable excitement as it heads to auction at Sotheby's this May. Having been in an American collection since 1995, its upcoming sale not only reflects the escalating market demand for Carrington's pieces but also underscores the rising interest in female Surrealist artists.

Héctor Canonge began to explore the possibilities of performance almost without being aware of it. With an extensive career in the field of new media and the art surrounding these technologies, and almost by inertia, he incorporates the use of his body in one of his installations, Schema CorpoReal, where his body covered by bar codes was scanned by the public so that, through texts that emerged referring to parts of his body, they ended up constructing a narrative of identity.

The Museo Extremeño e Iberoamericano de Arte Contemporáneo (MEIAC) in Badajoz is exhibiting, under the title Paisaje Transferido, a wide-ranging show by MartÍn Lopez Lam (Lima, Peru, 1981), one of the main exponents of graphic art in Spain, where he has been living for the last two decades.

Tania Pardo (Madrid, Spain, 1976) is the new Director of the Museo Centro de Arte Dos de Mayo (CA2M Museum), the museum of contemporary art of the Community of Madrid. Pardo's career until her recent appointment has been built on a detailed work of promotion and visibility of emerging art through the curatorial actions she has developed in numerous Spanish institutions.

Sargent’s Daughters is presenting the exhibition Inverso Mundus: Chimeras, the New York debut exhibition of internationally acclaimed Russian artist collective AES+F. 

On Thursday, April 18, 2024, the exhibition project Trámites, a duo-show by visual artists Yéssica Montero (1998, Dominican Republic) and Ernesto Rivera (1983, Dominican Republic), opened at the independent spaces of La Sociedad, in Santo Domingo.

The curatorial team of the Toronto Biennial of Art (the Biennial/TBA) and its curatorial team of Dominique Fontaine and Miguel A. López announced the title, full artist list and venues for its third edition.

The Institute for Studies on Latin American Art (ISLAA) presents the exhibition Threads to the South, curated by Anna Burckhardt Pérez. The group exhibition features works by over twenty artists from ten countries, including videos, photographs, paintings, works on paper, and textiles developed between 1967 and 2023.

The exhibition Bastardie is built around the practices of slangs, jargons, and other language experiments as laboratories for aesthetic and social positions. The group exhibition at KADIST proposes the following question: how are ways of speaking in constant productive relationships with forms of doing as well as looking?

Andres Serrano carries with him a sulfurous reputation that he has not tried to hide in this exhibition, where famous and forceful works are presented. Under the title “Portaits de L'Amérique” the Musée Maillol offers a survey of Serrano's “American” work from his earliest creations in the mid-1980s to his most recent.

On the occasion of the 100th anniversary of Ellsworth Kelly's birth, the Fondation Louis Vuitton pays tribute to the artist with the exhibition “Ellsworth Kelly Formes et Couleurs, 1949-2015”; the first exhibition in France to address in such a broad way the work of this essential creator of the second half of the 20th century, both for its chronology and for the techniques it brings together. Organized with the Glenstone Museum (Potomac, Maryland) and in collaboration with the Ellsworth Kelly Studio, it brings together more than a hundred works, covering a wide range of media used by the artist, from painting to sculpture, works on paper, collage and photography presented on the main and first floors of the Foundation.

Leonora Carrington’s painting "Les Distractions de Dagobert" (1945), valued between $12 to $18 million, is generating considerable excitement as it heads to auction at Sotheby's this May. Having been in an American collection since 1995, its upcoming sale not only reflects the escalating market demand for Carrington's pieces but also underscores the rising interest in female Surrealist artists.

Héctor Canonge began to explore the possibilities of performance almost without being aware of it. With an extensive career in the field of new media and the art surrounding these technologies, and almost by inertia, he incorporates the use of his body in one of his installations, Schema CorpoReal, where his body covered by bar codes was scanned by the public so that, through texts that emerged referring to parts of his body, they ended up constructing a narrative of identity.

The Museo Extremeño e Iberoamericano de Arte Contemporáneo (MEIAC) in Badajoz is exhibiting, under the title Paisaje Transferido, a wide-ranging show by MartÍn Lopez Lam (Lima, Peru, 1981), one of the main exponents of graphic art in Spain, where he has been living for the last two decades.

Tania Pardo (Madrid, Spain, 1976) is the new Director of the Museo Centro de Arte Dos de Mayo (CA2M Museum), the museum of contemporary art of the Community of Madrid. Pardo's career until her recent appointment has been built on a detailed work of promotion and visibility of emerging art through the curatorial actions she has developed in numerous Spanish institutions.

Sargent’s Daughters is presenting the exhibition Inverso Mundus: Chimeras, the New York debut exhibition of internationally acclaimed Russian artist collective AES+F. 

On Thursday, April 18, 2024, the exhibition project Trámites, a duo-show by visual artists Yéssica Montero (1998, Dominican Republic) and Ernesto Rivera (1983, Dominican Republic), opened at the independent spaces of La Sociedad, in Santo Domingo.

The curatorial team of the Toronto Biennial of Art (the Biennial/TBA) and its curatorial team of Dominique Fontaine and Miguel A. López announced the title, full artist list and venues for its third edition.

The Institute for Studies on Latin American Art (ISLAA) presents the exhibition Threads to the South, curated by Anna Burckhardt Pérez. The group exhibition features works by over twenty artists from ten countries, including videos, photographs, paintings, works on paper, and textiles developed between 1967 and 2023.

The exhibition Bastardie is built around the practices of slangs, jargons, and other language experiments as laboratories for aesthetic and social positions. The group exhibition at KADIST proposes the following question: how are ways of speaking in constant productive relationships with forms of doing as well as looking?

Andres Serrano carries with him a sulfurous reputation that he has not tried to hide in this exhibition, where famous and forceful works are presented. Under the title “Portaits de L'Amérique” the Musée Maillol offers a survey of Serrano's “American” work from his earliest creations in the mid-1980s to his most recent.

On the occasion of the 100th anniversary of Ellsworth Kelly's birth, the Fondation Louis Vuitton pays tribute to the artist with the exhibition “Ellsworth Kelly Formes et Couleurs, 1949-2015”; the first exhibition in France to address in such a broad way the work of this essential creator of the second half of the 20th century, both for its chronology and for the techniques it brings together. Organized with the Glenstone Museum (Potomac, Maryland) and in collaboration with the Ellsworth Kelly Studio, it brings together more than a hundred works, covering a wide range of media used by the artist, from painting to sculpture, works on paper, collage and photography presented on the main and first floors of the Foundation.

Héctor Canonge began to explore the possibilities of performance almost without being aware of it. With an extensive career in the field of new media and the art surrounding these technologies, and almost by inertia, he incorporates the use of his body in one of his installations, Schema CorpoReal, where his body covered by bar codes was scanned by the public so that, through texts that emerged referring to parts of his body, they ended up constructing a narrative of identity.

The Museo Extremeño e Iberoamericano de Arte Contemporáneo (MEIAC) in Badajoz is exhibiting, under the title Paisaje Transferido, a wide-ranging show by MartÍn Lopez Lam (Lima, Peru, 1981), one of the main exponents of graphic art in Spain, where he has been living for the last two decades.

Tania Pardo (Madrid, Spain, 1976) is the new Director of the Museo Centro de Arte Dos de Mayo (CA2M Museum), the museum of contemporary art of the Community of Madrid. Pardo's career until her recent appointment has been built on a detailed work of promotion and visibility of emerging art through the curatorial actions she has developed in numerous Spanish institutions.

Sargent’s Daughters is presenting the exhibition Inverso Mundus: Chimeras, the New York debut exhibition of internationally acclaimed Russian artist collective AES+F. 

On Thursday, April 18, 2024, the exhibition project Trámites, a duo-show by visual artists Yéssica Montero (1998, Dominican Republic) and Ernesto Rivera (1983, Dominican Republic), opened at the independent spaces of La Sociedad, in Santo Domingo.

The curatorial team of the Toronto Biennial of Art (the Biennial/TBA) and its curatorial team of Dominique Fontaine and Miguel A. López announced the title, full artist list and venues for its third edition.

The Institute for Studies on Latin American Art (ISLAA) presents the exhibition Threads to the South, curated by Anna Burckhardt Pérez. The group exhibition features works by over twenty artists from ten countries, including videos, photographs, paintings, works on paper, and textiles developed between 1967 and 2023.

The exhibition Bastardie is built around the practices of slangs, jargons, and other language experiments as laboratories for aesthetic and social positions. The group exhibition at KADIST proposes the following question: how are ways of speaking in constant productive relationships with forms of doing as well as looking?

Andres Serrano carries with him a sulfurous reputation that he has not tried to hide in this exhibition, where famous and forceful works are presented. Under the title “Portaits de L'Amérique” the Musée Maillol offers a survey of Serrano's “American” work from his earliest creations in the mid-1980s to his most recent.

On the occasion of the 100th anniversary of Ellsworth Kelly's birth, the Fondation Louis Vuitton pays tribute to the artist with the exhibition “Ellsworth Kelly Formes et Couleurs, 1949-2015”; the first exhibition in France to address in such a broad way the work of this essential creator of the second half of the 20th century, both for its chronology and for the techniques it brings together. Organized with the Glenstone Museum (Potomac, Maryland) and in collaboration with the Ellsworth Kelly Studio, it brings together more than a hundred works, covering a wide range of media used by the artist, from painting to sculpture, works on paper, collage and photography presented on the main and first floors of the Foundation.

Leonora Carrington’s painting "Les Distractions de Dagobert" (1945), valued between $12 to $18 million, is generating considerable excitement as it heads to auction at Sotheby's this May. Having been in an American collection since 1995, its upcoming sale not only reflects the escalating market demand for Carrington's pieces but also underscores the rising interest in female Surrealist artists.

Héctor Canonge began to explore the possibilities of performance almost without being aware of it. With an extensive career in the field of new media and the art surrounding these technologies, and almost by inertia, he incorporates the use of his body in one of his installations, Schema CorpoReal, where his body covered by bar codes was scanned by the public so that, through texts that emerged referring to parts of his body, they ended up constructing a narrative of identity.

The Museo Extremeño e Iberoamericano de Arte Contemporáneo (MEIAC) in Badajoz is exhibiting, under the title Paisaje Transferido, a wide-ranging show by MartÍn Lopez Lam (Lima, Peru, 1981), one of the main exponents of graphic art in Spain, where he has been living for the last two decades.

Tania Pardo (Madrid, Spain, 1976) is the new Director of the Museo Centro de Arte Dos de Mayo (CA2M Museum), the museum of contemporary art of the Community of Madrid. Pardo's career until her recent appointment has been built on a detailed work of promotion and visibility of emerging art through the curatorial actions she has developed in numerous Spanish institutions.

Sargent’s Daughters is presenting the exhibition Inverso Mundus: Chimeras, the New York debut exhibition of internationally acclaimed Russian artist collective AES+F. 

On Thursday, April 18, 2024, the exhibition project Trámites, a duo-show by visual artists Yéssica Montero (1998, Dominican Republic) and Ernesto Rivera (1983, Dominican Republic), opened at the independent spaces of La Sociedad, in Santo Domingo.

The curatorial team of the Toronto Biennial of Art (the Biennial/TBA) and its curatorial team of Dominique Fontaine and Miguel A. López announced the title, full artist list and venues for its third edition.

The Institute for Studies on Latin American Art (ISLAA) presents the exhibition Threads to the South, curated by Anna Burckhardt Pérez. The group exhibition features works by over twenty artists from ten countries, including videos, photographs, paintings, works on paper, and textiles developed between 1967 and 2023.

The exhibition Bastardie is built around the practices of slangs, jargons, and other language experiments as laboratories for aesthetic and social positions. The group exhibition at KADIST proposes the following question: how are ways of speaking in constant productive relationships with forms of doing as well as looking?

Andres Serrano carries with him a sulfurous reputation that he has not tried to hide in this exhibition, where famous and forceful works are presented. Under the title “Portaits de L'Amérique” the Musée Maillol offers a survey of Serrano's “American” work from his earliest creations in the mid-1980s to his most recent.

On the occasion of the 100th anniversary of Ellsworth Kelly's birth, the Fondation Louis Vuitton pays tribute to the artist with the exhibition “Ellsworth Kelly Formes et Couleurs, 1949-2015”; the first exhibition in France to address in such a broad way the work of this essential creator of the second half of the 20th century, both for its chronology and for the techniques it brings together. Organized with the Glenstone Museum (Potomac, Maryland) and in collaboration with the Ellsworth Kelly Studio, it brings together more than a hundred works, covering a wide range of media used by the artist, from painting to sculpture, works on paper, collage and photography presented on the main and first floors of the Foundation.

Leonora Carrington’s painting "Les Distractions de Dagobert" (1945), valued between $12 to $18 million, is generating considerable excitement as it heads to auction at Sotheby's this May. Having been in an American collection since 1995, its upcoming sale not only reflects the escalating market demand for Carrington's pieces but also underscores the rising interest in female Surrealist artists.

Héctor Canonge began to explore the possibilities of performance almost without being aware of it. With an extensive career in the field of new media and the art surrounding these technologies, and almost by inertia, he incorporates the use of his body in one of his installations, Schema CorpoReal, where his body covered by bar codes was scanned by the public so that, through texts that emerged referring to parts of his body, they ended up constructing a narrative of identity.

The Museo Extremeño e Iberoamericano de Arte Contemporáneo (MEIAC) in Badajoz is exhibiting, under the title Paisaje Transferido, a wide-ranging show by MartÍn Lopez Lam (Lima, Peru, 1981), one of the main exponents of graphic art in Spain, where he has been living for the last two decades.

Tania Pardo (Madrid, Spain, 1976) is the new Director of the Museo Centro de Arte Dos de Mayo (CA2M Museum), the museum of contemporary art of the Community of Madrid. Pardo's career until her recent appointment has been built on a detailed work of promotion and visibility of emerging art through the curatorial actions she has developed in numerous Spanish institutions.

Sargent’s Daughters is presenting the exhibition Inverso Mundus: Chimeras, the New York debut exhibition of internationally acclaimed Russian artist collective AES+F. 

On Thursday, April 18, 2024, the exhibition project Trámites, a duo-show by visual artists Yéssica Montero (1998, Dominican Republic) and Ernesto Rivera (1983, Dominican Republic), opened at the independent spaces of La Sociedad, in Santo Domingo.

The curatorial team of the Toronto Biennial of Art (the Biennial/TBA) and its curatorial team of Dominique Fontaine and Miguel A. López announced the title, full artist list and venues for its third edition.

The Institute for Studies on Latin American Art (ISLAA) presents the exhibition Threads to the South, curated by Anna Burckhardt Pérez. The group exhibition features works by over twenty artists from ten countries, including videos, photographs, paintings, works on paper, and textiles developed between 1967 and 2023.

The exhibition Bastardie is built around the practices of slangs, jargons, and other language experiments as laboratories for aesthetic and social positions. The group exhibition at KADIST proposes the following question: how are ways of speaking in constant productive relationships with forms of doing as well as looking?

Andres Serrano carries with him a sulfurous reputation that he has not tried to hide in this exhibition, where famous and forceful works are presented. Under the title “Portaits de L'Amérique” the Musée Maillol offers a survey of Serrano's “American” work from his earliest creations in the mid-1980s to his most recent.

On the occasion of the 100th anniversary of Ellsworth Kelly's birth, the Fondation Louis Vuitton pays tribute to the artist with the exhibition “Ellsworth Kelly Formes et Couleurs, 1949-2015”; the first exhibition in France to address in such a broad way the work of this essential creator of the second half of the 20th century, both for its chronology and for the techniques it brings together. Organized with the Glenstone Museum (Potomac, Maryland) and in collaboration with the Ellsworth Kelly Studio, it brings together more than a hundred works, covering a wide range of media used by the artist, from painting to sculpture, works on paper, collage and photography presented on the main and first floors of the Foundation.